Getting to the Commons

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    Getting to the Commons - Presentation Transcript

    1. How did I get here?
        • Road to iCommons, Rio, 2006
        • Andrew Garton MA Program Director, OPEN CHANNEL Executive Board Member, Association for Progressive Communications
        • toysatellite.org/agarton/
    2. Motivations #1
      • Collaboration
        • Creative and personal development.
        • Facing challenges.
        • Sustaining cultural and intellectual diversity.
    3. Motivations # 1 / Undercurrents 'a totally new perspective on electronic music and vision mixing… the show evokes classical composers like Prokofiev, Philip Glass and producers like Adrian Sherwood of On-U-Sound, only juiced up a bit' Taipei Time s, April 2001 . Melbourne / Taipei improvised audio-visual performance, Taipei International Arts Festival, Melbourne International Film Festival, 2001
    4. Motivations #1 / Undercurrents
    5. Motivations # 2
      • Public access
        • The freedom to communicate.
        • Access to the tools with which to communicate, ask questions and tells one’s story.
        • Ensure the protections of these freedoms.
    6. Motivations # 2 / D3
      • Public access kiosk to deposit CC licensed images into, with the addition of “found” text spatially located within the interface.
    7. Motivations # 2 / D3
        • To remix those images and text, including 12 frames from an embedded, motion controlled camera, and create individual representations of one’s association with the urban environment.
        • 15,000 visited the D3 prototype, an attempt at engaging the public in the ongoing development of this work.
        • The entire asset base of D3 will soon be available for release under a CC license.
    8. CUE D3 DVD
    9. Motivations # 3
      • Freedom of expression
        • Synthesis of what has been into what will become.
        • That moves, inspires and seeks to ask questions.
        • Why are we here at all?
    10. Motivations # 3 / Nooka

    + andrew gartonandrew garton, 2 years ago

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