PIXEL BROTHERS COLOR CORRECTION

PIXEL BROTHERS COLOR CORRECTION
Why Color Correction?
Before After
Make Digital Video look like film.
People tend to prefer the look of film. There are many factors that
influence this taste and perceived production value is the main
one, since we tend to associate film with higher budgets and
video with lower standards.

PIXEL BROTHERS COLOR CORRECTION
Why Color Correction?
Original
Adds polish to the final
product.
Color correction is a very
important part of
Color balance and exposure fix
commercial and feature
film post-production. We
give each scene an overall
color tonality that not only
makes the image more
visually attractive but also
Isolated blue sky
creates the intended
mood.

PIXEL BROTHERS COLOR CORRECTION
Create Signature Looks

PIXEL BROTHERS COLOR CORRECTION
Our Color Correction Suite

PIXEL BROTHERS COLOR CORRECTION
Our Colorist: Bob Sliga
‘Color’ (Apple’s FinalCut Studio 2 application) is a powerful software-based color corrector that interfaces
with FinalCut Pro seamlessly. It has correction power that rivals expensive systems such as daVinci and
Baselight.
The last 5 years Bob has been working for Apple developing FinalTouch (predecessor to Apple’s Color) and
then Color, after Apple released the product in April 2007.
With 30 years of color correction experience from short form spots to long form documentaries and feature
films, he is considered worldwide as a leading specialist in Color.
He served for 2 1/2 years as the lead QA for Color in Cupertino. He created all of the Color FX prebuilt looks
for the current and future versions of Color. He was responsible for creating and debugging workflows
between Color and Final Cut Pro, and instrumental in helping design the Color application. With his
experience it is safe to say that Pixel Brothers has the most experienced and knowledgeable user of Color
anywhere in the world. He knows all the tricks and secrets of Color.
Feature films he has completed with Color include “Paul McCartney The Space Within US” concert film, “Cast
In Gray”, “Lana’s Rain”, “Mindy” “Kevin’s Room”, “Hot Baby”, “Burden” and currently in post production:
\"Hunger\" and \"Dog Jack\".
His client list includes Paul McCartney, Leo Burnett USA, DDB Needham, Foote Cone, & Belding, J. Walter
Thompson, Ogilvie & Mather, Burrell, Bozel, A. Eico and Company, Nicholson Kovac Inc., LBC Advertising,
Icarus Films, Big Time Productions, Eisner and Associates, Knupp & Watson, Image Gate Films, ESPN, NBC,
CBS, ABC, John Roach Productions, Studio USA Television, Major League Baseball, The Discovery Channel, The
Learning Channel, Baltimore Orioles, and Baltimore Ravens. Bob has also color corrected many independent
features.

PIXEL BROTHERS COLOR CORRECTION
How to contact us
(312)733-7373
info@pixbros.com
www.pixbros.com