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Music Magazine Analysis 
NME and Top Of The Pops
Target Audience 
17 to 30 years of age, the readers are well educated with 78% of 
their readers in work or education. I would say that people that 
read this magazine are highly dedicated to music and are more 
than likely to spend a sum of their disposable income on gigs and 
concerts which may have been influenced by the magazine, I 
believe this due to the depth of the content and information of 
music found in the issues after I read this magazine for research. 
DATE AND PRICE 
The date and price are usually found 
next to each other in a small font next 
to the masthead, they are not usually 
largely noticed as the dedicated fans 
are usually aware of the price of the 
magazine. 
MASTHEAD 
NME, standing for New Music Experience 
is the first thing people look to when 
assessing a magazine and it should 
always stand out on the page taking up 
roughly 1/5 of the page. NME uses a very 
bold font on its masthead which stands out 
well, especially due to the colour scheme 
of a red font on top of a generally black 
and white background. 
MAIN COVERLINE 
The main coverline has many features 
similar to the masthead, it uses the same 
coloured font and style, This means it also 
grabs a large amount of attention from the 
viewer as it jumps out the page. In this issue 
“NOEL” is in capital letters and larger than 
the masthead, this means that NME wants 
this to be the main selling point as it takes 
up a majority of the page, it could also be 
saying that Noel Gallagher is bigger than the 
intstitution. The main coverline usually links 
to the main image and quote. 
COLOUR SCHEME 
The colour scheme of 
this magazine uses red, 
black and white. This not 
only works effectively 
because the red font on 
top of a black and white 
background dominates 
and controls the page 
but it also reflects to the 
type of rock and vintage 
genre the NME 
audience would be 
attracted to. You could 
also say that the black 
and white theme brings 
back the idea that old 
music era’s are coming 
back, such as Oasis. 
CENTRAL IMAGE 
The main image for this issue of NME is notoriously well known Oasis star Noel Gallagher, this 
represents celebrity endorsement which is evident in every NME magazine. He has the 
stereotypical stern “rock” look, not giving anything away as to might be contained in his interview. 
His body is facing away from the camera with his head slightly turned towards the viewer which 
then leads on to his eyes making direct contact, which represents the usual arrogant, naïve and 
simple laid back look you would expect from an artist from his genre and Mr Gallagher in particular. 
This also emphasises the rock genre that this magazine displays due to the recognition Noel 
Gallagher brings. As the subject entices a direct gaze with the viewer, he also looks very superior 
as if he is looking down on you. 
PUFFS 
Puffs in this issue 
are used to full effect 
in the sense that 
they must relate to 
the target audience. 
And the use of ,big 
alternative-rock 
artists, “Arctic 
Monkeys Sex Tape” 
is short, snappy and 
leaves a lot of the 
story up to the 
imagination of the 
reader. Being such a 
big name in the 
music industry is 
going to leave a 
majority of people, 
even if you aren’t a 
dedicated a fan, 
wondering and 
having a certain urge 
to buy the issue, 
LAYOUT 
NME has a common 
identity when it comes to 
look at the layout of the 
magazine. You will 
generally realise a 
backward S form when it 
comes to the eye flow. It 
will start with your eyes 
drawn to NME Masthead, 
then the central, then 
finally leading on to main 
coverline.
Layout 
The layout for the 
contents page of NME 
is a very sectioned 
format, trying to keep 
each article very 
regimented from one 
another. It keeps the 
largest picture to 
feature the main 
article of the issue, 
this being Matthew 
Murphy’s encounter 
with rock icon Pete 
Doherty. This spot is 
usually reserved for 
well known iconic rock 
celebrities such as 
Keith Richards or 
Liam Gallagher. 
