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DSLR and PS Parts

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ARTV-108 (Introduction to Photography) …

ARTV-108 (Introduction to Photography)
Friday; 3:00PM-6:00PM

Published in: Education, Art & Photos, Business

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Transcript

  • 1. SAMSUNG ACE LUMIX LX5 CANON 550 D S 5830
  • 2. WHEN do you use your CAMERA? WHAT camera you have today? And INTRODUCE yourself.
  • 3. www.robfontanilla.com
  • 4. DSLR POINT AND SHOOT
  • 5. FLASHOFFCAM ONCAM
  • 6. Shutter release cable
  • 7. CANON NIKON
  • 8. M Manual AV Aperture Priority TVShutter Speed Priority P Program
  • 9. Exposure Mode How it works Auto □ Camera automatically selects all exposure settings. Camera automatically selects aperture & shutter speed; you can choose Program (P) corresponding ISO & exposure compensation. With some cameras, P can also acts as hybrid of the AV & TV modes. Aperture Priority You specify the aperture & ISO, the camera’s metering determines the (AV) corresponding camera shutter speed You specify the shutter speed & ISO, the camera’s metering determines the Shutter Speed corresponding camera aperture Priority (TV) You specify the aperture, shutter speed & ISO, regardless of whether these values Manual (M) will lead to correct exposure Useful for exposure longer than 30 seconds, you specify the aperture & ISO and Bulb (B) shutter speed will be manually determined through a release switch or re-pressing of shutter release button
  • 10. Basic Zones / AUTO ModesPortrait Mode - A side (profile) view of a HEAD. - This modebrings subjects in the foreground into sharp focus, and mayenlist the use of a larger aperture to blur the background.Landscape Mode - Icon: MOUNTAINS. - This mode is fortaking shots of distant objects, or wide-angle shots, and willbring background objects more clearly into focus by setting asmaller aperture.Night Scene Mode - Icon containing a STAR- This mode usesflash and a slower shutter speed to illuminate the subject andallow more light to enter the cameraMacro Mode - Icon: FLOWER- Used for extreme close-upshots where the camera may have trouble focusing in othermodes.Sports / Action Mode - Icon: RUNNING PERSON- Use thismode for shots in which there is a good amount of motion whichyou want to capture without blurring.Movie Mode: Many cameras let you record MPEG orQuickTime videos to the same memory card storing your photos
  • 11. Absence of additionaldial, we need to press abutton to change theaperture
  • 12. * Focusing points can be manually change to various positions
  • 13.  Information Shutter Speed Aperture ISO Setting White Balance Meter Indicator Drive Option Compression Focus indicator Battery Indicator Sound Number of Shots
  • 14. Shutter Speed Battery Indicator Aperture Image Quality White Balance ISO speed Metering Mode Exposure Compensation Shot Counter
  • 15. NOONBluish or white incast during mid ofthe day, its cooler interms of colortemperature
  • 16. AM & PMRed/Orange Colorcasting during earlyin the morning andlate in the afternoon
  • 17. tungsten tungsten Studio light firelight fluorescent daylight
  • 18. METER BUTTON
  • 19. -2 -1 0 +1 +2
  • 20.  Most common with a 1.5 to1.6 crop factor. APS C - Advanced PhotoSystem type-C (APS-C) is in animage sensor formatapproximately equivalent size tothe Advance Photo System"classic" size negatives. Thesenegatives were 25.1 × 16.7 mmand had an aspect ratio 3:2. 4:3 format has a crop factor of2.0 (Olympus) Full Frame same as 36 x 24size
  • 21. SENSOR COVERAGE
  • 22. COMPRESSION RAW HIGH JPEG Fine, Normal & BasicMEDIUM JPEG Fine, Normal & BasicSMALL JPEG Fine, Normal & Basic
  • 23. Focusing RingZooming Ring
  • 24. Optical Zoom vs. Digital Zoom
  • 25.  Normal Lenses  Wide Angle Lenses Telephoto Lenses  Special Lenses Macro Lenses Tilt & Shift Lenses Fish Eye Lenses
  • 26. FIXED LENS ZOOM LENS
  • 27. Optical aberrations occur when points of the image do not translate backonto single points after passing through the lens, causing imageblurring, reduced contrast or misalignment of colors (chromatic aberration).Lenses may also suffer from uneven, radially decreasing image brightness(vignette) or distortion.
  • 28. Chromatic Loss of Vignette Blurring DistortionAberrations Contrast
  • 29. Wide Angle LensesSuper Wide Angle LensesNormal LensesTelephoto LensesSuper Telephoto Lenses
  • 30. WIDE ANGLE LENS Super Wide Wide Angle Angle• 6 to 24 mm • 28 to 35 mm
  • 31. NORMAL LENS Normal Lens • 50 mm
  • 32. Telephoto Lens Super Telephoto Telephoto • 300 mm • 70 to 200 mm upward
  • 33. 14 mm TICAO ISLAND, PHILIPPINES
  • 34. 14 mm MACAU, CHINA
  • 35. 15 mm Fish eye BOHOL, PHILIPPINES
  • 36. 16 mm BANGKOK,THAILAND
  • 37. 18 mm AMSTERDAM f/ 5.6 1/1000 sec. ISO 100
  • 38. 18 mm BERN, SWITZERLAND f/ 8.0 1/320 sec. ISO 100
  • 39. 27 mm ROME, ITALY f/ 5.0 1/320 sec. ISO 200
  • 40. 37 mm LINZ AUSTRIA f/ 5.6 1/500 ISO 100 sec.
  • 41. 50 mm PARIS , FRANCE f/ 8.0 1/320 sec. ISO 100
  • 42. 90 mm PARIS, FRANCE f/ 5.6 1/1000 sec. ISO 100
  • 43. 135 mm NETHERLANDS f/ 8.0 1/1000 sec. ISO 100
  • 44. 200 mm BENGUET f/ 8.0
  • 45. 70 -135 MMPORTRAIT LENS RANGE
  • 46. MACRO LENS
  • 47. MACRO LENS
  • 48. Lens opening 3.5 – 5.6, as 3.5 maximum opening at its shortest focal length and 5.6 onits longest.2.8 only – means maximum opening all length .Minimum Focusing distance – wide angle lens has a greater minimum focusingdistance than a telephoto.Macro lenses – has the most, in terms of minimum focusing distance