Byzantine Art
Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
Pendentives & Squinches make Hagia Sophia’s dome possible
pendentive                   What structural                   advantages do                    pendentives               ...
Anthemius of Tralles &Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
Anthemius of Tralles &Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
San VitaleRavenna, Italy526-547
San VitaleRavenna, Italy526-547
San VitaleRavenna, Italy526-547
San VitaleRavenna, Italy526-547
Apse MosaicSan VitaleRavenna, Italy526-547mosaic
Justinian, Bishop Maximianus and attendantsnorth wall apse mosaic, San VitaleRavenna, Italyca. 547mosaic
Theodora and attendantssouth wall apse mosaic, San VitaleRavenna, Italyca. 547mosaic
Abraham and the Three Angels (Philoxeneos), and the Sacrifice of Isaacnorth lunette mosaic, San VitaleRavenna, Italyca. 54...
Sacrifice of Abel, Sacrifice of Melchisedechnorth lunette mosaic, San VitaleRavenna, Italyca. 547mosaic
Sant’Apollinare in ClasseRavenna, Italy533-549
Sant’Apollinare in ClasseRavenna, Italy533-549
Saint Apollinaris amid sheepSant’Apollinare in ClasseRavenna, Italy533-549mosaic
Church of the VirginMonastery of Saint CatherineMount Sinai, Egyptca. 565
Transfiguration of Jesusapse mosaic, Church of the VirginMonastery of Saint CatherineMount Sinai, Egyptca. 565            ...
Virgin (Theotokos) and Childbetween Saints Theodore and George, iconFrom Monastery of Saint CatherineMount Sinai, Egypt6th...
Justinian as world conqueror(Barberini Ivory)mid-6th centuryivory1 ft. 1 1/2 in. x 10 1/2 in.
Justinian as world conqueror(Barberini Ivory)mid-6th centuryivory1 ft. 1 1/2 in. x 10 1/2 in.-narrative-classical influence
Saint Michael the Archangelearly-6th centuryivory1 ft. 5 in. x 5 1/2 in.-space-classical influence-patron saint of Hagia S...
What ties this to the classical tradition?Anicia JulianaBetween Magnanimityand Prudencefolio 6 of theVienna Dioskoridesfro...
Ascension of ChristRabbula GospelsFrom Zagba, Syria586tempera on vellum1 ft. 1 in. x 10 1/2 in.
Virgin (Theotokos) and Child enthronedApse mosaic, Hagia Sophia867mosaic
Katholikon and Church of the TheotokosHosios Loukas, GreeceKatholikon early 11th century, Church of the Theotokos, 10th ce...
Katholikon and Church of the TheotokosHosios Loukas, GreeceKatholikon early 11th century, Church of the Theotokos, 10th ce...
Apse of the KatholikonHosios Loukas, Greece11th centurymosaic
Dome of the KatholikonHosios Loukas, Greece11th centuryfresco
Dome of the KatholikonHosios Loukas, Greece11th centuryfresco
Nativity of ChristKatholikonHosios Loukas, Greece11th centurymosaic
Baptism of ChristKatholikonHosios Loukas, Greece11th centurymosaic
Pantocratordome mosaicin the Church of the DormitionDaphni, Greececa. 1090-1100mosaic
Crucifixionin the Church of the DormitionDaphni, Greececa. 1090-1100mosaic
Saint Mark’s CathedralVenice, Italybegun 1063
Saint Mark’s CathedralVenice, Italybegun 1063
interior of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
interior of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
AnastasisFrom west vault of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
Pala d’Orofrom Saint Mark’s CathedralVenice, Italyca. 1105gold cloisonné with precious stones
ArchangelPala d’Orofrom Saint Mark’s CathedralVenice, Italyca. 1105gold cloisonné with precious stones
ApseCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
PantocratorCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
Theotokos and Child, angels and saintsCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
Hodegetria, icon (front)ca. 1150-1200tempera on wood
Hodegetria, icon (back)ca. 1150-1200tempera on wood
Hodegetria, iconca. 1150-1200tempera on wood
Christ enthroned with Saints(Harbaville Triptych)ca. 950ivory9 1/2 in. x 5 1/2 in. high
David composing the PsalmsParis Psalterca. 950-970tempera on vellum14 1/8 in. x 10 1/4 in.
