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Copyright Protection DCD

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    Copyright Protection DCD - Presentation Transcript

    1. New Ways to Protect Copyrights in the Digital Era The Role and Possibilities of Online Copyright Registries miércoles 23 de septiembre de 2009
    2. first... miércoles 23 de septiembre de 2009
    3. About Safe Creative... miércoles 23 de septiembre de 2009
    4. Free (of charge)* Online Copyright Registry For the Digital Era * Basic accounts for basic registration and tools miércoles 23 de septiembre de 2009
    5. 135.000 registered works 17.600 creators all over the world Copyright and copyleft licenses UGC projects agreements (jamendo, magnatune, bubok...) Open API miércoles 23 de septiembre de 2009
    6. What do we have in our mind, what is our goal miércoles 23 de septiembre de 2009
    7. To be friends of.... ...creators and... ... users. Wont let you go by Mario Pena https://www.safecreative.org/work/0907074098592 miércoles 23 de septiembre de 2009
    8. In an era of digital contents and distribution, accurate and relevant information is the key for best copyright protection. Online copyright registries like Safe Creative can help to identify and inform about contents in the Internet in such way it's valuable for authors, industries and end users by building a strong (emotional) and lasting link between them. Standardization, interoperability and open and transparent practices will help develop new business models to take advantage of the digital possibilities and reconcile entertainment industries with their clients. miércoles 23 de septiembre de 2009
    9. http://www.flickr.com/photos/rinzewind/133720761/ 1.- Analysis of the situation miércoles 23 de septiembre de 2009
    10. New ways to create, publish and distribute open software streaming dailymotion facebook web 2.0 videocast open office blender flickr p2p slideshare digital photo spotify wave podcast jamendo ogg magnatune blogs bubok creative commons scribd 3D design youtube lulu mp3 archive blip.tv miércoles 23 de septiembre de 2009
    11. There is a change of user understanding of copyrights Change of habits miércoles 23 de septiembre de 2009
    12. however miércoles 23 de septiembre de 2009
    13. dangerous conclusions miércoles 23 de septiembre de 2009
    14. If it is in the Internet it is free to use in anyway What we do is also free as soon as we upload it to the Web no good for copyright nor copyleft miércoles 23 de septiembre de 2009
    15. Citizens challenge actual copyright laws (and is not their fault) Copyright laws differ across countries and in the Internet it gets even worse. We have so many perceptions and facts that seems something is not working right. Moral rights, terms of protection, fair use, private copy... ... it all ads confusion and therefore uncertainty in the Web. miércoles 23 de septiembre de 2009
    16. Uncertainty is the worst danger for Internet development FUD miércoles 23 de septiembre de 2009
    17. from “The Future of Internet:” The are 1.463.632.631 Internet Users + 10% a month by 2019 we can expect about 1.000.000.000.000.000 Internet Connections Authors should have free and massive diffusion, as well as convenient rewards. Internet should not be controled by goverments nor companies. very. fast. internet. connection: CC by http://www.flickr.com/photos/chrisdag/3578238909 miércoles 23 de septiembre de 2009
    18. very. fast. internet. connection: CC by http://www.flickr.com/photos/chrisdag/3578238909 miércoles 23 de septiembre de 2009
    19. 2.- Considerations http://www.flickr.com/photos/jurvetson/149332018/ sizes/o/ miércoles 23 de septiembre de 2009
    20. feelings... miércoles 23 de septiembre de 2009
    21. Maybe the law is just not right. Maybe the business models are not right. Maybe we have done things wrong. Maybe Yes: http://www.flickr.com/photos/jepoirrier/2043728206/ CC by-sa miércoles 23 de septiembre de 2009
    22. We really have to stop blaming others, and start searching solutions miércoles 23 de septiembre de 2009
    23. DRMs miércoles 23 de septiembre de 2009
    24. DRM technologies are not always magical solutions. There are shadows: -rootkits (Sony) -music business deaths (spiralfrog) -same contents without DRM beeing shared (p2p) -obsolescence of technology -people don’t understand them miércoles 23 de septiembre de 2009
    25. Technology is not the problem. The problem is how we understand it should be used. Our prejudices have not only not prepared us to what is coming, but are also acting like fog against our possibilities. By Mario Pena https://www.safecreative.org/work/0908204255526 miércoles 23 de septiembre de 2009
