“ His Cure” Major Project Storyboard By Agatha Gomes
<ul><li>104 Panels </li></ul><ul><li>2 Transitions </li></ul><ul><li>64 Cuts </li></ul><ul><li>3 Scenes </li></ul><ul><li>...
Scene 1,  Cut 1,  Medium Long Shot,  Panel 1
Scene 1,  Cut 1,  Medium Long Shot,  Panel 2
Scene 1,  Cut 1,  Medium Long Shot,  Panel 3
Scene 1,  Cut 2,  Extreme Long Shot,  Panel 4
Scene 1,  Cut 2,  Extreme Long Shot,  Panel 5
Scene 1,  Cut 3,  Medium Shot of sign,  Panel 6
Scene 1,  Cut 4,  Medium Shot, Low to High angle,  Panel 7
Scene 1,  Cut 4,  Medium Shot, Low to High angle,  Panel 8
Scene 1,  Cut 5,  Medium Close-up Shot,   Panel 9
Scene 1,  Cut 6,  Medium Close-up Shot, Slightly Higher angle,  Panel 10
Scene 1,  Cut 7,  Medium Close-up Shot, Of mid body/hand,  Panel 11
Scene 1,  Cut 7,  Medium Close-up Shot, Of mid body/hand,  Panel 12 NOTE: Door opens abruptly.
Scene 2,  Cut 8,  Medium Long Shot, Low to High angle,  Panel 13 Notes: The camera is low while the aim is high, giving th...
Scene 2,  Cut 9,  Medium Close-up Shot, High to low angle,  Panel 14 Notes: The camera placement here is high with the aim...
Scene 2,  Cut 10,  Medium Long Shot,  Panel 15 Notes: This shot will be a through the wall shot for compositional purposes...
Scene 2,  Cut 10,  Medium Long Shot,  Panel 16
Scene 2,  Cut 10,  Medium Long Shot,  Panel 17
Scene 2,  Cut 11,  Medium Long Shot, Camera low,    Panel 18 Notes: The camera will be angled down ever so slightly.
Scene 2,  Cut 12,  Medium Shot,     Panel 19
Scene 2,  Cut 13,  Medium close Shot, Low to High angle,    Panel 20 Notes: Low to high angle but not as extreme. Old man’...
Scene 2,  Cut 13,  Medium close Shot, Low to High angle,    Panel 21
Scene 2,  Cut 14,  Medium Shot,    Panel 22
Scene 2,  Cut 14,  Medium Shot,    Panel 23
Scene 2,  Cut 14,  Medium Shot,    Panel 24
Scene 2,  Cut 14,  Medium Shot,    Panel 25
Scene 2,  Cut 15,  Medium Shot,    Panel 26
Scene 2,  Cut 15,  Medium Shot,    Panel 27
Scene 2,  Cut 15,  Medium Shot,    Panel 28
Scene 2,  Cut 16,  Medium Shot,    Panel 29
Scene 2,  Cut 16,  Medium Shot,    Panel 30 Notes: See animtic for full movement reference
Scene 2,  Cut 16,  Medium Shot,    Panel 31 Notes: The camera stays put for all of this cut. The character’s arm is what m...
Scene 2,  Cut 17,  Medium close Shot,    Panel 32 Notes: This is a cut to a different shot where the dr’s arm comes into s...
Scene 2,  Cut 17,  Medium close Shot,    Panel 33 Notes: Pan from 32 to 35
Scene 2,  Cut 17,  Medium close Shot,    Panel 34 Notes: Pan from 32 to 35
Scene 2,  Cut 17, Pan to Medium close Shot,    Panel 35 Notes: Pan from 32 to 35
Scene 2,  Cut 17, Track into Close-up of paper Shot,    Panel 36
Scene 2,  Cut 17, Track into Extreme Close Shot of paper,    Panel 37 Notes:  The camera will track down to read the rest ...