Israelites’ Flight from EgyptParis Psalterca. 950-970tempera on vellum14 1/8 in. x 10 1/4 in.
Anastasisapse fresco in parekklision of the Church of Christ in ChoraConstantinpole, (Istanbul), Turkeyca. 1310-1320fresco
Christ as Savior of Souls, iconearly 14th centurytempera, linen and silver on wood3 ft. 1/4 in. x 2 ft. 2 1/2 in.
Annunciation, reverse of 2-sided iconearly 14th centurytempera and linen on wood3 ft. 1/4 in. x 2 ft. 2 3/2 in.
Annunciation, obverse of 2-sided iconearly 14th centurytempera, linen and silver on wood3 ft. 1/4 in. x 2 ft. 2 3/2 in.
Virgin (Theotokos) and Child, iconLate 11th to early 12th centurytempera on wood2 ft. 6 1/2 in. x 1 ft. 9 in.
Andrei RublyevThree Angels, iconca. 1410tempera on wood4 ft. 8 in. x 3 ft. 9 in.
Iconostasis
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
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Byzantine Art
Byzantine Art
Byzantine Art
Byzantine Art
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  • Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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  • Byzantine Art

    1. 1. Byzantine Art
    2. 2. Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    3. 3. Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    4. 4. Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    5. 5. Anthemius of Tralles & Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    6. 6. Pendentives & Squinches make Hagia Sophia’s dome possible
    7. 7. pendentive What structural advantages do pendentives have?Anthemius of Tralles &Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    8. 8. Anthemius of Tralles &Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    9. 9. Anthemius of Tralles &Isidorus of MiletusHagia SophiaConstantinpole, (Istanbul), Turkey532-537
    10. 10. San VitaleRavenna, Italy526-547
    11. 11. San VitaleRavenna, Italy526-547
    12. 12. San VitaleRavenna, Italy526-547
    13. 13. San VitaleRavenna, Italy526-547
    14. 14. Apse MosaicSan VitaleRavenna, Italy526-547mosaic
    15. 15. Justinian, Bishop Maximianus and attendantsnorth wall apse mosaic, San VitaleRavenna, Italyca. 547mosaic
    16. 16. Theodora and attendantssouth wall apse mosaic, San VitaleRavenna, Italyca. 547mosaic
    17. 17. Abraham and the Three Angels (Philoxeneos), and the Sacrifice of Isaacnorth lunette mosaic, San VitaleRavenna, Italyca. 547mosaic
    18. 18. Sacrifice of Abel, Sacrifice of Melchisedechnorth lunette mosaic, San VitaleRavenna, Italyca. 547mosaic
    19. 19. Sant’Apollinare in ClasseRavenna, Italy533-549
    20. 20. Sant’Apollinare in ClasseRavenna, Italy533-549
    21. 21. Saint Apollinaris amid sheepSant’Apollinare in ClasseRavenna, Italy533-549mosaic
    22. 22. Church of the VirginMonastery of Saint CatherineMount Sinai, Egyptca. 565
    23. 23. Transfiguration of Jesusapse mosaic, Church of the VirginMonastery of Saint CatherineMount Sinai, Egyptca. 565 mandorlamosaic
    24. 24. Virgin (Theotokos) and Childbetween Saints Theodore and George, iconFrom Monastery of Saint CatherineMount Sinai, Egypt6th or early 7th centuryencaustic on wood2 ft. 3 in. x 1 ft. 7 3/8 in.
    25. 25. Justinian as world conqueror(Barberini Ivory)mid-6th centuryivory1 ft. 1 1/2 in. x 10 1/2 in.
    26. 26. Justinian as world conqueror(Barberini Ivory)mid-6th centuryivory1 ft. 1 1/2 in. x 10 1/2 in.-narrative-classical influence
    27. 27. Saint Michael the Archangelearly-6th centuryivory1 ft. 5 in. x 5 1/2 in.-space-classical influence-patron saint of Hagia Sophia
    28. 28. What ties this to the classical tradition?Anicia JulianaBetween Magnanimityand Prudencefolio 6 of theVienna Dioskoridesfrom Honoratainear Constantinople (Istanbul)ca. 512tempera on parchment1 ft. 3 in. x 1 ft. 11 in.
