Your SlideShare is downloading. ×
 
Johan Oomen  Netherlands Institute for Sound and Vision [email_address] Inside out and outside in: examples of user engage...
7 november 2009 7 november 2009 Nederlands Instituut voor  Beeld en Geluid
7 november 2009 7 november 2009
Outline of this presentation <ul><li>Images for the Future </li></ul><ul><ul><li>Digital archive and multiple front-ends <...
Images for the Future Consortium
Target groups Objective To optimize the availability of the audiovisual heritage. By developing innovative services and ap...
6 partners Mass digitisation <ul><li>Images for the future is digitising: </li></ul><ul><li>137.200 hrs video </li></ul><u...
Project Funding <ul><li>Costs total:  </li></ul><ul><li>€  173 million in 7 year </li></ul><ul><li>Coverage:  </li></ul><u...
 
<1,5 petabyte per year
(import) metadata (import) content metadata (conversions) content (encoding) Digital Archive Digital Born 15.000 hours of ...
 
Example 1: Open Images Platform <ul><li>Open media platform for online access to audiovisual archive material, available f...
Why Open Images <ul><li>Increased Visibility </li></ul><ul><ul><li>“ repositories of inaccessibility” </li></ul></ul><ul><...
 
 
 
 
Example 2: Beeld en Geluid wiki <ul><li>From 2008: 15.764 pages </li></ul><ul><li>Radio and television programmes, films, ...
 
 
Example 3: Waisda? <ul><li>Users:  </li></ul><ul><ul><li>Knowledgeable lay (game-oriented Web 2.0 users) </li></ul></ul><u...
<ul><li>Players can choose from four ‘channels’ that contain different programmes  </li></ul>www.waisda.nl
Scoring Scoring elements Points - Match within 1 or < second  50 - Match within 3 or < seconds  25 - Match within 5 or < s...
Initial findings <ul><li>Total tags on 3 November:  161.493 </li></ul><ul><li>Registered players on 3 November ‘09:  362 <...
Waisda? Retieval interface <ul><li>Inholland screenshot </li></ul>
In a nutshell <ul><li>Video Active was a Best Practice Network  funded by the European Commission under the  eContent plus...
14 Archives 3 Universities 1 Software company
<ul><li>37 themes </li></ul><ul><li>10.000 video’s and stills </li></ul><ul><li>Contexual articles </li></ul><ul><li>Multi...
Content Selection Policy
Homepage
 
 
 
 
Future work: EUscreen <ul><li>“ Exploring Europe’s Television Heritage in Changing Contexts ” </li></ul><ul><li>Thematic N...
Europeana Archives Technology providers Research   organisations Associate partners
Questions? <ul><li>[email_address] </li></ul><ul><li>Twitter: johanoomen </li></ul>
 
Upcoming SlideShare
Loading in...5
×

AMIA Johan Oomen Final

1,525

Published on

The annual conference of the Association of Moving Image Archivists is a vibrant and dynamic event that brings together archivists, academics and industry professionals. This year, St. Louis is the host city for the AMIA Conference. On the second day of the event, Johan Oomen (Sound and Vision) presented the Images for the Future project. The presentation focussed on on user generated video and user generated metadata. Open Images, the Waisda? tagging game, the Beeld and Geluid wiki and Video Active have been presented as example cases.

Published in: Technology, Business
0 Comments
3 Likes
Statistics
Notes
  • Be the first to comment

No Downloads
Views
Total Views
1,525
On Slideshare
0
From Embeds
0
Number of Embeds
1
Actions
Shares
0
Downloads
0
Comments
0
Likes
3
Embeds 0
No embeds