Scene 2,  Cut 17, Track down in Extreme Close Shot,    Panel 38
Scene 2,  Cut 18, Extreme Close Shot,    Panel 39
Scene 2,  Cut 19, Extreme Close Shot,    Panel 40
Scene 2,  Cut 20, Medium Close Shot,    Panel 41
Scene 2,  Cut 21, Extreme Close Shot,    Panel 42
Scene 2,  Cut 22, Medium Shot,     Panel 43
Scene 2,  Cut 23, Medium Close Shot,     Panel 44
Scene 2,  Cut 24, Close up Shot,     Panel 45 Notes: Between panel 44 and 45 is a cut, not a track/zoom.
Scene 2,  Cut 24, Close up Shot,     Panel 46
Scene 2,  Cut 25, Extreme Close up Shot,     Panel 47 Notes: Cut to a closer shot, not zoom/track.
Scene 2,  Cut 26, Medium Shot,     Panel 48
Scene 2,  Cut 26, Medium Shot,     Panel 49
Scene 2,  Cut 27, Close up Cut –in shot of hands,   Panel 50
Scene 2,  Cut 28, Medium Shot,     Panel 51
Scene 2,  Cut 29, Close up Shot,     Panel 52
Scene 2,  Cut 29, Close up Shot,     Panel 53 Notes: The Old Man moves out of shot. Camera stays put.
Scene 2,  Cut 29, Close up Shot,     Panel 54
Scene 2,  Cut 30, Long Shot,     Panel 55
Scene 2,  Cut 30, Long Shot,     Panel 56
Scene 2,  Cut 31, Medium Close Shot,     Panel 57
Scene 2,  Cut 32, Long Shot,     Panel 58 Notes: Long shot of old man, Medium shot of Doctor.
Scene 2,  Cut 33, Close up Shot,     Panel 59
Scene 2,  Cut 33, Close up Shot,     Panel 60 Notes: Dr walks off to his right.
Scene 2,  Cut 34,   Long Shot,     Panel 61
Scene 2,  Cut 34,   Long Shot,     Panel 62
FADE TO BLACK
Scene 3,  Cut 35, Very Long Shot,   Panel 63
Scene 3,  Cut 35, Very Long Shot,   Panel 64 Notes: Crane down to lower angle.
Scene 3,  Cut 36, Medium close Shot,   Panel 65
Scene 3,  Cut 36, Medium close Shot,   Panel 66
Scene 3,  Cut 37, Medium Long Shot,   Panel 67 Notes: Camera on the inside of a house.
Scene 3,  Cut 37, Medium Long Shot,   Panel 68
Scene 3,  Cut 38, Very Long Shot,   Panel 69
Scene 3,  Cut 38, Very Long Shot,   Panel 70
Scene 3,  Cut 39, Medium Close Shot,   Panel 71
Scene 3,  Cut 40, Long Shot,   Panel 72
Scene 3,  Cut 41, Extreme Long Shot,   Panel 73 Notes: Stays within the 180 line.
Scene 3,  Cut 42, Close up Shot,   Panel 74
Scene 3,  Cut 43, Long Shot,   Panel 75
Scene 3,  Cut 43, Long Shot,   Panel 76
Scene 3,  Cut 44, Medium Close Shot,   Panel 77
Scene 3,  Cut 45, Long Shot,   Panel 78
Scene 3,  Cut 46, Medium Shot,   Panel 79
Scene 3,  Cut 46, Medium Shot,   Panel 80
Scene 3,  Cut 46, Medium Shot,   Panel 81
Scene 3,  Cut 47, Medium Close Shot,   Panel 82
Scene 3,  Cut 48, Close up/Cut-in Shot,   Panel 83 Notes: This crosses the 180 purposely, to keep the audience guessing. D...
