Fall2008final

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    Fall2008final - Presentation Transcript

    1. Spin on the Waltz By: Ambreen Hussain
    2. Thesis Statement • My thesis aims to redefine the role of the female in the Viennese waltz in forms of choreography and costume through wearable and motion sensor technologies in order to maintain balanced gendered roles in the Viennese waltz where these elements are absent.
    3. Exploratory Process
    4. Domains Interactive Instruments Wearables Performance Art
    5. Domains Sensors for Sound Costumes Dance
    6. Modern • emerged from trying Dance to rebel from the constraints of ballet technique & costume • focus more on self-expression rathe than technical proficiency
    7. Observe Interactive Instruments
    8. The Precedent Language Game Interactive Instruments
    9. The Precedent Peony Pavilion
    10. Prototype 1
    11. Prototype 2
    12. Prototype 3
    13. Prototype 3
    14. Problem I was getting more questions than I was answers...
    15. Timeline 1920 -30’s 1960-80’s ? ...ballet postmodern dance modern dance Futurist Manifesto Martha Graham Merce Cunningham
    16. Viennese Waltz
    17. Waltz as a dance Body language: how far a woman is in millimeters speaks in a way that can go unnoticed to the eye in dance
    18. Role of Female From Revolving Embrace: The Waltz as Sex, Steps and Sound “Men composed hundreds of waltzes for dierent purposes, for dierent instruments, and men used the waltz according to the meaning they created to define their female characters in dramatic works.”-Yaraman 119. “In the 19th century, women composed predominantly in smaller forms and for a limited range of instruments.” -120.
    19. New Domains Interactive Wearables Instruments Performance Art Feminist Theory
    20. Specified Audience
    21. User Scenario
    22. Prototype 4
    23. Problems • reads acceleration, not the range • circuit can not fulfill the design task
    24. Prototype 6
    25. Prototype 6
    26. Research Questions • What is the eect on the audience? • What is the eect on the dancers? • How will it function? • How can a wearable act as an agent for starting a dialogue on gender roles in a classical dance?
    27. In January • Attend and observe Viennese waltz classes and dancers • Attend a conference on fabrics and costume design • Continue to prototype the eects of sound and dancers without technology • prototype a functioning wearable
    28. Goal

    + ambreenhambreenh, 10 months ago

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