Language / Mode of Address 
The language in the contents also emphasises and 
enforces what target audience NME are aiming 
towards, of older teens and young adults as it says 
“You’re fucked, you need to go to bed”. This not only 
uses indecent language but also incites the use of 
alcohol or other substances which shows that there 
is a relatively mature audience reading the articles. I 
believe this also offers personality to the magazine 
and shows that the magazine knows what their 
dedicated buyers are used to and deemed 
acceptable by. 
Masthead 
The masthead gives off a certain 
Newspaper feel which deters from the 
previous “Rock and Roll” contents page 
used. It is very simple and never 
changes from the “Inside this week” 
which could make it easily recognizable 
to its readers. It also makes it obvious 
that it is a weekly magazine and not a 
monthly one, this should allow new time 
readers to know when the next issue is 
due. 
Colour 
The colour scheme of the contents 
page is a simple black and white set 
up, par to the offer in the bottom right 
corner where a burgundy square 
takes place. This differs from the 
mainly featured red which occurs in 
the front cover. The new colour 
scheme gives off a newspaper feel 
which may deter some of their “hard 
core” fans. 
Listing 
NME have a simple yet effective way 
of listing the lesser stories to fill the 
page, using one word to sum up the 
story or article followed by the page 
number. As it uses the word “plus” it 
makes the reader feel as if they are 
getting more for their money. This is 
called a puff. 
Articles 
The more interesting 
articles featured in the 
magazine are given a 
larger space concluding 
with a summary 
sentence or quote 
followed by a picture. I 
think this goes well as it 
differentiates itself from 
the stereotypical dull and 
lifeless contents pages 
you find in other 
magazines
Colour Scheme 
Conventions. 
This double page spread 
What you would expect from a 
uses the expected black red 
double page spread, half of the 
and white which is mainly 
double page being taken up by 
featured in the NME 
Florence (the feature) having 
franchise. The colour 
the image being dominant in 
scheme also interacts with 
comparison to the rest of the 
the strength of the subjects 
spread, then the other half 
golden locks. 
being the story of the feature. 
Also having a summary 
question before reaching the 
main text enticing what the text 
Main Image 
will be about. The image featured in this article 
is of main singer from Florence 
and the Machines, Florence 
Welch. The magazine uses her 
florescent hair as part of the 
colour scheme which I think links 
well as you could say it relates to 
the outlandish style and genre 
the magazine attempts to reflect 
in each issue. She looks very 
empowering having a direct gaze 
with the camera as if to 
challenge the reader and 
emphasises the strong 
independent woman by being the 
artist in a band full of men, this 
means that the small proportion 
of women that reads the 
magazine can relate. The feature 
also links with the text as she is 
sitting on top of the American 
flag, showing that she has taken 
the USA by storm with her music 
which is stated in the text. 
Title 
“USA got the love” – this title allows the 
reader to know what the story is going to 
be about straight away. As the readers are 
dedicated to the rock and roll lifestyle they 
will know that “got the love” will be a 
reference to Florence and the machine 
song – then as the target audience are 
supposedly well educated they will make 
the connection that Florence Welch has 
taken the American charts over and 
become a big hit in the states. “USA” 
being in a larger font expresses the scale 
of how large the industry is out there. 
Layout 
The layout is set in three 
separate columns. It is 
done this way so it seems 
more “reader-friendly” 
and that it doesn’t feel too 
daunting for the reader. 
Having it separated into 
three columns allows the 
reader to feel as if there is 
not as much text involved 
and encourages them to 
read all of the article 
instead of skim-reading it. 
Enlarged 
text 
The enlarged text 
is the first bit of 
writing the reader 
is attracted to, it 
sums up what 
the story is going 
to be about and 
usually draws the 
reader in for 
more using 
tragedy or hot 
news. “Why is 
Florence Welch 
lying on her floor 
attacking herself” 
This leads an 
introduction for 
the main article 
and draws the 
reader in.
Smaller Images 
All the smaller images relate to pre-teen topics, stories and celebrities which 
the target-audience will be interested in, such as heart throb Harry Styles. It 
also suggests the genre given for the audience as it consists a lot of pop 
stars from bands such as one direction and JLS. The fact that there is a lot 
of imagery on the cover implies that it is aimed towards a younger 
audience. 
