• Share
  • Email
  • Embed
  • Like
  • Save
  • Private Content
Composition Guidelines

Composition Guidelines



PowerPoint for Composition Guidelines Contact Sheet assignment for Photography at Victor Senior High School.

PowerPoint for Composition Guidelines Contact Sheet assignment for Photography at Victor Senior High School.



Total Views
Views on SlideShare
Embed Views



2 Embeds 139

http://vshphotography.blogspot.com 137
http://vshphotography.blogspot.ca 2


Upload Details

Uploaded via as Microsoft PowerPoint

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
Post Comment
Edit your comment

    Composition Guidelines Composition Guidelines Presentation Transcript

    • Composition Refresh
      • placement or arrangement of visual elements
      • organization of the elements of art according to the principles of design
      • biggest difference between a good photograph and a mediocre one is the composition
      Besides the Rule of Thirds…how can you improve your photographic compositions?
    • Eliminate Unimportant - Cropping
      If main subject is too small, photo will lack impact and subject will become lost among the clutter.
      Crop tight around the subject to eliminate background 'noise', ensuring subject gets viewer's undivided attention.
    • Balancing Elements
      Rule of Thirdscreates a more interesting photo, but can leave a void in scene making it feel empty.
      Balance the 'weight' of your subject by including another object of lesser importance to fill the space.
    • Background
      Busy backgrounds often end is poor photographs. The camera will flatten the foreground and background.
      Solution – look
      around for a plain
      and unobtrusive
      background and/or
      compose your shot
      so that it doesn't
      distract or detract
      from the subject.
    • Avoid Mergers
      Easy to spot, hard to define. They occur due to poor framing.
      • cutting feet off at the bottom
      • catching half a person standing in a crowd
      • standing in front busy background - looks like objects are sprouting from peoples heads
    • Perspective or Viewpoint
      Viewpoint has massive impact on composition and can greatly affect your message. Don’t just shoot from eye level… consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up...
    • Landscape only? Try Portrait!
      Turn the camera on it's side and shoot an upright picture.
      Consider and experiment with both formats to see what a difference it can make to the picture.
    • Framing, Edges, Frame within a Frame
      The world is full of frames – trees, archways and holes.
      Place these around the edge of the composition to help isolate main subject from the outside world.
      The result is a more focused image which draws your eye naturally to the main point of interest.
    • Leading Lines
      Eye is naturally drawn along lines.
      Thinking about how you place lines in your composition affects the way we view the image - pulling us into the picture, towards the subject, or through the scene.
    • Diagonals
      Setting your subject matter on a diagonal will almost always make for a more dynamic picture.
      Even if this is an invisible diagonal that draws your eye between two points.
      Move around the subject and look for a diagonal.
    • Repetition & Pattern
      Fill your frame with a repetitive pattern to give the impression of size and large numbers. Zoom in close so the pattern fills the frame and breaks of the edges.
      Examples – faces in a
      crowd, bricks on a
      wall, a line of bicycle
      wheels all on the
      same angle etc.
    • Repetition & Pattern
      Breaking Patterns
      Interrupt the flow of a pattern by adding a contrasting object (color, shape, texture) or removing one of the repeating objects. Sometimes these broken patterns appear naturally or you can interrupt a pattern yourself.
      Pay attention to where
      in your frame to place
      the break in the pattern
      (think rule of thirds),
      and consider where
      your focus is.
    • Symmetry
      Can make very eye-catching compositions, especially in places where they are not expected. You can also try to break the symmetry in some way, introducing tension and a focal point to the scene.
    • Assignment:
      40 Image Contact Sheet plus 2 Best
      • At least 6 of the ideas presented here should be obvious in your contact sheet
      Tuesday, September 20th