YBA & Sam Taylor - Wood Hyangbo Cho, Bona Kim
YBA  (Young British Artists) Charles   Saatchi Damien   Hirst Tracey   Emin   Chris   Ofili   Rachel  Whiteread
Charles Saatchi  <ul><li>  </li></ul><ul><li>He is known worldwide as an art collector and owner of the Saatchi Gallery an...
Saatchi Gallery (Charles Saatchi’s art collections)
Zhang Huan.  Donkey ,  (Moving mechanical donkey 'humping' the model of Shanghai's Jin Mao tower) Saatchi Gallery, London ...
Sun Yuan and Peng Yu.  Old Persons Home , (Wicked, their satirical models of decrepit OAPS look suspiciously familiar to w...
Sensation Exhibition (Exhibition of YBAs) Royal Academy of Art in London Brooklyn Museum of Art in New York National Galle...
Royal Academy of Art in London 18 September – 28 December 1997  Marcus Harvey.  Portrait of Moors murderer Myra Hindley,  ...
Brooklyn Museum of Art in New York 2 October 1999 – 9 January 2000 Chris Ofili.  The Holy Virgin Mary,  (Oil paint, glitte...
Brooklyn Museum of Art in New York <ul><li>The United States House of Representatives passed a nonbinding resolution to en...
National Gallery of Australia in Australia  June 1999 <ul><li>The show was scheduled to open in June 1999, but was cancell...
Renee Cox.  Yo Mama’s Last Supper,  (Montage of five photographs of 12 men and a naked black woman[Cox’s self portrait] po...
Rachel Whiteread.  Untitled (One Hundread Spaces),  (Series of resin casts of the space underneath chairs)  Sensation Exhi...
YBA <ul><li>YBA (Young British Artists) </li></ul><ul><li>A group of conceptual artists, painters, sculptors and installat...
<ul><li>Became famous with their first exhibition,  Freeze   </li></ul><ul><li>Freeze  organized by Damien Hirst (1988)  <...
Damien Hirst  Context:  <ul><li>* HOW DID HE START/DEVELOP HIS WORK? </li></ul><ul><li>He was interested in both science a...
<ul><li>- Theme : Death  </li></ul><ul><li>Hirst’s work is an examination of the processes of  life and death;  the  ironi...
Major Characteristics  <ul><li>* Differences </li></ul><ul><li>He mostly attempts to maintain the real concept of his subj...
Damien Hirst. Beautiful revolving sphincter, oops brown painting  , (Household gloss paint on canvas, 72&quot; diameter)  ...
Damien Hirst. The Virgin Mother , (Massive sculpture depicting a pregnant female human, with layers removed from one side ...
Damien Hirst. For the Love of God , (Platinum cast of a human skull covered with 8,601 diamonds) White Cube, London 2007
Tracey Emin Context:  <ul><li>* HOW DID SHE START/DEVELOP HER WORK? </li></ul><ul><li>Her life was unhappy since she was r...
Context (continued)  <ul><li>Major theme: attempts  upon demonstrating true life  </li></ul><ul><li>She tries to not hide ...
Major Characteristics <ul><li>* Differences </li></ul><ul><li>- Her issues mostly are focused on women </li></ul><ul><li>S...
Tracey Emin.  Everyone I Have Ever Slept With,  (Tent exterior) London 1995
Tracey Emin.  Everyone I Have Ever Slept With,  (Tent interior) London 1995
Chris Ofili Context:  <ul><li>* HOW DID HE START/DEVELOP HIS WORK? </li></ul><ul><li>When he visited to Africa, he learned...
Context (continued)  <ul><li>Major theme: Africans </li></ul><ul><li>He does not want to show only his work, but he also w...
Major Characteristics <ul><li>* Differences </li></ul><ul><li>He focuses on specific group of people (African) </li></ul><...
Chris Ofili.   Annunciation,  (Bronzed sculpture ) London 2006
Rachel Whiteread Context:  <ul><li>HOW DID SHE START/ </li></ul><ul><li>DEVELOP HER WORK? </li></ul><ul><li>Major Theme: H...
Major Characteristics <ul><li>* Differences </li></ul><ul><li>most of her works are casts of ordinary domestic objects and...