    26. Technology changes de world because changes the way people think about it. Day 432 / 365 It’s a small world: http://www.flickr.com/photos/restlessglobetrotter/2513014001/ cc by Jason Rogers miércoles 23 de septiembre de 2009
    27. Digital era is not changing the truth, is showing us the truth. Jon without Jello II http://www.flickr.com/photos/torley/3636089105/ cc by sa Torley GrandPerspective disk map: http://www.flickr.com/photos/criminalintent/384630665/ CC by sa Larzs miércoles 23 de septiembre de 2009
    28. Building bridges By d’n’c http://www.flickr.com/photos/fukagawa/1860021038/in/photostream/ CC by-sa miércoles 23 de septiembre de 2009
    29. The content itself is not as valuable as it can be when adds an emotional link with end users in such way loyalty might grow. This is vital to understand as we have more contents than public’s attention Digital era brings the favourites marking vs pure consumption By Steven Fernández: http://www.flickr.com/photos/stevenfernandez/2069638117/ CC by miércoles 23 de septiembre de 2009
    30. Need to update laws to fit habits in order to protect rights effectively miércoles 23 de septiembre de 2009
    31. but even more important miércoles 23 de septiembre de 2009
    32. Need to update business models to fit habits in order to protect rights effectively Respect should be earned and works both ways miércoles 23 de septiembre de 2009
    33. 3.- Identifyhttp://apod.gsfc.nasa.gov/apod/ap040803.html challenges and oportunities Lets Think positive http://apod.gsfc.nasa.gov/apod/ap040803.html Credit Mars Exploration Rover Mission, JPL, NASA http://marsrovers.jpl.nasa.gov/home/index.html miércoles 23 de septiembre de 2009
    34. Entertainment vs Quality Amateurs are often better than pros (Gettymages and Flickr) A step to take: Start using amateurs’ contents rewarding them too Proactive vs. reactive miércoles 23 de septiembre de 2009
    35. http://blog.searchenginewatch.com/090730-201444 http://www.jkweddingdance.com/ 21.115.521 views http://www.chrisbrownworld.com/ http://myplay.com/artists/chris-brown miércoles 23 de septiembre de 2009
    36. Who wins? Sony, Chris Brown, iTunes, Youtube, Amazon... but (almost) no money for the one who taped it miércoles 23 de septiembre de 2009
    37. New kinds of blockbusters with (almost) no costs miércoles 23 de septiembre de 2009
    38. 115.638.267 views http://www.youtube.com/watch?v=_OBlgSz8sSM miércoles 23 de septiembre de 2009
    39. Understand the change of shortage. It is no more about contents but public's attention miércoles 23 de septiembre de 2009
    40. Long tail content management Content diversity Independent Wider customer spectrum Business opportunities http://es.wikipedia.org/wiki/Archivo:Long_tail.svg miércoles 23 de septiembre de 2009
    41. Key 3 ny Brenda Star CC by http://www.flickr.com/photos/brenda-starr/3509344402/ miércoles 23 de septiembre de 2009
    42. Contents and their new uses need a link between author and end-users thanks to the content itself Won www t let yo 0907 .safecr u go by 0740 eativ M 9859 e.org ario Pe 2 /wor na ht k/ tps: // Any content should be able to be linked to any kind of use and user. Handshake by Aidan Jones CC by-sa http://www.flickr.com/photos/aidan_jones/3575000735/ miércoles 23 de septiembre de 2009
    43. Every author has the right to protect the contents they create ... but: Traditional registries, when existing, usually charge an amount of money and have limited use (plagiarism, negative connotations). Not too suitable for today’s uses and needs. Very complex and quite unknown. Still creators might not be aware of them but do create valuable contents. cost vs. value miércoles 23 de septiembre de 2009
    44. The challenge of mix culture to state authorship and copyrights Several authors Many copyrights involved Different countries Many kind of contents The original and new collaged contents might also be reused over and over again miércoles 23 de septiembre de 2009
    45. The reward of acreditation is vital in scale economy business models Reward can no longer be only measured as in terms of getting money. Sometimes for amateurs it's more important to be credited than being paid. Expecting inmediate economical rewards might lower chances to be known and get more attention and better rewards in the future miércoles 23 de septiembre de 2009
    46. it is all about making the right decission A? B? C? miércoles 23 de septiembre de 2009
    47. Ease the ways to inform about uses of works. Encourage end users to link with creators. miércoles 23 de septiembre de 2009
