Pechakucha

Loading...

Flash Player 9 (or above) is needed to view presentations.
We have detected that you do not have it on your computer. To install it, go here.

0 comments

Post a comment

    Post a comment
    Embed Video
    Edit your comment Cancel

    2 Favorites

    Pechakucha - Presentation Transcript

    1. Visual Image Search and Physical Hyperlinks anselm@hook.org paigesaez@gmail.com
    2. project #1: qrcodelove.com • Two years ago Paige fell in love. • With a barcode. • QRCodes; a low-fi version of physical hyperlinks
    3. Physical Hyperlinks • Physical hyperlink is a neologism that refers to extending the Internet to objects and locations in the real world. • Physical hyperlinking does this by attaching urls to tangible objects or locations.
    4. for example
    5. • if you can decorate the world with an encoded semiotics - what do you say? • graffiti? criticism? warnings? advertise? outboard memory palaces?
    6. • The QRCode acts as a visual semiotic language extending and connecting between things and the internet • What else can do that?
    7. project #2: visual search
    8. How does it work? • same basic idea as the qrcode project except only now there is no code • We take a photograph of something and find similar images using robot vision techniques • Like a barcode we get back context
    9. Such as... • Criticism and praise • Author, description, • History, Medium, era, • Similar looking images • Where to get more • Your longitude,latitude
    10. Locative uses • bookmarking places • knowing where your friends are or were • knowing where you are • a landscape like australian song lines
    11. Entering mainstream • Tonchidot • Photosynth • Tineye • Spellbinder • Snaptell
    12. Implications? • Images used to be mute; how does this alter our relationship, interpretation and construction of images? • Will images supplant words as a way of talking to computers? To each other? • For example see
    13. Legal freight trains • If most peoples reality is mediated by a consensual interpretation - one not favorable to brands - how will brand owners respond?
    14. And who owns our (augmented) reality?
    15. Code is law • Copyright owners may over-eagerly scour the web looking for theft - reducing everybody elses vocabulary. • Having a power doesn’t mean we should always use it.
    16. finding a balance • How do we avoid being overzealous one way or the other? • How can we protect free speech? • How do we protect fair use?
    17. Our thoughts • Foster an open image commons • Like Wikipedia • Associates images with meta-data • Protects common interest • Prevents undue private control
    18. Building it • Add photographs • Document them • Creative Commons Licensing • Let anybody (not just Google) handle search requests
    19. • Become conscious of your images
    20. Thanks • paigesaez@gmail.com • anselm@hook.org • http://makerlab.org • http://twitter.com/anselm

    + anselmanselm, 2 years ago

    custom

    560 views, 2 favs, 0 embeds more stats

    image recognition theory implications law policy au more

    More info about this document

    © All Rights Reserved

    Go to text version

    • Total Views 560
      • 560 on SlideShare
      • 0 from embeds
    • Comments 0
    • Favorites 2
    • Downloads 4
    Most viewed embeds

    more

    All embeds

    less

    Flagged as inappropriate Flag as inappropriate
    Flag as inappropriate

    Select your reason for flagging this presentation as inappropriate. If needed, use the feedback form to let us know more details.

    Cancel
    File a copyright complaint
    Having problems? Go to our helpdesk?

    Categories

    Tags