5
2012
2012
www.vmzinc.com
F O C U S O N Z I N C S P E C I A L I S S U E
E d i t i o n
ARGENTINA
KORZIN S.A.C.I.
Tel.: + 5...
The Archizinc Trophy has reached its 5th
 edi-
tion this year. This international architec-
ture Award, held every other y...
2
04-07
08-09
12-15
16-17
34-35
36-39
18-19
32-33
22-25
28-31
| contents
Individual Housing
Winner
Private house, Carquefo...
2
6 projects selected
from 23 entries
Jacek Mrugala, USA
Brian Bell – BLDGS, USA
Tomy Edward KOIA, New Zealand
Tom Verschu...
3
ARchizinc TROPHy n°5 || INDIVIDUAL HOUSING
Individual Housing
Fabien Chavignaud, France
Raphaël Chivot, France
4
5
| INDIVIDUAL HOUSING| winner ARchizinc TROPHy n°5 |
A bridge between
two worlds
At a first glance, this hybrid building ...
6
| INDIVIDUAL HOUSING| winner ARchizinc TROPHy n°5 |
The narrowness of the plot deprives the house
of large outside space...
7
8
After several periods of renovation work, the
owners of Ansley House were well aware that
architecture could totally tra...
9
| INDIVIDUAL HOUSING| special award
the existing house, with its wooden sidings,
remains more opaque. The dissonances ar...
10
David Mackay  Francisco Gual Trajiné, Spain
Olivier Tardy, France
German Palacin Fornons,
Spain
Jean-Philippe Thomas, F...
11
| PUBLIC BUILDINGS ARchizinc TROPHy n°5 |
Public Buildings
Dapeng Cheng, China
Ilan Baldinger, USAClaude Pierre Lenoir,...
12
Shaping history
“Keep the shape but change the material”, such was
the architectural choice of the Junk  Reich studio
f...
13
Furthm
ühlg
asse
M
ichaelis
straße
info
192.02
192.67
192.76
192.56
192.75
192.12192.82
192.73
192.36
192.11
192.62
192...
14
8
8
24
| PUBLIC BUILDINGS| winner ARchizinc TROPHy n°5 |
a contemporary project. The zinc, installed as
cassettes, was ...
15
To create monolithic volumes,
the architects used zinc
cassettes on the roof, which
echo the layout of the stone
claddi...
16
In the 3rd
Century A.D., Buddhism became one
of the three spiritual movements in China. The
Datong region, approximatel...
17
| PUBLIC BUILDINGS| special award ARchizinc TROPHy n°5 |
the concept imagined in the project phases:
the material was u...
18
Can architecture provide support to people in
the most difficult moments of their lives? This
is the question “Casa del...
19
ARchizinc TROPHy n°5 || special award | PUBLIC BUILDINGS
gently contrasts with the white plaster of the
facades. David ...
20
Dean Marchetto
 Justin Nardone, USA
CH Architekten AG, Switzerland
4 projects selected
from 18 entries
21
| COMMERCIAL BUILDINGS ARchizinc TROPHy n°5 |
Mark Horton, USA
Tessa Ball - Mark Davies, United Kingdom
Commercial Buil...
22
23
| COMMERCIAL BUILDINGS| winner ARchizinc TROPHy n°5 |
A Metal Dragon
When architect Dean Marchetto extended his offices...
24
| COMMERCIAL BUILDINGS| winner ARchizinc TROPHy n°5 |
The extension was designed using parametric computer
tools to cal...
25
26
Jean-Philippe Thomas, France
John Ronan Architects, USA
Diego Garcia Muñoz Vaquero, Pirieto  Vaquero
Arquitectos y MCCL...
27
ARchizinc TROPHy n°5 || SPECIAL AWARDS
Special Awards
Steve Woodland, Cox Howlett
 Bailey Woodland, Australia
28
Daring
Entertainment centre,
Albany (Australia)
Architects: Steve Woodland,
Cabinet Cox Howlett
 Bailey Woodland
Techni...
29
| special awards ARchizinc TROPHy n°5 || daring
Great care was given to edges and flashings,
and to the subtle integrat...
30
ARchizinc TROPHy n°5 || Daring| special awards
This is a multi-purpose building: it was design-
ed for conferences, the...
31
32
In September 2011, pupils at the Luis Ortiz
secondary school crossed the threshold of a
new world. They were the first ...
33
CDI
154.21
3 % de pente
149.94
pente 3 %
| SPECIAL AWARDS | Sustainable building
Energy consumption was reduced thanks ...
34
According to popular wisdom, nothing can
grow in the shade of a tall tree. The so-
cial centre in Agrón proves that thi...
35
ARchizinc TROPHy n°5 || SPECIAL AWARDS | Internet award
site: only three trees were cut down to make
room for the build...
36
37
ARchizinc TROPHy n°5 || SPECIAL AWARDS | Jury’s Special Award
The stuff of poets
Zinc can be transparent: John Ronan pr...
38
ARchizinc TROPHy n°5 || Jury’s Special Award| SPECIAL AWARDS
This zinc veil acts more as a fence than a wall,
and it is...
39
40
The Jury
Belgium Jean-Pol Borremans Architect,
Former President of the Council of the Order of Architects
Serge Fraas A...
5
2012
2012
www.vmzinc.com
F O C U S O N Z I N C S P E C I A L I S S U E
E d i t i o n
ARGENTINA
KORZIN S.A.C.I.
