KNOWLEDGESHARING ON DIGITISATION     - a workshop between VRT and DR    II...III I II II .. .. I I...I .. . .I.I .I . . I....
AGENDA              1. Intro and digitisation (9.15 – 10.00)              Strategy for digitisation and contexstualisation...
DIGITISATION OF DRs BROADCAST ARCHIVES     - and introduction to The Cultural Heritage Project          1. The beginning  ...
DRs ARCHIVE                   570.000           hours materialeII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I....
A NEW TIME FOR DR                                                    THE NEW                        OUR                   ...
FUNDING  10 MIO €/25 %II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I .   II I .. I I   .I I
POLITICAL WISH     To activate the value of our audiovisual public-service     archive!     To move the content with digit...
THE ”OLD” PRODUCTIONS PARADIGME                       TRADITIONEL VALUECHAINEII I II II .. .. I I...I .. . .I.I .I . . I.I...
ENDLESS VALUE-LOOP       - CULTURAL HERITAGE IN THE DIGITAL DOMAIN                                     USE = VALUE        ...
IT IS A NUMBERS GAME!                                                                         TILGÆNGELIGHED              ...
FOCUS AREAS           DIGITISATION & PRESERVATION           Our new goal is that between 60-70 % of our archive           ...
FROM TAPE TO USERII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I .   II I .. I I   .I I
DIGITISATION STATUS       Status:       250.000 of 400.000 hours of radio       has been digitised by Memnon.       Last d...
DISSAMINIATION, CONTEXTUALISATION &     COLLABORATIONII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I .   II ...
THE FUTURE        Contribute to DRs        production in a broad sense        To generate value for DRs        users throu...
Thank you!   Tobias Golodnoff   Head of The Cultural Heritage Project   Danish Broadcasting CorporationII I II II .. .. II...
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2011.19.01 vrt & dr workshop on digitisation

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2011.19.01 vrt & dr workshop on digitisation

  1. 1. KNOWLEDGESHARING ON DIGITISATION - a workshop between VRT and DR II...III I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  2. 2. AGENDA 1. Intro and digitisation (9.15 – 10.00) Strategy for digitisation and contexstualisation 2. Digitisation part 1 (10.00 – 10.45) Intro to the video & DAT digitisation projects Coffee break 1 (10.45 – 11.00) 3. Digitisation part 2 (11.00 – 12.30) Film digitisation – introduction to DRs Pilot project Lunch break (12:30 – 13.30) 4.  Digitisation & Cultural Heritage (13.30 – 14.30)II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  3. 3. DIGITISATION OF DRs BROADCAST ARCHIVES - and introduction to The Cultural Heritage Project 1. The beginning 2. Objectives & Focus areas 3. Value creationII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  4. 4. DRs ARCHIVE 570.000 hours materialeII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  5. 5. A NEW TIME FOR DR THE NEW OUR PRODUCTION- ARCHIVE SYSTEM ARE IS FILEBASED AND TAPE BASED HANDLES OR ANALOG ARCHIVING IN THE FUTURE …II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  6. 6. FUNDING 10 MIO €/25 %II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  7. 7. POLITICAL WISH To activate the value of our audiovisual public-service archive! To move the content with digitisation from our basements to new facilities where access and interaction reactivate materials and give insights in our national history. And realize the value of our collections when the users can interact with them – in the digital age: USE = VALUE!II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  8. 8. THE ”OLD” PRODUCTIONS PARADIGME TRADITIONEL VALUECHAINEII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  9. 9. ENDLESS VALUE-LOOP - CULTURAL HERITAGE IN THE DIGITAL DOMAIN USE = VALUE TILGÆNGELIGHED FORMIDLINGII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  10. 10. IT IS A NUMBERS GAME! TILGÆNGELIGHED 100 years of 10 days archiving upload FORMIDLINGII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  11. 11. FOCUS AREAS DIGITISATION & PRESERVATION Our new goal is that between 60-70 % of our archive should be digitised at the end of 2014. Massive focus on costs. DISSAMINIATION, CONTEXTUALISATION & COLLABORATION - Focus on value creation through: Digitisation prioritizing within the workflow to secure user value External collaborations, selected so they generate more value by enriching the project through knowledge within the field or new possibilities (targetgroups, metadata, technology etc.)II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  12. 12. FROM TAPE TO USERII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  13. 13. DIGITISATION STATUS Status: 250.000 of 400.000 hours of radio has been digitised by Memnon. Last delivery, summer of 2011 5.000 of 40-50.000 hours of video has been digitised inhouse. We plan to have it al digitised before the end of 2014 We are working on analysing whether it will be possible to include our film collection and our ¼ tapes.II I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  14. 14. DISSAMINIATION, CONTEXTUALISATION & COLLABORATIONII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  15. 15. THE FUTURE Contribute to DRs production in a broad sense To generate value for DRs users through external collaboration To enrichen the cultural heritage and its use through the use, or development of new technological tools and methods that create new use and valueII I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
  16. 16. Thank you! Tobias Golodnoff Head of The Cultural Heritage Project Danish Broadcasting CorporationII I II II .. .. III I II II .. .. I I...I .. . .I.I .I . . I.I. I. .I .. .I..I . II I .. I I .I I
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