Scene 3,  Cut 49, Medium Close Shot,   Panel 84
Scene 3,  Cut 50,  Close up Shot,   Panel 85
Scene 3,  Cut 51,  Extreme Close up Shot,   Panel 86
Scene 3,  Cut 52,  Close up Shot,   Panel 87
Scene 3,  Cut 53,  Close up Shot,   Panel 88
Scene 3,  Cut 54,  Medium Close up Shot,   Panel 89
Scene 3,  Cut 55,  Medium Close up Shot,   Panel 90 Dialogue: “This is the only way I could save you…”
Scene 3,  Cut 56,  Long Shot,   Panel 91
Scene 3,  Cut 57,  Medium Close up  Shot,   Panel 92
Scene 3,  Cut 58,  Long Shot,   Panel 93 Notes: Dr pulls out sword and old man falls to the ground. Then fade to black/
FADE TO BLACK
Scene 3,  Cut 59,  Long Shot,   Panel 94
Scene 3,  Cut 60,  Long Shot,   Panel 95
Scene 3,  Cut 61,  Long Shot,   Panel 96
Scene 3,  Cut 61,  Long Shot,   Panel 97
Scene 3,  Cut 62,  POV, Cut-In Shot,   Panel 98
Scene 3,  Cut 63,  Medium Shot,   Panel 99
Scene 3,  Cut 63,  Medium Shot,   Panel 100 Dialogue: “Now who’s going to save me?”
Scene 3,  Cut 63,  Medium Shot,   Panel 101
Scene 3,  Cut 63,  Medium Shot,   Panel 102
Scene 3,  Cut 64,  Very Long Shot,   Panel 103
Scene 3,  Cut 64,  Very Long Shot,   Panel 104
FADE TO BLACK
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"His Cure" - Storyboards

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My Major project for my final year on the Computer Animation Arts course at the NCCA, Bournemouth University.

Published in: Design, Business, Technology
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"His Cure" - Storyboards

  1. 1. “ His Cure” Major Project Storyboard By Agatha Gomes
  2. 2. <ul><li>104 Panels </li></ul><ul><li>2 Transitions </li></ul><ul><li>64 Cuts </li></ul><ul><li>3 Scenes </li></ul><ul><li>1 Set </li></ul><ul><li>2 Characters </li></ul><ul><li>Day and Night </li></ul>Quick Summary
  3. 3. Scene 1, Cut 1, Medium Long Shot, Panel 1
  4. 4. Scene 1, Cut 1, Medium Long Shot, Panel 2
  5. 5. Scene 1, Cut 1, Medium Long Shot, Panel 3
  6. 6. Scene 1, Cut 2, Extreme Long Shot, Panel 4
  7. 7. Scene 1, Cut 2, Extreme Long Shot, Panel 5
  8. 8. Scene 1, Cut 3, Medium Shot of sign, Panel 6
  9. 9. Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 7
  10. 10. Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 8
  11. 11. Scene 1, Cut 5, Medium Close-up Shot, Panel 9
  12. 12. Scene 1, Cut 6, Medium Close-up Shot, Slightly Higher angle, Panel 10
  13. 13. Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 11
  14. 14. Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 12 NOTE: Door opens abruptly.
  15. 15. Scene 2, Cut 8, Medium Long Shot, Low to High angle, Panel 13 Notes: The camera is low while the aim is high, giving the feeling that the old man is small and that the Dr who suddenly appeared is a huge, imposing, dominant figure.
  16. 16. Scene 2, Cut 9, Medium Close-up Shot, High to low angle, Panel 14 Notes: The camera placement here is high with the aim low, in an over-the-shoulder shot directed towards the old man. Catching his expression of surprise. Take note of the use of framing with the door frame as composition.
  17. 17. Scene 2, Cut 10, Medium Long Shot, Panel 15 Notes: This shot will be a through the wall shot for compositional purposes and to really show off the animation.
  18. 18. Scene 2, Cut 10, Medium Long Shot, Panel 16
  19. 19. Scene 2, Cut 10, Medium Long Shot, Panel 17
  20. 20. Scene 2, Cut 11, Medium Long Shot, Camera low, Panel 18 Notes: The camera will be angled down ever so slightly.
  21. 21. Scene 2, Cut 12, Medium Shot, Panel 19
  22. 22. Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 20 Notes: Low to high angle but not as extreme. Old man’s head in view.