Tel.: + 5...
Archizinc Trophy magazince n° 5 - 2012
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Archizinc Trophy magazince n° 5 - 2012

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Here is the 5th edition of the Archizinc Trophy. You will discover international projects in VMZINC

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Archizinc Trophy magazince n° 5 - 2012

  1. 1. 5 2012 2012 www.vmzinc.com F O C U S O N Z I N C S P E C I A L I S S U E E d i t i o n ARGENTINA KORZIN S.A.C.I. Tel.: + 54 11 4653 1425 korzin@korzinsaci.com.ar www.vmzinc.com.ar AUSTRALIA/NEW ZEALAND Umicore Australia Tel.: + 61 2 93 58 61 00 vmzinc.australia@umicore.com www.vmzinc.com.au www.vmzinc.co.nz AUSTRIA VMZINC Center Österreich Tel.: + 43 1 726 34 34 info@vmzinc.at www.vmzinc.at BELGIUM/LUXEMBURG n.v. Umicore s.a. Umicore Building Products Tel.: + 32 2 712 52 11 vmzinc.benelux@umicore.com www.vmzinc.be www.vmzinc.lu CANADA Canadian Brass and Copper Co. Tel.: + 416 736 0767 sales@canadianbrass.ca www.canadianbrass.ca CHINA Beijing Umicore Building Products Tel.: + 86 10 6424 6761 vmzinc.china@ap.umicore.com www.vmzincasia.cn Guangzhou Umicore Building Products Tel.: + 86 20 8327 7171 vmzinc.china@ap.umicore.com www.vmzincasia.cn Hong-Kong - Taiwan Umicore Building Products Tel.: + 852 2700 2260 vmzinc.hongkong@ap.umicore.com www.vmzincasia.cn Shanghai Umicore Building Products Tel.: + 86 21 5876 9671 vmzinc.china@ap.umicore.com www.vmzincasia.cn CZECH REPUBLIC Umicore Building Products CZ s.r.o. Tel.: + 420 725 688 262 katerina.swata@eu.umicore.com www.vmzinc.cz DENMARK/NORWAY/SWEDEN Umicore Building Products Scandinavia A/S Tel.: + 45 86 84 80 05 vmzinc.denmark@umicore.com www.vmzinc.dk FRANCE Umicore Building Products France s.a.s. Tel.: + 33 1 49 72 42 42 vmzinc.france@umicore.com www.vmzinc.fr GERMANY Umicore Bausysteme GmbH Tel.: + 49 201 836060 info@vmzinc.de www.vmzinc.de GREECE MIPECO Trading Ltd. Tel.: + 30 210 664 46 11 mipeco@mipeco.gr www.mipeco.gr HUNGARY Umicore Building Products Hungary Kft. Tel.: + 36 23 452 452 info@vmzinc.hu www.vmzinc.hu INDIA Umicore India Pvt Ltd. Tel.: + 91 22 6627 5656 vmzinc.india@ap.umicore.com www.vmzinc.in ITALY Umicore Building Products Italia s.r.l. Tel.: + 39 02 47 99 821 vmzinc.italia@umicore.com www.vmzinc.it JAPAN Umicore Japan KK Building Products Tel.: + 81 3 5413 9416 ujpinfo@ap.umicore.com www.vmzinc.jp LEBANON NAGGIAR Trading S.A.L. Tel.: + 961 1 562 652 roy.naggiar@naggiar.net www.naggiar.net POLAND Umicore Building Products Polska Sp z o.o. Tel.: + 48 22 632 47 61 vmzinc@vmzinc.com.pl www.vmzinc.pl PORTUGAL Umicore Portugal S.A. Tel.: + 35 1 22 999 4220 vmzincportugal@umicore.com www.vmzinc.pt QATAR NAGGIAR QATAR L.L.C. Tel.: + 974 66 55 85 24 qatar@naggiar.net www.naggiar.net RUSSIA UNION ZINC Tel.: + 7 495 665 61 90 info@union-zinc.ru www.vmzinc.com SLOVAKIA Umicore Building Products Slovensko, s.r.o. Tel.: + 421 917 496 019 peter.chlebo@eu.umicore.com www.vmzinc.cz SOUTH KOREA SUNNIE INTERNATIONAL Ltd. Tel.: + 82 2-3141-4774 info@sunnie.kr www.sunnie.kr SPAIN Umicore Building Products Ibérica s.l. Tel.: + 34 93 298 88 80 vmzinc@umicore.com www.vmzinc.es SWITZERLAND Umicore Building Products Schweiz AG Tel.: + 41 317475868 info@vmzinc.ch www.vmzinc.ch THE NETHERLANDS n.v. Umicore s.a. Umicore Building Products Tel.: + 31 20 494 28 39 vmzinc.benelux@umicore.com www.vmzinc.nl TURKEY Tel.: + 90 212 255 58 29 info@vmzinc.com.tr www.vmzinc.com.tr UNITED KINGDOM Umicore Marketing Services UK Ltd. Tel.: + 44 1992 822288 vmzinc.uk@umicore.com www.vmzinc.co.uk www.vmzinc.ie USA Umicore Building Products USA Inc. Tel.: + 1 919 874 7173 info@vmzinc-us.com www.vmzinc-us.com VMZINC-10.12-12035-GB-25.5-ISSN1769-9061 ARCHIZINCTROPHY-5th Edition VM ZINC for Architecture 10592 COUV-ANGLAIS.indd 1 26/09/12 15:28
  2. 2. The Archizinc Trophy has reached its 5th  edi- tion this year. This international architec- ture Award, held every other year, has covered a decade of important changes, both in architecture and the economy at large, witnessing periods of expansion in construction, as well as the more challeng- ing times today. It is always a challenge for an industrial company, such as VMZINC, to release an Award which can cherish the product, zinc in this case, without forgetting the whole picture of architecture. The Trophy has again been truly successful from this perspective this year, recognizing projects whose un- questionable architectural quality shows strong identity and character. It has been an honour for me to chair the Jury, whose international members were all selected for their high qualifications and knowledge of architecture. We all agreed, while overlooking the selected projects, that the overall quality was high. I personally was impressed by the number of projects, the fact that they represented a wide range of typologies, coming from all over the world and ranging from small to large houses, from condominiums to in- dustrial premises, public buildings and mu- seums, from whole new architectures to contemporary renovation or additions to older constructions. The leitmotif to all this wide range of pos- sibilities is the intelligent use of zinc