No notes for slide
  • Allereerst beginnen we met de drie collectiehoudende instellingen. Het Nederlands Instituut voor Beeld en Geluid beheert de grootste audiovisuele collectie van Nederland. Edwin van Huis is de vertegenwoordiger in het consortium. Het Filmmuseum beheert de belangrijkste cinematografische collectie in Nederland. Rien Hagen is …. Het Nationaal Archief beheert 1000 geschiedenis van Nederland. Hiertoe behoort ook een grote en belangrijke collectie fotomateriaal. Bert de Vries is …. Naast de collectiehouders maken de volgende distributie en ontwikkelpartners deel uit van het consortium: De Vereniging van Openbare Bibliotheken vertegenwoordigt de 450 Nederlandse bibliotheken. Het bereik van de VOB is enorm. Friso Visser ….. De Centrale Discotheek Rotterdam heeft een grote collectie muziek in beheer. De CDR heeft bijzondere expertise met het digitaal uitlenen van muziek. Michiel Laan ….. Stichting Nederland Kennisland is een denktank met veel ontwikkelkracht en met kennis van aanvullende vormen van auteursrecht in het digitale domein. Hans Westerhof ….
  • Allereerst beginnen we met de drie collectiehoudende instellingen. Het Nederlands Instituut voor Beeld en Geluid beheert de grootste audiovisuele collectie van Nederland. Edwin van Huis is de vertegenwoordiger in het consortium. Het Filmmuseum beheert de belangrijkste cinematografische collectie in Nederland. Rien Hagen is …. Het Nationaal Archief beheert 1000 geschiedenis van Nederland. Hiertoe behoort ook een grote en belangrijke collectie fotomateriaal. Bert de Vries is …. Naast de collectiehouders maken de volgende distributie en ontwikkelpartners deel uit van het consortium: De Vereniging van Openbare Bibliotheken vertegenwoordigt de 450 Nederlandse bibliotheken. Het bereik van de VOB is enorm. Friso Visser ….. De Centrale Discotheek Rotterdam heeft een grote collectie muziek in beheer. De CDR heeft bijzondere expertise met het digitaal uitlenen van muziek. Michiel Laan ….. Stichting Nederland Kennisland is een denktank met veel ontwikkelkracht en met kennis van aanvullende vormen van auteursrecht in het digitale domein. Hans Westerhof ….
  • Clearing copyrights as integral part of the content selection
  • Simpel en uitgebreid zoeken Timeline webshop
  • meertaligheid
  • Transcript of "AMIA Johan Oomen Final"