Masthead 
Top of the Pops masthead is a clear inclination 
as to what target audience the magazine is 
aiming for, first of all the bright pink is a simple 
connotation that it is aimed at a young female 
audience this colour on a white background also 
means that it can be noticed from afar by its 
readers, as well as a swirly emphasis on the “S” 
of “POPS” which could be saying that this is the 
handwriting of a pre-teen. The masthead is also 
in a very bubbly font which again leads to the 
characteristics of its readers. 
Coverlines 
The coverlines are mainly pink red or black 
which conforms to the house style of the 
magazine. Along with the smaller images they 
all stick to the rule of thirds par to the central 
image, this makes an easy set-up for the 
readers to view the page. 
Main Image 
The main image is of pop sensation Justin 
Beiber, this shows ultimately what kind of brand 
of music the magazine is based on and aimed 
towards. The celebrity endorsement is very 
effective as almost every pre-teen girl is in love 
with the Canadian popstar, he uses his sweet 
enticing eyes as a direct gaze with the viewer to 
invite them in to the issue, also making it personal 
to the reader. The main image is dead centre and 
takes up roughly half of the page, meaning he is 
going to be the main feature in the story which 
the target audience will love to read about. Main Coverline 
The main cover line of this issue links back 
to the main image of Justin Beiber which is 
evident due to the name and that it is the 
stand out piece of text next to Beiber. It 
says “Justin: “I was bullied!”” which 
automatically will have girls feeling sorry 
for the heartthrob. 
House style 
Pink is the main feature colour in the scheme for top of the pops 
along with black, white and red. The font actually goes against 
what you would expect the typical young female font of swirls and 
is in actual fact quite sophisticated, I think this is because young 
girls feel more mature than they show so they wouldn’t be 
interested in the swirls and comic sans fonts anymore. The 
masthead doesn’t differ from issue to issue and has a strong yet 
bubbly font which would appeal to its audience. 
Mode of address 
The language is very informal and 
colloquial, this is because the magazine 
is aimed towards a young demographic 
and if the text were too complicated the 
viewers would simply lose interest. The 
cover uses simple yet catchy language 
such as “Hitched or Ditched” and “Fitties 
seeking forgiveness” which again 
interests the audience and further proves 
that it is aimed at a young female 
audience. 
Price 
The price for this magazine is 
quite high at £3.99, this is 
because it is the childs working 
class parents who are paying for 
it with their disposable income, 
enforcing it is aimed at young pre-work 
children.
Page Numbers 
The page numbers are largely 
featured on the contents page taking 
up a fair amount of space, this 
allows an easy setting for the young 
audience to understand, with the 
page numbers being related back to 
the front page lets the reader to find 
the story they found most interesting 
on the cover to easily and effectively 
find it within the magazine, it is also 
in pink which not only stays true to 
the magazines house style but it 
also stands out on the white so 
catches the readers gaze. 
Subheading 
the subheadings have a very “girly” font 
with the twirls and hearts involved 
reassuring the target audience with the “We 
<3 Boys” of young females. They tend to 
stay the same each week with the 
placement, size, and actual features such 
as “Celebs & Gossip” and “We <3 
Shopping” which becomes part of the Top 
of the Pops contents page conventions. 
Mode of address 
The mode of address for this magazine is 
informal and quite cheesy which shows 
that a younger audience is intended, the 
text also talks about adult features such 
as “finding Mr Right” this allows young 
pre-teens to feel as if they are conversing 
into adulthood by talking about mature 
subjects. 
