Juggling

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    Juggling - Presentation Transcript

    1. INTERFACE DE SIGN JUG GLING by DAN CEDERHOLM
    2. http://www.flickr.com/photos/designerbrent/194242417/
    3. http://www.flickr.com/photos/shawnzlea/137209564/
    4. COLOR TYPOGR APHY ICONO GR APHY MICROFORMATS FLEXIB ILITY
    5. Learn to juggle - Passing one object from one hand to the other. - Then two ... - Then three ... - You’re still not juggling.
    6. Juggling is ... - Keeping all objects consistently in the air - Adapting to shift, changes in pattern, etc.
    7. MY BACKYARD http://www.flickr.com/photos/stuartyeates/45919678/
    8. SPECIAL ANNOUNCEMENT
    9. (Wig 2.0?)
    10. toupeepal.com
    11. Color. Start with a small, core palette. Reuse that set throughout the design.
    12. http://wellstyled.com/tools/colorscheme2/index-en.html
    13. Choosing color palettes from nature photos
    14. Filter > Pixelate > Mosaic... #b67f72 #393643
    15. SCULPTING an INTERFACE
    16. Link color carries weight. On link-heavy pages, link color can be an important design element.
    17. TYPOGRAPHY
    18. GREAT TYPOGRAPHY IS INVISIBLE
    19. http://www.informationarchitects.jp/the-web-is-all-about-typography-period
    20. Too few fonts? “During the Italian renaissance the typographer had one font to work with, and yet this period produced some of the most beautiful typographical work.” —Oliver Reichenstein
    21. “Information design is not about the use of good typefaces, it is about the use of good typography ... Anyone can use typefaces, some can choose good typefaces, but only few master typography.” —Oliver Reichenstein
    22. DO THE BEST WITH WHAT WE HAVE
    23. Verdana Georgia Headings Everything else
    24. CSS Typography -font-family -font-size -font-weight -letter-spacing -text-transform -text-align
    25. h1 { font-family: Georgia, serif; font-weight: normal; }
    26. h3 { font-family: Georgia, serif; font-size: 90%; text-transform: uppercase; letter-spacing: 2px; color: #963; }
    27. 5.1.3 In heads and titles, use the best available ampersand.
    28. <span class=\"amp\">&amp;</span> span.amp { font-size: 110%; font-family: \"Goudy Old Style\", \"Palatino\", \"Book Antiqua\", serif; font-style: italic; }
    29. webtypography.net
    30. Harmonize type set in graphics. Use as an opportunity to treat type consistently.
    31. Avenir
    32. Favicons. The most important design element of any site. No, really.
    33. subtraction.com
    34. tanyamerone.com
    35. REALLY EASY or REALLY DIFFICULT
    36. Three choices - Scale the mark down to 16x16 - Choose a fragment to focus on - Use something unique
    37. salon. com technorati.com saturn.com andybudd.com adidas.com veer.com
    38. zeldman. com sixfoot6.com sidesh0w.com photomatt.net meyerweb.com adactio.com
    39. CREATE IN PHOTOSHOP PASTE INTO ICONOGRAPHER
    40. Add detail without adding complexity. Understand the limitations of background images and boring boxes. Please recycle.
    41. Suggest the box. Style portions of the box with minimal background images for simple markup and future-proofing.
    42. Reuse/Recycle. Simplify design and process by reusing themes, color, graphics.
    43. diag-bg.gif
    44. MICROFORMATS
    45. microformats are ... - Confusing - A waste of time - Something geeks do with a lot of time on their hands
    46. “Designed for humans first and machines second, microformats are a set of simple, open data formats built upon existing and widely adopted standards. Instead of throwing away what works today, microformats intend to solve simpler problems first by adapting to current behaviors and usage patterns (e.g. XHTML, blogging).” – http://microformats.org/about
    47. “Cool. I’ll do it that “Cool. I’ll do it that way too” “I'm going to mark way too” up a contact like this...” “Cool. I’ll do it that way too” “Cool. I’ll do it th way too” <div class=\"vcard\"> <a class=\"url fn\" href=\"http://simplebits.com/\">Dan Cederholm</a> <div class=\"org\">SimpleBits, LLC</div> </div> APPLICATION PEOPLE CSS
    48. CONTACT INFO? PRODUCT REVIEW? EVENT DETAILS? RELATIONSHIPS?
    49. GUIDED BY VOICES http://www.flickr.com/photos/bluetypewriter/174367695/
    50. USE WHAT WORKS TODAY
    51. hCard (contact information)
    52. http://microformats.org/code/hcard/creator
    53. hCard <div class=\"vcard\"> <a class=\"url fn hide\" href=\"http://simplebits.com\">Dan Cederholm</a> <div class=\"org\">SimpleBits, LLC</div> <div class=\"adr\"> <div class=\"street-address\">60 Washington Street, Suite 402</div> <span class=\"locality\">Salem</span>, <span class=\"region\">MA</span>, <span class=\"postal-code\">01970</span> <abbr class=\"country-name\" title=\"United States of America\">USA</abbr> </div> <div class=\"tel\"> <span class=\"type\">Fax</span>: <span class=\"value\">+1 978 744 0760</span> </div> </div>
    54. hCard <div class=\"vcard\"> <a class=\"url fn hide\" href=\"http://simplebits.com\">Dan Cederholm</a> <div class=\"org\">SimpleBits, LLC</div> <div class=\"adr\"> <div class=\"street-address\">60 Washington Street, Suite 402</div> <span class=\"locality\">Salem</span>, <span class=\"region\">MA</span>, <span class=\"postal-code\">01970</span> <abbr class=\"country-name\" title=\"United States of America\">USA</abbr> </div> <div class=\"tel\"> <span class=\"type\">Fax</span>: <span class=\"value\">+1 978 744 0760</span> </div> </div>
    55. SEEING IS BELIEVING
    56. THIS STUFF WORKS NOW
    57. hReview hReview
    58. rel-tag
    59. hCard
    60. PLANTING SEEDS
    61. “OBLIVIOUS DEVELOPMENT” http://www.flickr.com/photos/96434059@N00/196061290/
    62. I HAD NO IDEA WHAT HE WAS TALKING ABOUT
    63. “ACCIDENTAL API” —Brian Oberkirch
    64. http://allinthehead.com/retro/301/can-your-website-be-your-api
    65. XFN hCard MICROFORMATS WORK TOGETHER hReview
    66. What good is one brick? XFN hCard hReview rel-tag hCalendar hResume
    67. hReview hCalendar
    68. WIGGREGATOR?
    69. microformats.org
    70. BULLETPROOFING
    71. “Bulletproof” - Embracing flexibility - Preparing for worst-case scenarios - Protecting your designs from “breaking” - Catch-phrase to sell books and secure speaking engagements
    72. INTEGRITY TESTS
    73. Turn images off. When images are disabled, is the site still readable?
    74. Styled alt text #header #logo { float: left; margin: 0 0 20px 0; color: #fff; }
    75. WOW!
    76. WOW!
    77. Turn CSS off. Give your design an x-ray. A \"10- second usability test\" isn't scientific— but it can help illustrate separation of structure and presentation.
    78. Bump up text size. Increase text size to see how the design reacts. Can it adapt to varying amounts of content?
    79. #wrap { width: 50em; } #content { width: 30em; } #sidebar { width: 20em; }
    80. Validate. Validate markup and stylesheets when possible—especially during the design process.
    81. COLOR TYPOGR APHY ICONO GR APHY MICROFORMATS FLEXIB ILITY
    82. THANK YOU. http://simplebits.com/publictions/speak/juggling

    + RossC0RossC0, 3 years ago

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