NORTHERN EUROPE 1400-1500Early Northern Renaissance
Early Northern Renaissance Theme:                       Consider                         the                        NUT!Ha...
What was happening in thenorth?-Emergence of great wealth via INDIVIDUALACCOMPLISHMENT rather than inheritedmoney-Fueled a...
Philip the Bold – Great patron ofN. Renaissance artClaus SluterWell of MosesChartreuse de Champmol, Dijon, France1395-1406...
Mechior BroederlamRetable de ChampmolFrom Chapel of the Chartreuse deChampmol, Dijon, FranceInstalled 1399tempera on panel...
Altarpieces•   Where are they located?•   What purpose do they serve?•   Polyptychs = hinged multipaneled paintings     – ...
Robert CampinMerode Altarpiece (open)ca. 1425-1428oil on wood2 ft. 1 in. 2 ft. 1 in. (center)   What is significant about ...
What symbols do you see?
Oil PaintFresco vs. tempera vs. oil:What are the advantages?
Jan van Eyck – apainting WIZARDHow does this compare to the earlyRenaissance in Italy?Jan van EyckGhent Altarpiece (closed...
https://www.youtube.com/watch?v=EBPiMoltLI8
Vocab - GrisailleJan van EyckGhent Altarpiece (closed)(detail of St. John the Evangelist)Saint Bavo Cathedral, Ghent, Belg...
“This is God, all-powerful in his divine                                       majesty; of all the best, by the gentleness...
How many symbols can you spot?Jan van EyckGiovanni Arnolfini and His Bride1434oil on wood2 ft. 8 in. x 1 ft. 11 1/2 in.
Jan van Eyck, The Arnolfini Portrait, 1434,digital infrared reflectogram detail
http://www.nationalgallery.org.uk/paintings/jan-van-eyck-portrait-of-a-man-self-portraitWhy were portraits popular? Whatpu...
Rogier van der WeydenDepositionfrom Notre- Hors-les-murs, Louvain, Belgiumca. 1435oil on woodapproximately 7 ft. 3 in. x 8...
Rogier van der WeydenPortrait of a Ladyca. 1460oil on panel13 3/8 in. x 10 1/16 in.
Religious or secular?….or BOTH?Petrus ChristusA Goldsmith in His Shop (St.Eligius)1449oil on wood3 ft. 3 in. x 2 ft. 10 in.
What symbols allude to the Last Judgment?
Renaissance conventions?Dirk BoutsLast SupperFrom Saint Peter’s, Louvain,Belgium1464-1468oil on woodapproximately 6 ft. 5 ...
Hugo van der GoesPortinari Altarpiece (open)From Sant’Egidio, Florence, Italyca. 1476tempera and oil on wood8 ft. 3 1/2 in...
Hugo van der GoesPortinari Altarpiece(Adoration of the Shepherds)From Sant’Egidio, Florence,Italy
Hans MemlingSaint John AltarpieceHospital Sint Jan, Bruges, Belgium1479oil on wood5 ft. 7 3/4 in. x 5 ft. 7 3/4 in (center...
Limbourg BrothersJanuary from Les Tres Riche Heuresdu Duc de Berry (The Very SumptuousHours of Duke of Berry)1413-1416Ink ...
Limbourg BrothersFebruary from Les Tres Riche Heuresdu Duc de Berry (The Very SumptuousHours of Duke of Berry)1413-1416Ink...
Jean FouquetMelun DiptychÉtienne Chevalier andSaint Stephenca. 1450oil on wood3 ft. 1/2 in. x 2 ft. 9 1/2 in.
Jean FouquetMelun DiptychÉtienne Chevalier andSaint Stephenca. 1450oil on wood3 ft. 1/2 in. x 2 ft. 9 1/2 in.
Veit StossDeath and Assumption of the Virginfrom Church of St. Mary, Kraków, Poland1477-1489painted and gilded wood43 ft. ...
Tilman RiemenschneiderThe Assumption of the Virgincenter panel of the Creglingen AltarpieceCreglingen, Germany1495-1499car...
Konrad WitzMiraculous Draught of Fishfrom Cathedral of St. Peter, Geneva, Switzerland1444oil on wood4 ft. 3 in. x 5 ft. 1 ...
What was the result of theinvention of theletterpress/printing press?Michel Wolgemut and ShopNuremburg Chronicle1493printe...
Martin SchongauerTemptation of Saint Anthonyca. 1480-1490engraving13 x 11 in.
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Early Northern Renaissance
Upcoming SlideShare
Loading in...5
×

