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Art Appreciation-Chapter8
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Art Appreciation-Chapter8

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  • Courtesy of the Library of Congress.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • The Museum of Modern Art/Film Stills Archive.
  • British Film Institute.
  • The Museum of Modern Art/Film Stills Archive.
  • © Walt Disney Studios/Photofest.
  • Everette Collection.
  • Anger Management Enterprises.
  • Picture Desk, Inc./Kobal Collection.
  • Courtesy of the artist.
  • Courtesy of the artist.

Transcript

  • 1. Moving Images Chapter 8
  • 2.  
  • 3. The First Moving Image
    • Leland Stanford made a bet that all 4 of a horse’s hooves come off the ground as it runs
    • Muybridge set up a line of cameras on a horse track
    • Each camera was triggered by a string as the horse ran by
    • Muybridge later found a way to quickly project the images to create a movie
    • There are also experiments by Edison in moving images
  • 4. Eadweard Muybridge. The Horse in Motion . 1878. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 5. Film and Visual Expression
    • All films create 3 types of motion
      • Movement of the objects in the shot
      • Movement of the camera
      • Movement created by the sequence of shots
    • Time and sequence are important parts of filmmaking
  • 6. Creating a New Language of Vision
    • Film began as though they were theatrical performances
      • Sound was not added until 30 years after film began to be made
    • D.W. Griffith started to move the camera and edit the film
      • Griffith created the phenomena of parallel editing-showing what’s happening in two places at one time.
      • Griffith’s camera operator accidentally closed the shutter too slow once, creating the fade to black
      • Griffith was also the first to include both close up and long shots
  • 7. D. W. Griffith. Intolerance ( The Modern Story ). 1916. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 8. Creating a New Language of Vision
    • Eisenstecein
      • The first to produce epic films of high quality
      • Created the use of montage-stitching together many short brief shots to create new relationships, build emotion, and show passage of time
  • 9. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 1. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 10. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 2. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 11. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 3. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 12. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 4. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 13. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 5. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 14. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 6. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 15. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 7. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 16. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 8. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 17. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 9. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 18. Sergei Eisenstein. The Battleship Potemkin . From Odessa Steps sequence, selected frame 10. 1925. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 19. Salvador Dalí and Luis Buñuel. An Andalusian Dog . 1929. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 20. Creating a New Language in Vision
    • By the 1930’s, Hollywood was the Mecca for film
    • The motion picture production code censored the content of films
      • It remained in effect until 1968
  • 21. Citizen Kane
    • Considered by many as the best movie ever made
    • Used a wide array of cinematic devices:
      • Dramatic lighting
      • Distorted lenses
      • Dialog that extends past a scene
      • Innovative camera angles
      • Clever editing
  • 22. Orson Welles. Citizen Kane . 1941. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 23. Fantasia
    • A feature length animation accompanied by classical music
    • Each frame was painted individually
      • There are 24 frames per second
      • It’s a 2 hour film
    • The paintings are then photographed to create the movie
  • 24. Walt Disney. Fantasia . 1940. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 25. La Dolce Vita
    • By Federico Fellini
    • The Protagonist is the main character
      • Marcello is the protagonist and he explores the lifestyles of the rich and famous
    • A secondary character is a photographer nicknamed Paparazzo after the pop of the camera flash
      • The word paparazzi stems from this
  • 26. Federico Fellini. La Dolce Vita . 1961. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 27. Scorpio Rising
    • By: Kenneth Anger
    • A documentary about a Brooklyn motorcycle gang
    • He was one of the first to use a soundtrack of modern pop music
  • 28. Kenneth Anger. Scorpio Rising . 1964. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 29. Avatar
    • Special effects are becoming very important in movie making and have proven to be lucrative to the movie studios
    • Avatar uses the recent developments in motion capture where an actor’s movements are scanned and digitized and then can be used in animation
  • 30. James Cameron. Avatar . Film still. 2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 31. Television
    • Literally means vision from afar
    • Television is the transmission of still or moving images with sound via a cable or wireless broadcast
  • 32. Video Art
    • Video made the process of filmmaking extremely portable and accessible
  • 33. Digital Art Forms
    • Computers are the new up and coming art medium
    • Art made with computers ranges from film, video, finished artworks, brainstorming, storyboarding…
    • Camilla Benolirao took a fashion photo and slowly manipulated it until it finished with a image of destruction
  • 34. Camilla Benolirao Griggers. Alienations of the Mother Tongue . 1996. 5 minutes. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.
  • 35. Natalie Bookchin. Still from Location Secured . 2007. 12 minutes.Cao Fei. RMB City . 2007–2009. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.