House style 
Again, another feature of the top of the 
pops house style contains vibrant, 
feminine colours which catch the eye 
of the young audience, this also 
creates a positive outlook on the whole 
magazine which would usually rub off 
on the reader. The pink is used 
throughout the whole magazine and 
creates a very noticeable identity for 
the magazine 
Layout 
The layout for the contents page is very 
conventional of any other contents page 
and of the top of the pops magazine, using 
the rule of thirds effectively along with a 
column of three for the listings of the lesser 
stories. Having the column of three allows 
the reader to believe there is less writing as 
it is spread out, which works well for the 
target audience as they would be 
disinterested with the large amount of 
writing. 
Imagery 
There is a fair amount of imagery on the 
contents page which isn’t an evident 
convention of a set contents page, 
however it spaces the text out well and 
allows a more fun and quirky way for the 
audience to interact with the magazine, it 
also relates to things the audience will be 
interested in, for example the handbag 
representing fashion and accessories 
whilst Aston from JLS represents a 
“fangirl” appeal for the celebs and gossips 
column, it also helps having page 
numbers next to the front cover which has 
been printed on the contents page as it 
shows the main articles simply and the 
page they will be on for the reader. 
Masthead 
Simple “Inside the mag…” works well 
for this magazine, in a simple yet 
effective “girly” font in white amongst a 
pink background sticks to the house 
style of TOTP, with the information that 
follows, all that is needed.
Colour scheme 
The double page 
spread sticks to the 
colour scheme and 
house style of the 
Top of the Pops 
magazine, using the 
typical pink, black 
and white whilst 
inducing fainter and 
lighter colours to mix 
in, with the pink 
being a connotation 
of a feminine 
presence in the 
magazine. 
Layout 
The layout for this double page spread is split into 4 different 
columns and instead of conventional 3 columns you would usually 
find, having the columns set out like this allows the reader to feel as 
if there is less text to go through making them more likely to read 
the whole article. The main feature of Taylor Swift is situated on the 
far right of the spread taking up roughly 1/3 of the two pages 
vertically, this immediately shows the reader what and who the 
article or interview is about without even having to think. The 
quotation of “No matter what you read, I’m not dating anyone!” is 
shown at the top of the page taking up 1/3 of the page horizontally. 
This creates various dimensions for the spread and makes the 
different shapes a more interesting layout for the reader. 
Main Image 
The main image is situated on the far right taking up 
around 1/3 of the page, she is automatically recognizable 
to the pop genre so this is another enforcement of the 
target audience and type of magazine this is. She is 
looking very sweet and innocent whilst maintaining a 
direct gaze with the camera, which will reflect onto the 
young girl reading this magazine, the direct gaze also 
makes the reader feel comfortable and invited in. It is also 
the first thing the eye catches which allows the reader to 
Quotation 
The quotation at the top 
of the page saying “No 
matter what you read, I’m 
not dating anyone!” adds 
variety and differentiates 
to other magazine as this 
acts as the title, this 
creates a house identity 
for the magazine. It also 
tells the viewer the main 
subject of the following 
article as well as linking 
in with the main image. 
Conventions. 
What you would expect from a double page 
spread, half of the double page being taken up 
by Florence (the feature) having the image being 
dominant in comparison to the rest of the 
spread, then the other half being the story of the 
feature. Also having a summary question before 
reaching the main text enticing what the text will 
be about.

