NDU Term Paper | Senior Advertising - The Top 100 Campaigns Of The Century

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    NDU Term Paper | Senior Advertising - The Top 100 Campaigns Of The Century - Presentation Transcript

    1. Top 100 Campaigns By: Naja Faysal 7/7/2006 Naja Faysal, Spring 2006 1
    2. “Advertising is selling Twinkies to adults" (Donald R. Vance) “Advertising is the science of arresting the human intelligence long enough to get money from it.“ (Stephen Butler Leacock) "Advertising is an environmental striptease for a world of abundance." (Marshall McLuhan) 7/7/2006 Naja Faysal, Spring 2006 2
    3. Kurt Kroner/ Creative Revolution Kurt Kroner A Hero in Advertising… 7/7/2006 Naja Faysal, Spring 2006 3
    4. Kurt Kroner/ Creative Revolution The man behind the defining example of the greatest advertising campaign of the century. 7/7/2006 Naja Faysal, Spring 2006 4
    5. Kurt Kroner/ Creative Revolution Kurt Kroner was the one to flag a blemished chrome strip on the glove compartment of a 1961 Volkswagen Beetle and reject the vehicle for delivery. 7/7/2006 Naja Faysal, Spring 2006 5
    6. Kurt Kroner/ Creative Revolution Kroner gave us the famously failed and fabulously forlorn. . . "Lemon.“ He also gave advertising permission to surprise, to defy and to engage the consumer without bludgeoning him about the face and body. Kroner offered up a lemon with approximately the same result of Eve offering the apple. Not only did everything change, but suddenly things were a lot more interesting. 7/7/2006 Naja Faysal, Spring 2006 6
    7. Kurt Kroner/ Creative Revolution Adman Pundit Jerry Della Femina has written: "In the beginning, there was Volkswagen. That was the day when the new advertising agency was really born." 7/7/2006 Naja Faysal, Spring 2006 7
    8. Kurt Kroner/ Creative Revolution "Lemon." "Think Small." The TV spot called "Funeral." They weren't the earliest salvos of the revolution, but they were -- in their assiduously quiet way -- the loudest. 7/7/2006 Naja Faysal, Spring 2006 8
    9. Kurt Kroner/ Creative Revolution "Let us prove to the world, that good taste, good art, good writing can be good selling." wrote William Bernbach in his 1949 manifesto for the "creative revolution," " 7/7/2006 Naja Faysal, Spring 2006 9
    10. The turning point… Kroner’s age experiments a revolution in advertising. The unexpected Ad concept done by Avis: “we are number 2, we try harder” was not just a tag line, it was a revolution, a new advertising philosophy… 7/7/2006 Naja Faysal, Spring 2006 10
    11. The 60’s were a period of crisis, turbulence, and radical movements in American history. Among other things, it was a time of massive anti-business sentiment. Advertising, as part of the business establishment was under fire. The advertising industry faced one of its most challenging times. 7/7/2006 Naja Faysal, Spring 2006 11
    12. How did they get into the Top 100 7/7/2006 Naja Faysal, Spring 2006 12
    13. Does successful campaigns have to employ celebrities? Do they have to evoke sex? Do they have to play on consumer’s fear and insecurities? 7/7/2006 Naja Faysal, Spring 2006 13
    14. Numerical Facts 7 of the top 100 campaigns employ celebrities. 8 evoke sex. 4 play on consumer’s fear and insecurities. 7/7/2006 Naja Faysal, Spring 2006 14
    15. What is the secret then? 7/7/2006 Naja Faysal, Spring 2006 15
    16. 1. The campaign should be a watershed, discernibly changing the culture of advertising or the popular culture as a whole. 7/7/2006 Naja Faysal, Spring 2006 16
    17. Volkswagen, “Think Small”, DDB, 1959 7/7/2006 Naja Faysal, Spring 2006 17
    18. Avis, “We try harder”, DDB, 1963 7/7/2006 Naja Faysal, Spring 2006 18
    19. Clairol, “Does she… or doesn’t she?”, Foote, Cone & Belding, 1957 7/7/2006 Naja Faysal, Spring 2006 19
    20. Clairol, “Does she… or doesn’t she?”, Foote, Cone & Belding, 1957 7/7/2006 Naja Faysal, Spring 2006 20
    21. Woodbury Soap, “The skin you love to touch”, J. Walter Thompson Co., 1911 7/7/2006 Naja Faysal, Spring 2006 21
    22. 2. The campaign itself should be credited with creating a category, or if by its efforts a brand became entrenched* in its category as No.1. *entrenched: well-established, deep rooted 7/7/2006 Naja Faysal, Spring 2006 22
    23. Absolut Vodka, “The Absolut Bottle”, TBWA, 1981 7/7/2006 Naja Faysal, Spring 2006 23
    24. DeBeers, “A diamond is forever”, N.W. Ayer & Son, 1948 7/7/2006 Naja Faysal, Spring 2006 24
    25. 3. The campaign should simply be unforgettable... 7/7/2006 Naja Faysal, Spring 2006 25
    26. Pepsi-Cola, “Pepsi-Cola hits the spot”, Newell-Elmmett Co., 1940s 7/7/2006 Naja Faysal, Spring 2006 26
    27. M&Ms, “Melts in your mouth, not in your hands”, Ted Bates & Co., 1954 7/7/2006 Naja Faysal, Spring 2006 27
