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Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
Avid Smpte Nyc June 6 Dh
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Avid Smpte Nyc June 6 Dh

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  • Transcript

    • 1. Avid Technology <ul><li>Tools that make the world’s best media </li></ul><ul><li>Video Post Production </li></ul><ul><li>Audio Post Production </li></ul><ul><li>Broadcast Production </li></ul><ul><li>Independent Production </li></ul>
    • 2. File Based Workflows <ul><li>Trends </li></ul><ul><li>Production times and budgets are shrinking </li></ul><ul><li>Quality requirements are constant </li></ul><ul><li>Distribution requirements growing </li></ul><ul><li>Challenges </li></ul><ul><li>How to get more efficient? </li></ul><ul><ul><li>Reduce the “acquisition to edit” time </li></ul></ul><ul><ul><li>Reduce the time to organize and find material </li></ul></ul><ul><ul><li>Work “natively” whenever possible </li></ul></ul>
    • 3. Avid – Leader in file based workflow <ul><li>Native MXF </li></ul><ul><li>Open Timeline </li></ul><ul><li>Full Res & Proxy Support </li></ul><ul><li>Extensive Metadata Support </li></ul><ul><li>VFR Support </li></ul>
    • 4. DI workflow – MC Offline workflow <ul><li>New metadata bin columns </li></ul><ul><ul><li>Help track elements in a file-based workflow </li></ul></ul><ul><ul><ul><li>Animation, FX, film scans, etc. </li></ul></ul></ul><ul><li>These are in addition to the existing KeyKode and Ink number tracking </li></ul>
    • 5.  
    • 6. File Based Tracking
    • 7. XDCAM workflow <ul><li>Features </li></ul><ul><ul><li>XDCAM HD and SD support </li></ul></ul><ul><ul><li>XDCAM essence marks as locators </li></ul></ul><ul><ul><li>Full Proxy editing support </li></ul></ul><ul><ul><ul><li>Multi-res management </li></ul></ul></ul><ul><ul><li>“ Write back” to XDCAM </li></ul></ul>
    • 8. XDCAM & Ethernet <ul><li>IT workflows from multiple decks over the network </li></ul><ul><li>Proxies or High Res clips </li></ul><ul><li>Background transfers </li></ul><ul><li>“ Writeback” with Interplay Transfer </li></ul>
    • 9. P2 Workflow <ul><li>Features </li></ul><ul><ul><li>DVCPro HD/SD support </li></ul></ul><ul><ul><li>Instant access to media </li></ul></ul><ul><ul><ul><li>Direct checkin to Unity </li></ul></ul></ul><ul><ul><li>DMS-1 metadata support (MXF) </li></ul></ul><ul><ul><li>Direct edit from a P2 card or volume (MXF Native) </li></ul></ul><ul><ul><li>“ Write back” to P2 card </li></ul></ul>
    • 10. P2 DMS-1 Metadata
    • 11. Tracking Multiple resolutions <ul><li>Interplay and Multirez </li></ul>Offline online Partially online
    • 12. Dynamic relink
    • 13. Questions and Issues <ul><li>Is it a simpler more efficient process in post production? </li></ul><ul><li>How do we protect our media in a file-based work flow? </li></ul><ul><li>What gets preserved at the end of the process, and where is it stored?  </li></ul>
    • 14. Avid’s file based strategy <ul><li>Long term strategy is to have workflow for all file based media that is seamless (P2 workflow) </li></ul><ul><ul><li>Interop directly – with no intermediate steps </li></ul></ul><ul><ul><li>Continue to optimize the handling of these files </li></ul></ul><ul><li>Multi res and asset management – </li></ul><ul><ul><li>Continue multi res for all products and formats </li></ul></ul><ul><ul><li>Use asset IDs written by the cameras </li></ul></ul><ul><ul><ul><li>Always index media with the exact UMID </li></ul></ul></ul><ul><ul><ul><li>Always want to be able to conform to the original data </li></ul></ul></ul><ul><li>Plenty of work still to do </li></ul>
    • 15. Thanks

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