Jan Blencowe Painter


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Jan Blencowe Painter

  1. 1. Lara's Theme 24.08.09 04:57 PM JAN BLENCOWE PAINTER CLICK
  2. 2. Cedar by the bay
  3. 3. In the Marsh
  4. 4. Evening Light Winter
  5. 5. Falls River Spring
  6. 6. November Sunset
  7. 7. Dune drama
  8. 8. Poppy Medley
  9. 9. Afternoon Sail
  10. 10. Seasons Turnings
  11. 11. Summer Barns
  12. 12. Lieutenant River,August
  13. 13. Poppies in Summer
  14. 14. August Sunset,Hammonasset
  15. 15. All is Calm
  16. 16. Rocky Neck River
  17. 17. August ,Rocky Neck Mars
  18. 18. Clearing View from Olana
  19. 19. Mountain House View
  20. 20. South lake Evening
  21. 21. View from Katterskill Falls
  22. 22. Sunset Clouds
  23. 23. View of Hartford
  24. 24. Harkness Rock Garden
  25. 25. Marsh at Rocky Neck
  26. 26. Thunder Approaching Gillette Castle
  27. 27. Meigs Point Afternoon
  28. 28. Fog Over The Hudson
  29. 29. Hi Tide on the Lieutenant River
  30. 30. August Evening Hammonasset
  31. 31. Looking Across the Marsh
  32. 32. Oyster River in September
  33. 33. View from St.Mary's
  34. 34. March View II
  35. 35. Golden Days
  36. 36. Time and Tide
  37. 37. Jan Blencowe received her BFA, magna cum laude, from Caldwell College in Caldwell NJ, in 1984. Her professional associations include signature membership in the American Society of Landscape Painters, and membership in the American Impressionist Society, The Daily Painters Gallery, the Connecticut Plein Air Painters Society, the Lyme Art Association and elected membership in the Essex Art Association and the Madison Art Society. Her work is represented by galleries in Connecticut, Massachusetts and Pennsylvania. Most recently, two of her landscapes were selected to hang in the US Embassy in Honduras. In 2008 her landscape Marsh Reflections was chosen to represent Connecticut in the Paint America MiniTop50 collection. In May 2008 her painting Willard Island Walk was awarded Best in Show at the Tracy Art Center pARTners in Art Show. July, 2008 she won the Jane Stannard Granniss Memorial Award in the Clinton Art Society, 59th Annual Summer Show, and had a painting jurid into the New Britain Museum of American Art Show. In 2007, two of her landscapes were chosen to represent the state of Connecticut in the America’s Top 100 Landscape collection. Her painting November Sunset was also chosen as the representative for Connecticut in America’s MiniTop50 Landscapes Collection. In May 2007 she won Best in Show in the Madison Art Society’s annual juried exhibit. JAN BLENECOWE
  38. 38. An instructor at the Tracy Art Center in Old Saybrook, CT since 2005, Blencowe teaches a variety of classes including plein air landscape painting, drawing, and color theory. She is a representative for Chroma Atelier Interactive Acrylics, demonstrating their products, and she lectures throughout the state on internet marketing trends for artists, as well as being a popular painting demonstrator for art societies and associations. Jan Blencowe’s work has been written about in the March 4th 2007 issue of USA Weekend Magazine, the July/August 2006 issue of Domino Magazine, the August, 31st 2006 issue of the NY Times and the July 30th 2006 issue of the Lexington Herald-Leader. Blencowe’s work is in numerous private collections across the US and in Canada, Australia, Germany, Finland and the United Kingdom. Her work has appeared in Nutmeg Magazine and been featured on book covers in Finland and Music CD covers in Germany.
  39. 39. She paints "en plein air” in all seasons and weather. The beauty and diversity of the coastal Connecticut landscape inspire her. Salt marshes, rocky coast, beaches and upland fields and woods are among her favorite subjects to paint. Her large studio landscapes are often based on field studies and her experiences painting outdoors. Jan's works are widely collected nationwide and internationally and are in many private collections. Jan talks about her work…. “I love being outdoors, so painting outdoors "en plein air' (from the French phrase meaning "in the open air") is a natural for me. Studio work is often done from field studies and memory. In the studio I distill the essentials and re-create the emotion and mood of a place. It is also my hope that my paintings of the landscape will remind people that our wild open spaces are vital to our existence and are worthy of our care and preservation.
  40. 40. August 24,2009 A.C T H E E N D