Early Northern Renaissance

1,108

Published on

0 Comments
2 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
1,108
On Slideshare
0
From Embeds
0
Number of Embeds
7
Actions
Shares
0
Downloads
32
Comments
0
Likes
2
Embeds 0
No embeds

No notes for slide
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Early Northern Renaissance

    1. 1. NORTHERN EUROPE 1400-1500Early Northern Renaissance
    2. 2. Early Northern Renaissance Theme: Consider the NUT!Har tu r ed ! d to c d tex rack l an ! Smal ! eaty Oily! and mRich
    3. 3. What was happening in thenorth?-Emergence of great wealth via INDIVIDUALACCOMPLISHMENT rather than inheritedmoney-Fueled an explosion of learning andcreativity  RENAISSANCE-Intense interest in the natural world andclose observation-Interest in individual personalities PORTRAITS and artist fame!-Thriving cities: dukes of Burgundy weremost powerful in n. Europe - International Gothic Style became prominent style of late 14th c. Europe
    4. 4. Philip the Bold – Great patron ofN. Renaissance artClaus SluterWell of MosesChartreuse de Champmol, Dijon, France1395-1406stonefigures approximately 6 ft. high
    5. 5. Mechior BroederlamRetable de ChampmolFrom Chapel of the Chartreuse deChampmol, Dijon, FranceInstalled 1399tempera on panelpanels each 5 ft. 3 3/4 in. x 4 ft. 1 1/4 in.
    6. 6. Altarpieces• Where are they located?• What purpose do they serve?• Polyptychs = hinged multipaneled paintings – Could be carved relief panels – Closed hinged sides or wings over middle panel (like a manuscript)• Artists decorated both exterior and interior of altarpiece• http://www.nationalgallery.org.uk/anatomy-of-an-altarpiece
    7. 7. Robert CampinMerode Altarpiece (open)ca. 1425-1428oil on wood2 ft. 1 in. 2 ft. 1 in. (center) What is significant about the setting? The patrons?
    8. 8. What symbols do you see?
    9. 9. Oil PaintFresco vs. tempera vs. oil:What are the advantages?
    10. 10. Jan van Eyck – apainting WIZARDHow does this compare to the earlyRenaissance in Italy?Jan van EyckGhent Altarpiece (closed)Saint Bavo Cathedral, Ghent, Belgium1432oil on wood11 ft. 5 3/4 in. high Patron St. John the Baptist St. John the Evang. Patron
    11. 11. https://www.youtube.com/watch?v=EBPiMoltLI8
    12. 12. Vocab - GrisailleJan van EyckGhent Altarpiece (closed)(detail of St. John the Evangelist)Saint Bavo Cathedral, Ghent, Belgium1432oil on wood11 ft. 5 3/4 in. high
    13. 13. “This is God, all-powerful in his divine majesty; of all the best, by the gentleness of his goodness; the most liberal giver, because of his infinite generosity” tion ! Sa lva Sto len !Jan van EyckGhent Altarpiece (open) “On his head, life without death. On hisSaint Bavo Cathedral, Ghent, Belgium brow, youth without age. On his right, joy without sadness. On his left, security without1432 fear”oil on wood11 ft. 5 3/4 in. high
    14. 14. How many symbols can you spot?Jan van EyckGiovanni Arnolfini and His Bride1434oil on wood2 ft. 8 in. x 1 ft. 11 1/2 in.
