Digital Booklet Taylor swift

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Digital Booklet Taylor swift

  1. 1. FRONTPAGE 1CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSHEAD
  2. 2. HEADPAGE 3CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPAGE 2HEADC MY BC MY BC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPicture To Burnby Taylor Swift and Liz Rosedrew looks at me, i fake a smile so he won’t seethat i want and i’m needing everything that we should bei’ll bet sHe’s beautiful, that girl he talks aboutand she’s got evErything that i have to live withoutdrew talks to me, i laugh cuz it’s so damn funnythat i can’t even see anyone When he’s with mehe says he’s so In love, he’s finally got it right,i wonder if he knows he’s alL i think about at nightCHORUShe’s the reason for the teardrops on my guitarthe onLy thing that keeps me wishing on awishing starhe’s the song in the car i keep singing, don’t knowwhy i dodrew walks by me, can he tell that i caN’t breathe?and thEre he goes, so perfectlythe kind of flawless i wish i could beshe’d better hold him tight, give him all her loVelook in those bEautiful eyes and know she’s lucky causeREPEAT CHORUSso i dRive home alone, as i turn out the lighti’ll put his picture down and maybeget some sleep tonighthe’s the reason for the teardrops on my guitarthe only one who’s got enough for me to breaK my hearthe’s the soNg in the car i keep singing don’t knowwhy I dohe’s the time taken up, but there’s never enOughand he’s all that i need to fall into…dreW looks at me, i fake a smile so he won’t see.Produced by Nathan Chapman / Recorded by Nathan Chapman at Sound Cottage, Nash-ville, TN / Mixed by Jeff Balding at Masterfonics, Nashville, TN. © 2006 Sony/ATV SongsLLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs (SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.Teardrops On My Guitarby Taylor Swift and Liz Rosehe said the way my blue eyes shinedput those georgia stars to shame that nighti said , that’s a liejust a boy in a Chevy truck that had a tendencyof getting stuck on bAck roads at nightand i was right there beside him all summer loNgand then the time we woke up to find that summer gone, buTchoruswhen you think tim mcgraw , i hope you think my favorite songthe one we danced To all night longthe moon like a spotlight on the lakewhen you think happinEss, i hope you think that Little black dressthink of my head on your chest and my oLd faded blue jeans,when you think tim Mcgraw … i hope you think of me.septEmber saw a month of tears and thanking godthat you weren’t here, to see me like thatbut in a box beNeath my bed is a letter that you never readfrom three summers backit’s hard not tO find it all a little bittersweetand looking back on all of thaTit’s nice to believerepeat chorusAnd i’m back for the first time since tHeni’m standIng on your street,and there’s a letter left on your door stepand the first thiNg that you’ll read...choruswhen you think tim mcgraw , i hope you think my favorite songsomeday you’ll turn your radio oni hope it takes you back to that placewhen you think happiness, i hope you think that little black dressthink my head on your chest and my old faded blue jeans,when you think tim mcgraw … i hope you think of me.think of me.Produced by Nathan ChapmanRecorded by Chad Carlson at QuadStudios-A, Nashville, TN; AdditionalRecording by Chad Carlson andNathan Chapman at Sound Cottage,Nashville, TN; Assistant Engineer:Aaron Chmielewski / Mixed byChuck Ainlay, Assisted by GregLawrence at Masterfonics, Nashville,TN. © 2006. Sony/ATV Songs LLC,Sony/ATV Sounds LLC, Taylor SwiftMusic (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATVMusic Publishing. All rights reserved.Used by permission.Tim McGrawby Taylor Swift and Liz Rosestate the obvious, i diDn’t get my perfect fantasyi realize you love yourself more thAn you could ever love meso go and tell your friends thaT i’m obsessive and crazythat’s fine; i’ll tell mine you’rE gayand by the way…CHORUSi hate that stupid old pickup truckyou Never let me driveyou’re a redneck heartbreakwho’s really bad at lyIngso watCh me strike a matchon all my wastEd timeas far as i’m concerned you’rejust another picture to Burnthere’s nO time for tears,i’m just sitting here planning mY revengethere’s nothing Stopping mefrom going out with all of your best friendsand if you come around saying sorry to memy daddy’s gonna show you how sorry you’ll beREPEAT CHORUSif you’re missing me,you’d better keep it to yourselfcause coming back around herewould be bad for your health…REPEAT CHORUSburn, burn, burn, baby, burnyou’re just another picture to burnbaby, burn..Produced by Nathan Chapman / Recorded by Chad Carlson at The Castle Studios-A, Nashville, TNAdditional Recording by Chad Carlson & Nathan Chapman at Sound Cottage, Nashville, TN & Sound Emporium,Nashville, TN / Assistant Engineer: Steve Short / Mixed by Chuck Ainlay, Assisted by Scott Kidd at Masterfonics,Nashville, TN. © 2006. Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.