by many different architects, underlining the versatility of this material that once used to be the reference for roofing in northern Europe (the roofs of Paris are a wonderful example of this), and has become today a strong choice in the broad palette of pos- sibilities for the contemporary architect, as a cladding solution for the envelope at large. Leafing through the 2012 winning projects, this trend appears in all its strength. The use of zinc spans from roof to façade, as in the simple but sophisticated house in Carquefou (France), winner of the individual housing category; from simple geometrical eleva- tions, to free form design architecture, as in the Vitalistic Construction in Hoboken (USA), winner of the commercial buildings cate- gory, or the Albany Entertainment Centre (Australia), which was awarded the special prize for daring. Above all the Poetry Foundation, Chicago (USA), which won the Jury’s award, is a simple geometrical rectangular shape, yet a highly sophisticated and elegant building, with its central idea being the outer enve- lope, a perforated zinc cladding, a net that plays with shades and light, transparency and opacity, creating wonderful views of the inside, yet filtered from the outside. Nicola Leonardi Editor in Chief, The Plan President of the Jury Archizinc Trophy - 5th edition Editorial ARCHIZINC TROPHY N°5 - October 2012 FOCUS ON ZINC is the international architecture magazine from VMZINC® . This issue is published in English, French, German and Spanish. Editor Roger BALTUS. Project Manager Isabelle FERRERO. Editorial committee Jean-Pol BORREMANS, Frédéric BOREL, Lluís DILMÉ, Lionel DUNET, Serge FRAAS, Nicola LEONARDI, Gilles de MONTMARIN, Vincent MORAËL Peter OBORN, Dirk Jan POSTEL, Anik SHOONER, Roger BALTUS, Tugay DINDAR. Editorial Contribution Roger BALTUS, Jenny GILBERT, Olivier NAMIAS, Barbara NORDBERG. Design GRAPHIC PLUS Printing Imprimerie VINCENT © Copyright Umicore Building Products France s.a.s. Any total or partial reproduction of this document is subject to prior written consent from Umicore Building Products France s.a.s. October 2012.
  3. 3. 2 04-07 08-09 12-15 16-17 34-35 36-39 18-19 32-33 22-25 28-31 | contents Individual Housing Winner Private house, Carquefou (France) Special award Ansley Glass House, Atlanta (USA) Winner Historical Library, Augustinian Monastery, Erfurt (Germany) Special award Yungang Grottoes Museum, Datong (China) Public Buildings ARchizinc TROPHy n°5 | Internet award Centro sociocultural en Agrón, La Coruña (Spain) Jury’s Special Award The Poetry Foundation, Chicago (USA) Special award Casa dels Xuklis, Llars Mundet, Vall d’Hebron, Barcelona (Spain) Substainable building Luis Ortiz secondary school, Saint-Dizier (France) Winner “Apse-Traction”, Extension architecture studio, Hoboken (USA) Daring Entertainment centre, Albany (Australia) Commercial Buildings Special Awards
  4. 4. 2 6 projects selected from 23 entries Jacek Mrugala, USA Brian Bell – BLDGS, USA Tomy Edward KOIA, New Zealand Tom Verschueren, Belgium
  5. 5. 3 ARchizinc TROPHy n°5 || INDIVIDUAL HOUSING Individual Housing Fabien Chavignaud, France Raphaël Chivot, France
  6. 6. 4
  7. 7. 5 | INDIVIDUAL HOUSING| winner ARchizinc TROPHy n°5 | A bridge between two worlds At a first glance, this hybrid building seems like a traditional farmhouse or barn. It is in fact a private house, discreetly integrated into a small rural town on the outskirsts of Nantes. Photos: Paul Kozlowski, France. Drawing: Fabien Chavignaud, France. Installed on a narrow 300 m² strip of land, this house was built by a young architect for a couple who are friends. We are on the out- skirts of Nantes – the city centre is less than a twenty minute drive from here – in one of the many rural areas where population has been increased in recent years by the arrival of city dwellers seeking greenery in nearby suburbs. This house is a bridge between two worlds: the old farming town and a more recent resi- dential area. Its proportions are based on the model of the traditional low-lying farmhouse: a narrow rectangular building, topped by a simple two-sloped roof. The accommodation is laid out like a sort of “forward march”, in keeping with the elongated shape of the plot, which is 12 metres wide by 32 metres long. The sequence begins with the garage, which contains the entrance to the house, and con- tinues into the living room. The entire struc- ture of the house has a wooden framework. The agricultural buildings in the town feature slate or metal roofs and facades. These ma- terials have been reinterpreted in this house, which is covered in a dark grey zinc skin from the roof cap to the foot of the entrance wall. Zinc was chosen for its durability, malleability and its dark mat colour that is reminiscent of slate. This surface aspect was installed in strips of two different widths, laid out at random. The standing seams introduce a third dimen- sion into this play on variations. Individual Housing Private house, Carquefou (France) Architect: Fabien Chavignaud Technique: VMZ Standing seam :Aspect: ANTHRA-Zinc® Surface in zinc: 350 m2