  23. 23. Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 21
  24. 24. Scene 2, Cut 14, Medium Shot, Panel 22
  25. 25. Scene 2, Cut 14, Medium Shot, Panel 23
  26. 26. Scene 2, Cut 14, Medium Shot, Panel 24
  27. 27. Scene 2, Cut 14, Medium Shot, Panel 25
  28. 28. Scene 2, Cut 15, Medium Shot, Panel 26
  29. 29. Scene 2, Cut 15, Medium Shot, Panel 27
  30. 30. Scene 2, Cut 15, Medium Shot, Panel 28
  31. 31. Scene 2, Cut 16, Medium Shot, Panel 29
  32. 32. Scene 2, Cut 16, Medium Shot, Panel 30 Notes: See animtic for full movement reference
  33. 33. Scene 2, Cut 16, Medium Shot, Panel 31 Notes: The camera stays put for all of this cut. The character’s arm is what moves around.
  34. 34. Scene 2, Cut 17, Medium close Shot, Panel 32 Notes: This is a cut to a different shot where the dr’s arm comes into shot.
  35. 35. Scene 2, Cut 17, Medium close Shot, Panel 33 Notes: Pan from 32 to 35
  36. 36. Scene 2, Cut 17, Medium close Shot, Panel 34 Notes: Pan from 32 to 35
  37. 37. Scene 2, Cut 17, Pan to Medium close Shot, Panel 35 Notes: Pan from 32 to 35
  38. 38. Scene 2, Cut 17, Track into Close-up of paper Shot, Panel 36
  39. 39. Scene 2, Cut 17, Track into Extreme Close Shot of paper, Panel 37 Notes: The camera will track down to read the rest of the poster on the wall.
  40. 40. Scene 2, Cut 17, Track down in Extreme Close Shot, Panel 38
  41. 41. Scene 2, Cut 18, Extreme Close Shot, Panel 39
  42. 42. Scene 2, Cut 19, Extreme Close Shot, Panel 40
  43. 43. Scene 2, Cut 20, Medium Close Shot, Panel 41
  44. 44. Scene 2, Cut 21, Extreme Close Shot, Panel 42
  45. 45. Scene 2, Cut 22, Medium Shot, Panel 43
  46. 46. Scene 2, Cut 23, Medium Close Shot, Panel 44
  47. 47. Scene 2, Cut 24, Close up Shot, Panel 45 Notes: Between panel 44 and 45 is a cut, not a track/zoom.
  48. 48. Scene 2, Cut 24, Close up Shot, Panel 46
  49. 49. Scene 2, Cut 25, Extreme Close up Shot, Panel 47 Notes: Cut to a closer shot, not zoom/track.
  50. 50. Scene 2, Cut 26, Medium Shot, Panel 48
  51. 51. Scene 2, Cut 26, Medium Shot, Panel 49
  52. 52. Scene 2, Cut 27, Close up Cut –in shot of hands, Panel 50
  53. 53. Scene 2, Cut 28, Medium Shot, Panel 51
  54. 54. Scene 2, Cut 29, Close up Shot, Panel 52
  55. 55. Scene 2, Cut 29, Close up Shot, Panel 53 Notes: The Old Man moves out of shot. Camera stays put.
  56. 56. Scene 2, Cut 29, Close up Shot, Panel 54
  57. 57. Scene 2, Cut 30, Long Shot, Panel 55
  58. 58. Scene 2, Cut 30, Long Shot, Panel 56
  59. 59. Scene 2, Cut 31, Medium Close Shot, Panel 57
  60. 60. Scene 2, Cut 32, Long Shot, Panel 58 Notes: Long shot of old man, Medium shot of Doctor.
  61. 61. Scene 2, Cut 33, Close up Shot, Panel 59
  62. 62. Scene 2, Cut 33, Close up Shot, Panel 60 Notes: Dr walks off to his right.