  3. 3. HEADPAGE 5CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPAGE 4HEADC MY BC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSi didn’t know what i would findwhen i went looking for a reason, i knowi didn’t read between the linesand, baby, i’ve got nowhere to goi tried to take the road less traveled bYbut nothing seems to wOrk the first few timesam i right?CHORUSso how can i ever try to be better?nobody ever lets me ini can still see yoU, this ain’t the best viewon the outside looking ini’ve been a lot of lonely plAcesi’ve neveR been on the outsideyou saw mE there, but never kNewi would give it all up tO bea parT of this, a pArt of youand now it’s alL too late so you seeyou could’ve helped if you had wanted tobut nO one notices uNtil it’s toolatE to do anythingREPEAT CHORUSso how can i ever try to be better?nobody ever lets me ini can still see you, this ain’t the best viewon the outside looking ini’ve been a lot of lonely placesi’ve never been on the outsideProduced by Robert Ellis Orrall, with additionaltracks produced by Nathan Chapman / Recorded byClarke Schleicher at The Tracking Room, Nashville,TN / Additional Recording by Alan Ditto at The LoveShack, Nashville, TN / Mixed by Jeff Balding atMasterfonics, Nashville, TN. © 2006 Sony/ATVSongs LLC, Taylor Swift Music (BMI)/Administered bySony/ATV Music Publishing. All rights reserved.Used by permission.you have a way of coming easily To meand when you take, you take the very best of meso i start a fIght cause i need to feel soMethingand you do what you want causE i’m not what you wantedCHORUSoh whaT a shame, what a rainy ending given to a perfect dayjust walk away, ain’t no use defending wOrds that you willnever sayand now that i’m sitting here thinking it throughi’ve never been anywhere cold as youyou put up walls and paint them alL a shade of grayand i stood there loving you and wishEd them all awayand you come away with a great liTtle storyof a mess of a dreamer with the nerve to adore youREPEAT CHORUSyou never did Give a damn thing honey but i cried, cried for youand i know you wOuldn’t have told nobody if i died, died for youoh what a shame, what a rainy ending given to a perfect dayevery smile you fake is so condescendingcounting all the scars you madeand now that i’m sitting here thinking it throughi’ve never been anywhere cold as youProduced by Nathan Chapman / Recorded by Chad Carlson atDarkhorse Recording, Franklin, TN / Additional Engineering by NathanChapman at The Love Shack, Nashville, TN / Mixed by Jeff Balding atMasterfonics, Nashville, TN. © 2006 Sony/ATV Songs LLC, Sony/ATVSounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rightsreserved. Used by permission.Cold As Youby Taylor Swift and Liz RoseThe Outsideby Taylor Swifti don’t know what i want, so don’t ask mecause i’m still trying to figure it outdon’t know what’s down thIs road, i’m just walkingtrying to see through the rain coming downeven though i’m not the only onewho Feels the way i do..CHORUSi’m alone, On my own, and that’s all i knowi’ll be strong, i’ll be wrong, oh but life goes oni’m just a girl, trying to find a place inthis worldgot the radio on, my old blUe jeansand i’m weariNg my heart on my sleevefeeling lucky toDay, got the sunshinecould you tell me what more do i needand tomorrow’s just a mystery, oh yeahbut that’s okREPEAT CHORUSmaybe i’m just a girl on a mIssionbut i’m ready To fly..REPEAT CHORUSProduced by Nathan Chapman / Recorded by Chad Carlson at The Castle Studios-A, Nashville, TN / Additional Recording by Chad Carlson & Nathan Chapman at SoundCottage, Nashville, TN / Assistant Engineer: Steve Short / Mixed by Chuck Ainlay, Assisted by Scott Kidd at Masterfonics, Nashville, TN. © 2006 Sony/ATV Songs LLC,Taylor Swift Music (BMI)/Administered by Sony/ATV Music Publishing, Orrall Fixation Music (ASCAP)/ Administered by Bluewater Music Service Corp., Universal-PolyGramInternational Publishing, Inc., Green Wagon Music (ASCAP)/Administered by Universal-PolyGram International Publishing, Inc. All rights reserved. Used by permission.A Place In This Worldby Taylor Swift, Robert Ellis Orrall and Angelo