    28. Budweiser, “This Bud’s for you”, D’Arcy Masius Beneton & Bowles, 1970s 7/7/2006 Naja Faysal, Spring 2006 28
    29. And now how are ads judged? 7/7/2006 Naja Faysal, Spring 2006 29
    30. This is how JWT does it (this company is 150 years old) 7/7/2006 Naja Faysal, Spring 2006 30
    31. #1 Damaging Nestle 7/7/2006 Naja Faysal, Spring 2006 31
    32. #1 Damaging This work is worse than a waste of time. It is damaging to both the client and us. You'd be better off staying at home 7/7/2006 Naja Faysal, Spring 2006 32
    33. #2 Wasteful Benedryl, Allergy Tablet 7/7/2006 Naja Faysal, Spring 2006 33
    34. #2 Wasteful This work is a waste of time People will actively avoid it You have wasted both the clients time and your own resources 7/7/2006 Naja Faysal, Spring 2006 34
    35. #3 Boring Smirnoff 7/7/2006 Naja Faysal, Spring 2006 35
    36. #3 Boring Both the idea and execution are ordinary. The customer will tune out before it's finished. 7/7/2006 Naja Faysal, Spring 2006 36
    37. #4 Predictable Ad: VisineRedEyes 7/7/2006 Naja Faysal, Spring 2006 37
    38. #4 Predictable Ad: This is soundly executed but bland. People have seen it all before and will get to the end of the message before you do. 7/7/2006 Naja Faysal, Spring 2006 38
    39. #5 Competent R05AutumnM 7/7/2006 Naja Faysal, Spring 2006 39
    40. #5 Competent The idea is told in an interesting way or it is well executed. People will give you time to complete your message. 7/7/2006 Naja Faysal, Spring 2006 40
    41. #6 Rewarding Weight Watchers 7/7/2006 Naja Faysal, Spring 2006 41
    42. #6 Rewarding This work will get noticed. People will feel rewarded having spent time with it. Its impact will linger longer than the duration of the message. 7/7/2006 Naja Faysal, Spring 2006 42
    43. #7 Innovative KENCO 7/7/2006 Naja Faysal, Spring 2006 43
    44. #7 Innovative This is innovative work and the best example of this category in the network. Its refreshing message and execution will ensure that people will want to see it again. 7/7/2006 Naja Faysal, Spring 2006 44
    45. #8 Market Leading AXE axe intl.mpeg 7/7/2006 Naja Faysal, Spring 2006 45
    46. #8 Market Leading This is the best work in the category in the world. It leads the market and people will take the time to rethink their perception of the brand and the category. 7/7/2006 Naja Faysal, Spring 2006 46
    47. #9 World Class Amnesty - teleshop Amnesty - teleshop - 09.mov alternative Mc Donalds.mpg 7/7/2006 Naja Faysal, Spring 2006 47
    48. #9 World Class The idea competes with the very best ideas in the world. People are talking about it in their own time. It will make the brand, client and network famous. 7/7/2006 Naja Faysal, Spring 2006 48
    49. #10 World Beating Honda 7/7/2006 Naja Faysal, Spring 2006 49
    50. #10 World Beating This sets a new standard in the world of communication. It is an entirely new idea that is highly involving. The audience will spend time exploring and playing with the idea. It is being talked about world wide. 7/7/2006 Naja Faysal, Spring 2006 50
    51. What conclusions can you draw from going through the top 100 campaigns of the century? What common thread runs through the 100 greatest campaigns of 100 years? What is the defining nature of this particular instrument of this particular immortals? 7/7/2006 Naja Faysal, Spring 2006 51
    52. It may amuse some, and horrify others that from the top 100 advertising campaigns, there are 2 air polluters (VW & Avis), nutrition less sugar water (Coca-Cola), 1 reviled carcinogen (Marlboro), 2 companies infamous for the use of virtual slave labor (DeBeers & Nike), 1 purveyor of savory cardiovascular time bombs (McDonald’s), 2 booze peddlers (Absolute & Miller Lite), and 1 cosmetic product preying on the vanity of women (Clairol). 7/7/2006 Naja Faysal, Spring 2006 52
    53. We are NOW inclined to believe that the best advertising is bound eventually to emerge from the biggest categories, and the biggest categories consists of things people most desire. “people do not desire wheat germ” 7/7/2006 Naja Faysal, Spring 2006 53
    54. The BIG SECRET of the top ad campaigns in the century is that they were able to overflow with the Human Truth. These campaigns have discovered our humanity. They have touched us, understood us, reflected our lives and often enough enriched them. 7/7/2006 Naja Faysal, Spring 2006 54
    55. The Marlboro man is the most successful ad symbol of all time. His portrayal of ruggedness and independence is in fact a symbol of enslavement to an addictive drug, isn’t it? 7/7/2006 Naja Faysal, Spring 2006 55
    56. Thank You 7/7/2006 Naja Faysal, Spring 2006 56
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