  63. 63. Scene 2, Cut 34, Long Shot, Panel 61
  64. 64. Scene 2, Cut 34, Long Shot, Panel 62
  65. 65. FADE TO BLACK
  66. 66. Scene 3, Cut 35, Very Long Shot, Panel 63
  67. 67. Scene 3, Cut 35, Very Long Shot, Panel 64 Notes: Crane down to lower angle.
  68. 68. Scene 3, Cut 36, Medium close Shot, Panel 65
  69. 69. Scene 3, Cut 36, Medium close Shot, Panel 66
  70. 70. Scene 3, Cut 37, Medium Long Shot, Panel 67 Notes: Camera on the inside of a house.
  71. 71. Scene 3, Cut 37, Medium Long Shot, Panel 68
  72. 72. Scene 3, Cut 38, Very Long Shot, Panel 69
  73. 73. Scene 3, Cut 38, Very Long Shot, Panel 70
  74. 74. Scene 3, Cut 39, Medium Close Shot, Panel 71
  75. 75. Scene 3, Cut 40, Long Shot, Panel 72
  76. 76. Scene 3, Cut 41, Extreme Long Shot, Panel 73 Notes: Stays within the 180 line.
  77. 77. Scene 3, Cut 42, Close up Shot, Panel 74
  78. 78. Scene 3, Cut 43, Long Shot, Panel 75
  79. 79. Scene 3, Cut 43, Long Shot, Panel 76
  80. 80. Scene 3, Cut 44, Medium Close Shot, Panel 77
  81. 81. Scene 3, Cut 45, Long Shot, Panel 78
  82. 82. Scene 3, Cut 46, Medium Shot, Panel 79
  83. 83. Scene 3, Cut 46, Medium Shot, Panel 80
  84. 84. Scene 3, Cut 46, Medium Shot, Panel 81
  85. 85. Scene 3, Cut 47, Medium Close Shot, Panel 82
  86. 86. Scene 3, Cut 48, Close up/Cut-in Shot, Panel 83 Notes: This crosses the 180 purposely, to keep the audience guessing. Despite previous clues as to the whereabouts of the Dr.
  87. 87. Scene 3, Cut 49, Medium Close Shot, Panel 84
  88. 88. Scene 3, Cut 50, Close up Shot, Panel 85
  89. 89. Scene 3, Cut 51, Extreme Close up Shot, Panel 86
  90. 90. Scene 3, Cut 52, Close up Shot, Panel 87
  91. 91. Scene 3, Cut 53, Close up Shot, Panel 88
  92. 92. Scene 3, Cut 54, Medium Close up Shot, Panel 89
  93. 93. Scene 3, Cut 55, Medium Close up Shot, Panel 90 Dialogue: “This is the only way I could save you…”
  94. 94. Scene 3, Cut 56, Long Shot, Panel 91
  95. 95. Scene 3, Cut 57, Medium Close up Shot, Panel 92
  96. 96. Scene 3, Cut 58, Long Shot, Panel 93 Notes: Dr pulls out sword and old man falls to the ground. Then fade to black/
  97. 97. FADE TO BLACK
  98. 98. Scene 3, Cut 59, Long Shot, Panel 94
  99. 99. Scene 3, Cut 60, Long Shot, Panel 95
  100. 100. Scene 3, Cut 61, Long Shot, Panel 96
  101. 101. Scene 3, Cut 61, Long Shot, Panel 97
  102. 102. Scene 3, Cut 62, POV, Cut-In Shot, Panel 98
  103. 103. Scene 3, Cut 63, Medium Shot, Panel 99
  104. 104. Scene 3, Cut 63, Medium Shot, Panel 100 Dialogue: “Now who’s going to save me?”
  105. 105. Scene 3, Cut 63, Medium Shot, Panel 101
  106. 106. Scene 3, Cut 63, Medium Shot, Panel 102
  107. 107. Scene 3, Cut 64, Very Long Shot, Panel 103
  108. 108. Scene 3, Cut 64, Very Long Shot, Panel 104
  109. 109. FADE TO BLACK

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