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17TH /18TH CENTURY




      ART BLOSSOMS
BAROQUE
Baroque
►   1600 – 1750.

►   From a Portuguese word “barocca”,
    meaning “a pearl of irregular shape.”

►   Implies strangeness, irregularity, and
    extravagance.

►   The more dramatic, the better!
Baroque Style of Art & Architecture


►   Dramatic, emotional.
►   Colors were brighter than bright; darks
    were darker than dark.
►   Counter-Reformation art.
►   Paintings & sculptures in church contexts
    should speak to the illiterate rather than to
    the well-informed.
►   Ecclesiastical art --> appeal to emotions.
►   Holland --> Real people portrayed as the
    primary subjects.
Sicilian Baroque: San Benedetto in Catania.
Santa Susanna: Carlo Maderno
Sant'Andrea al Quirinale (1658),
Façade of
Sant'Andrea al
Quirinale,
bearing cardinal Pamphili crest.
                           Compiled by:
                                          Arch Maria Mynn   8
                                   Porciuncula-Alfonso
Compiled by:
               Arch Maria Mynn   9
        Porciuncula-Alfonso
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TREVI FOUNTAIN
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ST. PETER’S ROME
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ST. PETERS,
  ROME
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St. Peter’s tomb
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MAP ROOM
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pieta
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St. Mary Basilica VENICE
Sicilian Baroque: San Benedetto in Catania
Sant'Ivo alla Sapienza: Francesco
            Borromini
Palais du Luxembourg
CHATEAU DE CHANTILLY
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TAJ MAHAL
HUMAJUN
LOUVRE
Chateaux - Amboise
CHAMBORD
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CHENONCEAU
Chateau at Blois
Blois
FONTAINBLEU
Title: Stucco and wall painting   Source/ Museum: Chamber of the duchess of Étampes, Château of Fontainebleau
Artist: Primaticcio               Medium: n/a
Date: 1540s                       Size: n/a
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TIMBUKTU –MALI 1600
church of Weltenburg Abbey
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St Peter’s Vienna
ST PAUL’S LONDON 1632
ST. GENEVIVE CHURCH PARIS 1755
LES INVALIDES PARIS
CHISWICK HOUSE 1725
Chatsworth House
ST.CHARLES BORROMEO CHURCH VIENNA
               1715
CHURCH MUNICH
ZWINGER PALACE DRESDEN 1705
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CASTLE HOWARD -YORK
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SEATON DELAVAL HALL 1719
BLENHEIM PALACE
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RADCLIFFE
  LIBRARY
OXFORD 1737
wiblingen
Churrigueresque.
Within half a century, they
transformed Salamanca into
an exemplary
Churrigueresque city.
Among the highlights of the
style, interiors of the
Granada Charterhouse offer
some of the most
impressive combinations of
space and light in 18th-
century Europe. Integrating
sculpture and architecture
even more radically,
Narciso Tomé achieved
striking chiaroscuro
effects in his Transparente
for the Toledo Cathedral.
                              81
SANTIAGO DI COMPASTELLA   82
San Francisco de Asís Church,
Lima, 1673.


                                83

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17 thc y