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Hum2220 1800 greek architecture
 

Hum2220 1800 greek architecture

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    Hum2220 1800 greek architecture Hum2220 1800 greek architecture Presentation Transcript

    • GREEKARCHITECTURE Professor Will Adams Valencia College Fall 2011
    • Origins• Our word “architecture” comes from the Greek architecton, which means “master carpenter.”• Early Greek architecture therefore employed wood, not stone.• These early structures, as well as those of mud- brick, have not survived.
    • Wood Features in Stone • By the 6th Century BC, stone replaced wood in the construction of important temples. • Designs still reflected their origins in wood, however.
    • Origins• The triglyph, which alternates with the metope, began as a wooden beam end.
    • Origins• In moving from wood to stone, builders had to adapt to the differing properties of their building materials.• Stone has greater compressive (resistance to crushing) strength than wood, but lacks tensile strength (resistance to bending or twisting). Therefore, while columns/posts might be relatively thin, the entablature/beams, must be quite thick.
    • Origins• Greek temples, like Egyptian temples, used basic post-and-beam construction.• This is sometimes referred to as trabeated.
    • Origins • Early temples had massive pillars as architects worried about their ability toTemple of Hera, Paestum support the weight above. • Later temples appear more elegant. Hephaistion, Athens
    • Origins • Some experts feel that the entasis, the outward bulging in the middle of Greek columns, may originally have been an imitation of the effect of great compression in wooden posts. • It also serves as a kind of correction to an optical illusion, however.
    • Temples - Purpose• Unlike modern churches or mosques, Greek temples were not meant to be meeting places for congregations.• They were homes for the community’s god or goddess and a place to keep offerings• A cult image was centrally located within a naos, or chapel.
    • Temples - Purpose• In the mild climate of Greece, ceremonies generally took place outdoors.• Even the alter, upon which sacrifices were made, were outside the temple structure.
    • Parts of a Greek Temple• There are four distinct parts to a greek temple. – The bottom, horizontal part is the steps. Most Greek temples had three of them. – This part is called the stylobate.
    • Parts of a Greek Temple • The next section is vertical and is the column. – Most columns had a base (though not the Doric), at the bottom, a shaft in the middle, and a capital at the top. – The shaft may be smooth or fluted.
    • Parts of a Greek Temple• Above the column is the entablature. If the column is the leg, think of this as the tabletop. – It has 3 parts: the architrave, a kind of base. – The frieze, a decorated part – The cornice the top.
    • Parts of a Greek Temple • The top section is angled and is called the pediment. – The sloping top part is called the sloping cornice. – The triangular part below is called the tympanum. This is often carved and decorated. – Sometimes there are caved features sticking up from the room. These are called antifixae or acroterions.
    • The Classical Orders• The three classical orders are: – Doric – Ionic – Corinthian
    • The Doric Order • Doric columns are the heaviest in appearance • The capital is plain. • The shaft is thick – though it loses some of its mass over time. • There is no base.
    • The Ionic Order• These have greater elegance.• The capital has distinctive volutes.• The shaft is thinner than its Doric equivalent.• A base is apparent.
    • The Corinthian Order • This is also a tall, elegant form. • The capital has distinctive acanthus leaf decoration. • A base is also employed.
    • Entasis• Entasis counteracts the tendency of the eye to reach upward, forcing it to travel up and down the shaft.• Columns that are straight appear thinner in the middle when seen against light, making the supports appear flimsy.• The middle bulge counteracts this.• The upper 2/3 of the shafts to the right are tapered.
    • Plans of Greek Temples• The grandeur and evident expense of a temple can be seen in the number of columns employed.• Simple tempes have blank walls around a naos, or chapel. With an open area or porch in front, called a pronaos, with two or four supporting columns.
    • Temple Forms • Greek temples, like Egyptian ones, tended to follow set patterns, which were regarded as ideal forms. • Variations are few in any given period, tending to reflect the choice of a particular classical order, rather than new and novel design.
    • Designs of Greek Temples
    • Designs of Greek Temples • Grander temples, like the Parthenon, had both a front and back porch, as well as a colonnade surrounding the entire structure. • This is called a peripteral temple.Reconstruction of the Parthenon in Nashville.
    • Designs of Greek Temples
    • Designs of Greek Temples• Grander still, and generally from the Hellenistic age, are dipteral temples.• They have a double colonnade surrounding Artist’s reconstruction of the Temple them. of Artemis, Ephesus, Turkey
    • Designs of Greek Temples
    • The Acropolis• The most famous Greek buildings topped the Athenian Acropolis.• These include: the Propylaea, the Temple of Athena Nike, the Parthenon, and the Erectheum.
    • Parthenon • This building is the culmination of Classical Greek architecture. • Optical refinements are many, and the result is a building reflecting the Greek concept of arete, perfection.Click here to see a NOVA video clip on the Parthenon’s optical refinements.
    • The Greek Heritage• Greek architecture had a lasting impact on the world.• The Romans adopted it as an ideal, but modified it to meet their practical needs.
    • The Greek Heritage• Greek forms have become an integral part of the vocabulary of world architecture The Supreme Court of the United States
    • Homework for Next Class• Identify a building in the local area that uses the Greek architectural language that we learned in class today. – Hint: Prime suspects for your building include banks, churches, and government buildings.• Using a piece of graph paper & a pencil, sketch the façade, or front, of the building• Once you’ve completed your sketch, trace over your pencil sketch in black ink pen• Next, identify and label all of the Greek architectural elements from today’s lecture you can in your sketch of that building’s façade• On the back of your sketch, please write your name, the name of the building, and its physical address• Your sketch will be due at the beginning of next class
    • Finis