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AS Media Analysis of NME and TOTP Magazines

  • 1. Music Magazine Analysis NME and Top Of The Pops
  • 2. Target Audience 17 to 30 years of age, the readers are well educated with 78% of their readers in work or education. I would say that people that read this magazine are highly dedicated to music and are more than likely to spend a sum of their disposable income on gigs and concerts which may have been influenced by the magazine, I believe this due to the depth of the content and information of music found in the issues after I read this magazine for research. DATE AND PRICE The date and price are usually found next to each other in a small font next to the masthead, they are not usually largely noticed as the dedicated fans are usually aware of the price of the magazine. MASTHEAD NME, standing for New Music Experience is the first thing people look to when assessing a magazine and it should always stand out on the page taking up roughly 1/5 of the page. NME uses a very bold font on its masthead which stands out well, especially due to the colour scheme of a red font on top of a generally black and white background. MAIN COVERLINE The main coverline has many features similar to the masthead, it uses the same coloured font and style, This means it also grabs a large amount of attention from the viewer as it jumps out the page. In this issue “NOEL” is in capital letters and larger than the masthead, this means that NME wants this to be the main selling point as it takes up a majority of the page, it could also be saying that Noel Gallagher is bigger than the intstitution. The main coverline usually links to the main image and quote. COLOUR SCHEME The colour scheme of this magazine uses red, black and white. This not only works effectively because the red font on top of a black and white background dominates and controls the page but it also reflects to the type of rock and vintage genre the NME audience would be attracted to. You could also say that the black and white theme brings back the idea that old music era’s are coming back, such as Oasis. CENTRAL IMAGE The main image for this issue of NME is notoriously well known Oasis star Noel Gallagher, this represents celebrity endorsement which is evident in every NME magazine. He has the stereotypical stern “rock” look, not giving anything away as to might be contained in his interview. His body is facing away from the camera with his head slightly turned towards the viewer which then leads on to his eyes making direct contact, which represents the usual arrogant, naïve and simple laid back look you would expect from an artist from his genre and Mr Gallagher in particular. This also emphasises the rock genre that this magazine displays due to the recognition Noel Gallagher brings. As the subject entices a direct gaze with the viewer, he also looks very superior as if he is looking down on you. PUFFS Puffs in this issue are used to full effect in the sense that they must relate to the target audience. And the use of ,big alternative-rock artists, “Arctic Monkeys Sex Tape” is short, snappy and leaves a lot of the story up to the imagination of the reader. Being such a big name in the music industry is going to leave a majority of people, even if you aren’t a dedicated a fan, wondering and having a certain urge to buy the issue, LAYOUT NME has a common identity when it comes to look at the layout of the magazine. You will generally realise a backward S form when it comes to the eye flow. It will start with your eyes drawn to NME Masthead, then the central, then finally leading on to main coverline.
  • 3. Layout The layout for the contents page of NME is a very sectioned format, trying to keep each article very regimented from one another. It keeps the largest picture to feature the main article of the issue, this being Matthew Murphy’s encounter with rock icon Pete Doherty. This spot is usually reserved for well known iconic rock celebrities such as Keith Richards or Liam Gallagher. Language / Mode of Address The language in the contents also emphasises and enforces what target audience NME are aiming towards, of older teens and young adults as it says “You’re fucked, you need to go to bed”. This not only uses indecent language but also incites the use of alcohol or other substances which shows that there is a relatively mature audience reading the articles. I believe this also offers personality to the magazine and shows that the magazine knows what their dedicated buyers are used to and deemed acceptable by. Masthead The masthead gives off a certain Newspaper feel which deters from the previous “Rock and Roll” contents page used. It is very simple and never changes from the “Inside this week” which could make it easily recognizable to its readers. It also makes it obvious that it is a weekly magazine and not a monthly one, this should allow new time readers to know when the next issue is due. Colour The colour scheme of the contents page is a simple black and white set up, par to the offer in the bottom right corner where a burgundy square takes place. This differs from the mainly featured red which occurs in the front cover. The new colour scheme gives off a newspaper feel which may deter some of their “hard core” fans. Listing NME have a simple yet effective way of listing the lesser stories to fill the page, using one word to sum up the story or article followed by the page number. As it uses the word “plus” it makes the reader feel as if they are getting more for their money. This is called a puff. Articles The more interesting articles featured in the magazine are given a larger space concluding with a summary sentence or quote followed by a picture. I think this goes well as it differentiates itself from the stereotypical dull and lifeless contents pages you find in other magazines