    48. Gain attention, make happy consumers, give'm what they want Happy Customer by Ash-riy CC by-nd http://www.flickr.com/photos/ashley-rly/3769130700/ miércoles 23 de septiembre de 2009
    49. 4.- Ways to deal with reality Lille-view Mirror by ljcybergal CC by-nd http://www.flickr.com/photos/ljcybergal/67670923/ miércoles 23 de septiembre de 2009
    50. To face or to deny, that is the question The Choice by Irargerich CC by http://www.flickr.com/photos/lrargerich/3212975290/ miércoles 23 de septiembre de 2009
    51. Uncertainty challenges the whole Internet. Lowering uncertainty helps protection of contents. It’s of no use to have users afraid of contents because they don’t know what or not to do with them. miércoles 23 de septiembre de 2009 ? (www.safecreative.org/work/0905183641425)
    52. We notice that creators using open licenses such as Creative Commons respect copyrights more than the ones who don’t, just because they understand the nature of the ideas involved in copyright. miércoles 23 de septiembre de 2009
    53. So we believe that the more users register more people will understand copyrights. miércoles 23 de septiembre de 2009
    54. Dilema: Create the best solution, political, academic, etc. in about, let's say, 10 years or do something simple imperfect now and learn from mistakes starting 2009? miércoles 23 de septiembre de 2009
    55. (what will look Internet like in 10 years!?) miércoles 23 de septiembre de 2009
    56. This image is in the public domain because it contains materials that originally came from the United States Geological Survey, an agency of the United States Department of Interior. For more information, see the official USGS copyright policy miércoles 23 de septiembre de 2009
    57. Moissanite Round Jewel by Tmbjw 45 CC by -sa http://en.wikipedia.org/wiki/File:MoissaniteRoundJewel.jpg miércoles 23 de septiembre de 2009
    58. Imagen por Mario Pena CC by-sa: http://www.safecreative.org/work/0905183641425 miércoles 23 de septiembre de 2009
    59. Imagen por Mario Pena CC by-sa: http://www.safecreative.org/work/0905183641425 miércoles 23 de septiembre de 2009
    60. Imagen por Mario Pena CC by-sa: http://www.safecreative.org/work/0905183641425 miércoles 23 de septiembre de 2009
    61. Also if we easily provide accurate, free and fair information to users, we’ll gain respect from them. miércoles 23 de septiembre de 2009
    62. Online Copyright Registries are tools to approach solutions (not solutions themselves) miércoles 23 de septiembre de 2009
    63. Modularity of contents reporting uses in the Web Contents get created Contents get published Contents go to lots of different places without us knowing Contents give callbacks to return us valuable information miércoles 23 de septiembre de 2009
    64. For instance: Music Author: John Doe License: CC by https://www.safecreative.org/ work/090611400284 Semantic Copyright Still Picture Author: Roy Axe License: CC by-sa-nc https://www.safecreative.org/ work/090611400238 Added Footage: MEDCOM License: C “all rights reserved” https://www.safecreative.org/ work/090611400239 Video Author: Highlanders Inc. License: CC by-sa-nc https://www.safecreative.org/ work/090114qq02384 Image by Hamed Saber “Film Strip” http://www.flickr.com/photos/hamed/407909486/ CC by miércoles 23 de septiembre de 2009
    65. Reporting uses of works give us a good idea of our target and possible uses we didn’t think about Besides a chance to profit and to enforce copyrights on a flexible interactive and respectful way miércoles 23 de septiembre de 2009
    66. How should a registry be to be able to fit any possible use: Agnostic Semantic Neutral Fingerprints-friendly Atomized uses enabler miércoles 23 de septiembre de 2009
    67. UGC registry automation: Needed to allow registration to become something normal, standard and useful Registration brings + features now and in the future (semantic technologies) miércoles 23 de septiembre de 2009
    68. Standardization: Registries exchanging information Information anybody can use for their own business models miércoles 23 de septiembre de 2009
    69. Identify in the future your contents when the go off the channels you control miércoles 23 de septiembre de 2009
    70. With many registered contents, ways to interact with creators and users, entertainment companies can offer their professional skills to improve creators’ experience and reward them. Also they might find new fields to profit of the long tail market of opportunities they might have never been thought of before. miércoles 23 de septiembre de 2009
    71. Thank you http://www.safecreative.org/work/0908274278739 Mario Pena: mpena@safecreative.org miércoles 23 de septiembre de 2009

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