Cinquecento italy

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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Cinquecento italy

    1. 1. Cinquecento Italian Art
    2. 2. THEME: PMA Pyramid M P A
    3. 3. THE MASTERS•Leonardo da Vinci: inventor, naturalist, and painter of the soul•Donato Bramante: the Pope’s architect•Michelangelo Buonarroti: sculptor with divine power•Raphael Raffaelo Sanzio: the true painter
    4. 4. 16th century Europe-Humanism lives on: inspires exploration of new ideas, the natural world and distantlands - Geography and Cartography - Printing Press – LITERACY! - Travel – international community-On going shifts in alliances among Italian city-states, Holy Roman Empire, Spain,France and the papacy - Popes act like princes! $$$$ - Protestant Reformation – Julius the II and the sale of indulgences, Reformation initiated by Martin Luther’s 95 These-The artistic GENIUS - Intellectual influence - Mostly men - Generous commissions and high social status - Divinely inspired2 BIG CHANGES: switch from tempera to oil & commissions from private sources,no solely the Church, court or civic associations
    5. 5. Verrocchio’s Baptism of ChristWhat’s the difference between Early Renaissance and High Renaissance art?
    6. 6. Thetranscendent divinity oftrecento Italy +The reality and solidity of quattrocento Italy
    7. 7. Leonardo da Vinci – the Renaissance man -Born in Vinci, trained under Verrocchio -Moved to Florence at 12 or 13 -Spent much of his life in Milan working on military and civil engineering projectsLeonardo da VinciVirgin of the Rocksca. 1485oil on wood6 ft. 3 in. x 3 ft. 7 in.
    8. 8. Chiaroscuro Sfumato
    9. 9. Leonardo da VinciVirgin and Child withSt. Anne and the Infant St. Johnca. 1505-07charcoal heightened with white onbrown paper4 ft. 6 in. x 3 ft. 3 in.
    10. 10. Leonardo da VinciThe Last SupperRefectory, Santa Maria delle Grazie, Milan, Italyca. 1495-98fresco (oil and tempera on plaster)29 ft. 10 in. x 13 ft. 9 in.
    11. 11. In the refectory of Santa Maria delle Grazie, Milan
    12. 12. Leonardo da VinciMona Lisa (La Giaconda)ca. 1503-1505oil on wood2 ft. 6 in. x 1 ft. 9 in.
    13. 13. Leonardo the mathematician, engineer, botanist, scientist, inventor,geologist, etc. anatomyWater studies Military engineer
    14. 14. “Grotesque Profile”
    15. 15. Leonardo da VinciEmbryo in the Wombca. 1510pen and ink on paper
    16. 16. Pope Julius IIRaphaelMarriage of the VirginChapel of Saint Joseph in Città di Castellonear Florence, Italy1504oil on wood5 ft. 7 in. x 3 ft. 10 1/2 in.
    17. 17. http://www.youtube.com/watch?feature=player_embedded&v=tK_LhRsF-xs#!RaphaelMadonna of the Meadows1505oil on panel3 ft. 8 1/2 in. x 2 ft. 10 1/4 in.
    18. 18. RaphaelPhilosophy (School of Athens)Stanza della Segnatura, Vatican Palace, Rome, Italy1509-11frescoapproximately 19 x 27 ft.
    19. 19. RaphaelGalateaSala di Galatea, Villa FarnesinaRome, Italy1513fresco9 ft. 8 in. x 7 ft. 5 in.
    20. 20. Courtier - A person who attendsa royal court as a companion oradviser to the king or queenHow is this expressed in hisportrait?RaphaelBaldassare Castiglioneca. 1514oil on wood transferred to canvas2 ft. 6 1/4 in. x 2 ft. 2 1/2 in.
    21. 21. MICHELANGELO, Il DivinoMaster sculptor, painter andarchitect-Born Michelangelo Buonarroti - Studied under Ghirlandaio and Bertoldo di Giovanni-Parallels Plato’s ideas: - The image the artist’s hand produces must come from the artist’s mind - Ideas come from the natural world, absolute idea of beauty-Michelangelo didn’t adhere to a set ofmathematical principles (I.e.Leonardo’s Vetruvian Man), butbelieved the artist’s inspired judgmentcould create beauty
    22. 22. MichelangeloPieta1498-1500marble5’ 8” high
    23. 23. ATTACK on the Pietá!!http://abcnews.go.com/Archives/video/21-1972-michelangelos-pieta-damaged-13472122
    24. 24. Michelangelo BuonarrotiDavid1501-1504marble14 ft. 3 in. high
    25. 25. Pope Julius II – the ultimate art patron-Associated himself with humanists and great RomanemperorsCommissioned Michelangelo to sculpt his elaborate tomb-Design called for a freestanding 2-story structurecovered with figures (some 28 statues) - Gives Michelangelo opportunity to sculpt many figures - Provides Julius II with a grandiose memorial that would associate him with the first pope, St. Peter himselfEventually reduced the scale of the design, 1/3 theoriginal plan