  • 4. Colour Scheme Conventions. This double page spread What you would expect from a uses the expected black red double page spread, half of the and white which is mainly double page being taken up by featured in the NME Florence (the feature) having franchise. The colour the image being dominant in scheme also interacts with comparison to the rest of the the strength of the subjects spread, then the other half golden locks. being the story of the feature. Also having a summary question before reaching the main text enticing what the text Main Image will be about. The image featured in this article is of main singer from Florence and the Machines, Florence Welch. The magazine uses her florescent hair as part of the colour scheme which I think links well as you could say it relates to the outlandish style and genre the magazine attempts to reflect in each issue. She looks very empowering having a direct gaze with the camera as if to challenge the reader and emphasises the strong independent woman by being the artist in a band full of men, this means that the small proportion of women that reads the magazine can relate. The feature also links with the text as she is sitting on top of the American flag, showing that she has taken the USA by storm with her music which is stated in the text. Title “USA got the love” – this title allows the reader to know what the story is going to be about straight away. As the readers are dedicated to the rock and roll lifestyle they will know that “got the love” will be a reference to Florence and the machine song – then as the target audience are supposedly well educated they will make the connection that Florence Welch has taken the American charts over and become a big hit in the states. “USA” being in a larger font expresses the scale of how large the industry is out there. Layout The layout is set in three separate columns. It is done this way so it seems more “reader-friendly” and that it doesn’t feel too daunting for the reader. Having it separated into three columns allows the reader to feel as if there is not as much text involved and encourages them to read all of the article instead of skim-reading it. Enlarged text The enlarged text is the first bit of writing the reader is attracted to, it sums up what the story is going to be about and usually draws the reader in for more using tragedy or hot news. “Why is Florence Welch lying on her floor attacking herself” This leads an introduction for the main article and draws the reader in.
  • 5. Smaller Images All the smaller images relate to pre-teen topics, stories and celebrities which the target-audience will be interested in, such as heart throb Harry Styles. It also suggests the genre given for the audience as it consists a lot of pop stars from bands such as one direction and JLS. The fact that there is a lot of imagery on the cover implies that it is aimed towards a younger audience. Masthead Top of the Pops masthead is a clear inclination as to what target audience the magazine is aiming for, first of all the bright pink is a simple connotation that it is aimed at a young female audience this colour on a white background also means that it can be noticed from afar by its readers, as well as a swirly emphasis on the “S” of “POPS” which could be saying that this is the handwriting of a pre-teen. The masthead is also in a very bubbly font which again leads to the characteristics of its readers. Coverlines The coverlines are mainly pink red or black which conforms to the house style of the magazine. Along with the smaller images they all stick to the rule of thirds par to the central image, this makes an easy set-up for the readers to view the page. Main Image The main image is of pop sensation Justin Beiber, this shows ultimately what kind of brand of music the magazine is based on and aimed towards. The celebrity endorsement is very effective as almost every pre-teen girl is in love with the Canadian popstar, he uses his sweet enticing eyes as a direct gaze with the viewer to invite them in to the issue, also making it personal to the reader. The main image is dead centre and takes up roughly half of the page, meaning he is going to be the main feature in the story which the target audience will love to read about. Main Coverline The main cover line of this issue links back to the main image of Justin Beiber which is evident due to the name and that it is the stand out piece of text next to Beiber. It says “Justin: “I was bullied!”” which automatically will have girls feeling sorry for the heartthrob. House style Pink is the main feature colour in the scheme for top of the pops along with black, white and red. The font actually goes against what you would expect the typical young female font of swirls and is in actual fact quite sophisticated, I think this is because young girls feel more mature than they show so they wouldn’t be interested in the swirls and comic sans fonts anymore. The masthead doesn’t differ from issue to issue and has a strong yet bubbly font which would appeal to its audience. Mode of address The language is very informal and colloquial, this is because the magazine is aimed towards a young demographic and if the text were too complicated the viewers would simply lose interest. The cover uses simple yet catchy language such as “Hitched or Ditched” and “Fitties seeking forgiveness” which again interests the audience and further proves that it is aimed at a young female audience. Price The price for this magazine is quite high at £3.99, this is because it is the childs working class parents who are paying for it with their disposable income, enforcing it is aimed at young pre-work children.