    29. 29. Ascension of ChristRabbula GospelsFrom Zagba, Syria586tempera on vellum1 ft. 1 in. x 10 1/2 in.
    30. 30. Virgin (Theotokos) and Child enthronedApse mosaic, Hagia Sophia867mosaic
    31. 31. Katholikon and Church of the TheotokosHosios Loukas, GreeceKatholikon early 11th century, Church of the Theotokos, 10th century
    32. 32. Katholikon and Church of the TheotokosHosios Loukas, GreeceKatholikon early 11th century, Church of the Theotokos, 10th century
    33. 33. Apse of the KatholikonHosios Loukas, Greece11th centurymosaic
    34. 34. Dome of the KatholikonHosios Loukas, Greece11th centuryfresco
    35. 35. Dome of the KatholikonHosios Loukas, Greece11th centuryfresco
    36. 36. Nativity of ChristKatholikonHosios Loukas, Greece11th centurymosaic
    37. 37. Baptism of ChristKatholikonHosios Loukas, Greece11th centurymosaic
    38. 38. Pantocratordome mosaicin the Church of the DormitionDaphni, Greececa. 1090-1100mosaic
    39. 39. Crucifixionin the Church of the DormitionDaphni, Greececa. 1090-1100mosaic
    40. 40. Saint Mark’s CathedralVenice, Italybegun 1063
    41. 41. Saint Mark’s CathedralVenice, Italybegun 1063
    42. 42. interior of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
    43. 43. interior of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
    44. 44. AnastasisFrom west vault of Saint Mark’s CathedralVenice, Italyca. 1180mosaic
    45. 45. Pala d’Orofrom Saint Mark’s CathedralVenice, Italyca. 1105gold cloisonné with precious stones
    46. 46. ArchangelPala d’Orofrom Saint Mark’s CathedralVenice, Italyca. 1105gold cloisonné with precious stones
    47. 47. ApseCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
    48. 48. PantocratorCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
    49. 49. Theotokos and Child, angels and saintsCathedral at MonrealeMonreale, Sicily, Italyca. 1180-1190mosaic
    50. 50. Hodegetria, icon (front)ca. 1150-1200tempera on wood
    51. 51. Hodegetria, icon (back)ca. 1150-1200tempera on wood
    52. 52. Hodegetria, iconca. 1150-1200tempera on wood
    53. 53. Christ enthroned with Saints(Harbaville Triptych)ca. 950ivory9 1/2 in. x 5 1/2 in. high
    54. 54. David composing the PsalmsParis Psalterca. 950-970tempera on vellum14 1/8 in. x 10 1/4 in.
    55. 55. Israelites’ Flight from EgyptParis Psalterca. 950-970tempera on vellum14 1/8 in. x 10 1/4 in.
    56. 56. Anastasisapse fresco in parekklision of the Church of Christ in ChoraConstantinpole, (Istanbul), Turkeyca. 1310-1320fresco
    57. 57. Christ as Savior of Souls, iconearly 14th centurytempera, linen and silver on wood3 ft. 1/4 in. x 2 ft. 2 1/2 in.
    58. 58. Annunciation, reverse of 2-sided iconearly 14th centurytempera and linen on wood3 ft. 1/4 in. x 2 ft. 2 3/2 in.
    59. 59. Annunciation, obverse of 2-sided iconearly 14th centurytempera, linen and silver on wood3 ft. 1/4 in. x 2 ft. 2 3/2 in.
    60. 60. Virgin (Theotokos) and Child, iconLate 11th to early 12th centurytempera on wood2 ft. 6 1/2 in. x 1 ft. 9 in.
    61. 61. Andrei RublyevThree Angels, iconca. 1410tempera on wood4 ft. 8 in. x 3 ft. 9 in.
    62. 62. Iconostasis
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