  8. 8. 6 | INDIVIDUAL HOUSING| winner ARchizinc TROPHy n°5 | The narrowness of the plot deprives the house of large outside spaces. Terraces and patios were designed to provide essential breathing spaces, inspired by the architecture of Japanese individual housing. As the gaze alternates be- tween the interior mezzanines, it finds a route to the sky and the outside world. The exclus- ive use of two materials – one that is deep black and the other pure white – exacerbates the contrast between interior and exterior. The facade of the garage and the patio seem to be carved out of a solid material shrouded in a dark film. The flexibility of the zinc made it possible to deal with specific details to translate the abstraction the architect wanted to create. The thickness of the coping on the terrace for example, was pared down to just a few milli- metres. With its meticulous details and seams, the “black house” is a refined, furtive object that conceals its sophistication behind a rustic appearance.
  9. 9. 7
  10. 10. 8 After several periods of renovation work, the owners of Ansley House were well aware that architecture could totally transform an existing structure. The extension to their century-old house in Atlanta, Georgia, gave them an op- portunity to take spatial experimentation even further on this exceptional site. The house is located in “Ansley Park”, a residential neigh- bourhood designed by Frederick Law Olmsted, a major figure of landscaping who designed sev- eral parks in the United States in the 19th cen- tury, the most famous being Central Park in New York. Although the point of departure for the project concerned just minor details – mak- ing the kitchen brighter and adding a second staircase to the back of the house – it became quickly obvious to Bell and Yocum partners with BLDGS studio, that the modifica- tions could be far more daring and go beyond these mere functional constraints. The original house had been extended several times. The rear facade had been the subject of several cumbersome additions that lacked coherence and quality. The architect played on contrast, juxtaposing two opposing architectural styles. The extension is a genuine glass house, much of which opens onto the exterior, while Yin andYang In Atlanta, a contemporary glass house extends a wooden house that was built a century ago. This open view was needed to take advantage of the hundred year old grounds. Photos/Drawing: BLDGS, USA. Individual Housing Ansley Glass House, Atlanta (USA) Architect: BLDGS. Brian Bell David Yocum Technique: VMZ Flat lock panel Aspect: ANTHRA-ZINC® Surface in zinc: 233 m2
  11. 11. 9 | INDIVIDUAL HOUSING| special award the existing house, with its wooden sidings, remains more opaque. The dissonances are obvious: zinc panels create a contemporary echo to wooden sidings. The dark grey colour of the zinc matches that of the windows, to the extent that, during the day, the extension looks like a dark monolith. At night, the lights inside the house turn it into a huge garden lamp. This extension made it possible to extend a traditional house into a contemporary space opening onto the exterior. The new part articu- lates a series of unaligned wooden floors – in the style of the Raumplan design by the Viennese architect Adolf Loos – laid out around a metal staircase, designed with great care by the architects, leading to the bedrooms and the top floor, which offers a panoramic view of the city centre. A rural observatory from which to contemplate a sustainably designed urban landscape. The architects hope that with its maintenance-free, corrosion resistant zinc skin, the new house will prolong the life of the century old residence by another hundred years. ARchizinc TROPHy n°5 |
  12. 12. 10 David Mackay Francisco Gual Trajiné, Spain Olivier Tardy, France German Palacin Fornons, Spain Jean-Philippe Thomas, France Julien Ramet, France John Ronan Architects, USA Judith Leclerc, Spain 16 projects selected from 63 entries Lucia Salvador Anguiano, Spain John Wardle Architects, Australia
  13. 13. 11 | PUBLIC BUILDINGS ARchizinc TROPHy n°5 | Public Buildings Dapeng Cheng, China Ilan Baldinger, USAClaude Pierre Lenoir, France Steve Woodland, Cox Howlett Bailey Woodland, Australia Ulrich Junk, Junk Reich Architecten, Germany Michel Roulleau, France
  14. 14. 12 Shaping history “Keep the shape but change the material”, such was the architectural choice of the Junk Reich studio for the reconstruction of this monastic library in Erfurt, near Weimar in Germany. Photos: Thomas Weiß, Germany. Drawing: Junk Reich Architects, Germany. The new library in the Augustinian monastery in Erfurt is part of six centuries of ever changing European history. The first major change here took place in the 16th century, beginning with the ordination of a young German priest, Martin Luther, in 1505. Several years later, the monks joined the reform initiated by their former seminarian. The library’s collection, which had been created with the monastery, was pro- foundly changed. The site only partially re- tained its religious purpose and certain build- ings were handed over to the State who turned them into a secondary school. The second ma- jor change took place at the end of the Second World