    26. 26. Michelangelo BuonarrotiMosesSan Pietro in Vincoli, Rome, Italyca. 1513-1515marbleapproximately 8 ft. 4 in. high
    27. 27. Compare to Donatello’s seated figure
    28. 28. Michelangelo BuonarrotiBound Slave1513-1516marble6 ft. 10 1/2 in. high
    29. 29. https://www.youtube.com/watch?v=jTBjRrXvJiMhttps://www.youtube.com/watch?v=7ZyCI9LYtY8
    30. 30. Sistine Chapel (view facing west)Vatican City, Rome, Italybuilt 1473
    31. 31. Sistine Chapel (view facing east)Vatican City, Rome, Italybuilt 1473
    32. 32. Michelangelo BuonarrotiSistine Chapel CeilingVatican City, Rome, Italy1508-12frescoapproximately 128 x 45 ft.
    33. 33. Sistine Chapel Ceiling - Christ’s ancestors
    34. 34. Michelangelo BuonarrotiCreation of Adam, Sistine Chapel CeilingVatican City, Rome, Italy1511-12frescoapproximately 18 ft. 8 in. x 9 ft. 2 in.
    35. 35. Cleaning of, Sistine Chapel CeilingVatican City, Rome, Italy1977-1989
    36. 36. Cleaning of, SistineChapel CeilingVatican City, Rome, Italy1977-1989
    37. 37. Michelangelo BuonarrotiDrunkenness of Noah, Sistine Chapel Ceiling (pre-restoration)Vatican City, Rome, Italy1511-12fresco
    38. 38. Michelangelo BuonarrotiDrunkenness of Noah, Sistine Chapel Ceiling (post-restoration)Vatican City, Rome, Italy1511-12fresco
    39. 39. Sistine Chapel (view facing east)Vatican City, Rome, Italybuilt 1473
    40. 40. The Sistine Chapel and the Counter-Reformation-What was the Counter-Reformation? - Backlash by popes of Protestant ideologies - Popes are well aware of the power of visual imagery-Protestantism believes in personal faith,relationship between an individual andGod - No need for the church!-Paul III (successor of Clement VII)commissioned “Last Judgment” wall
    41. 41. Michelangelo BuonarrotiLast JudgmentVatican City, Rome, Italy1537-41fresco
    42. 42. Signorelli’s Last Judgment
    43. 43. Michelangelo BuonarrotiTomb of Giuliano de’MediciMedici Chapel, San Lorenzo, Florence, Italy1519-1534marblecentral figure approximately 5 ft. 11 in. high
    44. 44. Michelangelo BuonarrotiTomb of Giuliano de’MediciMedici Chapel, San Lorenzo, Florence, Italy1519-1534marblecentral figure approximately 5 ft. 11 in. high
    45. 45. Donato d’Angelo BramanteTempiettoSan Pietro in Montorio, Rome, Italy1502
    46. 46. Donato d’Angelo BramantePlan for the new Saint Peter’s1505
    47. 47. Christoforo Foppa CaradossoMedal showing Bramante’s design for the new Saint Peter’s1506
    48. 48. Michelangelo Buonarrotiplan for Saint Peter’sVatican City, Rome, Italy1546
    49. 49. Michelangelo Buonarrotielevation for Saint Peter’sVatican City, Rome, Italy1546-1564
    50. 50. Michelangelo Buonarrotielevation for Saint Peter’sVatican City, Rome, Italy1546-1564
    51. 51. Antonio da Sangallo the Younger QuoinsPalazzo FarneseRome, Italyca. 1530-1546
    52. 52. Andrea PalladioVilla Rotundanear Vicenza, Italyca. 1566-1570 https://www.youtube.com/watch?v=bvq1cYDqd0U
    53. 53. Andrea PalladioVilla Rotundanear Vicenza, Italyca. 1566-1570
    54. 54. Andrea Palladiowest façade ofSan Giorgio MaggioreVenice, Italybegun 1565
    55. 55. Andrea Palladiointerior ofSan Giorgio MaggioreVenice, Italybegun 1565
    56. 56. Venetian Painting
    57. 57. Giovanni BelliniSan Zaccaria AltarpieceSanta Zaccaria, Venice, Italy1505oil on wood transferred to canvas16 ft. 5 in. x 7 ft. 9 in.
    58. 58. Colorito vs DisegnoGiovanni Bellini and TitianThe Feast of the Gods1529oil on canvas5 ft. 7 in. x 6 ft. 2 in.
    59. 59. Giorgionne da CastelfrancoPastoral Symphonyca. 1508oil on canvas3 ft. 7 in. x 4 ft. 6 in.
    60. 60. Giorgionne daCastelfrancoThe Tempestca. 1510oil on canvas2 ft. 7 in. x 2 ft. 4 3/4 in.
    61. 61. TitianAssumption of the VirginSanta Maria Gloriosa del Frari, Venice, Italyca. 1516-1518oil on wood22 ft. 6 in. x 11 ft. 10 in.
    62. 62. TitianMadonna of the Pesaro FamilySanta Maria dei Frari, Venice, Italy1519-1526oil on canvasapproximately 16 x 9 ft.
    63. 63. TitianMeetingof Bacchusand Ariadne1522-1523oil on canvas5 ft. 9 in. x 6 ft. 3 in.
    64. 64. TitianVenus of Urbino1538oil on canvas4 ft. x 5 ft. 6 in.
    65. 65. What role did women play in the Renaissance?TitianIsabella d’Este1534-36oil on canvas3 ft. 4 1/8 in. x 2 ft. 1 3/16 in.
    66. 66. TintorettoMiracle of the Slave1548oil on canvas14 x 18 ft.
    67. 67. Giulio RomanoInterior courtyard façadeof the Palazzo del TèMantua, Italy1525-1535

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