AP Ch24 -1600 to 1700
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AP Ch24 -1600 to 1700 Presentation Transcript

  • 1. Chapter 24Italy and Spain 1600-1700 Chapter 24 Italy and Spain, 1600 to 1700 1
  • 2. Europe in the 17th Century 2
  • 3. Goals• Understand the influence of the Roman Catholic Church on art and architecture in 17th century Italy and Spain• Recall hallmark formal devices used by Baroque artists and architects• Identify representative Baroque artists and their works• Identify representative Baroque architects and their works• Recognize and cite artistic terminology from this period 3
  • 4. 24.1 Baroque Art• Recognize the distinctive characteristics of the Baroque style• Identify representative Baroque artists and their works• Identify representative Baroque architects and their works• Compare and contrast the work of Italian and Spanish Baroque painters• Recognize and cite artistic terminology from this period  4
  • 5. Figure 24-2 CARLO MADERNO, facade ofSanta Susanna, Rome, Italy, 1597–1603. 5
  • 6. Figure 24-3 CARLO MADERNO, facade of Saint Peter’s, Vatican City, Rome, Italy, 1606–1612. 6
  • 7. Figure 24-4 Aerial view of Saint Peter’s, Vatican City, Rome, Italy. Piazza designed byGIANLORENZO BERNINI, 1656-1667. 8
  • 8. Figure 24-4 alternate view Aerial view of Saint Peter’s, Vatican City, Rome, Italy, 1506–1666. 9
  • 9. Figure 24-5 GIANLORENZO BERNINI,baldacchino, Saint Peter’s, Vatican City,Rome, Italy, 1624–1633. Gilded bronze,100’ high. 10
  • 10. Figure 24-6 GIANLORENZO BERNINI, Scala Regia(Royal Stairway), Vatican City, Rome, Italy, 1663–1666. 11
  • 11. Figure 24-7 GIANLORENZO BERNINI, David, 1623.Marble, 5’ 7” high. Galleria Borghese, Rome. 12
  • 12. Figure 24-1 GIANLORENZOBERNINI, inerior of the Cornaro Chapel,Santa Maria della vittoria, Rome, Italy,1645-1652. 14
  • 13. Figure 24-8 GIANLORENZO BERNINI, Ecstasy ofSaint Teresa, Cornaro Chapel, Santa Maria della Vittoria,Rome, Italy, 1645–1652. Marble, height of group 11’6”. 15
  • 14. Figure 24-9 FRANCESCO BORROMINI, facade of San Carloalle Quattro Fontane, Rome, Italy, 1665–1676. 16
  • 15. Figure 24-10 FRANCESCO BORROMINI, plan ofSan Carlo alle Quattro Fontane, Rome, Italy, 1638–1641. 17
  • 16. Figure 24-11 FRANCESCO BORROMINI, SanCarlo alle Quattro Fontane (view into dome), Rome,Italy, 1638-1641. 18
  • 17. Figure 24-12 FRANCESCO BORROMINI, Chapelof Saint Ivo, College of the Sapienza, Rome, Italy,begun 1642. 19
  • 18. Figure 24-13 FRANCESCO BORROMINI, plan ofthe Chapel of Saint Ivo, College of the Sapienza, Rome,Italy, begun 1642. 20
  • 19. Figure 24-14 FRANCESCO BORROMINI, Chapel of Saint Ivo (view into dome), College of the Sapienza, Rome, Italy,begun 1642. 21
  • 20. Figure 24-15 ANNIBALE CARRACCI, Flight into Egypt, 1603–1604. Oil on canvas, 4’ x 7’ 6”. Galleria Doria Pamphili,Rome. 22
  • 21. Figure 24-16 ANNIBALECARRACCI, Loves of the Gods, ceilingfrescoes in the gallery, PalazzoFarnese, Rome, Italy, 1597–1601. 23
  • 22. Figure 24-17 CARAVAGGIO, Conversion ofSaint Paul, ca. 1601. Oil on canvas, 7’ 6” x 5’ 9”.Cerasi Chapel, Santa Maria del Popolo, Rome. 24
  • 23. Figure 24-18 CARAVAGGIO, Calling of Saint Matthew, ca. 1597–1601. Oil on canvas, 11’ 1” x 11’ 5”. Contarelli Chapel,San Luigi dei Francesi, Rome 25
  • 24. Figure 24-19 CARAVAGGIO, Entombment, from thechapel of Pietro Vittrice, Santa Maria in Vallicella,Rome, Italy, ca. 1603. Oil on canvas, 9’ 10 1/8” x 6’ 715/16”. Musei Vaticani, Rome. 26
  • 25. Figure 24-20 ARTEMISIAGENTILESCHI, Judith Slaying Holofernes,ca. 1614–1620. Oil on canvas, 6’ 6 1/3” x5’ 4”. Galleria degli Uffizi, Florence. 27
  • 26. Figure 24-21 QUIDO RENI, Aurora, ceiling fresco in the Casino Rospigliosi, Rome, Italy, 1613–1614. 28
  • 27. Figure 24-22 PIETRO DA CORTONA, Triumph of the Barberini, ceiling fresco in the Gran Salone, Palazzo Barberini,Rome, Italy, 1633–1639. 29
  • 28. Figure 24-23 GIOVANNI BATTISTA GAULLI, Triumph of the Name of Jesus, ceiling fresco with stucco figures in thenave vault of Il Gesù, Rome, Italy, 1676–1679. 30
  • 29. Figure 24-24 FRA ANDREA POZZO, Glorification of Saint Ignatius, ceiling fresco in the nave of Sant’Ignazio, Rome, Italy,1691–1694. 31
  • 30. Figure 24-25 JOSÉ DE RIBERA, Martyrdom of Saint Bartholomew, ca. 1639. Oil on canvas, 7’ 8” x 7’ 8”. Museo del Prado,Madrid. 32
  • 31. Figure 24-26 FRANCISCO DEZURBARÁN, Saint Serapion, 1628. Oilon canvas, 3’ 11 1/2” x 3’ 4 3/4”.Wadsworth Atheneum, Hartford (TheElla Gallup Sumner and Mary CatlinSumner Collection Fund). 33
  • 32. Figure 24-27 DIEGO VELÁZQUEZ, WaterCarrier of Seville, ca. 1619. Oil on canvas, 3’ 51/2” x 2’ 7 1/2”. Victoria & Albert Museum,London. 34
  • 33. Figure 24-29 DIEGO VELÁZQUEZ, Surrender of Breda, 1634–1635. Oil on canvas, 10’ 1” x 12’ 1/2”. Museo del Prado,Madrid. 35
  • 34. Figure 24-28 DIEGO VELÁZQUEZ, KingPhilip IV of Spain (Fraga Philip), 1644. Oil oncanvas, 4’ 3 1/8” x 3’ 3 1/8”. The FrickCollection, New York. 36
  • 35. Figure 24-30 DIEGO VELÁZQUEZ,Las Meninas (The Maids of Honor), 1656. Oilon canvas, approx. 10’ 5” x 9’. Museo delPrado, Madrid. 37