War. Erfurt, in the centre of Germany, had been a garrison town under the 3rd Reich. The British bombardments of February 1945 missed the town but unfortunately hit the monastery, destroying a large part of the library. After the armistice, the town became part of the new GDR. After the fall of the Berlin wall in 1989 the renovation work that had begun after the war was continued. The library building designed by Junk Reich, architects based in Weimar, marks the renewal of the monastery. The architects were confront- ed with a challenge that is recurrent in this type Public Buildings Historical Library Augustinian Monastery, Erfurt (Germany) Architects: Ulrich Junk Klaus Reich, Junk Reich Architecten Technique: Cassettes in VMZ Composite Aspect: Quartz-Zinc® Surface in zinc: 615 m2
  15. 15. 13 Furthm ühlg asse M ichaelis straße info 192.02 192.67 192.76 192.56 192.75 192.12192.82 192.73 192.36 192.11 192.62 192.62 192.49 192.32 -0,60=193,65 | winner ARchizinc TROPHy n°5 || PUBLIC BUILDINGS of project: the integration of a contemporary building into a historical site without overshad- owing the existing building yet at the same time asserting its own architectural expression. This task was made even more difficult by the fact that the context was heavily charged. The monastery includes a gothic church and outside its walls, the town of Erfurt, relatively spared by the bombardments, retained a historical charac- ter that gives it a specific identity that had to be preserved. With this in mind, the proportions of the new library were based on those of large religious buildings – high walls topped with a two sloped roof. On the garden side, the architects added a glass parallelepiped to the building, which has the appearance of a monumental window with a view over the grounds. The rebuilt library is exceptional in the meticulous care with which it was built. Stone and zinc, both noble materi- als in the minds of the designers, were used in
  16. 16. 14 8 8 24 | PUBLIC BUILDINGS| winner ARchizinc TROPHy n°5 | a contemporary project. The zinc, installed as cassettes, was chosen to create continuity of appearance with the stone facing on the fa- cades. The cassettes were installed laterally as a top roof covering, above a metal roof. A tech- nical plenum was left between the two sys- tems, making it possible to integrate functional protrusions and leaving the roof as streamlined as possible. The malleability of the zinc made it possible to create the openings necessary for ventilating the building, thus providing air with- out impinging on the monolithic aspect of the roof.
  17. 17. 15 To create monolithic volumes, the architects used zinc cassettes on the roof, which echo the layout of the stone cladding on the facade. These metallic elements were mounted as a top covering, concealing protruding technical elements.
  18. 18. 16 In the 3rd Century A.D., Buddhism became one of the three spiritual movements in China. The Datong region, approximately 400 km west of Beijing, still bears the trace of this historic episode. Over 252 caves in the old city of Yungang house approximately 51,000 statues created between the 4th and 5th centuries. The inclusion of Yungang on the UNESCO World Heritage list in 2001 attracted greater numbers of tourists to the site. The layout of the reception areas needed to be redesigned. An exhibition hall measuring approximately 10,000 m2 marks the renewal of the site. The Do Union studio designed a building that can be seen as a metaphor of a cave. The large exhibition room is partially below ground. It is accessed via a huge semi-circle made up of 12 solid blocks forming an open air amphithe- atre. From ground level or from the top of the surrounding hills, only these successive zinc waves emerge from the site. The architects’ drawings depict the hall roofed with a series of 30 undulating strips that are four metres in width. The staggered layout of these elements gives the hall the turbulent appearance of a stormy sea. The use of zinc made it possible to give a faithful rendering of Landscape architecture In Datong, waves of zinc emerge from the landscape. This metallic ocean serves as a visitor centre for a site that was added to the UNESCO Word Heritage list in 2001. Photos: Chen Yoa, China. Drawing: Dapeng Cheng, China. Public Buildings Yungang Grottoes Museum, Datong (China) Architect: Dapeng Cheng, Beijing new era Architectural Design Ltd Technique: VMZ Standing seam Aspect: Quartz-zinc® Surface in zinc: 10,000 m2
  19. 19. 17 | PUBLIC BUILDINGS| special award ARchizinc TROPHy n°5 | the concept imagined in the project phases: the material was uncoiled lengthwise over the forty metre length of each roofing element, in intermittent convex and concave curves. The installation of ground drains at the lower edges of the roofing made it possible to elim- inate gutters entirely. The construction work demonstrates a remarkable understanding of the possibilities offered by the material, a fact that is all the more praiseworthy as zinc is not used in traditional Asian architecture. Indeed, zinc is practically a new product in Asia and the scope for its application here has yet to be explored.