Rachel Whiteread .  Ghost,  ( Plaster on steel frame ) London 1990
Rachel Whiteread .  House,  ( Controversial sculpture ) London 1993
Rachel Whiteread .  Untitled (stacks),  ( Plaster, polystyrene,  and steel) London 1999
Rachel Whiteread .  Stairs,  ( Plaster on staircases ) London 2001
Sam Taylor – wood
Sam Taylor-Wood was born in London in 1967, and she is now an outstanding British artist of the younger generation (YBA). ...
<ul><li>In 1997 she was named Most encouraging Young Artist at the  Venice Biennial . She was also nominated for the prest...
Sam Taylor-Wood.  Five Revolutionary Seconds I , 1995 Five Revolutionary Seconds series  were taken with a camera that pan...
Sam Taylor Wood.  Five Revolutionary Seconds VII   1997 Most of Five Revolutionary Seconds are not available in the Intern...
Sam Taylor Wood.  Five Revolutionary Seconds  X  1997 While the image is a still photograph, the accompanying soundtrack r...
Sam Taylor Wood.   Five Revolutionary Seconds  XIII
Sam Taylor Wood  Pieta   2001 Pieta is a large-scale video that based on Michelangelo‘s sculpture. Sam Taylor Wood portray...
Taylor-Wood has explored notions of weight and gravity in elegiac, poised photographs and films such as series of self-por...
Sam Taylor-Wood  Self Portrait Suspended I  2004 Sam Taylor-Wood had  cancer  between 1997 to 2001. These works are intend...
Sam Taylor-Wood  Self Portrait Suspended II  2004
Sam Taylor-Wood  Self Portrait Suspended III  2004
Sam Taylor-Wood  Self Portrait Suspended IIII  2004
Sam Taylor-Wood  Self Portrait Suspended V  2004
Sam Taylor-Wood  Self Portrait Suspended VI  2004
Sam Taylor-Wood  Self Portrait Suspended VII  2004
Sam Taylor-Wood  Self Portrait Suspended VIII  2004
Sam Taylor-Wood  Robin Williams  2004 Crying Men is another series of images she created.  It is a treatise on the theme o...
Sam Taylor-Wood  Ryan Gosling  2004 By her use of celebrity actors as models, the viewer debates the sincerity of their te...
Sam Taylor-Wood  Daniel Craig  2004
Sam Taylor-Wood  Benicio Del Toro  2004
Sam Taylor-Wood  Uilyaf Defoe  2004
Sam Taylor-Wood  Dustin Hoffman  2004
Sam Taylor-Wood  Ed Harris  2004
Sam Taylor-Wood  Forest Uaytekker  2004
Sam Taylor-Wood  Gabriel Byrne  2004
Sam Taylor-Wood  Hayden Christiansen  2004
Sam Taylor-Wood  Kris Kristofferson  2004
Sam Taylor-Wood  Laurence Fishburne  2004
Sam Taylor-Wood  Michael Madsen  2004
Sam Taylor-Wood  Paul Newman  2004
Sam Taylor-Wood  Tim Roth  2004
Sam Taylor-Wood  Sam Shepard  2004
Sam Taylor-Wood  Sean Penn  2004
Sam Taylor-Wood  Steve Buscemi  2004
Sam Taylor-Wood  Woody Harrelson  2004
Sam Taylor-Wood  Ben Stiller  2004
Sam Taylor-Wood  Jude Lau  2004
Bram Stoker’s Chair series are the recent artwork that captured  instantaneous movements . This work was done with ropes. ...
This series depicts conscious acts of  self-iconoclasm  in which the artist’s face is obliterated, either by being draped ...
Sam Taylor-Wood  Bram Stoker's Chair III  2005 These mark a departure from the tribulations of her emotional self towards ...
