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"His Cure" - Storyboards
 

"His Cure" - Storyboards

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My Major project for my final year on the Computer Animation Arts course at the NCCA, Bournemouth University.

My Major project for my final year on the Computer Animation Arts course at the NCCA, Bournemouth University.

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    "His Cure" - Storyboards "His Cure" - Storyboards Presentation Transcript

    • “ His Cure” Major Project Storyboard By Agatha Gomes
      • 104 Panels
      • 2 Transitions
      • 64 Cuts
      • 3 Scenes
      • 1 Set
      • 2 Characters
      • Day and Night
      Quick Summary
    • Scene 1, Cut 1, Medium Long Shot, Panel 1
    • Scene 1, Cut 1, Medium Long Shot, Panel 2
    • Scene 1, Cut 1, Medium Long Shot, Panel 3
    • Scene 1, Cut 2, Extreme Long Shot, Panel 4
    • Scene 1, Cut 2, Extreme Long Shot, Panel 5
    • Scene 1, Cut 3, Medium Shot of sign, Panel 6
    • Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 7
    • Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 8
    • Scene 1, Cut 5, Medium Close-up Shot, Panel 9
    • Scene 1, Cut 6, Medium Close-up Shot, Slightly Higher angle, Panel 10
    • Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 11
    • Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 12 NOTE: Door opens abruptly.
    • Scene 2, Cut 8, Medium Long Shot, Low to High angle, Panel 13 Notes: The camera is low while the aim is high, giving the feeling that the old man is small and that the Dr who suddenly appeared is a huge, imposing, dominant figure.
    • Scene 2, Cut 9, Medium Close-up Shot, High to low angle, Panel 14 Notes: The camera placement here is high with the aim low, in an over-the-shoulder shot directed towards the old man. Catching his expression of surprise. Take note of the use of framing with the door frame as composition.
    • Scene 2, Cut 10, Medium Long Shot, Panel 15 Notes: This shot will be a through the wall shot for compositional purposes and to really show off the animation.
    • Scene 2, Cut 10, Medium Long Shot, Panel 16
    • Scene 2, Cut 10, Medium Long Shot, Panel 17
    • Scene 2, Cut 11, Medium Long Shot, Camera low, Panel 18 Notes: The camera will be angled down ever so slightly.
    • Scene 2, Cut 12, Medium Shot, Panel 19
    • Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 20 Notes: Low to high angle but not as extreme. Old man’s head in view.
    • Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 21
    • Scene 2, Cut 14, Medium Shot, Panel 22
    • Scene 2, Cut 14, Medium Shot, Panel 23
    • Scene 2, Cut 14, Medium Shot, Panel 24
    • Scene 2, Cut 14, Medium Shot, Panel 25
    • Scene 2, Cut 15, Medium Shot, Panel 26
    • Scene 2, Cut 15, Medium Shot, Panel 27
    • Scene 2, Cut 15, Medium Shot, Panel 28
    • Scene 2, Cut 16, Medium Shot, Panel 29
    • Scene 2, Cut 16, Medium Shot, Panel 30 Notes: See animtic for full movement reference
    • Scene 2, Cut 16, Medium Shot, Panel 31 Notes: The camera stays put for all of this cut. The character’s arm is what moves around.
    • Scene 2, Cut 17, Medium close Shot, Panel 32 Notes: This is a cut to a different shot where the dr’s arm comes into shot.
    • Scene 2, Cut 17, Medium close Shot, Panel 33 Notes: Pan from 32 to 35
    • Scene 2, Cut 17, Medium close Shot, Panel 34 Notes: Pan from 32 to 35
    • Scene 2, Cut 17, Pan to Medium close Shot, Panel 35 Notes: Pan from 32 to 35
    • Scene 2, Cut 17, Track into Close-up of paper Shot, Panel 36
    • Scene 2, Cut 17, Track into Extreme Close Shot of paper, Panel 37 Notes: The camera will track down to read the rest of the poster on the wall.
    • Scene 2, Cut 17, Track down in Extreme Close Shot, Panel 38
    • Scene 2, Cut 18, Extreme Close Shot, Panel 39
