• Save
A Report in Piano
Upcoming SlideShare
Loading in...5
×
 

A Report in Piano

on

  • 1,652 views

This is not my final report, still have to finish this.. If you want to have a copy of this, just download it but please acknowledge or thank me either by posting a comment here or somewhere in my ...

This is not my final report, still have to finish this.. If you want to have a copy of this, just download it but please acknowledge or thank me either by posting a comment here or somewhere in my profile. haha.. thanks.. That would surely make me smile :)

Statistics

Views

Total Views
1,652
Views on SlideShare
1,652
Embed Views
0

Actions

Likes
1
Downloads
0
Comments
0

0 Embeds 0

No embeds

Accessibility

Upload Details

Uploaded via as OpenOffice

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Processing…
Post Comment
Edit your comment

    A Report in Piano A Report in Piano Presentation Transcript

    • The Piano
      • The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world.
      • Widely used in classical music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal.
      • Although not portable and often expensive, the piano's versatility and ubiquity have made it one of the world's most familiar musical instruments.
      • The word piano is a shortened form of pianoforte, the Italian word for the instrument (which in turn derives from the previous terms " gravicembalo col piano e forte" and fortepiano).
      • The musical terms "piano" and "forte" mean "quiet" and "loud," and in this context refers to the variations in volume of sound the instrument produces in response to a pianist's touch on the keys: the greater a key press's velocity, the greater the force of the hammer hitting the string(s), and the louder the note produced.
    • Piano
      • Foreign Names
    • Foreign Names
      • English
      • French
      • German
      • Italian
      • Russian
      • Spanish
      • Filipino
      • piano
      • piano
      • piano; klavier
      • piano
      • fortep'iano
      • piano
      • piyano
    • Types of Pianos Vertical & Horizontal
    • Vertical Pianos
      • They are called vertical pianos because of their height and the position of the strings. The height of this kind of piano range from 36 to 60 inches.
    • Four types of Vertical Pianos
    • Spinet
      • With its height of around 36 to 38 inches, and an approximate width of 58 inches, spinets are the smallest of the pianos. Given its size, it is the popular choice of many people who live in limited living spaces such as apartments. One noted downside of spinets is called "lost motion," which means it has less power and accuracy due to its size and construction.
    • Console
      • Slightly larger than the spinet, its height ranges from 40 to 43 inches and is approximately 58 inches wide. This type of piano comes in various styles and finishes. So if you're particular about your furniture complementing, consoles give you a variety of choices. It's made with a direct action, thus producing more enhanced tones.
    • Studio
      • This is the kind of piano you usually see in music schools and music studios. It is around 45 to 48 inches in height and has a width of approximately 58 inches. Because of its larger soundboard and longer strings, it produces good tone quality and is very durable.
    • Upright
      • This is the tallest among the vertical pianos, with a height ranging from 50 to 60 inches and an approximate width of 58 inches. This is the type of piano your great grandparents or grandparents used to play. When cared for properly, it stands the test of time and maintains its rich tone.
    • Horizontal Pianos
      • Also known as grand pianos. They are called horizontal pianos because of their length and the placement of their strings. Grand pianos are said to produce finer tones and has the most responsive key action.
    • Six Basic Types of Horizontal Pianos
    • Petite Grand
      • This is the smallest of the horizontal pianos. It ranges in size from 4 feet 5 inches to 4 feet 10 inches. It is indeed small but still powerful.
    • Baby Grand
      • A very popular type of piano which ranges in size from 4 feet 11 inches to 5 feet 6 inches. Baby grands is a popular choice because of its sound quality, aesthetic appeal and affordability.
    • Medium Grand
      • Larger than the baby grand at around 5 feet and 7 inches.
    • Parlor Grand
      • These ranges in size from 5 feet 9 inches to 6 feet 1 inch. The parlor grand piano is also called living room grand piano.
    • Semiconcert or Ballroom
      • Next size up from the Parlor Grand piano, it is approximately 6 feet 2 inches to 7 feet long.
    • Concert Grand
      • At around 9 feet, this is the largest of all the grand pianos.
    • History
      • -The piano is founded on earlier technological innovations. The first string instruments with struck strings were the hammered dulcimers .
