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Impressionism
Characteristics• Avant-garde artists• Interested in the quick, transient, fleeting effect  of light on a surface• Shadows ...
Figure 29-20 CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’                      1 1/2”. Musée Mar...
Figure 29-21 CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on canvas, 2’                  5 3/4” x 3’ 5”. Musée d’Or...
Figure 29-22 GUSTAVE CAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on canvas,   approx. 6’ 9” x 9’ 9”. The Art Institute of C...
Caillebotte
Fig. 29-20
Figure 29-23 CAMILLE PISSARRO, La Place du Théâtre Français, 1898. Oil on  canvas, 2’ 4 1/2” x 3’ 1/2”. Los Angeles County...
Figure 29-24 HIPPOLYTE JOUVIN, The Pont Neuf, Paris, ca. 1860–1865. Albumen                            stereograph.
Figure 29-25 PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on                 canvas, approx. 4’ 3” x 5’ 8”. L...
Figure 29-26 ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on canvas,          approx. 3’ 1” x 4’ 3”. Courtauld In...
Figure 29-27 EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”.              Glasgow Museum, Glasgow (The...
Fig. 29-26
Figure 29-28 BERTHE MORISOT, Villa at the Seaside, 1874. Oil on canvas, approx.          1’ 7 3/4” x 2’ 1/8". Norton Simon...
Figure 29-29 CLAUDE MONET, Rouen Cathedral: The Portal (in Sun),  1894. Oil on canvas, 3’ 3 1/4” x 2’ 17/8”. Metropolitan ...
Figure 29-30 EDGAR DEGAS, The Tub, 1886. Pastel, 1’ 11 1/2” x 2’ 8 3/8”. Musée                           d’Orsay, Paris.
Figure 29-31 MARY CASSATT, TheBath, ca. 1892. Oil on canvas, 3’ 3” x  2’ 2”. The Art Institute of Chicago, Chicago (Robert...
Figure 29-32 HENRI DE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892–  1895. Oil on canvas, approx. 4’ x 4’ 7”. The Art Insti...
Figure 29-33 JAMES      ABBOTT MCNEILLWHISTLER, Nocturne in Blackand Gold (The Falling Rocket),  ca. 1875. Oil on panel, 1...
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19 b imp pics

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Transcript of "19 b imp pics"

  1. 1. Impressionism
  2. 2. Characteristics• Avant-garde artists• Interested in the quick, transient, fleeting effect of light on a surface• Shadows have color• Interested in how time of day or season controls appearance of object• Landscapes (Monet), figures (Renoir, Degas, Morisot, Cassatt), still-lifes
  3. 3. Figure 29-20 CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’ 1 1/2”. Musée Marmottan, Paris.
  4. 4. Figure 29-21 CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on canvas, 2’ 5 3/4” x 3’ 5”. Musée d’Orsay, Paris.
  5. 5. Figure 29-22 GUSTAVE CAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on canvas, approx. 6’ 9” x 9’ 9”. The Art Institute of Chicago, Chicago, Worcester Fund.
  6. 6. Caillebotte
  7. 7. Fig. 29-20
  8. 8. Figure 29-23 CAMILLE PISSARRO, La Place du Théâtre Français, 1898. Oil on canvas, 2’ 4 1/2” x 3’ 1/2”. Los Angeles County Museum of Art, Los Angeles
  9. 9. Figure 29-24 HIPPOLYTE JOUVIN, The Pont Neuf, Paris, ca. 1860–1865. Albumen stereograph.
  10. 10. Figure 29-25 PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on canvas, approx. 4’ 3” x 5’ 8”. Louvre, Paris.
  11. 11. Figure 29-26 ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on canvas, approx. 3’ 1” x 4’ 3”. Courtauld Institute of Art Gallery, London.
  12. 12. Figure 29-27 EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”. Glasgow Museum, Glasgow (The Burrell Collection).
  13. 13. Fig. 29-26
  14. 14. Figure 29-28 BERTHE MORISOT, Villa at the Seaside, 1874. Oil on canvas, approx. 1’ 7 3/4” x 2’ 1/8". Norton Simon Art Foundation, Los Angeles.
  15. 15. Figure 29-29 CLAUDE MONET, Rouen Cathedral: The Portal (in Sun), 1894. Oil on canvas, 3’ 3 1/4” x 2’ 17/8”. Metropolitan Museum of Art, New York (Theodore M. Davis Collection,bequest of Theodore M. Davis, 1915).
  16. 16. Figure 29-30 EDGAR DEGAS, The Tub, 1886. Pastel, 1’ 11 1/2” x 2’ 8 3/8”. Musée d’Orsay, Paris.
  17. 17. Figure 29-31 MARY CASSATT, TheBath, ca. 1892. Oil on canvas, 3’ 3” x 2’ 2”. The Art Institute of Chicago, Chicago (Robert A. Walker Fund).
  18. 18. Figure 29-32 HENRI DE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892– 1895. Oil on canvas, approx. 4’ x 4’ 7”. The Art Institute of Chicago, Chicago
  19. 19. Figure 29-33 JAMES ABBOTT MCNEILLWHISTLER, Nocturne in Blackand Gold (The Falling Rocket), ca. 1875. Oil on panel, 1’ 11 5/8” x 1’ 6 1/2”. DetroitInstitute of Arts, Detroit (gift of Dexter M. Ferry Jr.).
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