Figurazioni cyborg Hannah Hoch Estetica dei nuovi media Prof. Federica Timeto ,  A.A. 2010-2011
Due  possibilità per il cyborg (Yvonne Volkart) <ul><li>Corpo chiuso, perfetto, automa, privo di genere (assunzione del mo...
 
Teknolust , Lynn Hershman Leeson, 2002
Martha Rosler,  Vital statistics of a citizen simply obtained , 1977  Video
Borjana Rossa http://www.reactfeminism.org/artists/rossa_en.html
Corps étranger, Mona Hatoum,  1994,video installation  with cylindrical wooden structure, video projector, amplifier, spea...
Natasha Vita-More ,  Primo  Posthuman
Corpo umano   Prototipo di Primo Posthuman Durata limitata eterno Geni ereditari Geni rimpiazzabili Si logora migliora Err...
Cyborg Web Shop Andreja Kuluncic
Il CsO corpo ipocondriaco, paranoico, schizo, masochista “ non è assolutamente una nozione, un concetto. Piuttosto  è una ...
“ Non è l’assenza di pulizia o di salute a rendere abietto, ma quello che turba un’identità,un sistema, un ordine. Quel ch...
<ul><li>“ La donna, come segno della differenza, è mostruosa. Se definiamo il mostro come un’entità corporea anomala e dev...
Cesare Lombroso,  La donna delinquente, la prostituta e la donna normale,  1893
Saartje Bartman, o la Venere Ottentotta
Giulia Pastrana, la donna babbuino, 1850
Guerrilla Girls
Restless, 2000 Social Studies, 2001 36 degrees on the 14th, 2000  SO2 - The Siren Mole  (Exallopcephalla Parthenopa)  comp...
The Young Family, 2003
Plasmid Region, 2003
&quot;Things are different today,&quot; I hear every mother say Cooking fresh food for a husband's just a drag So she buys...
The Embrace (Nature Little Helpers) 2005 Silicone, fibreglass, human hair, plywood, leather, clothing
Big Mother , 2005. Silicon, fiberglass, human hair, leather, studs, and diaper.
The Comforter, 2010
The Gathering , video, 2006 http://www.youtube.com/watch?v=wCrNVHGHr5w
The danger here is to confuse creation with control. Just because we can create and manipulate things does not necessarily...
“ Per la salamandra, dopo una ferita, come per esempio la mutilazione di un arto, c’è una rigenerazione che comporta la ri...
With an image, we  ask: Does X go anywhere? Does it flourish, reproduce itself, thrive and circulate?  the question of val...
“ The Surrogate is nothing if not the mutter/matter of gestation out of place, a necessary if not sufficient cut into the ...
Lee Bul Cyborg W1-W4 (1998)
Linda Dement,  Cyberflesh Girlmonster, 1995
Melinda Rackham,  Infectious   Agent
Linda Dement, Typhoid Mary, 1991
 
Shelley Jackson,  My  Body
Marcel Li Antunez Roca,  Epizoo  ( video ) 1994 http://www.marceliantunez.com/
“ Nel creare sensazioni costriusco le mie interiora.  Sono sia il Golem che il suo creatore” Jana Sterbak
Jana Sterbak, Vanitas. Flesh Dress for an Ambino Anorectic, 1987
Jana Sterbak, Remote control, 1989
Sterbak, I want you to feel the way I do, 1984-5
Alba D’Urbano,  Hautnah , 1995
Stahl Stenslie
SUFI 1 La bomba anatomica suicida
2 Abito da sera
Stahl Stenslie Walker un corsetto suicida
Shelley e Pamela Jackson,  The  Doll   Games Shelley   Jackson vedi  The Patchwork Girl
Lynn Hershman,  Roberta Breitmore , 1971
Lynn Hershman, Lorna, 1979-84
Lynn Hershman,  Agent   Ruby , 2001
Avatar Body Collision,  Screen Save Her ,2002 Belonging, 2007
Juliet Davis,  Polystyrene   Dreams
Prema Murthy,  Bindigirl,  1999 http://www.thing.net/~bindigrl/
I am transreal, between realities, moving through layers of the symbolic, the imaginary and the real, simultaneously quive...
Chela Sandoval,  Methodology of the Oppressed,  2000: la politica dell’articolazione “ Il differenziale può essere concepi...
Transborder Immigrant Tool,  Transition http:// vimeo.com /6109723 Tansborder Immingrant Tool,  Dubliners http:// vimeo.co...