      • - During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings.
      • By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well known.
      • In a clavichord the strings are struck by tangents , while in a harpsichord they are plucked by quills .
      • Centuries of work on the mechanism of the harpsichord in particular had shown the most effective ways to construct the case, soundboard, bridge, and keyboard.
      • Bartolomeo
      • Cristofori
      The Inventor
      • The invention of the modern piano is credited to Bartolomeo Cristofori (1655–1731) of Padua, Italy, who was employed by Ferdinando de' Medici, Grand Prince of Tuscany, as the Keeper of the Instruments.
      • He was an expert harpsichord maker, and was well acquainted with the body of knowledge on stringed keyboard instruments.
      • It is not known exactly when Cristofori first built a piano. An inventory made by his employers, the Medici family, indicates the existence of a piano by the year 1700; another document of doubtful authenticity indicates a date of 1698. A friend of the family by the name of Sebastian LeBlanc suggested the idea to switch the black and white keys[citation needed] The three Cristofori pianos that survive today date from the 1720s.
      • While the clavichord allowed expressive control of volume and sustain, it was too quiet for large performances.
      • The harpsichord produced a sufficiently loud sound, but had little expressive control over each note. The piano was likely formed as an attempt to combine loudness with control, avoiding the trade-offs of available instruments.
      • Cristofori's great success was solving, with no prior example, the fundamental mechanical problem of piano design: the hammer must strike the string, but not remain in contact with it (as a tangent remains in contact with a clavichord string) because this would dampen the sound. Moreover, the hammer must return to its rest position without bouncing violently, and it must be possible to repeat a note rapidly.
      • Cristofori's piano action was a model for the many different approaches to piano actions that followed.
      • Cristofori's early instruments were made with thin strings, and were much quieter than the modern piano
      • —but compared to the clavichord (the only previous keyboard instrument capable of dynamic nuance via the keyboard) they were much louder and had more sustain.
      • Cristofori's new instrument remained relatively unknown until an Italian writer, Scipione Maffei , wrote an enthusiastic article about it (1711), including a diagram of the mechanism. This article was widely distributed, and most of the next generation of piano builders started their work due to reading it.
      • One of these builders was Gottfried Silbermann , better known as an organ builder. Silbermann's pianos were virtually direct copies of Cristofori's , with one important addition: Silbermann invented the forerunner of the modern damper pedal , which lifts all the dampers from the strings simultaneously.
      • Silbermann showed Johann Sebastian Bach one of his early instruments in the 1730s, but Bach did not like it at that time, claiming that the higher notes were too soft to allow a full dynamic range.
      • Although this earned him some animosity from Silbermann, the criticism was apparently heeded. Bach did approve of a later instrument he saw in 1747, and even served as an agent in selling Silbermann's pianos.
      • Piano-making flourished during the late 18th century in the Viennese school.
      • Viennese-style pianos were built with wood frames, two strings per note, and had leather-covered hammers.
      • Some of these Viennese pianos had the opposite coloring of modern-day pianos; the natural keys were black and the accidental keys white.
      • It was for such instruments that Wolfgang Amadeus Mozart composed his concertos and sonatas, and replicas of them are built today for use in authentic-instrument performance of his music. The pianos of Mozart's day had a softer, more ethereal tone than today's pianos or English pianos, with less sustaining power. The term fortepiano is nowadays often used to distinguish the 18th-century instrument from later pianos.
      • In the period lasting from about 1790 to 1860, the Mozart-era piano underwent tremendous changes that led to the modern form of the instrument.
      • This revolution was in response to a preference by composers and pianists for a more powerful, sustained piano sound, and made possible by the ongoing
      • Industrial Revolution with resources such as high-quality piano wire for strings, and precision casting for the production of iron frames.
      • time, the tonal range of the piano was also increased from the five octaves of Mozart's day to the 7¼ or more octaves found on modern pianos.
    •