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“Fear isn't so difficult to
understand. After all, weren't we
all frightened as children? Nothing
has changed since Little Red Riding
Hood faced the big bad wolf. What
frightens us today is exactly the
same sort of thing that frightened
us yesterday. It's just a different
wolf. This fright complex is rooted
in every individual.”
About the cinematic master:
• Born: 13th August, 1899
• Parents: William Hitchcock and Emma James
• Wife: Alma Reville
• Education: Saint Ignatious College (Jesuit
order)
• First Job: Henley Telegraph and cable
company
Filmography
The Lodger (1926)
Blackmail (1929)
Murder (1930)
The Man Who Knew Too Much (1934)
39 Steps (1935)
Secret Agent (1936)
Sabotage (1936)
The Lady Vanishes (1938)
Rebecca (1940)
Foreign Correspondent (1940)
Shadow of a Doubt (1943)
Spellbound (1945)
Notorious (1946)
The Paradine Case (1947)
Mr. and Mrs. Smith (1941)
Strangers on a Train (1951)
Dial "M" for Murder (1954)
Rear Window (1954)
To Catch a Thief (1955)
The Trouble with Harry (1955)
The remake of The Man Who Knew Too Much (1956)
The Wrong Man (1956)
Vertigo (1958)
North by Northwest (1959)
Psycho (1960)
The Birds (1963)
Marnie (1964)
Frenzy (1972)
Family Plot (1976)
Contribution to film
Contribution and characteristics
• Pioneers of auteur theory
• Short cameo appearance
• Master of suspense
• Inventor of form
• Themes: Influence of Catholicism
Shared Guilt
Homophobia & Misogyny
Common Observations
• Camera: POV shots and close ups, free
camera movement.
• Central theme of voyeurism
• Guilt
• Disappearance
The END
“The picture's over.
Now I have to go and put it on film.”

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Hitchcock

  • 1. “Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.”
  • 2.
  • 3. About the cinematic master: • Born: 13th August, 1899 • Parents: William Hitchcock and Emma James • Wife: Alma Reville • Education: Saint Ignatious College (Jesuit order) • First Job: Henley Telegraph and cable company
  • 4. Filmography The Lodger (1926) Blackmail (1929) Murder (1930) The Man Who Knew Too Much (1934) 39 Steps (1935) Secret Agent (1936) Sabotage (1936) The Lady Vanishes (1938) Rebecca (1940) Foreign Correspondent (1940) Shadow of a Doubt (1943) Spellbound (1945) Notorious (1946)
  • 5. The Paradine Case (1947) Mr. and Mrs. Smith (1941) Strangers on a Train (1951) Dial "M" for Murder (1954) Rear Window (1954) To Catch a Thief (1955) The Trouble with Harry (1955) The remake of The Man Who Knew Too Much (1956) The Wrong Man (1956) Vertigo (1958) North by Northwest (1959) Psycho (1960) The Birds (1963) Marnie (1964) Frenzy (1972) Family Plot (1976)
  • 6. Contribution to film Contribution and characteristics • Pioneers of auteur theory • Short cameo appearance • Master of suspense • Inventor of form • Themes: Influence of Catholicism Shared Guilt Homophobia & Misogyny
  • 7.
  • 8. Common Observations • Camera: POV shots and close ups, free camera movement. • Central theme of voyeurism • Guilt • Disappearance
  • 9. The END “The picture's over. Now I have to go and put it on film.”