Migrant Resource Centre Workshop

By Dorota Grezegorek Dorota spotted this unusual display in one of the food stalls at Whitecross Street Market. She liked the contrast between the religious icon and popular culture items.

By Ewa Korbut
Ewa was on her way to photograph the church when she saw a man surrounded by four dogs waiting at the crossing. Making a more interesting photo, she decided to take the picture from the dogs’ point of view.

By Nerina Moris
Nerina was struck by the contrast between the man-made concrete tower blocks, and nature, in the form of the imposing tree.

By Rim Ivoskis Rim wanted to show how the angle you take a photograph from can change it’s meaning. The first photograph shows a quiet, tidy restaurant front, whereas the second portrays a messy one. Rim’s favourite was the final image as he felt it was a balanced representation of reality.

By Vijay Jagum
Vijay was attracted to the bike because the panniers reminded him of a bags being carried by a donkey.

By Avon Noel Malan
Avon shot the same scene twice – with and without flash – as it reminded him of experimenting with light back in his native Ivory Coast.

By Ellen Davies Grefberg
Wherever you find pigeons, you find old ladies too – it was this curious symbiotic relationship that attracted Ellen to this scene.

By Helena Argyle
Helena was interested in the clash between the bare lifeless nature of the tree, and the powerful structure of the building.

By Yeni Rodriguez
Yeni liked the original perspective and lines of this photo as well as the pigeons perched on the ledge, which reminded her of her neighbours.

By Malcolm
Malcolm thought the two elements of this graffiti went well together, representing the power of the women over the man, pictured as her puppet.

By Clare Struthers

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Migrant Resource Centre Workshop

by Matt Daw

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Migrant Resource Centre Workshop Presentation Transcript