Manifesto dell’arte carnale http://www.orlan.net/texts/
Orlan Gros plan sur un des rires pendant la septième opération-chirurgicale-performance2.
Orlan, Self Hybrid, 1998 Emil Nolde, Testa papuasica, 1914
Faith Wilding, Vulva De/Reconstructa
What is  a  Refugia ? subRosa
A Becoming Autonomous Zone  (BAZ)   of desirous mixings and recombinations; splicing female sexual liberation and autonomy...
subRosa,  Can  You   see   us   now ?   2003 Mass MoCa installation 1/3
2/3
Lobby installation 2/3
Faith Wilding, Duration Performance
This is a story about invisible hands. This is a story about endless work. This is a story about women’s work of maintenan...
Mythic   Hybrid by  Prema Murthy
Ursula Biemann, Writing Desire , 2000 www.geobodies.org
Raqs Media Collective, A/S/L, 2003
http://www.youtube.com/watch?v=mAjK4PQOh0M Rimini Protokoll, 2008
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Il cyborg e il cyberfemminismo 2/2

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Corso di Estetica dei New Media,
Accademia di Belle Arti di Palermo, A.A. 2010-11
Prof. Federica Timeto
4/2

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Il cyborg e il cyberfemminismo 2/2

  1. 1. Figurazioni cyborg Hannah Hoch Estetica dei nuovi media Prof. Federica Timeto , A.A. 2010-2011
  2. 2. Due possibilità per il cyborg (Yvonne Volkart) <ul><li>Corpo chiuso, perfetto, automa, privo di genere (assunzione del modello molare) </li></ul><ul><li>Corpo aperto, fluido, metamorfico (assunzione del modello informatico - molecolare) </li></ul>
  3. 4. Teknolust , Lynn Hershman Leeson, 2002
  4. 5. Martha Rosler, Vital statistics of a citizen simply obtained , 1977 Video
  5. 6. Borjana Rossa http://www.reactfeminism.org/artists/rossa_en.html
  6. 7. Corps étranger, Mona Hatoum, 1994,video installation with cylindrical wooden structure, video projector, amplifier, speakers http://www.youtube.com/ watch ?v=Qsci0WAd_Lk
  7. 8. Natasha Vita-More , Primo Posthuman
  8. 9. Corpo umano   Prototipo di Primo Posthuman Durata limitata eterno Geni ereditari Geni rimpiazzabili Si logora migliora Errori casuali correzione Senso di umanità Trasnumanità illuminata Capacità intellettiva: 100 trilioni di sinapsi Capacità intellettiva: 100 quadrilioni di sinapsi Limitato a un genere Genere mutevole A rischio di danni ambientali Inattaccabile dall’ambiente Logorato da irritabilità e depressione Ottimismo turbo Elimina gli scarti Ricicla e purifica gli scarti Table 1. &quot;Primo Posthuman Prototype Comparison Chart&quot;
  9. 10. Cyborg Web Shop Andreja Kuluncic
  10. 11. Il CsO corpo ipocondriaco, paranoico, schizo, masochista “ non è assolutamente una nozione, un concetto. Piuttosto è una pratica, Un insieme di pratiche” (Gilles Deleuze e Felix Guattari) Cindy Sherman, Untitled #261, 1992
  11. 12. “ Non è l’assenza di pulizia o di salute a rendere abietto, ma quello che turba un’identità,un sistema, un ordine. Quel che non rispetta i limiti, i posti, le regole. L’intermediario, l’ambiguo, il misto…” Julia Kristeva Cindy Sherman, Untitled #348, 1999
  12. 13. <ul><li>“ La donna, come segno della differenza, è mostruosa. Se definiamo il mostro come un’entità corporea anomala e deviante rispetto alla norma, allora possiamo sostenere che il corpo femminile condivide col mostro il privilegio di indurre un singolare miscuglio di orrore e fascinazione […]. Il mostruoso, o il deviante, è figura dell’abiezione in quanto oltrepassa e trasgredisce i confini tra le norme riconoscibili e le definizioni date” </li></ul><ul><li>(Rosi Braidotti, Madri, Mostri, Macchine ) </li></ul>Frida Kahlo, My Birth , 1932
  13. 14. Cesare Lombroso, La donna delinquente, la prostituta e la donna normale, 1893
  14. 15. Saartje Bartman, o la Venere Ottentotta
  15. 16. Giulia Pastrana, la donna babbuino, 1850
  16. 17. Guerrilla Girls
  17. 18. Restless, 2000 Social Studies, 2001 36 degrees on the 14th, 2000 SO2 - The Siren Mole (Exallopcephalla Parthenopa) computers, silicone and plastics Patricia Piccinini
  18. 19. The Young Family, 2003
  19. 20. Plasmid Region, 2003
  20. 21. &quot;Things are different today,&quot; I hear every mother say Cooking fresh food for a husband's just a drag So she buys an instant cake and she burns her frozen steak And goes running for the shelter of a mother's little helper And two help her on her way, get her through her busy day Doctor please, some more of these Outside the door, she took four more What a drag it is getting old Mother’s Little Helper, Mick Jagger and Keith Richards, 1965
  21. 22. The Embrace (Nature Little Helpers) 2005 Silicone, fibreglass, human hair, plywood, leather, clothing
  22. 23. Big Mother , 2005. Silicon, fiberglass, human hair, leather, studs, and diaper.
