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Doctor who evaluation
 

Doctor who evaluation

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    Doctor who evaluation Doctor who evaluation Presentation Transcript

    • Doctor Who The Eleventh Hour
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene
      • Birds-eye-view of London
      • Birds-eye-view of town
      • The mise en scene of the city with the Tardis flying overhead is significant to the original
      Actual Interpretation
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene
      • Establishing shot of house
      • Establishing shot of house with Tardis flying into the back garden
      Actual Interpretation
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene
      • Medium close-up of Tardis
      • Long shot of Tardis
      Actual Interpretation
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene
      • Close-up of Tardis doors opening with smoke coming out
      • Medium close-up of Tardis with bits flying out significant to the smoke in the original
      Actual Interpretation
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene Actual Interpretation Long shot of Amy from the side outside her door going into her back garden Long shot of Amy from the front outside at the end of the path in her back garden significant to the original
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene Actual Interpretation
      • Medium long shot of Amy walking through the garden
      • Long shot of Amy walking through the garden
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene Actual Interpretation Very wide shot of Amy walking to the Tardis Very wide shot of Amy walking to the Tardis
    • Question 1: conventions of TV soap – learning from real media texts Camerawork Editing Mise en scene Cut Cut Cut Cut Cut Cut Cut 16 28 44 Shot Number 58 59 60 61 62