This is an extraordinary re-evaluation of the political history of Pakistan through the lens of the Bhutto's family. It describes with literary paintings the primacy and legacy of political violence that has made Pakistan very prominent in world news, during the last four decades. Next, it is a brush up of Benazir's own political heritage. The book is best suited for an introduction in 'modern' Pakistan's political history for beginners: it provides a literal analysis of the key stakeholders in the political arena from a historical perspective; it presents the country's geopolitical stakes and how it became source of domestic vulnerability. Benazir, furthermore, reminds us of the stiffled potential of social and democratic capital. She made the case that even in times of great frustration and fear, the Pakistanese people have always clinched to the virtues of democracy and freedom. Those values are not the result of a particular cultural setting or of its imitation by tiers, but the very human aspiration that has always existed deep in the political intinct of all people--Pakistanese people are no less and no greater category in this regard. The book facilitates the understanding of what it means to be son, daughter, mother, father, citizen, soldier and leader in Pakistan's political world. Is it different from other experience: Benazir's answer is 'yes, fundamentally'. She demonstrated with amazing persuasion that playing a role within or closer to the political business comes at high costs and overwhelming sacrifices in Pakistan. Being political leader in 'modern' Pakistan equates pursuing an objective agenda under constantly shifting parameters and among self-declared Leviathans.
The other aspect of the book is the account of the life of a muslim woman, an authentic come-what-may maverick of our times, who challenged popular beliefs and was undeterredly dedicated to playing a major political role in an environment thoroughly fraught with uncertainties and ostansibly defined by a high probability of personal casualties.
Cyril Fegue
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