  20. 20. 18 Can architecture provide support to people in the most difficult moments of their lives? This is the question “Casa dels Xuklis” attempts to answer. Nestling at the top of Vall d’Hebron, at the foot of the hills dominating Barcelona, this small accommodation complex features thirty rooms for families staying in the city because their child is being treated for cancer. The loca- tion of the centre is no coincidence. The plot, which was donated by the municipality, is very close to the region’s main hospitals. “Casa dels Xuklis” is divided in two: a housing area, with thirty studio apartments set out around a patio forming an introverted, sheltered uni- verse and a second part housing a library and a kitchen, that open onto a park and the rest of the city. The most striking feature of both parts is their roofs: curved and organic on the communal buildings and more orthogonal on the accommodation wing, where the rooms are housed in four blocks forming the quadri- lateral of the patio. The grey of the zinc roofing A temporary home A sleek architectural style heightened by precisely designed joints and lines for a building that houses families living temporarily in the Catalan capital to be close to their children under intensive medical care. Photos: Enric Duch Fotografia, Barcelona, Spain. Drawing: MBM ARQUITECTES, Spain. Public Buildings Casa dels Xuklis, Llars Mundet, Vall d'Hebron, Barcelona (Spain) Architects: MBM ARQUITECTES - J. Martorell, O. Bohigas, D. Mackay, O. Capdevila, F. Gual Technique: VMZ Standing seam Aspect: QUARTZ-ZINC® Surface in zinc: 2,000 m2
  21. 21. 19 ARchizinc TROPHy n°5 || special award | PUBLIC BUILDINGS gently contrasts with the white plaster of the facades. David Mackay, an associate architect with MBM and designer of the project, chose zinc for its mat colour, which avoids reflections, and for its malleability, which made it possible to create a roof that was relatively complex because of passive environmental procedures such as the natural ventilation of the apart- ments. Environmental systems seemed an obvious choice for a medical residence and were used for solar production of hot water and maxi- mum thermal insulation. But eco-construction issues are not just about technical equipment in this building. They contribute to the archi- tectural expression, especially in the roofing, where roof windows providing natural ventila- tion for the apartments create a very specific shape. The roofing is practically flat at the summit, becomes vertical and then continues in a steep 45° oblique angle that slopes gently down to the eaves. The box guttering and the standing seam lines accentuate the shape of the roof, forming a broken line against the sky. There is great attention to detail. A dark strip boldly reveals the thickness of the ventilated roofing. Expressed at the junctions with the facades, this line suggests the solidarity be- tween the individuals staying under the same roof and fighting the same battle.
  22. 22. 20 Dean Marchetto Justin Nardone, USA CH Architekten AG, Switzerland 4 projects selected from 18 entries
  23. 23. 21 | COMMERCIAL BUILDINGS ARchizinc TROPHy n°5 | Mark Horton, USA Tessa Ball - Mark Davies, United Kingdom Commercial Buildings
  24. 24. 22
  25. 25. 23 | COMMERCIAL BUILDINGS| winner ARchizinc TROPHy n°5 | A Metal Dragon When architect Dean Marchetto extended his offices, it was as though Gaudi had come to New Jersey! Photos: Bilyana Dimitrova Photography, Gilbertson Photography, USA. Drawing: Product Architecture Lab, USA. Dean Marchetto set up his architecture studio in an unlikely place: an old brick church built at the start of the 20th century in a residential neighbourhood in the small town of Hoboken, New Jersey. It would appear that, as time went by, the architect ended up thinking the place looked ordinary. Building an extension gave him an opportunity to push the boundaries of innovation. A space in the shape of an apse was added to the rear facade of the church to house the architect’s office. Although the con- cept may seem logical, it takes on a spectacular form: a sphere split in two by a fissure housing a vertical window that is concealed so as not to break the visual continuity of the zinc roof. The architect was intent on creating an origin- al object. The extension inevitably recalls the work of the Catalonian architect Antonio Gaudi, especially the roof of the casa Batlló, with its large ceramic dragon. In this case the creature is metallic and its skin is composed of hex- agonal scales made in three preweathered co- lours: blue, green and red. A computer script was used to calculate the dimension of each scale, which varies according to its position on the roof. The scales are large at the bottom and become smaller as their position on the roof becomes higher. The smooth passage from the virtual to the real world would have been impossible without the virtuosity of the instal- lation company, managed by Glenn Wyeroski, who designed the appropriate technical solu- tion. The scales were installed one by one on the roof, having been formed on site. Overlap- ping of each row of scales by the row above it and a discreet undercloak placed under the vertical joint ensure watertightness of the roof. The remarkable quality of the installation brought this concept to life: at the foot of the building, one's gaze is attracted by the back of this strange reptile and remains captivated right up to the ridge cap of the old church roof. Commercial Buildings “Apse-Traction”, Extension to architecture studio, Hoboken (USA) Architects: Justin Nardone Dean Marchetto. Marchetto Higgins Stieve Architects in association with the Product Architecture Lab. Technique: Made to measure scales Aspects: PIGMENTO red, PIGMENTO green PIGMENTO blue Surface in zinc: 125 m2
  26. 26. 24 | COMMERCIAL BUILDINGS| winner ARchizinc TROPHy n°5 | The extension was designed using parametric computer tools to calculate precisely the position and design of the zinc scales. The architects created a scale effect similar to that of a pangolin, a mammal they had seen in Texas. This cladding was installed on three shells with metallic frameworks and raised edges cut by digitally controlled machines.