  4. 4. HEADPAGE 7CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPAGE 6HEADC MY BC MY BC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSShould’ve Said Noby Taylor Swiftit’s strange to think the songs we used to singthe smiles, the flowers, everything...is goneyesterday i found about youeven now just looking at you...feels wrongyou say that you’d take it all back, given one chanceit was a moment of weakness and you said yes...CHORUSyou should’ve said no, you Should’ve gone homeyou should’ve thought twice before you let it All goyou should’ve known that word, bout what you did with herwould get back to Me...and i Should’ve been there, in the bAck of your Mindi Shouldn’t be Asking Myself whyyou shouldn’t be begging for forgivenesS At My feet...you should’ve Said no, baby And you Might still have meyou can see that i’ve been cryingand baby you know all the right things...to saybut do you honestly expect me to believewe could ever be the same...you say that the past is the past, you need one chanceit waS A Moment of weakness and you said yes...REPEAT CHORUSi can’t resist...before you go, tell me thiswas it worth it...was she worth this...no...no no no...REPEAT CHORUSStay Beautifulby Taylor Swift and Liz Rosecory’s eyes are like a junglehe smiles, it’s like the radiohe whiSpers songs into my windowin words nobody knowsthere’s pretty girls on every cornerthat watcH him as he’s walking homesaying, does he knowwill you ever knowCHORUSyou’re beAutifulevery little piece, love, don’t you Knowyou’re rEally gonna be someone, ask anyonewhen you find everythiNg you looked fori hope your life leads you Back to my dooroh but if it don’t, stay beautifulcory finds Another way to bethe highlight of my dayi’m taKing pictures in my mindso I can save thEm for a rainy dayit’s hard to make conversationwhen he’s taking my breath awayi should say, hey by the way..REPEAT CHORUSif you and i are a storythat never gets toldif what you are is a daydreami’ll never get to hold, at least you’ll knowREPEAT CHORUSProduced by Nathan Chapman / Recorded by Chad Carlson and Nathan Chapman at Quad Studios-A,Nashville, TN / Additional Recording by Chad Carlson at Sound Cottage, Nashville, TN / AssistantEngineer: Aaron Chmielewski / Mixed by Jeff Balding at Masterfonics, Nashville, TN. © 2006Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.Tied Together WithA Smile by Taylor Swift and Liz Roseseems the only one who doesn’t see Your beautyis the face in the mirror looking back at yOuyou walk around here thinking yoU’re not prettybut thAt’s not true, cause i know you...CHORUShold on, baby, you’Re losing itthe watEr’s high, you’re jumping into itand letting go...and no one knowsyou cry, but you don’t tell anyonethat you might not be the goLden oneand yOu’re tied together with a smilebut you’re coming undonei guess it’s true that love was all you wantedcause you’re giVing it away like its extra changehoping it will end up in his pocketbut he leaves you out like a penny in the rainoh, cause it’s not his pricE to paynot his price to pay...REPEAT CHORUSyou’re tieD together with a smilebut you’re coming undone...ohgoodbye, babygoodbye, babywith a smile, baby, babyProduced by Nathan Chapman / Recorded by Chad Carlson at Quad Studios-A,Nashville, TN / Additional Recording by Chad Carlson & Nathan Chapman atSound Cottage, Nashville, TN / Assistant Engineer: Aaron Chmielewski / Mixed byChuck Ainlay, Assisted by Greg Lawrence at Masterfonics, Nashville, TN© 2006 Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI),Hillsboro Valley Songs (SESAC)/Administered by Sony/ATV Music Publishing.All rights reserved. Used by permission.Produced by Nathan Chapman / Recorded by Chad Carlson at Darkhorse Recording, Franklin, TN /Additional Engineering by Nathan Chapman at The Love Shack, Nashville, TN / Assistant Engineer:Gordon Hammond / Mixed by Jeff Balding at Masterfonics, Nashville, TN© 2006 Sony/ATV Songs LLC, Taylor Swift Music (BMI)/Administered by Sony/ATV MusicPublishing. All rights reserved. Used by permission.
