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Film production guide

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MATCH ON ACTION ,[object Object],[object Object],[object Object]
SHOT REVERSE SHOT ,[object Object],[object Object]
The 180-degree rule ,[object Object],[object Object]
AUDIENCE PLANNING WORKING TO A SCHEDULE FILMING EDITING STORYLINE GENRE ANALYSIS OF EXISTING PRODUCTS CODES & CONVENTIONS STORYBOARDS RECONNAISSANCE NARRATIVE IMAGE SOUNDTRACK challenging forms and conventions representing particular social groups What kind of media institution might distribute your media product and why? Who would be the audience? How did you attract/address your audience? What have you learnt about technologies? MEETINGS Skills and knowledge progression from preliminary task ENIGMAS BRAND IDENTITY (PRODUCTION LOGO) ROLES & RESPONSIBILITIES ORGANISATION KEEPING RECORDS & NOTE TAKING MEETING DEADLINES THERE ARE HYPERLINKS ON PAGE PROPOSAL CO-OPERATION
RESEARCH and PLANNING ,[object Object],[object Object],[object Object]
RESEARCH (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
RESEARCH (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
RESEARCH ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PLANNING ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PLANNING ,[object Object],[object Object],[object Object],[object Object],[object Object]
PLANNING: TREATMENT (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PLANNING: STORYBOARDS (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PLANNING (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object]
PLANNING: RECORDING MEETINGS ,[object Object],[object Object]
PLANNING: RECONNAISSANCE & PERMISSIONS (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
CONSTRUCTION ,[object Object],[object Object],[object Object],[object Object],[object Object]
CONSTRUCTION: FILMING JOURNAL ,[object Object],[object Object]
EVALUATION (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
EVALUATION (BACK TO PAGE 10) ,[object Object],[object Object],[object Object]
EVALUATION (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object]
PRODUCTION TIPS (BACK TO PAGE 10) ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Film production guide

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  • 4. AUDIENCE PLANNING WORKING TO A SCHEDULE FILMING EDITING STORYLINE GENRE ANALYSIS OF EXISTING PRODUCTS CODES & CONVENTIONS STORYBOARDS RECONNAISSANCE NARRATIVE IMAGE SOUNDTRACK challenging forms and conventions representing particular social groups What kind of media institution might distribute your media product and why? Who would be the audience? How did you attract/address your audience? What have you learnt about technologies? MEETINGS Skills and knowledge progression from preliminary task ENIGMAS BRAND IDENTITY (PRODUCTION LOGO) ROLES & RESPONSIBILITIES ORGANISATION KEEPING RECORDS & NOTE TAKING MEETING DEADLINES THERE ARE HYPERLINKS ON PAGE PROPOSAL CO-OPERATION
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