Mark Sawicki's book, is a wonderful resource for those interested or involved with the history and creation of visual effects for film and TV. This book would be a great addition to a visual art students library - teachers will also find the practical exercises excellent, while film industry professionals will find the advice and commonsense approach to making visual effects invaluable. I should stress that this beautifully illustrated book is different to the glossy (and all too common) "how we made the effects for such-and-such blockbuster", Filming the Fantastic is much more real and practical, always encouraging the reader to learn by trying things for themselves.
Filming the Fantastic is about creating visual effects - not just those made by computers. The use of miniatures, matte painting and clever planning demonstrate how time and money can be saved while producing outstanding results. Marks professional effects experience provides the framework for the book, backed up with interesting anecdotes and exercises for the reader make their own special effect shots. A really unique feature of this book is showing how to deal with the inevitable situations where there has been little or no planning prior to filming.
This substantial book is crammed with photographs and diagrams, illustrating the text and clearly explaining concepts for the reader. There is considerable depth to the theory sections on colour, perspective and lighting, making the book a fine reference work for any filmmaker. The exciting thing I found about this book was sections such as "So you don't have a million dollars" - which go into making effects with a low budget or if you are challenged for time. Effects are created using home video equipment with simple props - ideas on how to create you own blue screens, superimposed backgrounds, stop motion animation, people falling out of buildings, crowd replication and even a pan across an airplane crash scene, can all be created with a few dollars and a few hours. This may make the book sound too simplistic for a professional, however "in camera effects" (as they are called) are becoming more rather than less common in feature film production. These "tricks" are recognised as time savers in the professional industry.
In summary this well written book is very easy to read with clear thought out examples for students, teachers and professionals. Great illustrations and photos explain the key concepts thoroughly while the broad topic range make the book relevant for many people and situations.
A great gift for yourself or anyone interested in the magic of movie making. My advice is to dust off the camera and try the effects for yourself!
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