If you're looking for a book that can tell you how to take a couple of rocks and bang them against something to make the sound of an alien walking, this isn't the book for you. What it is, however, is something much much better: a study of sound, it's components, it's affects and effects and just how to use it, or not.
From the physical affects of sound not only on the ear, but on the body and the psyche, to how sound can help (or even destroy) the story you're trying to tell, Sonnenschein covers it all. He delves into what can compel and repel; what can cause comfort and debilitating dread.
He explains why subtle sounds that we don't even know we're hearing have an affect on us and what happens when the constant use of the same sounds is counterproductive to what we're trying to achieve.
He shows how to work with producers and directors, how to find the voice of a story and how to bring your own unique input to the project at hand.
I work daily in audio drama, where sound is the only way to convey a story. There are no visuals like a shadow to let you know the villain is waiting around the corner for the hero. Although this book is geared more towards the filmmaker, I think it's a perfect book for anyone involved in the arts, be it film, stage, audio or multi-disciplines.
Sable Jak
Sebastian T Sweet Productions
Full-cast audio drama
Author: Writing the Fantasy Film
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