    • Scene 2, Cut 19, Extreme Close Shot, Panel 40
    • Scene 2, Cut 20, Medium Close Shot, Panel 41
    • Scene 2, Cut 21, Extreme Close Shot, Panel 42
    • Scene 2, Cut 22, Medium Shot, Panel 43
    • Scene 2, Cut 23, Medium Close Shot, Panel 44
    • Scene 2, Cut 24, Close up Shot, Panel 45 Notes: Between panel 44 and 45 is a cut, not a track/zoom.
    • Scene 2, Cut 24, Close up Shot, Panel 46
    • Scene 2, Cut 25, Extreme Close up Shot, Panel 47 Notes: Cut to a closer shot, not zoom/track.
    • Scene 2, Cut 26, Medium Shot, Panel 48
    • Scene 2, Cut 26, Medium Shot, Panel 49
    • Scene 2, Cut 27, Close up Cut –in shot of hands, Panel 50
    • Scene 2, Cut 28, Medium Shot, Panel 51
    • Scene 2, Cut 29, Close up Shot, Panel 52
    • Scene 2, Cut 29, Close up Shot, Panel 53 Notes: The Old Man moves out of shot. Camera stays put.
    • Scene 2, Cut 29, Close up Shot, Panel 54
    • Scene 2, Cut 30, Long Shot, Panel 55
    • Scene 2, Cut 30, Long Shot, Panel 56
    • Scene 2, Cut 31, Medium Close Shot, Panel 57
    • Scene 2, Cut 32, Long Shot, Panel 58 Notes: Long shot of old man, Medium shot of Doctor.
    • Scene 2, Cut 33, Close up Shot, Panel 59
    • Scene 2, Cut 33, Close up Shot, Panel 60 Notes: Dr walks off to his right.
    • Scene 2, Cut 34, Long Shot, Panel 61
    • Scene 2, Cut 34, Long Shot, Panel 62
    • FADE TO BLACK
    • Scene 3, Cut 35, Very Long Shot, Panel 63
    • Scene 3, Cut 35, Very Long Shot, Panel 64 Notes: Crane down to lower angle.
    • Scene 3, Cut 36, Medium close Shot, Panel 65
    • Scene 3, Cut 36, Medium close Shot, Panel 66
    • Scene 3, Cut 37, Medium Long Shot, Panel 67 Notes: Camera on the inside of a house.
    • Scene 3, Cut 37, Medium Long Shot, Panel 68
    • Scene 3, Cut 38, Very Long Shot, Panel 69
    • Scene 3, Cut 38, Very Long Shot, Panel 70
    • Scene 3, Cut 39, Medium Close Shot, Panel 71
    • Scene 3, Cut 40, Long Shot, Panel 72
    • Scene 3, Cut 41, Extreme Long Shot, Panel 73 Notes: Stays within the 180 line.
    • Scene 3, Cut 42, Close up Shot, Panel 74
    • Scene 3, Cut 43, Long Shot, Panel 75
    • Scene 3, Cut 43, Long Shot, Panel 76
    • Scene 3, Cut 44, Medium Close Shot, Panel 77
    • Scene 3, Cut 45, Long Shot, Panel 78
    • Scene 3, Cut 46, Medium Shot, Panel 79
    • Scene 3, Cut 46, Medium Shot, Panel 80
    • Scene 3, Cut 46, Medium Shot, Panel 81
    • Scene 3, Cut 47, Medium Close Shot, Panel 82
    • Scene 3, Cut 48, Close up/Cut-in Shot, Panel 83 Notes: This crosses the 180 purposely, to keep the audience guessing. Despite previous clues as to the whereabouts of the Dr.
    • Scene 3, Cut 49, Medium Close Shot, Panel 84
    • Scene 3, Cut 50, Close up Shot, Panel 85
    • Scene 3, Cut 51, Extreme Close up Shot, Panel 86
    • Scene 3, Cut 52, Close up Shot, Panel 87
    • Scene 3, Cut 53, Close up Shot, Panel 88
    • Scene 3, Cut 54, Medium Close up Shot, Panel 89
    • Scene 3, Cut 55, Medium Close up Shot, Panel 90 Dialogue: “This is the only way I could save you…”
    • Scene 3, Cut 56, Long Shot, Panel 91
    • Scene 3, Cut 57, Medium Close up Shot, Panel 92
    • Scene 3, Cut 58, Long Shot, Panel 93 Notes: Dr pulls out sword and old man falls to the ground. Then fade to black/
    • FADE TO BLACK
    • Scene 3, Cut 59, Long Shot, Panel 94
    • Scene 3, Cut 60, Long Shot, Panel 95
    • Scene 3, Cut 61, Long Shot, Panel 96
    • Scene 3, Cut 61, Long Shot, Panel 97
    • Scene 3, Cut 62, POV, Cut-In Shot, Panel 98
    • Scene 3, Cut 63, Medium Shot, Panel 99
    • Scene 3, Cut 63, Medium Shot, Panel 100 Dialogue: “Now who’s going to save me?”
    • Scene 3, Cut 63, Medium Shot, Panel 101
    • Scene 3, Cut 63, Medium Shot, Panel 102
    • Scene 3, Cut 64, Very Long Shot, Panel 103
    • Scene 3, Cut 64, Very Long Shot, Panel 104
    • FADE TO BLACK