Sam Taylor-Wood  Bram  Stoker's Chair  IV  2005
Sam Taylor-Wood  Bram Stoker's Chair VI  2005
Sam Taylor-Wood  Bram Stoker's Chair VII  2005
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YBA & Sam Taylor-Wood

  1. 1. YBA & Sam Taylor - Wood Hyangbo Cho, Bona Kim
  2. 2. YBA (Young British Artists) Charles Saatchi Damien Hirst Tracey Emin Chris Ofili Rachel Whiteread
  3. 3. Charles Saatchi <ul><li>  </li></ul><ul><li>He is known worldwide as an art collector and owner of the Saatchi Gallery and in particular for his sponsorship of the YBA </li></ul><ul><li>- He is a co-founder with his brother, Maurice of Saatchi & Saatchi, the world’s largest global advertising agency. Later they were forced out and they formed their new advertising agency, M & C Saatchi </li></ul><ul><li>- His collection of art also presented to the exhibition, Sensation at Royal Academy of Art </li></ul>
  4. 4. Saatchi Gallery (Charles Saatchi’s art collections)
  5. 5. Zhang Huan. Donkey , (Moving mechanical donkey 'humping' the model of Shanghai's Jin Mao tower) Saatchi Gallery, London 2008
  6. 6. Sun Yuan and Peng Yu. Old Persons Home , (Wicked, their satirical models of decrepit OAPS look suspiciously familiar to world leaders, long crippled and impotent, left to battle it out in true geriatric style) Saatchi Gallery 2008
  7. 7. Sensation Exhibition (Exhibition of YBAs) Royal Academy of Art in London Brooklyn Museum of Art in New York National Gallery of Australia in Australia
  8. 8. Royal Academy of Art in London 18 September – 28 December 1997 Marcus Harvey. Portrait of Moors murderer Myra Hindley, (Painted using children’s handprints) Sensation Exhibition London 1997 <ul><li>The art show mostly contained controversial images </li></ul><ul><li>Most people in public complained about the controversial images </li></ul><ul><li>A mother of one of Hindley’s victims asked for the portrait, which was made of hundred copies of children’s handprints, to be excluded </li></ul><ul><li>The murderer, Myra Hindley sent a letter from the jail suggesting that her portrait be removed from the exhibition because “a sole disregard not only for the emotional pain and trauma that would inevitably be experienced by the families of the Moors victims but also the families of any child victim.” </li></ul><ul><li>People smashed windows of the Academy </li></ul><ul><li>Therefore, the work was guarded by security men </li></ul><ul><li>Later, this exhibition became famous because of this subject matter </li></ul>
  9. 9. Brooklyn Museum of Art in New York 2 October 1999 – 9 January 2000 Chris Ofili. The Holy Virgin Mary, (Oil paint, glitter, polyester resin, map pins, elephant dung on linen) London 1996 Elephant Dung <ul><li>The Holy Virgin Mary by Chris Ofili was a huge matter in New York </li></ul><ul><li>Ofili’s work showed a carefully rendered black Madonna decorated with a resin-covered lump of elephant dung. The figure is also surrounded by small collaged images of female genitalia from pornographic magazines; these seemed from a distance to be the traditional cherubim </li></ul><ul><li>New York mayor, Rudolph Giuliani wanted to withdraw his work because he said, “You don't have a right to government subsidy for desecrating somebody else's religion.” </li></ul><ul><li>Many people thought that Ofili was against Catholic by showing his work </li></ul>
  10. 10. Brooklyn Museum of Art in New York <ul><li>The United States House of Representatives passed a nonbinding resolution to end federal funding for the museum on 3 October 1999, and New York City did stop funding to the Brooklyn Museum </li></ul><ul><li>The museum produced a yellow stamp, saying the artworks on show &quot;may cause shock, vomiting, confusion, panic, euphoria and anxiety.” </li></ul><ul><li>Therefore, Ofili’s painting was also guarded by an armed police officer </li></ul>
  11. 11. National Gallery of Australia in Australia June 1999 <ul><li>The show was scheduled to open in June 1999, but was cancelled </li></ul><ul><li>The reason was that (according to the director, Brian Kennedy) “although it was due to be funded by the Australian government, it was &quot;too close to the market&quot;, since finance for the Brooklyn exhibition included $160,000 from Saatchi, who owned the work, $50,000 from Christie's, who had sold work for Saatchi, and $10,000 from dealers of many of the artists </li></ul><ul><li>Kennedy said he was unaware of this, when he accepted the show; Saatchi's contribution, the largest single one, was not disclosed by the Brooklyn Museum, until it appeared in court documents </li></ul>