    15. 15. Jan van Eyck, The Arnolfini Portrait, 1434,digital infrared reflectogram detail
    16. 16. http://www.nationalgallery.org.uk/paintings/jan-van-eyck-portrait-of-a-man-self-portraitWhy were portraits popular? Whatpurpose did they serve?Jan van EyckMan in a Red Turban1433oil on wood10 1/4 in. x 7 1/2 in.
    17. 17. Rogier van der WeydenDepositionfrom Notre- Hors-les-murs, Louvain, Belgiumca. 1435oil on woodapproximately 7 ft. 3 in. x 8 ft. 7 in.
    18. 18. Rogier van der WeydenPortrait of a Ladyca. 1460oil on panel13 3/8 in. x 10 1/16 in.
    19. 19. Religious or secular?….or BOTH?Petrus ChristusA Goldsmith in His Shop (St.Eligius)1449oil on wood3 ft. 3 in. x 2 ft. 10 in.
    20. 20. What symbols allude to the Last Judgment?
    21. 21. Renaissance conventions?Dirk BoutsLast SupperFrom Saint Peter’s, Louvain,Belgium1464-1468oil on woodapproximately 6 ft. 5 in. high
    22. 22. Hugo van der GoesPortinari Altarpiece (open)From Sant’Egidio, Florence, Italyca. 1476tempera and oil on wood8 ft. 3 1/2 in. x 10 ft. (center) 8 ft. 3 1/2 in. x 4 ft. 7 1/2 in. (wings) http://www.googleartproject.com/collection/uffizi-gallery/artwork/the-portinari-triptych- hugo-van-der-goes-van-der-goes/329464/
    23. 23. Hugo van der GoesPortinari Altarpiece(Adoration of the Shepherds)From Sant’Egidio, Florence,Italy
    24. 24. Hans MemlingSaint John AltarpieceHospital Sint Jan, Bruges, Belgium1479oil on wood5 ft. 7 3/4 in. x 5 ft. 7 3/4 in (center) 5 ft. 7 3/4 in. x 2 ft. 7 1/8 in (wings)
    25. 25. Limbourg BrothersJanuary from Les Tres Riche Heuresdu Duc de Berry (The Very SumptuousHours of Duke of Berry)1413-1416Ink on vellum8 7/8” x 5 3/8”
    26. 26. Limbourg BrothersFebruary from Les Tres Riche Heuresdu Duc de Berry (The Very SumptuousHours of Duke of Berry)1413-1416Ink on vellum8 7/8” x 5 3/8”
    27. 27. Jean FouquetMelun DiptychÉtienne Chevalier andSaint Stephenca. 1450oil on wood3 ft. 1/2 in. x 2 ft. 9 1/2 in.
    28. 28. Jean FouquetMelun DiptychÉtienne Chevalier andSaint Stephenca. 1450oil on wood3 ft. 1/2 in. x 2 ft. 9 1/2 in.
    29. 29. Veit StossDeath and Assumption of the Virginfrom Church of St. Mary, Kraków, Poland1477-1489painted and gilded wood43 ft. x 35 ft. overall
    30. 30. Tilman RiemenschneiderThe Assumption of the Virgincenter panel of the Creglingen AltarpieceCreglingen, Germany1495-1499carved lindenwood6 ft. 1 in. wide
    31. 31. Konrad WitzMiraculous Draught of Fishfrom Cathedral of St. Peter, Geneva, Switzerland1444oil on wood4 ft. 3 in. x 5 ft. 1 in.
    32. 32. What was the result of theinvention of theletterpress/printing press?Michel Wolgemut and ShopNuremburg Chronicle1493printed ink on paper
    33. 33. Martin SchongauerTemptation of Saint Anthonyca. 1480-1490engraving13 x 11 in.
    1. A particular slide catching your eye?

      Clipping is a handy way to collect important slides you want to go back to later.

    ×