  • 6. Page Numbers The page numbers are largely featured on the contents page taking up a fair amount of space, this allows an easy setting for the young audience to understand, with the page numbers being related back to the front page lets the reader to find the story they found most interesting on the cover to easily and effectively find it within the magazine, it is also in pink which not only stays true to the magazines house style but it also stands out on the white so catches the readers gaze. Subheading the subheadings have a very “girly” font with the twirls and hearts involved reassuring the target audience with the “We <3 Boys” of young females. They tend to stay the same each week with the placement, size, and actual features such as “Celebs & Gossip” and “We <3 Shopping” which becomes part of the Top of the Pops contents page conventions. Mode of address The mode of address for this magazine is informal and quite cheesy which shows that a younger audience is intended, the text also talks about adult features such as “finding Mr Right” this allows young pre-teens to feel as if they are conversing into adulthood by talking about mature subjects. House style Again, another feature of the top of the pops house style contains vibrant, feminine colours which catch the eye of the young audience, this also creates a positive outlook on the whole magazine which would usually rub off on the reader. The pink is used throughout the whole magazine and creates a very noticeable identity for the magazine Layout The layout for the contents page is very conventional of any other contents page and of the top of the pops magazine, using the rule of thirds effectively along with a column of three for the listings of the lesser stories. Having the column of three allows the reader to believe there is less writing as it is spread out, which works well for the target audience as they would be disinterested with the large amount of writing. Imagery There is a fair amount of imagery on the contents page which isn’t an evident convention of a set contents page, however it spaces the text out well and allows a more fun and quirky way for the audience to interact with the magazine, it also relates to things the audience will be interested in, for example the handbag representing fashion and accessories whilst Aston from JLS represents a “fangirl” appeal for the celebs and gossips column, it also helps having page numbers next to the front cover which has been printed on the contents page as it shows the main articles simply and the page they will be on for the reader. Masthead Simple “Inside the mag…” works well for this magazine, in a simple yet effective “girly” font in white amongst a pink background sticks to the house style of TOTP, with the information that follows, all that is needed.
  • 7. Colour scheme The double page spread sticks to the colour scheme and house style of the Top of the Pops magazine, using the typical pink, black and white whilst inducing fainter and lighter colours to mix in, with the pink being a connotation of a feminine presence in the magazine. Layout The layout for this double page spread is split into 4 different columns and instead of conventional 3 columns you would usually find, having the columns set out like this allows the reader to feel as if there is less text to go through making them more likely to read the whole article. The main feature of Taylor Swift is situated on the far right of the spread taking up roughly 1/3 of the two pages vertically, this immediately shows the reader what and who the article or interview is about without even having to think. The quotation of “No matter what you read, I’m not dating anyone!” is shown at the top of the page taking up 1/3 of the page horizontally. This creates various dimensions for the spread and makes the different shapes a more interesting layout for the reader. Main Image The main image is situated on the far right taking up around 1/3 of the page, she is automatically recognizable to the pop genre so this is another enforcement of the target audience and type of magazine this is. She is looking very sweet and innocent whilst maintaining a direct gaze with the camera, which will reflect onto the young girl reading this magazine, the direct gaze also makes the reader feel comfortable and invited in. It is also the first thing the eye catches which allows the reader to Quotation The quotation at the top of the page saying “No matter what you read, I’m not dating anyone!” adds variety and differentiates to other magazine as this acts as the title, this creates a house identity for the magazine. It also tells the viewer the main subject of the following article as well as linking in with the main image. Conventions. What you would expect from a double page spread, half of the double page being taken up by Florence (the feature) having the image being dominant in comparison to the rest of the spread, then the other half being the story of the feature. Also having a summary question before reaching the main text enticing what the text will be about.