  5. 5. HEADPAGE 9CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPAGE 8HEADC MY BC MY BC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSOur Song by Taylor Swifti was riding shotgun with my hair undone in the front seat of his carhe’s got a one-hand feel on the steering wheelthe other on my hearti Look around, turn the radio downhe says baby is something wrong?i say nothIng i was just thinking how we don’t haVe a songand hE says…CHORUSour song is the slamming screen door,sneakin’ out late, tappIng on your wiNdowwhen you’re on the phone and you talk real slowcause it’s Late and your mama don’t knowour song is the way you laughthe first date “man, i didn’t kiss her, but i should have”and when i gOt home …before i said amenasking god if he could play it againi was walking up the front porch steps after eVerything the dayhad gone all wrong or bEen trampled onand lost and thrown awaygot to the hallway, well on my way to my lovin’ bedi almost didn’t notice all the rosesand the note that said…REPEAT CHORUSi’ve heard every album, listened to the radiowaited for something to come alongthat was as good as our song….cause our song is the slamming screen doorsneaking out late, tapping on his windowwhen we’re on the phone and he talks real slowcause it’s late and his mama don’t knowour song is the way he laughsthe first date “man, i didn’t kiss him, and i could have”and when i got home, before i said amenasking god if he could play it againi was riding shotgun with my hair undonein the front seat of his cari grabbed a pen and an old napkinand i...wrote down our songProduced by Nathan Chapman / Recorded byChad Carlson at Quad Studios-A, Nashville, TN /Additional Recording by Chad Carlson & NathanChapman at Sound Cottage, Nashville, TN /Assistant Engineer: Aaron Chmielewski / Mixedby Chuck Ainlay, Assisted by Greg Lawrence atMasterfonics, Nashville, TN. © 2006 Sony/ATVSongs LLC, Taylor Swift Music (BMI)/Administered by Sony/ATV Music Publishing.All rights reserved. Used by permission.Produced by Nathan Chapman / Recorded by Chad Carlson at Darkhorse Recording, Franklin, TN / Additional Engineering by Nathan Chapman at The Love Shack, Nashville, TNAssistant Engineer: Gordon Hammond / Mixed by Jeff Balding at Masterfonics, Nashville, TN. © 2006 Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing, Moraine Music (ASCAP). All rights reserved. Used by permission.she said, i was Seven and you were ninei looked at yOu like the stars that shinedin the sky, the pretty lightsand our daddies used to joke about the two of usgrowing up and falling in love and our Mamas smiledand rolled their eyEs and said oh my my mytake me back to the house in the backyard Treesaid you’d beat me up, you were bIgger than meyou never did, you never didtake Me back when our world was one block widei dared you to kiss mE and ran when you triedjust two kidS, you and i..oh my my my myi was sixteen when suddenlyi wasn’t that littLe girl you used to seebut your eyes still shined like pretty lightsand Our daddies used to joke about the two of usthey neVer believed we’d really fall in loveand our mamas smiled and rollEd their eyesand said oh my my my..take me back to the creek beds we turned uptwo a.m. riding In your truck and all i need iS you next to metake me back to the time we had our very First fightthe slamming of doOrs instead of kissing goodnightyou stayed outside till the moRning lightoh my my my mya fEw years had gone and come aroundwe were sitting at our faVorite spot in townand you looked at me, got down on one kneetake me back to the timE when we walked down the aisleour whole town came and ouR mamas criedyou said i do and i did tootake me home where we met so many years beforewe’ll rock our babies on that very front porchafter all this time, you and ii’ll be eighty-seven; you’ll be eighty-ninei’ll still look at you like the stars that shinein the sky, oh my my my…by Taylor Swift, Liz Roseand Brian Mahermy producermy feet...Mary’s Song(Oh My My My)