  23. 24. The Comforter, 2010
  24. 25. The Gathering , video, 2006 http://www.youtube.com/watch?v=wCrNVHGHr5w
  25. 26. The danger here is to confuse creation with control. Just because we can create and manipulate things does not necessarily mean that we can control our creations. I am particularly fascinated by the unexpected consequences, the stuff we don’t want but must somehow accommodate. There is no question as to whether there will be undesired outcomes; my interest is in whether we will be able to love them. In Another Life catalogue, Wellington City Gallery, Wellington, NZ by Patricia Piccinini (2006) Artist’s Statement
  26. 27. “ Per la salamandra, dopo una ferita, come per esempio la mutilazione di un arto, c’è una rigenerazione che comporta la ricrescita di una struttura e il recupero di una funzione, con la possibilità costante di una gemellazione o di altre strane produzioni topografiche al posto della mutilazione. L’arto ricresciuto può essere mostruoso, doppio, potente. Siamo tutti feriti, in profondità. Abbiamo bisogno di rigenerazione, non di rinascita” D. Haraway
  27. 28. With an image, we ask: Does X go anywhere? Does it flourish, reproduce itself, thrive and circulate? the question of value is transformed into a question of vitality. We can ask if a picture is a good or bad specimen, but with an image, the question is: Is it alive? The criterion of value for images is liveliness [not lifelikeness] perhaps the most interesting consequence of seeing images as living things is that the question of their value (understood as vitality) is played out in a social context. Excerpts from J. W. T. Mitchell, The Surplus value of Images
  28. 29. “ The Surrogate is nothing if not the mutter/matter of gestation out of place, a necessary if not sufficient cut into the female-defining function called reproduction. To be out of place is often to be in danger and sometimes also to be free, in the open, not yet nailed by value and purpose, but full of pastpresents. The point for me in Piccinini's Nature's Little Helpers is parenting , not reproducing . Parenting is about caring for generations, one's own or not; reproducing is about making more of oneself to populate the future, quite a different matter.” D. Haraway Piccinini, Undivided (Nature Little Helpers series), 2004
  29. 30. Lee Bul Cyborg W1-W4 (1998)
  30. 31. Linda Dement, Cyberflesh Girlmonster, 1995
  31. 32. Melinda Rackham, Infectious Agent
  32. 33. Linda Dement, Typhoid Mary, 1991
  33. 35. Shelley Jackson, My Body
  34. 36. Marcel Li Antunez Roca, Epizoo ( video ) 1994 http://www.marceliantunez.com/
  35. 37. “ Nel creare sensazioni costriusco le mie interiora. Sono sia il Golem che il suo creatore” Jana Sterbak
  36. 38. Jana Sterbak, Vanitas. Flesh Dress for an Ambino Anorectic, 1987
  37. 39. Jana Sterbak, Remote control, 1989
  38. 40. Sterbak, I want you to feel the way I do, 1984-5
  39. 41. Alba D’Urbano, Hautnah , 1995
  40. 42. Stahl Stenslie
  41. 43. SUFI 1 La bomba anatomica suicida
  42. 44. 2 Abito da sera
  43. 45. Stahl Stenslie Walker un corsetto suicida
  44. 46. Shelley e Pamela Jackson, The Doll Games Shelley Jackson vedi The Patchwork Girl
  45. 47. Lynn Hershman, Roberta Breitmore , 1971
  46. 48. Lynn Hershman, Lorna, 1979-84
  47. 49. Lynn Hershman, Agent Ruby , 2001
  48. 50. Avatar Body Collision, Screen Save Her ,2002 Belonging, 2007
  49. 51. Juliet Davis, Polystyrene Dreams
  50. 52. Prema Murthy, Bindigirl, 1999 http://www.thing.net/~bindigrl/
  51. 53. I am transreal, between realities, moving through layers of the symbolic, the imaginary and the real, simultaneously quivering, swapping out and swapping back in, too fast to find the border between them. I am existing between my fantasies and desires, which are driving the changing form of my body, and the moment of perception in which you see me and call me maam, sir, dude, miss, or avoid choosing a category. Becoming Dragon Micha Cardenas http:// vimeo.com /3874238
