The Making of Awakening

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    The Making of Awakening - Presentation Transcript

    1. THE MAKING OF AWAKENING Alderdice / Mansfield
    2. Jewelry is one of the oldest forms of decorative art.
    3. Jewelry is the answer to the need for personal adornment.
    4. Studying jewelry from the past and of other cultures is inspiring.
    5. We have been inspired by several museums’ jewelry collections and especially by the Walters Art Museum.
    6. THE WALTER’S JEWELRY COLLECTION Egyptian 17–12 century BC To Roman 3 century AD
    7. Egyptian collar Section of beads from 16 th to 12 th century BC
    8. Etruscan 7 th century BC quadruple loop-in-loop chain
    9. Roman 2 nd century AD single loop in loop chain
    10. Roman 1 st or 2 nd century AD double loop chain
    11. A Roman 1 st or 2 nd century AD pinched loop chain
    12. Roman 2 nd century AD hammered single loop in loop chain
        • Easter Egg presented by Nicholas II to his mother,
        • Maria Feodorovna in 1901
    13. Red enameled watchcase made for Madame Mere, Letizia Ramolino Bonaparte, mother of Napoleon I
    14. Silver guilt and blue guilloche enamel traveling clock
    15. Guilloche : an engraving technique in which a precise intricate design is mechanically etched onto an underlying material
    16. RGM, in Pennsylvania, is one of the few watch companies today actively involved in keeping alive this old world craft. A rose engine lathe is the machine used to produce guilloche designs.
    17. THE MAKING OF AWAKENING Alderdice / Mansfield
    18. ENAMELING
    19. ENAMELING ROLLER PRINTING
    20. ENAMELING ROLLER PRINTING MAKING THE BASE PIECE
    21. ENAMELING MAKING THE CHAIN ROLLER PRINTING MAKING THE BASE PIECE
    22. ENAMELING The application of a vitreous glaze to metal, followed by fusing in a kiln
    23. Tools of enameling
    24. Mock up of the design
    25. 24K gold cloisonné wire shapes on a silver base
    26. Cloisonnés filled with shaded enamels
    27. KILN
    28. Enamel is sanded under water until smooth
    29. ROLLER PRINTING The application of a texture to metal by applying pressure using a rolling mill
    30. Create a Tear-Away using polymer clay and printed design
    31.  
    32. Melt 22K gold to make a gold ingot
    33. Flatten gold ingot to .012 thickness
    34. Textured gold Tear away design
    35. Saw to design shape
    36. MAKING THE BASE PIECE Using textured plates to apply a design to a clay base piece
    37. Roll Precious Metal Clay to the desired thickness
    38. Sandwich the clay between textured plates
    39. Apply even pressure using a book press
    40. The pressed clay image
    41.  
    42.  
    43. The textured base plate after firing
    44. MAKING THE CHAIN The fusing of links and weaving to create the Hammered Pinched Loop Chain
    45. Wire is wrapped around a wooden dowel
    46. The wire is cut into jump rings
    47. The jump rings are fused
    48. They are formed into a bow tie shape and bent around a dowel to form a link
    49.  
    50.  
    51.  
    52.  
    53.  
    54.  
    55.  
    56.  
    57.  
    58. The link is opened up and hammered flat on a steel block
    59.  
    60.  
    61. before after (hammered)
    62. Weaving of the links to form the Hammered Pinched Loop Chain
    63.  
    64.  
    65. Bezel Hammered Pinched Loop Chain Roller Printed 22K Gold Textured Base Piece Enamel Tourmaline Inner Bezel
    66. Alderdice / Mansfield Alchemic Synthesis Awakening Tooled 22K gold, cloisonné enamel, patterned fine silver, faceted tourmaline stone, 2 nd century AD Roman hand-woven 22K gold and fine silver hammered pinched loop chain
    67. Alderdice / Mansfield Alchemic Synthesis
    68. Alderdice / Mansfield Alchemic Synthesis
    69. Alderdice / Mansfield Alchemic Synthesis
    70. Alderdice / Mansfield Alchemic Synthesis
    71. Alderdice / Mansfield Alchemic Synthesis
    72. Alderdice / Mansfield Alchemic Synthesis
    73. Alderdice / Mansfield Alchemic Synthesis
    74. Alderdice / Mansfield Alchemic Synthesis Studio visits available by appointment. 410-266-7444 Collaborating art jewelers Cynthia Alderdice and Lois Mansfield design and fabricate classical and cross-cultural pieces of fine jewelry. They design one of a kind and limited edition pieces in 22 K and 24 K gold and fine silver. Often the pieces are embellished with gemstones, pearls and enamels. The artists draw inspiration from years of experience in varied art media such as painting, printmaking, sculpture, enameling and all facets of metalsmithing. The texture and design of the work echoes the artists’ inspiration from cultures around the world. Much like archeological relics, each piece evokes a mood and tells a story

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