Nights in Rodanthe starring Richard
Gere, Diane Lane
Nights In Rodanthe
The sparks between Richard Gere and Diane Lane--so memorable in
Unfaithful--smolder again in the sweepingly romantic Nights in Rodanthe.
Based on a novel by Nicholas Sparks, the film is unapologetically
sentimental, and enjoyable completely on its own terms--a small gem of an
escape, complete with storm-tossed coastline. Lane plays Adrienne, a
wronged wife whose husband (Christopher Meloni) was a heel, but begs
for another chance. She goes to clear her head at a remote North Carolina
inn, where the sole occupant is Paul, a doctor, played by Gere, who is
battling his own demons. If the writing is on the wall about what will
become of our two leading actors, its to Lanes and Geres deep credit that
they make their tentative connection, wariness, and growing feelings
human and quite believable. Love is messy, and grownup love, even more
so. As they get to know each other, Adrienne shows Paul a small wooden
box that holds her keepsakes: I made it to keep special things safe. Paul
turns to her, looking her squarely but gently in the eye, and says, What

keeps you safe? At that moment, every woman watching the film is in the
palm of his hand. The film squarely addresses the reality that people over
age 25 do, in fact, yearn for, and find, love. If only more studios would
realize the deep, appreciative audience for films like this. --A.T. Hurley
Stills from Nights in Rodanthe (Click for larger image)
Personal Review: Nights in Rodanthe starring Richard Gere,
Diane Lane
The words, "Yes, my Love, I will wait for you," seem to define this film.
Actresses of high caliber and influence, like Diane Lane, have extended
their reach far beyond one-dimensional acting. These women give of
themselves, and therefore the screenplay must rise to the challenge of
their artistry (as this one does). In this storyline, we learn about Lane's
character (Adrienne), her dilemma (almost immediately); so that, we want
her to get away and find romance. The careful blocking of scenes protects
this understanding: Adrienne reveals her intent for the right man, to come
into her arms (storm or no storm). The metaphor of the passiflore comes
into play, closed at first, then opening gradually and releasing fragrance
upon our heroine's countenance.
The nuances in this quiet, isolated romantic drama elevate the reasons for
such feminine intensity; even during intimacy. Why does this unhappy
woman have to love this man? Unsubtle passion will unfold in due time,
once two storms descend upon them. We have learned to read Lane's
eyes in these closeknit dramas, for some time now. In this film, we are
allowed to focus on her need to connect with a sensitive, intelligent man
(Paul, played by Richard Gere). Adrienne can become vulnerable while he
reveals a tragedy in his past. She can provide wise counsel while he
accepts her advice as if she were his wife. They bond in these poignant
scenes. The audience waits for more passion to unfold; perhaps...her
sighs of intimacy...express...more than we can imagine.

Nicolas Sparks has kept the old-fashioned romance alive with
straightforward storylines, the beauty of letter writing and reading; and
within that artistry, he has availed his work to professionals (who encase
the plotlines of his novels with a gentility that is equally pure in its
romanticism). Lane and Gere, the supportive cast, are treated with honor
by the director. We retain respect for our heroine's time of mourning; a
powerful reminder that a woman of depth can reach millions, through her
portrayal: in terms of empathy, grief, catharsis, and emotional release.
Women openly wept in front of us in the theatre at film's end.
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