  52. 54. Chela Sandoval, Methodology of the Oppressed, 2000: la politica dell’articolazione “ Il differenziale può essere concepito come un costante riassetto dello spazio, dei confini [… ]. Si tratta di una rete trasversale della coscienza, una trans-coscienza che avviene in un registro che permette che le stesse reti […] siano appropriate come arma ideologica”
  53. 55. Transborder Immigrant Tool, Transition http:// vimeo.com /6109723 Tansborder Immingrant Tool, Dubliners http:// vimeo.com /6108310 “ The trans in transborder and transgender can signify a crossing, but also a hope and a bravery in crossing […] In a way this hope is always a hope for the unknown, for one can never know what the result of the crossing will be, a better life, a new body, death or life. “ Micha Cardenas The Transborder Immigrant Tool: Violence, Solidarity and Hope in Post-NAFTA Circuits of Bodies Electr(on)/ic 2009
  54. 56. Manifesto dell’arte carnale http://www.orlan.net/texts/
  55. 57. Orlan Gros plan sur un des rires pendant la septième opération-chirurgicale-performance2.
  56. 58. Orlan, Self Hybrid, 1998 Emil Nolde, Testa papuasica, 1914
  57. 59. Faith Wilding, Vulva De/Reconstructa
  58. 60. What is a Refugia ? subRosa
  59. 61. A Becoming Autonomous Zone (BAZ) of desirous mixings and recombinations; splicing female sexual liberation and autonomy with cyberfeminist skills, theory, embodiment, and political activism. A critical space of liberated social becoming and intellectual life; a space liberated from capitalist Taylorized production; a space of unregulated, unmanaged time for creative exchange and play; experimental action and learning; desiring production, cooking, eating, and skill sharing. Neither a utopia nor a dystopia, but a haunted space for reverse engineering, monstrous graftings, spontaneous generation, recombination, difference, poly-versity hybridization, wildlings, mutations, mongrelizing, crop circles, anomalies, useless beauty, coalitions, agit-crops, and unseemly sproutings. Biotech and transgenic work in Refugia will be based on desire, consensual public risk assessment, informed amateur experimentation, contestational politics, nourishment and taste value, non-proprietary expertise, convivial delight, and healing.
  60. 62. subRosa, Can You see us now ? 2003 Mass MoCa installation 1/3
  61. 63. 2/3
  62. 64. Lobby installation 2/3
  63. 65. Faith Wilding, Duration Performance
  64. 66. This is a story about invisible hands. This is a story about endless work. This is a story about women’s work of maintenance and survival. This is a story about the laboring female body in the invisible feminine economy of production and reproduction. This is a story about repetition, boredom, exhaustion, stress, crashes. This is a story about tedious, repetitive, straining, manual labor harnessed to the speed of electronic machines. clean, wash, dust, wring, iron, sweep, cook, shop, phone, drive, clean, iron, enter, mix, drive, delete, clean, purge, wash, merge, edit, shop, fold, phone, file, select, copy, curse, cut, sweep, paste, insert, format, iron, program, type, assemble, cook, email, fax, cry, forward, sort, type, click, dust, clean, etc. Faith Wilding, Duration Performance. The Art of Feminized Maintenance Work, l998, Ars Electronica Center, Linz, Austria. Lecture/performance
  65. 67. Mythic Hybrid by Prema Murthy
  66. 68. Ursula Biemann, Writing Desire , 2000 www.geobodies.org
  67. 69. Raqs Media Collective, A/S/L, 2003
  68. 70. http://www.youtube.com/watch?v=mAjK4PQOh0M Rimini Protokoll, 2008

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