Community Music Pro Dev

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    Community Music Pro Dev - Presentation Transcript

    1. Understanding the theory and practice of Community Music Professional Development Course October 6 th 2007
    2. Universal Declaration of Human Rights Article 27
      • Everyone has the right to freely participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.
    3. Theory…
      • Who told you that you couldn’t do this?
      • Welcome to a newer you. (Community Music Handbook, Pete Moser)
      • Community music comprises music activities in a community control those activities.
      • (federation of Music Collective, based on the wrings of Anne Cahill)
    4. Theory…
      • The Personal touch is everything (Phil Mullen)
      • Creative work is organized chaos (Evelyn Grant)
      • In Community Music, the group is the curriculum (Frances Shanahan)
      • A “community” doesn’t have to be a geographical one (Sound Sense)
    5. Theory …
      • Community Music activities are based on
      • the premise that everyone has the right
      • and ability to make music…
      • … Such programmes can act as a
      • counterbalance and/or complement to
      • formal music institutions and commercial
      • music concerns…
      • (ISME Commission for Community Music Activity Many Music's- One Circle 1998)
    6. Theory…
      • Community Music activity is often a process in
      • which the participants themselves change and
      • develop making new discoveries about
      • themselves, empowering themselves, finding new
      • identity within a community… gaining new
      • understanding and tolerance. These achievements result
      • when the participant has direction of the process… the
      • empowerment of the community music worker and
      • Trainee must also be borne in mind.
      • (ISME CMA Commission The Role of Music in a Changing World 1992)
    7. Practice…
      • Participatory
      • Facilitates creativity/listening/performing
      • Develops skills
      • Inspires/enables/shares
      • Encourages ownership
      • Inclusive- all ages, skills, background,
      • culture
    8. Practice…
      • Workshop Fundamentals
      • Safe Place
      • Circle (trust, belonging, caring, empathy)
      • Facilitation
      • Commitment to creativity
      • Within a particular genre
      • All styles accepted
      • Access-Space
      • Access-Language
    9. Practice…
      • Positive Reinforcement Inclusive approach
      • Inclusive approach
      • Together empowered
      • Towards democracy of process
      • Individuation
      • Process and product of equal value
      • Acceptance that a person’s musical and personal growth are of equal importance
      • Commitment to evaluation and accountability fun
    10. Practice…
      • What is it
      • Who is it for
      • Where does it happen
      • What happens
      • Why
    11.  
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