  6. 6. HEADPAGE 11CD BOOK SADDLE STITCHSINGLE RH PAGEC MY BSAFETYTRIMBLEED119.5MM(4.71”)120.5MM(4.74”)BACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSPAGE 10HEADC MY BC MY BC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORSI love you, family. Dad, because you are my biggest fan, and I’ll never get tired of the way you smile when I pickup a guitar and play. Mom, for being my best friend and most trusted companion, even in times when you were myonly friend. That was just fine. Austin, my little brother, for being so much more brave than I could ever hope tobe. My aunt, Alison, for being such a beautiful person. My aunts, uncles, cousins, and relatives (even the ones Ididn’t know I had) for making Thanksgiving something someone should write a book about. I love my mom anddad’s friends who have been so unbelievably supportive (and so unbelievably loud at my shows). I love myfriends. Abigail, I love you because you are my best friend in the entire world. Can’t wait to room togetherwhen we’re 65 and wrinkly and living in Minnesota. I love Ally, Kelsey, Kathryn, Jeff, Clay and all my awe-some friends in Hendersonville. Britany Maack for being my first friend, I miss you! I love everyone whohelped put this album together. Scott Borchetta for believing in me and actually DOING somethingabout it. Shake and bake, Radioman. This is how we roll. Nathan Chapman because he is the most amaz-ing red-headed freckle-faced little producer in the world and I love your beautiful wife Stephanie. ThanksNathan for gracing me with your first album. Liz Rose, you are my songwriting soulmate, and one of my dearest friends.Robert Ellis Orrall, you Rock! Nick for breaking your drumsticks on my songs, Tim for playing on my session ON YOUR BIRTHDAY, and every-one else who played on the album because you are THAT GOOD. Chad, for your amazing mullet (and engineering skills). I love my record label. Jack Purcell, foryour Minnesota accent. Mandy McCormack, for humoring me in my mailbox obsession. Rick Barker, because I learned everything I know about radio in..nevermind.HAHA. Bobby Young, thanks for taking us shopping. Whitney Sutton, you are so organized and I love you for it. JZ, because of that adorable laugh/nose thing you do.Nancy Johnson, for being my GIRL and pretty much a genius. Jayme Austin for adding so much spirit to the label. Sandi Spika Borchetta, for being so creative/bril-liant/beautiful and buying me pretty things to wear. Penny Lazo, because you are a crazy rock star. Andrew Kautz, if I ever walk into the label, and you’re NOT there,I will not know what to do with myself. Cynthia Grimson, for your amazingly dry sense of humor. Ray Pronto, for putting this Big Machine in motionnnn. I love thepeople who helped me get here. Arthur Buenahora, thank you for signing a FOURTEEN year old to a full writers publishing deal. I will never forget that. In fact, Ilove everyone at Sony Publishing. Pat Garret and Suzy Dalton for letting my little ten-year-old self open up for you. Harry Warner, for being such a gentleman and hav-ing my back at BMI. Frank Bell for being so brutally honest about my music from the time I was like 12, and so supportive of my career NOW. Andrew Orth for 14 yearsof great photos! Cindy Guagenti for being the most stylish publicist in the world. Jody Williams, for listening to my rants about high school, and being such a dear friendand musicologist. HHS for supporting me 100%. Bob Taylor and Bob Borbonus at Taylor Guitars for believing in me and making perfection in the form of guitars. MikeMilom for being a genius and the best lawyer ever. Sarah, Ed, and Jim at GAC for taking such a vested interest in me, and PUTTING ME ON TV! CMT you’re awesome!Trey Fanjoy, because you are such a visionary and for directing an amazing video. Pete Fisher you are amazing. Rod Essig, for believing in me from the beginning andbeing so passionate about what you do. I love Tim McGraw for making such inspiring music. I love Faith Hill for being the most graceful woman in the world. I love you,Jack Ingram. If at any point in my life, I ever amount to being HALF as cool as you, I will throw myself a party. I LOVE RADIO because I haven’t met one person I don’tconsider a friend.I love all of my myspace friends for taking such an active roll in what I do, I will never forget how you all rallied for me from the beginning.love everyone who’s inspired me to write a song, whether you know it or not. I love anyone who has ever turned the volume up when mysong comes on the radio, anyone who has bought this album. Anyone who can sing along to my songs when I play them live. Anyone who’sever requested my song on the radio, or even remembered my name. If you ever see me in public, I want to meet you. I will thank you myself.You have let me into your life, and I will never be able to thank you enough for that. I love YOU, and I love God for putting you in my life.