    1. 2. Johan Oomen Netherlands Institute for Sound and Vision [email_address] Inside out and outside in: examples of user engagement in AV archives
    2. 3. 7 november 2009 7 november 2009 Nederlands Instituut voor Beeld en Geluid
    3. 4. 7 november 2009 7 november 2009
    4. 5. Outline of this presentation <ul><li>Images for the Future </li></ul><ul><ul><li>Digital archive and multiple front-ends </li></ul></ul><ul><li>User engagement three examples </li></ul><ul><ul><li>Open Images </li></ul></ul><ul><ul><li>Sound and Vision Wiki </li></ul></ul><ul><ul><li>Video Labeling Game </li></ul></ul><ul><li>Video Active </li></ul><ul><ul><li>Collaboration between archives </li></ul></ul>
    5. 6. Images for the Future Consortium
    6. 7. Target groups Objective To optimize the availability of the audiovisual heritage. By developing innovative services and applications, education, the public and the creative sector will be offered a vast improvement in their possibility to profit from the various values of the audiovisual heritage <ul><li>Education </li></ul><ul><li>Public </li></ul><ul><li>Creative Industry </li></ul>
    7. 8. 6 partners Mass digitisation <ul><li>Images for the future is digitising: </li></ul><ul><li>137.200 hrs video </li></ul><ul><li>22.510 hrs film </li></ul><ul><li>123.900 hrs audio </li></ul><ul><li>2.900.000 photographs </li></ul>
    8. 9. Project Funding <ul><li>Costs total: </li></ul><ul><li>€ 173 million in 7 year </li></ul><ul><li>Coverage: </li></ul><ul><li>€ 154 million of the FES-fund </li></ul><ul><li>€ 19 million to be earned </li></ul>
    9. 11. <1,5 petabyte per year
    10. 12. (import) metadata (import) content metadata (conversions) content (encoding) Digital Archive Digital Born 15.000 hours of video 40.000 hours of radio Legacy Asset management Education Exhibitions Public Web Acces User generated content and metadata Broadcast Professional
    11. 14. Example 1: Open Images Platform <ul><li>Open media platform for online access to audiovisual archive material, available for free (creative) reuse. </li></ul><ul><li>Built by Sound an Vision & Knowledgeland but designed for participation by others (other institutions). </li></ul>
    12. 15. Why Open Images <ul><li>Increased Visibility </li></ul><ul><ul><li>“ repositories of inaccessibility” </li></ul></ul><ul><ul><li>Low res – high res on demand </li></ul></ul><ul><li>Allow users to make remixes </li></ul><ul><ul><li>… and add context </li></ul></ul><ul><ul><li>… and mashups with other sources </li></ul></ul><ul><li>Integrate CC licences </li></ul>
    13. 20. Example 2: Beeld en Geluid wiki <ul><li>From 2008: 15.764 pages </li></ul><ul><li>Radio and television programmes, films, biographies and contextual data. </li></ul><ul><li>4.150 stills from the Sound and Vision archive </li></ul>
    14. 23. Example 3: Waisda? <ul><li>Users: </li></ul><ul><ul><li>Knowledgeable lay (game-oriented Web 2.0 users) </li></ul></ul><ul><ul><li>Younger population </li></ul></ul><ul><li>Tools: </li></ul><ul><ul><li>Game with purpose environment </li></ul></ul><ul><ul><li>Single tag field </li></ul></ul><ul><ul><li>Autocompletion for this field (multiple/single vocabularies) </li></ul></ul><ul><li>Annotations: </li></ul><ul><ul><li>Matched user tags (two or more users) </li></ul></ul><ul><li>Mode: </li></ul><ul><ul><li>Multiple users (synchronous) </li></ul></ul><ul><ul><li>Possibly playing against an ‘automated bot’ </li></ul></ul>
    15. 24. <ul><li>Players can choose from four ‘channels’ that contain different programmes </li></ul>www.waisda.nl
    16. 25. Scoring Scoring elements Points - Match within 1 or < second 50 - Match within 3 or < seconds 25 - Match within 5 or < seconds 10 - Match within 10 or < seconds 5 - 3 > people match your tag within 10 seconds 10 - Fastest tagger 75 - First player to use a novel tag for a specific video 25 - Multiplier: when your tags match those of another Variable % player 3 times 1 minute. It rises every minute with 0.2, starting at 1.2 after the first successful minute
    17. 26. Initial findings <ul><li>Total tags on 3 November: 161.493 </li></ul><ul><li>Registered players on 3 November ‘09: 362 </li></ul><ul><li>100+ people play the game frequently </li></ul><ul><li>Many terms match with our in-house thesaurus </li></ul>
    18. 27. Waisda? Retieval interface <ul><li>Inholland screenshot </li></ul>
    19. 28. In a nutshell <ul><li>Video Active was a Best Practice Network funded by the European Commission under the eContent plus programme , as part of the i2010 policy . </li></ul><ul><li>www.videoactive.eu </li></ul>
    20. 29. 14 Archives 3 Universities 1 Software company
    21. 30. <ul><li>37 themes </li></ul><ul><li>10.000 video’s and stills </li></ul><ul><li>Contexual articles </li></ul><ul><li>Multilingual search, Timeline search </li></ul><ul><li>Webshop </li></ul>Content selection Winner Museums and the Web Best of the Web Award 2009
    22. 31. Content Selection Policy
    23. 32. Homepage
    24. 37. Future work: EUscreen <ul><li>“ Exploring Europe’s Television Heritage in Changing Contexts ” </li></ul><ul><li>Thematic Network under eContentPlus </li></ul><ul><ul><li>Building on the results of Video Active </li></ul></ul><ul><ul><li>Europeana is one of the consortium members </li></ul></ul><ul><li>EBUcore - EBU – TECH 3293 </li></ul><ul><li>Looking for new partners!! </li></ul>
    25. 38. Europeana Archives Technology providers Research organisations Associate partners
    26. 39. Questions? <ul><li>[email_address] </li></ul><ul><li>Twitter: johanoomen </li></ul>

    ×