  12. 12. Renee Cox. Yo Mama’s Last Supper, (Montage of five photographs of 12 men and a naked black woman[Cox’s self portrait] posing Jesus) Sensation Exhibition , New York 1996
  13. 13. Rachel Whiteread. Untitled (One Hundread Spaces), (Series of resin casts of the space underneath chairs) Sensation Exhibition , London 1997
  14. 14. YBA <ul><li>YBA (Young British Artists) </li></ul><ul><li>A group of conceptual artists, painters, sculptors and installation artists based in United Kingdom </li></ul><ul><li>The term Young British Artists is derived from shows of that name staged at the Saatchi Gallery from 1992 onwards, which brought the artists to fame </li></ul><ul><li>They are noted for &quot;shock tactics&quot;, use of throwaway materials and wild-living, and are (or were) associated with the Hoxton area of East London </li></ul>
  15. 15. <ul><li>Became famous with their first exhibition, Freeze </li></ul><ul><li>Freeze organized by Damien Hirst (1988) </li></ul><ul><li>They achieved considerable media coverage and dominated British art during the 1990s </li></ul>
  16. 16. Damien Hirst Context: <ul><li>* HOW DID HE START/DEVELOP HIS WORK? </li></ul><ul><li>He was interested in both science and philosophy </li></ul><ul><li>Was affected by the development of anatomy, and </li></ul><ul><li>genetic manipulation </li></ul><ul><li>His career was developed by the exhibition, Freeze in 1988 </li></ul><ul><li>When Charles Saatchi was inspired by his artworks </li></ul><ul><li>- He did not create his artworks, but was referred by media and other artists like Andy Warhol and the method of De Stijl (Neo-plasticism ) </li></ul><ul><li>* WHY? </li></ul><ul><li>He wanted to start new and different than other paintings as to indicate his development from his artworks </li></ul><ul><li>He always had a strange or extraordinary point of view </li></ul>
  17. 17. <ul><li>- Theme : Death </li></ul><ul><li>Hirst’s work is an examination of the processes of life and death; the ironies, falsehoods and desires that we mobilize to negotiate our own alienation and mortality </li></ul><ul><li>Hirst’s works demonstrate how today’s society is dangerous and scared as he preserves dead animals into formaldehyde </li></ul><ul><li>Hirst’s works clearly focus on modern arts; surrealism, pop arts </li></ul>Context (continued) Damien Hirst. The Physical Impossibility of Death in the Mind of Someone Living , (14-foot (4.3 m) tiger shark immersed in formaldehyde in a vitrine) London 1991
  18. 18. Major Characteristics <ul><li>* Differences </li></ul><ul><li>He mostly attempts to maintain the real concept of his subject </li></ul><ul><li>* Similarities </li></ul><ul><li>Like other members of YBA, Damien Hirst focuses on the society issues such as drugs, abuse </li></ul><ul><li>He won Turner Prize </li></ul>
  19. 19. Damien Hirst. Beautiful revolving sphincter, oops brown painting , (Household gloss paint on canvas, 72&quot; diameter) Museo Archeologico Nazionale di Napoli , Italy 2005
  20. 20. Damien Hirst. The Virgin Mother , (Massive sculpture depicting a pregnant female human, with layers removed from one side to expose the fetus, muscle and tissue layers, and skull underneath) New York City 2006
  21. 21. Damien Hirst. For the Love of God , (Platinum cast of a human skull covered with 8,601 diamonds) White Cube, London 2007
  22. 22. Tracey Emin Context: <ul><li>* HOW DID SHE START/DEVELOP HER WORK? </li></ul><ul><li>Her life was unhappy since she was raped, and had an abortion 3 times </li></ul><ul><li>She restarted her art studying when her friend encouraged to do so </li></ul><ul><li>Her life was developed when her art exhibition at “White Cube” </li></ul><ul><li>was successful (in London, 1994) </li></ul><ul><li>* WHY? </li></ul><ul><li>As if it was a new way of expressing her thoughts, she </li></ul><ul><li>wanted to impress other people about her true life, </li></ul><ul><li>including the past </li></ul>
  23. 23. Context (continued) <ul><li>Major theme: attempts upon demonstrating true life </li></ul><ul><li>She tries to not hide everything she had experienced </li></ul><ul><li>Most of her artworks are installation of pieces she has </li></ul><ul><li>She says that; “Being artist is not only about creating arts and being praised, but being artist is about communication with something” </li></ul><ul><li>Meaning that, she always expresses her true emotions and wants to give the audience messages about a life </li></ul>Tracey Emin. My Bed, (Installation art pieces) London 1998
