1. Edward Burtynsky:
Photography, Film, and the Politics of Nature
Presenter: Shuting Zeng Advisor: Prof. Alan Braddock
2. Photography and Film
Edward Burtynsky Jennifer Baichwal: the Directress
3. Cammaer’s Critique
• High Art is not art for society ?
• High Art’s social influence
• Burtynsky’s photos exhibited on his website
• Film is superior over photography?
• Photography’s wider reception
• The film’s derivative relevance to the photography
• an active reading of photography
• an incorporation of photography into multi-
5. Atrocity Aesthetics
Compassion and Pity only Sociological Imagination
Bodies of Federal Soldiers Killed at
Edward Burtynsky, Deda Chicken
Processing Plant, Dehui City, Jilin Province,
6. Edward Burtynsky, Shipyard #11, #12, and #13, Shipyard, Qili Port,
Zhejiang Province, 2005
7. Edward Burtynsky, Feng Jie #4, Three Gorges Dam
Project, Yangtze River, 2002
8. Ai Weiwei, He Xie, 2010–
Installation view at the Hirshhorn Museum and Sculpture Garden,
Washington, DC, 2012
Photo: Cathy Carver
9. Ai Weiwei, He Xie, 2010–
Edward Burtynsky, Feng Jie #4,
Three Gorges Dam Project, Yangtze River, 2002
• Battani, Marshall. "ATROCITY AESTHETICS: Beyond Bodies and Compassion." Afterimage 39,
no. 1/2 (-07-01, 2011): 54.
• Cammaer, Gerda. "Edward Burtynsky's Manufactured Landscapes: The Ethics and Aesthetics
of Creating Moving Still Images and Stilling Moving Images of Ecological Disasters."
Environmental Communication 3, no. 1 (-03-01, 2009): 121-130, DOI:
• Christy, Matt. "EDWARD BURTYNSKY." Art Papers Magazine (September 2012): 57-58.
• Economy, Elizabeth. The River Runs Black: The Environmental Challenge to China's Future.
Ithaca: Cornell University Press, 2004.
• Hariman, Robert and John Louis Lucaites. No Caption Needed: Iconic Photographs, Public
Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2007.
• Michael Torosian, “The Essential Element: An Interview with Edward Burtynsky”, in
Manufactured Landscapes: The Photographs of Edward Burtynsky by Edward Burtynsky, Lori
Pauli, Mark Haworth-Booth, Kenneth Baker, and Michael Torosian, 46-55. New Haven:
National Gallery of Canada / Yale University Press, 2003.
• Ngai, Pun. "Becoming Dagongmei (Working Girls): The Politics of Identity and Difference in
Reform China." The China Journal 42, no. 42 (1999): 1-18.
• Shapiro, Judith. Mao's War Against Nature: Politics and the Environment in Revolutionary
China. Cambridge: Cambridge University Press, 2001.
• Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1977.
• Yacavone, Kathrin. Benjamin, Barthes, and the Singularity of Photography. New York:
• Ai Weiwei, He Xie, 2010–. Collection of the artist. Installation view
at the Hirshhorn Museum and Sculpture Garden, Washington, D.C.,
2012. Photo: Cathy Carver.
• Edward Burtynsky, Edward Burtynsky: Photographic Works, his
• Jennifer Baichwal, the interview “Manufactured Landscapes”, tvo
docstudio, date unknown.