17TH /18TH CENTURY      ART BLOSSOMS
BAROQUE
Baroque►   1600 – 1750.►   From a Portuguese word “barocca”,    meaning “a pearl of irregular shape.”►   Implies strangene...
Baroque Style of Art & Architecture►   Dramatic, emotional.►   Colors were brighter than bright; darks    were darker than...
Sicilian Baroque: San Benedetto in Catania.
Santa Susanna: Carlo Maderno
SantAndrea al Quirinale (1658),
Façade ofSantAndrea alQuirinale,bearing cardinal Pamphili crest.                           Compiled by:                   ...
Compiled by:               Arch Maria Mynn   9        Porciuncula-Alfonso
TREVI FOUNTAIN
ST. PETER’S ROME
ST. PETERS,  ROME
St. Peter’s tomb
MAP ROOM
pieta
St. Mary Basilica VENICE
Sicilian Baroque: San Benedetto in Catania
SantIvo alla Sapienza: Francesco            Borromini
Palais du Luxembourg
CHATEAU DE CHANTILLY
TAJ MAHAL
HUMAJUN
LOUVRE
Chateaux - Amboise
CHAMBORD
CHENONCEAU
Chateau at Blois
Blois
FONTAINBLEU
Title: Stucco and wall painting   Source/ Museum: Chamber of the duchess of Étampes, Château of FontainebleauArtist: Prima...
TIMBUKTU –MALI 1600
church of Weltenburg Abbey
St Peter’s Vienna
ST PAUL’S LONDON 1632
ST. GENEVIVE CHURCH PARIS 1755
LES INVALIDES PARIS
CHISWICK HOUSE 1725
Chatsworth House
ST.CHARLES BORROMEO CHURCH VIENNA               1715
CHURCH MUNICH
ZWINGER PALACE DRESDEN 1705
CASTLE HOWARD -YORK
SEATON DELAVAL HALL 1719
BLENHEIM PALACE
RADCLIFFE  LIBRARYOXFORD 1737
wiblingen
Churrigueresque.Within half a century, theytransformed Salamanca intoan exemplaryChurrigueresque city.Among the highlights...
SANTIAGO DI COMPASTELLA   82
San Francisco de Asís Church,Lima, 1673.                                83
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17 thc y

  1. 1. 17TH /18TH CENTURY ART BLOSSOMS
  2. 2. BAROQUE
  3. 3. Baroque► 1600 – 1750.► From a Portuguese word “barocca”, meaning “a pearl of irregular shape.”► Implies strangeness, irregularity, and extravagance.► The more dramatic, the better!
  4. 4. Baroque Style of Art & Architecture► Dramatic, emotional.► Colors were brighter than bright; darks were darker than dark.► Counter-Reformation art.► Paintings & sculptures in church contexts should speak to the illiterate rather than to the well-informed.► Ecclesiastical art --> appeal to emotions.► Holland --> Real people portrayed as the primary subjects.
  5. 5. Sicilian Baroque: San Benedetto in Catania.
  6. 6. Santa Susanna: Carlo Maderno
  7. 7. SantAndrea al Quirinale (1658),
  8. 8. Façade ofSantAndrea alQuirinale,bearing cardinal Pamphili crest. Compiled by: Arch Maria Mynn 8 Porciuncula-Alfonso
  9. 9. Compiled by: Arch Maria Mynn 9 Porciuncula-Alfonso
  10. 10. TREVI FOUNTAIN
  11. 11. ST. PETER’S ROME
  12. 12. ST. PETERS, ROME
  13. 13. St. Peter’s tomb
  14. 14. MAP ROOM
  15. 15. pieta
  16. 16. St. Mary Basilica VENICE
  17. 17. Sicilian Baroque: San Benedetto in Catania
  18. 18. SantIvo alla Sapienza: Francesco Borromini
  19. 19. Palais du Luxembourg
  20. 20. CHATEAU DE CHANTILLY
  21. 21. TAJ MAHAL
  22. 22. HUMAJUN
  23. 23. LOUVRE
  24. 24. Chateaux - Amboise
  25. 25. CHAMBORD
  26. 26. CHENONCEAU
  27. 27. Chateau at Blois
  28. 28. Blois
  29. 29. FONTAINBLEU
  30. 30. Title: Stucco and wall painting Source/ Museum: Chamber of the duchess of Étampes, Château of FontainebleauArtist: Primaticcio Medium: n/aDate: 1540s Size: n/a
  31. 31. TIMBUKTU –MALI 1600
  32. 32. church of Weltenburg Abbey
  33. 33. St Peter’s Vienna
  34. 34. ST PAUL’S LONDON 1632
  35. 35. ST. GENEVIVE CHURCH PARIS 1755
  36. 36. LES INVALIDES PARIS
  37. 37. CHISWICK HOUSE 1725
  38. 38. Chatsworth House
  39. 39. ST.CHARLES BORROMEO CHURCH VIENNA 1715
  40. 40. CHURCH MUNICH
  41. 41. ZWINGER PALACE DRESDEN 1705
  42. 42. CASTLE HOWARD -YORK
  43. 43. SEATON DELAVAL HALL 1719
  44. 44. BLENHEIM PALACE
  45. 45. RADCLIFFE LIBRARYOXFORD 1737
  46. 46. wiblingen
  47. 47. Churrigueresque.Within half a century, theytransformed Salamanca intoan exemplaryChurrigueresque city.Among the highlights of thestyle, interiors of theGranada Charterhouse offersome of the mostimpressive combinations ofspace and light in 18th-century Europe. Integratingsculpture and architectureeven more radically,Narciso Tomé achievedstriking chiaroscuroeffects in his Transparentefor the Toledo Cathedral. 81
  48. 48. SANTIAGO DI COMPASTELLA 82
  49. 49. San Francisco de Asís Church,Lima, 1673. 83
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