  24. 24. Major Characteristics <ul><li>* Differences </li></ul><ul><li>- Her issues mostly are focused on women </li></ul><ul><li>She does not apply any creative methods on her artworks </li></ul><ul><li>(only applying natural objects such as blanket, books, etc) </li></ul><ul><li>- More realistic than other artists </li></ul><ul><li>She wants to keep her memories by creating her own artworks </li></ul><ul><li>* Similarities </li></ul><ul><li>Her artworks are based on society issues, such as abortion, rape </li></ul>
  25. 25. Tracey Emin. Everyone I Have Ever Slept With, (Tent exterior) London 1995
  26. 26. Tracey Emin. Everyone I Have Ever Slept With, (Tent interior) London 1995
  27. 27. Chris Ofili Context: <ul><li>* HOW DID HE START/DEVELOP HIS WORK? </li></ul><ul><li>When he visited to Africa, he learned about his identity, African </li></ul><ul><li>This inspired him as much as he changed the way he created artworks </li></ul><ul><li>He became famous through Sensation exhibition </li></ul><ul><li>* WHY? </li></ul><ul><li>He wanted to indicate his idea against racial discrimination and to protect the rights of black people </li></ul>
  28. 28. Context (continued) <ul><li>Major theme: Africans </li></ul><ul><li>He does not want to show only his work, but he also wants to entertain the audience with his paintings, installations, etc </li></ul><ul><li>He is not interested in 20 th century art because he often wants to use aboriginal materials from Africa as well as he focuses on aboriginal African people </li></ul>Chris Ofili. Her Gift Two & His Gift Two (Gouache, ink, charcoal, golden leaf on paper) New York 2006
  29. 29. Major Characteristics <ul><li>* Differences </li></ul><ul><li>He focuses on specific group of people (African) </li></ul><ul><li>One of materials he used for his art was elephant’s ‘dung’ </li></ul><ul><li>His paintings were mostly oil paintings, but every time it included elephant’s ‘dung’ </li></ul><ul><li>* Similarities </li></ul><ul><li>Also, focusing on one of the biggest social issues, discrimination and liberalism </li></ul>Chris Ofili. No Woman No Cry, (Acrylic paint, oil, polyester resin, paper collage, map pins, elephant dung on canvas) London 1998
  30. 30. Chris Ofili. Annunciation, (Bronzed sculpture ) London 2006
  31. 31. Rachel Whiteread Context: <ul><li>HOW DID SHE START/ </li></ul><ul><li>DEVELOP HER WORK? </li></ul><ul><li>Major Theme: H uman traces left on ordinary objects </li></ul><ul><li>In 1993, she was commissioned to make House , </li></ul><ul><li>the cast of the inside of a Victorian house in East </li></ul><ul><li>London, which provoked considerable media and public attention </li></ul><ul><li>She was also influenced by Minimalism </li></ul><ul><li>* WHY? </li></ul><ul><li>She wants to illustrate that: “[Casts carry] the residue of years and years of use” </li></ul>
  32. 32. Major Characteristics <ul><li>* Differences </li></ul><ul><li>most of her works are casts of ordinary domestic objects and the spaces that the objects do not inhabit (“Negative Space”) instead producing a solid cast of where the spaces within a container would be; particular parts of rooms, the area underneath furniture </li></ul><ul><li>Unlike other YBAs, Whiteread feels uncomfortable with controversial issues </li></ul><ul><li>Her works are focused on archetypal everyday subjects, such as tables, chairs, etc </li></ul><ul><li>* Similarities </li></ul><ul><li>She also won Turner Prize in 1993 </li></ul>Rachel Whiteread . Cabinet VIII, ( Sculpture of 1 metal cupboard, 55 plaster units ) London 2007
  33. 33. Rachel Whiteread . Ghost, ( Plaster on steel frame ) London 1990
  34. 34. Rachel Whiteread . House, ( Controversial sculpture ) London 1993
  35. 35. Rachel Whiteread . Untitled (stacks), ( Plaster, polystyrene, and steel) London 1999
  36. 36. Rachel Whiteread . Stairs, ( Plaster on staircases ) London 2001
  37. 37. Sam Taylor – wood
  38. 38. Sam Taylor-Wood was born in London in 1967, and she is now an outstanding British artist of the younger generation (YBA). She graduated from the sculpture department at Goldsmiths College in London in 1990 and then she went on to become a prolific film-maker and photographer.
  39. 39. <ul><li>In 1997 she was named Most encouraging Young Artist at the Venice Biennial . She was also nominated for the prestigious Turner Prize in England in 1998. Her creative works combine elements of photography, film and video installations. The human figure isolated on film remains a characteristic element in her works. And her projects are included in the collections of some of the world's most important museums. </li></ul>
  40. 40. Sam Taylor-Wood. Five Revolutionary Seconds I , 1995 Five Revolutionary Seconds series were taken with a camera that panned 360 degrees around a room during a five-second exposure.