-T- PS: To all the boys who thought they would be cool and break my heart, guess what? Here are 11 songs written about you. HA.Album Executive ProducerScott BorchettaI love you’sAll songs Mastered by Hank Williamsat Master Mix, Nashville, TNMusicians:Taylor Swift-guitar:1,5 harmony:1,2,3,8,9Nathan Chapman-acoustic & electricguitar, harmony:1,2,3,4,5,6,8,9,10,11banjo:1 drums:4 bass:4 B3:4,6,8,11piano:6 mandolin:9Stephanie Chapman-harmony:5Tim Marks-bass:1,2,3,5,6,8,9,10,11Rob Hajacos-fiddle:1,2,3,4,5,8,9,10Bruce Bouton-dobro:1,2,8Eric Darken-percussion:1,2,3,4,5,6,8,9,10,11Nick Buda-drums:1,2,3,5,6,8,9,10,11Lex Price-mandolin:2,8Scotty Sanders-steel:3,5,10,11 dobro:6,9,11John Willis-mandolin:3,5high string acoustic:4 banjo:9Jeff Hyde-banjo:3Dan Dugmore-steel:4,7Andy Leftwich-fiddle:6 mandolin:11Ilya Toshinsky-banjo:6,10,11 acoustic guitar:6Gary Burnette –electric guitar:7Mike Brignardello–bass:7Wanda Vick–fiddle:7Tony Harrell–keyboards:7Shannon Forrest–drums:7Liana Manis & Robert Ellis Orrall–background vocals:7Production Coordinators: Jason Campbell, Melissa Carr,Whitney Sutton, Scott Johnson“Tim McGraw” video directed by Trey Fanjoy, Picture Vision PicturesCD enhancement direction by Todd Cassetty, Hi-Fi Fusion, Inc. © 2006 Big Machine Records, LLC. All rights reserved.Album Package:Photographers: Andrew Orth and Melinda NorrisPhotographer assistant: Derrick ArmondLocation assistant: Austin SwiftDoodle Graphics: Taylor SwiftGraphic Design: Lee Ann RameyMake-up: Lorrie TurkWardrobe Stylist, Hair and Make-up: Sandi Spika Borchetta
  7. 7. PAGE 12HEADCYCYC MY BFOLD120.5MM(4.74”) 241MM(9.49”)CD BOOK SADDLE STITCHSINGLE LH PAGEBACK FRONT0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 9975 50 25 10 CM MY CYCTPTARGETDATE: L/S: TECH:SEL#:CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_BOOK_1PG_OCT00.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORS“I’m not that complicated.My complications come out in my songs.All you have to do to be my friendis like me……and listen.”myspace.com/taylorswift and taylorswift.com BMR120702myspace.com/taylorswift and taylorswift.com
  8. 8. 137.8MM(5.42”)150.6MM(5.93”)CD INLAY CLEAR TRAY117.5MM(4.63”)SPINE6.4MM(.25”)SPINE6.4MM(.25”)HEADFOLDFOLD0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 99 75 50 25 10 CM MY CYCTPTARGETC MY BC MY BC MY BC MY BSAFETYTRIMBLEEDDATE: L/S: TECH:SEL#: CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_INLAY_CLEAR_NOV02.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORS10.3MM(.41”) SHOW THRUMAX AREASHOW THRUTYPE SAFETYAREA1. Tim McGraw 3.522. Picture to Burn 2:533. Teardrops on my Guitar 3:334. A Place in This World 3:195. Cold As You 3:596. The Outside 3:277. Tied Together With a Smile 4:088. Stay Beautiful 3:569. Should’ve Said No 4:0210. Mary’s Song (Oh My My My) 3:3311. Our Song 3:22Anti-Piracy Warning: Unauthorized copying is punishable under federal law.˚ & © 2006 Big Machine Records, LLC. All rights reserved.Distributed by Universal Music Distribution. BMR120702www.taylorswift.comwww.myspace.com/taylorswiftwww.bigmachinerecords.comwww.myspace.com/bigmachinerecordsEnhanced Content: “Tim McGraw” videoTaylor’s Grand Ole Opry®DebutBIGMACHINERECORDSTAYLORSWIFTBMR120702BIGMACHINERECORDSTAYLORSWIFTBMR120702
  9. 9. 137.8MM(5.42”)150.6MM(5.93”)CD INLAY CLEAR TRAY117.5MM(4.63”)SPINE6.4MM(.25”)SPINE6.4MM(.25”)HEADFOLDFOLD0 1 1 2 2 3 3 4 4 25 25 50 50 75 75 100 100 95 95 97 97 99 99 75 50 25 10 CM MY CYCTPTARGETC MY BC MY BC MY BC MY BSAFETYTRIMBLEEDDATE: L/S: TECH:SEL#: CYAN MAGENTALABEL:ARTIST:TITLE:TEMPLATE: UMG_CD_INLAY_CLEAR_NOV02.qxtFILE NAME:JOB #:SEPARATOR:YELLOW BLACKPMS PMSTOTALNUMBER OFCOLORS10.3MM(.41”) SHOW THRUMAX AREASHOW THRUTYPE SAFETYAREA
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