  27. 27. 25
  28. 28. 26 Jean-Philippe Thomas, France John Ronan Architects, USA Diego Garcia Muñoz Vaquero, Pirieto Vaquero Arquitectos y MCCL Arquitectos, Spain
  29. 29. 27 ARchizinc TROPHy n°5 || SPECIAL AWARDS Special Awards Steve Woodland, Cox Howlett Bailey Woodland, Australia
  30. 30. 28 Daring Entertainment centre, Albany (Australia) Architects: Steve Woodland, Cabinet Cox Howlett Bailey Woodland Techniques: VMZ Standing seam, VMZ Flat lock panel Aspects: QUARTZ-ZINC® - ANTHRA-ZINC® Surface in zinc: 5,200 m2 Like a diamond The privileged natural site of Albany port is the showcase for an entertainment centre designed to look like a precious stone set in the landscape. Photos: Alison Paine of Perth, Australia. Drawing: Cox Howlett Bailey Woodland, Australia. Large white sails on the waterfront…. this im- age is all it takes to describe the Sydney Opera house, an icon from the 70s that symbolises an entire continent. The strength of the image is such that it is no surprise it became an archetype local ar- chitects attempt to reinterpret in different contexts, as in Albany, a small coastal town in South West Australia. Unlike Danish architect Jorn Utzon’s building, the town’s new entertainment centre is not spectacularly perched at the tip of a promon- tory jutting into the sea. However, it does fit elegantly into this prime oceanside site and spreads its large grey and black zinc wings above the Pacific. The building is part of a renewal plan to reno- vate the town’s harbour area. This cultural centre is the key feature of a new seafront esplanade enhancing this exceptional natural harbour. Together with the water, the moun- tains forming a horseshoe around the town are the perfect setting for this building, with which the architects wanted to create a meta- phor for a flawless crystal, a cut diamond with sharp angles.
  31. 31. 29 | special awards ARchizinc TROPHy n°5 || daring Great care was given to edges and flashings, and to the subtle integration of box gutters that are strikingly embedded at the bottom of the long slopes. Seen from afar, the overall impression is of an object carved out of a solid. The allegory is reminiscent of expressionist ar- chitecture, evoking the horseshoe develop- ments designed by the German architect Bruno Taut in the 20s. Here architecture assumes the role of a monumental sculpture, the focal point of a renewed landscape for the town of Albany.
  32. 32. 30 ARchizinc TROPHy n°5 || Daring| special awards This is a multi-purpose building: it was design- ed for conferences, theatre and artistic perfor- mances. It is laid out accordingly, divided into three sections. The auditorium is installed under two large zinc triangles above a smaller struc- ture housing an exhibition space. The delta- shaped roofs give visual stability to the building, allowing it to take full possession of the site. The zinc envelope was chosen for its durability and because its appearance changes according to climatic conditions. Sunshine and rain are plentiful in Albany, making the crystal’s surface appear silvery at times and at others turning it into a mirror reflecting the changing colours of the ocean. The sharply defined triangles of the building articulate different scales. In terms of landscape, the monumental zinc wings oppose nature and the site, while marking along the seafront esplanade the position of former industrial constructions.
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  34. 34. 32 In September 2011, pupils at the Luis Ortiz secondary school crossed the threshold of a new world. They were the first users of brand new premises replacing a dilapidated school that was closed after half a century of activity. The new wooden building is a sign of the times and a far cry from the old metal structure that was typical of the period known as the “models period”, when, in order to equip France rapidly with much needed functional school buildings, the use of standardised constructions featuring prefabricated metal structures was widespread. Today, speed of construction is no longer suf- ficient and compliance with stringent envi- ronmental standards is also needed. In 2007, the year Jean-Philippe Thomas won the archi- tectural competition to build this secondary school, environmental requirements were not as stringent as today. However, the architect was sensitive to eco-construction and wanted to take an exemplary approach exceeding the compulsory regulations of the time. The Luis Ortiz secondary school was an avant-garde proj- ect and was one of the first zero energy build- ings in France. Of zinc and wood This new secondary school in the east of France has ambitious eco-construction and energy consumption objectives, which take nothing from the quality of work spaces and communal areas. Photos: Paul Kozlowski, France. Drawing: Jean-Philippe Thomas, France. Sustainable building Luis Ortiz secondary school, Saint-Dizier (France) Architect: Jean-Philippe Thomas Technique: VMZ Standing seam Aspect: QUARTZ-Zinc® Surface in zinc: 1,980 m2
  35. 35. 33 CDI 154.21 3 % de pente 149.94 pente 3 % | SPECIAL AWARDS | Sustainable building Energy consumption was reduced thanks to the careful construction of the building envelope according to HQE certification principles. The walls are made up of triple-glazed windows, solid timber panels lined with 22 cm of insula- tion and protected by larch cladding. High per- formance materials made it possible to make numerous openings for light in the building, especially in the corridors that were designed as spaces to encourage sociability. But the light is not just conducive to social encounters, it also produces 130,000 kWh/year via a photovoltaic power system installed on the roof, alongside the standing seam zinc roofing. The QUARTZ-ZINC® material was chosen for its low cost of maintenance and the fact that it is almost 100% recyclable at the end of its lifespan. ARchizinc TROPHy n°5 |