  41. 41. Sam Taylor Wood. Five Revolutionary Seconds VII 1997 Most of Five Revolutionary Seconds are not available in the Internet because they deal with sexuality.
  42. 42. Sam Taylor Wood. Five Revolutionary Seconds X 1997 While the image is a still photograph, the accompanying soundtrack records sounds and conversational fragments taped during the photo shoot. The people seen are the people heard, but their speech is out of character, the sounds not correlated to the image.
  43. 43. Sam Taylor Wood. Five Revolutionary Seconds XIII
  44. 44. Sam Taylor Wood Pieta 2001 Pieta is a large-scale video that based on Michelangelo‘s sculpture. Sam Taylor Wood portrays the artist struggling to hold actor Robert Downey Jr. in the pose of the dying Christ. Michelangelo La Pietà , 1499
  45. 45. Taylor-Wood has explored notions of weight and gravity in elegiac, poised photographs and films such as series of self-portraits ( Self Portrait Suspended I – VIII ) that depict the artist floating in mid air without the aid of any visible support.
  46. 46. Sam Taylor-Wood Self Portrait Suspended I 2004 Sam Taylor-Wood had cancer between 1997 to 2001. These works are intended to convey a sense of insecurity and loneliness which reveal her inner scenery.
  47. 47. Sam Taylor-Wood Self Portrait Suspended II 2004
  48. 48. Sam Taylor-Wood Self Portrait Suspended III 2004
  49. 49. Sam Taylor-Wood Self Portrait Suspended IIII 2004
  50. 50. Sam Taylor-Wood Self Portrait Suspended V 2004
  51. 51. Sam Taylor-Wood Self Portrait Suspended VI 2004
  52. 52. Sam Taylor-Wood Self Portrait Suspended VII 2004
  53. 53. Sam Taylor-Wood Self Portrait Suspended VIII 2004
  54. 54. Sam Taylor-Wood Robin Williams 2004 Crying Men is another series of images she created. It is a treatise on the theme of sadness. It attempts to capture the moment between the real and the unreal, the imitation and the authentic.
  55. 55. Sam Taylor-Wood Ryan Gosling 2004 By her use of celebrity actors as models, the viewer debates the sincerity of their tears of sadness. Therefore we do not know whether or not their emotions are sincere.
  56. 56. Sam Taylor-Wood Daniel Craig 2004
  57. 57. Sam Taylor-Wood Benicio Del Toro 2004
  58. 58. Sam Taylor-Wood Uilyaf Defoe 2004
  59. 59. Sam Taylor-Wood Dustin Hoffman 2004
  60. 60. Sam Taylor-Wood Ed Harris 2004
  61. 61. Sam Taylor-Wood Forest Uaytekker 2004
  62. 62. Sam Taylor-Wood Gabriel Byrne 2004
  63. 63. Sam Taylor-Wood Hayden Christiansen 2004
  64. 64. Sam Taylor-Wood Kris Kristofferson 2004
  65. 65. Sam Taylor-Wood Laurence Fishburne 2004
  66. 66. Sam Taylor-Wood Michael Madsen 2004
  67. 67. Sam Taylor-Wood Paul Newman 2004
  68. 68. Sam Taylor-Wood Tim Roth 2004
  69. 69. Sam Taylor-Wood Sam Shepard 2004
  70. 70. Sam Taylor-Wood Sean Penn 2004
  71. 71. Sam Taylor-Wood Steve Buscemi 2004
  72. 72. Sam Taylor-Wood Woody Harrelson 2004
  73. 73. Sam Taylor-Wood Ben Stiller 2004
  74. 74. Sam Taylor-Wood Jude Lau 2004
  75. 75. Bram Stoker’s Chair series are the recent artwork that captured instantaneous movements . This work was done with ropes. Specialists fastened her body with ropes. Sam Taylor-Wood Bram Stoker's Chair I 2005
  76. 76. This series depicts conscious acts of self-iconoclasm in which the artist’s face is obliterated, either by being draped with her hair or otherwise masked by a trailing arm. Sam Taylor-Wood Bram Stoker's Chair II 2005
  77. 77. Sam Taylor-Wood Bram Stoker's Chair III 2005 These mark a departure from the tribulations of her emotional self towards physical trials of the body.
  78. 78. Sam Taylor-Wood Bram Stoker's Chair IV 2005
  79. 79. Sam Taylor-Wood Bram Stoker's Chair VI 2005
  80. 80. Sam Taylor-Wood Bram Stoker's Chair VII 2005
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