Endangered Species Oil Pastel Handout
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Endangered Species Oil Pastel Handout

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    Endangered Species Oil Pastel Handout Endangered Species Oil Pastel Handout Document Transcript

    • Name: ________________________________________________ Block: _____________ Studio Art Dorofy/Duckworth/Gordon/Sanders Endangered Species Contour Lines & Oil Pastels TASK: You will continue to explore color schemes, and revisit contour line drawings for this next project. You will create a contour line drawing of an endangered animal, then add color with oil pastels, using a specific color scheme. WHAT YOU WILL DO: 1. Research and choose an endangered animal or species. 2. Find interesting reference images for your chosen animal. Things to think about as finding images: a) Choose photos that are high quality and detailed. b) Your drawing should be a detail of the animal, not necessarily it’s entire body or environment, so find images that are close-up. c) Be sure your picture will increase in size and/or crop to a square. 3. Format your photograph in Photoshop to become 8” square and then print it full size and in color. 4. Using a light box, or the window, trace around the essential contour lines and shapes of your animal. This should be done on newsprint. Go over your lines with sharpie. 5. Use the grid drawing system to transfer your drawing to final 8” x 8” drawing paper. 6. Participate in demonstration and experiment with oil pastels in your sketchbook and on art cards. 7. Choose a color scheme for your oil pastel drawing. Remember your options: Monochromatic, Complementary, Split Complementary, Analogous, and Triadic. 8. Fill in areas with pure color and blended color using oil pastels. 9. Mount your drawing on paper that compliments the color scheme chosen. 10. Finally, you will write a small blurb about the animal – including its common name, Latin name, location and habitat, general information about the animal, and ways we can help prevent its extinction. This will be attached to your final drawing and should be created with a high level of craftsmanship.
    • Endangered Species Contour Line & Oil Pastels Name: _____________________________________ Studio Art Dorofy/Duckworth/Gordon/Sanders Completion of Requirements (1pt. each) ____ ____ ____ ____ ____ Photo formatted properly in Photoshop Contour lines & image transferred properly Oil pastels practiced in sketchbook/art card Color scheme successfully executed Well written blurb designed and attached Block: ___________________ Criterion below will be evaluated on this 12-point scale: 12. Exceeds Expectations 9-11. Meets All Expectations 6-8. Meets Most Expectations 1-5. Meets Few Expectations Composition/Application of Elements & Principles Does the design and composition of your animal work within the page to create a cohesive drawing? Is there emphasis on the appropriate areas? Does your eye flow effortlessly through the piece? Does your piece appear cluttered or empty? Have you used contour lines and color effectively to create an interesting composition? /12 Creative Problem Solving Did you take the scope of the assignment and bring new and interesting thoughts and visual imagery to it? Since you had to complete an oil pastel drawing of an endangered species and include a specific color schemes to it, were you successful in creating a visually interesting drawing? Does your drawing go beyond the ordinary and expected, and apply the chosen color scheme successfully? /12 Application of Materials & Processes Is your Endangered Species contour line and oil pastel drawing created using the techniques taught in class? Did you use Photoshop, pencil, newsprint, contour lines, the grid drawing system and oil pastels effectively demonstrating the techniques taught in class? Is your image sized properly? Do you successfully break down the image into essential contour lines? Do you apply and blend oil pastels as demonstrated? /12 Craftsmanship Are there obvious signs of care and quality in the production and creation of your piece? Does your piece meet conventional standards of craftsmanship? Is your paper wrinkled or torn? Are the oil pastel crumbs and smearing? Is your piece mounted effectively and including the copy blurb about your animal? Comments: /12 TOTAL: /53