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Proposal 15% Oct 3 <ul><li>POST to AnmL site before class on Group Forum  </li></ul><ul><li>500 word max. (not a word more...
The   Elements   and   Principles of Art
The Elements of Art The building blocks  or  ingredients of art.
LINE A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebo...
Pablo Picasso
C O L OU R Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Henri Matis...
V A L U E The lightness or darkness of a colour. MC Escher Pablo Picasso
SHAPE An enclosed area defined and determined by other art elements; 2-dimensional. Joan Miro
Gustave Caillebotte
FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional. For example, a tria...
S P A C E Robert Mapplethorpe Claude Monet The distance or area between, around, above, below, or within things.  Positive...
TEXTURE The surface quality or &quot;feel&quot; of an object, its smoothness, roughness, softness, etc. Textures may be ac...
Cecil Buller
The Principles of Art What we use to organize the Elements of Art, or  the tools to make art.
B A L A N C E The way the elements are arranged to create a feeling of stability in a work.  Alexander Calder
Symmetrical Balance The parts of an image are organized so that one side mirrors the other.  Leonardo DaVinci
Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
EMPH A SIS The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
RHYTHM  RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM and MOVEMENT A regular repetition of elements to produce the look and feel of m...
Vincent VanGogh
P A T T E R N and Repetition Repetition of a design. Gustav Klimt
UNITY When all the elements and principles work together to create a pleasing image. Johannes Vermeer
 
V A R I E T Y The use of differences and change to increase the visual interest of the work.  Marc Chagall
P R O P O R T I O N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. ...
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Week3

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  • Line can be expressive Horizontal Vertical Curved / Organic Straight / Angular ZigZag, etc.
  • Colour Wheel Primary / Secondary / Tertiary Complimentary Analagous
  • Symmetrical Asymmetrical Horizontal Vertical Diagonal Radial
  • Transcript of "Week3"

    1. 1. Proposal 15% Oct 3 <ul><li>POST to AnmL site before class on Group Forum </li></ul><ul><li>500 word max. (not a word more) </li></ul><ul><li>& PITCH (10 min.) IN STUDIO: </li></ul><ul><li>“ What Why Who Where When” </li></ul><ul><li>& </li></ul><ul><li>Brainstorm with AnmLs </li></ul><ul><li>-AFTER- </li></ul><ul><li>David & Meaghan will review and post approval or recommended revisions. </li></ul><ul><li>Once a proposal is approved, full marks are granted and groups can proceed to develop their personal and group rubric and flowchart. </li></ul>
    2. 2. The Elements and Principles of Art
    3. 3. The Elements of Art The building blocks or ingredients of art.
    4. 4. LINE A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
    5. 5. Pablo Picasso
    6. 6. C O L OU R Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Henri Matisse Alexander Calder
    7. 7. V A L U E The lightness or darkness of a colour. MC Escher Pablo Picasso
    8. 8. SHAPE An enclosed area defined and determined by other art elements; 2-dimensional. Joan Miro
    9. 9. Gustave Caillebotte
    10. 10. FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional. For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form. Jean Arp Lucien Freud
    11. 11. S P A C E Robert Mapplethorpe Claude Monet The distance or area between, around, above, below, or within things. Positive (filled with something) and Negative (empty areas). Foreground, Middleground and Background (creates DEPTH)
    12. 12. TEXTURE The surface quality or &quot;feel&quot; of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied.
    13. 13. Cecil Buller
    14. 14. The Principles of Art What we use to organize the Elements of Art, or the tools to make art.
    15. 15. B A L A N C E The way the elements are arranged to create a feeling of stability in a work. Alexander Calder
    16. 16. Symmetrical Balance The parts of an image are organized so that one side mirrors the other. Leonardo DaVinci
    17. 17. Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
    18. 18. EMPH A SIS The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
    19. 19. CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
    20. 20. RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM and MOVEMENT A regular repetition of elements to produce the look and feel of movement. Marcel Duchamp
    21. 21. Vincent VanGogh
    22. 22. P A T T E R N and Repetition Repetition of a design. Gustav Klimt
    23. 23. UNITY When all the elements and principles work together to create a pleasing image. Johannes Vermeer
    24. 25. V A R I E T Y The use of differences and change to increase the visual interest of the work. Marc Chagall
    25. 26. P R O P O R T I O N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. Gustave Caillebotte
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