  36. 36. 34 According to popular wisdom, nothing can grow in the shade of a tall tree. The so- cial centre in Agrón proves that this maxim is untrue. This is a village near Santiago de Compostela, in the province of Galicia. This part of Spain is bathed by Atlantic rain and the hills are covered in greenery. The site chosen for this project is a triangular plot that is densely planted with oaks. The architects deliberately chose to install the building in the middle of the plot rather than at its edges, making it invisible from the road. Deep inside the woods is located the multi-purpose building covered in a skin of zinc, which is used for conferenc- es, yoga, and meetings. The verticality of the joints introduces a subtle counterpoint to the tree trunks. The grey of the natural zinc blends into these sylvan surroundings yet clearly asserts itself. The centre is small in size. It is no larger than a private house. It was built with respect for the In the shade of the tall oak trees This project was voted winner by internet users on the VMZINC FACEBOOK page, which was launched at the same time as the fifth edition of our Trophy. Photos/Drawing: Diego Vaquero, Nela Prieto, María Carreiro, Cándido López, Spain. Internet award Centro Sociocultural en Agrón, La Coruña (Spain) Architects: Diego Vaquero, Nela Prieto, María Carreiro, Cándido López. “Prieto + Vaquero arquitectos” “MCCL arquitectos” Technique: VMZ Standing seam Aspect: Natural zinc Surface in zinc: 291 m2
  37. 37. 35 ARchizinc TROPHy n°5 || SPECIAL AWARDS | Internet award site: only three trees were cut down to make room for the building, which twists around to fit into this small forest. The architects made the most of the topography to create two separate entrances. One for the lower floor where the offices are located and one for the upper floor housing the communal areas with- in a recognizable zinc shell supported by con- crete blocks. The concept of a metal skin was perfect for this sculptural prism that has nei- ther box nor centre gutters to avoid drains be- ing blocked by fallen leaves in autumn. The low pitch roof unfurls like a ribbon down to the facade and to the underside of the over- hanging first floor. Technically and aesthetically, the joints had to be continuous on horizontal and vertical walls, but the geometry of the building, featuring several slanted sections, ideally required zinc strips in different widths for the facades and roof. The need to minimize construction costs motivated the architects to opt for standard width products. As with a brick construction, the dimensions of the material dictated those of the building, an optimisation that was not to the detriment of the quality of the architec- ture.
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  39. 39. 37 ARchizinc TROPHy n°5 || SPECIAL AWARDS | Jury’s Special Award The stuff of poets Zinc can be transparent: John Ronan proved this yet again in Chicago, with this building that is the architectural equivalent of a poem. Photos: Steve Hall@ Hedrich Blessing, USA. Drawing: John Ronan Architects, USA. Jury’s Special Award The Poetry Foundation, Chicago (USA) Architect: John Ronan Architects Technique: VMZ Sine wave profile Aspect: Anthra-Zinc® Surface in zinc: 1,900 m2 The Poetry magazine, a monument of literary Chicago, had always had a nomadic existence and a hundred years after it was first pub- lished it still had no fixed abode. In 2002, a wealthy pharmaceuticals industry heiress made it possible to end this itinerant lifestyle, which no doubt agrees with poets but far less with institutions. Having received a 100 Million $ donation, the magazine set up a foundation and began its quest for an architect, not hesi- tating to search the world over to find the rare gem. The project was finally awarded to John Ronan, a local architect. As a poetry lover, the latter was at first intrigued by the challenge of the project. It’s easy to recognize a train station, a hospital or a library, but what does a place dedicated to poetic art feel like? The pro- gramme included a library, a conference cen- tre and a meeting room in a space of almost 1,900 m². Ronan opted against a literal solu- tion, which would have consisted of screen- printing texts on one of the building’s facades. He chose a more metaphorical design, and built an architectural poem, an architectural response that develops analogies with poetry. The Foundation is at the corner of Dearborn street and Superior street. It blends quietly into the surrounding urban fabric in a dual, present-absent mode. The street side facade is made up of an undulating metal veil in per- forated black zinc, a visual filter through which we can make out a garden, beyond which we distinguish the glass panels on the facade of the building itself. This exceptional element lets passers-by know that they are walking by a cultural building. It is also the setting for a universe whose atmosphere is light years away from the immediate urban surroundings.
  40. 40. 38 ARchizinc TROPHy n°5 || Jury’s Special Award| SPECIAL AWARDS This zinc veil acts more as a fence than a wall, and it is the first element in a series of fil- ters that blur the borders between the city, the exterior areas and the areas inside the foundation. The end result suggests rather than reveals, and allows visitors discover, to their surprise, the variety of the foundation’s landscaped courtyards. The zinc was installed on a steel substructure. The undulation made it possible to reinforce the rigidity of the mate- rial, which has the same thickness at the base of the facade – exposed to impacts – as at the top. To determine the optimum size of perfora- tions – providing an almost unobstructed full front view that becomes almost invisible when walking alongside the facade – the architect had several prototypes made. Making an opaque material transparent was by no means the least poetic feat of this project.
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  42. 42. 40 The Jury Belgium Jean-Pol Borremans Architect, Former President of the Council of the Order of Architects Serge Fraas Architect, Stekke + Fraas Architects Canada Anik Shooner Architect, Menkès Shooner Dagenais Letourneux Architects, Quebec France Frédéric Borel Architect, Agence Frédéric Borel Lionel Dunet Architect, Chairman of the National Council of the Order of Architects Gilles de Montmarin Architect, Executive Director of SEMAPA (SEM Aménagement de Paris) Vincent Moraël Director of ARCORA, specialized engineering for envelope structures Italy Nicola Leonardi Editor in Chief of the Italian magazine “The Plan” President of the Archizinc Trophy Jury - 5th edition The Netherlands Dirk Jan Postel Architect, Director of Kraaijvan­ger Urbis Architects Studio Spain Lluís Dilmé Architect, Estudi Dilmé Fabré Architects Studio United Kingdom Peter Oborn Vice-President of RIBA, Vice-President of Aedas Architects Ltd
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