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Literary archetypes and the hero’s journey

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Great for an intro to Epic stories and other litterary archetypes.

Great for an intro to Epic stories and other litterary archetypes.

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  • 1. What you never knew that you already knew!LITERARY ARCHETYPES AND THEHERO’S JOURNEY
  • 2. What’s an archetype again? archetype (ˈ ɪˈtap) — n ɑˈk ɪ  1. a perfect or typical specimen …  4. a constantly recurring symbol or motif in literature, painting, etc An archetype is a term used to describe a universal symbols or stereotypes. In literature they are characters, images, and themes that embody universal meanings and basic human experiences. They keep the same characteristics regardless of plot or time period (setting).
  • 3. Why do we tell stories? To help us escape reality by entering a world where the good guy wins, the forces of evil are defeated, and love conquers all. To help define roles of “good” and “evil”; hero’s and villains so that we can better recognize those with similar morals and motives in our real lives.
  • 4.  Storytelling is essential for the survival of humanity and provides hope. Stories connect us with our cultural and spiritual past. They help us understand many of our accepted traditions and rituals. They allow us to tell our own stories to others and, using archetypes, help us better relate to the stories of others.
  • 5. Situational ArchetypesAka: We are gonna go do what?! Let’s get NO! No out of way! here!
  • 6. The Hero’s JourneyThe Journey – The journey sends the hero in search for some truth of information necessary to restorefertility, justice, and/or harmony to the kingdom. The journey includes the series of trials and tribulations thehero faces along the way. Usually the hero descends into a real or psychological hell and is forced to discover theblackest truths, quite often concerning his faults. Once the hero is at this lowest level, he must accept personal responsibility to return to the world of the living.
  • 7. Stages of a Hero’s Journey Stage 1: Departure  : The hero is called to adventure, although he is reluctant to accept. Stage 2:Initiation  : The hero crosses a threshold into a new, more dangerous world, gaining a more mature perspective. Stage 3: The Road of Trials  : The hero is given supernatural aid, endures tests of strength, resourcefulness, and endurance. Stage 4: The Innermost Cave  : The hero descends into the innermost cave, an underworld, or some other place of great trial. Sometimes this place can be within the hero’s own mind. Because of this trial, the hero is reborn in some way—physically, emotionally, or spiritually. Through this experience, the hero changes internally. Stage 5: Return and Reintegration with Society  : The hero uses his new wisdom to restore fertility and order to the land.
  • 8. The Task  The Task – This refers to a possibly superhuman feat that must be accomplished in order to fulfill the ultimate goal.
  • 9. The Quest The Quest – This motif describes the search for someone or some talisman which, when found and brought back, will restore fertility to a wasted land, the desolation of which is mirrored by a leader’s illness and disability.
  • 10. The Initiation The Initiation – This situation refers to a moment, usually psychological, in which an individual comes into maturity. He or she gains a new awareness into the nature of circumstances and problems and understands his or her responsibility for trying to resolve the dilemma. Typically, a hero receives a calling, a message or signal that he or she must make sacrifices and become responsible for getting involved in the problem. Often a hero will deny and question the calling and ultimately, in the initiation, will accept responsibility.
  • 11. The Ritual The Ritual – Not to be confused with the initiation, the ritual refers to an organized ceremony that involves honored members of a given community and an Initiate. This situation officially brings the young man or woman into the realm of the community’s adult world.
  • 12. The Fall THE FALL. This archetype describes a descent from a higher to a lower state of being. The experience involves spiritual defilement and/or a loss of innocence and bliss. The Fall is also usually accompanied by expulsion from a kind of paradise as penalty for disobedience and moral transgression
  • 13. CHARACTER ARCHETYPES The Hero – In its simplest form, this character is the one ultimately who may fulfill a necessary task and who will restore fertility, harmony, and/or justice to a community. The hero character is the one who typically experiences an initiation, who goes the community’s ritual (s), et cetera. Often he or she will embody characteristics of YOUNG PERSON FROM THE PROVINCES, INITIATE, INNATE WISDOM, PUPIL, and SON.
  • 14.  Anti-Hero-is generally considered to be a protagonist whose personality can be perceived as being villainous and heroic together, or doesn’t embody the more noble characteristics of an archetypal hero.
  • 15.  Young Person from the Provinces – This hero is taken away as an infant or youth and raised by strangers. He or she later returns home as a stranger and able to recognize new problems and new solutions.
  • 16. Hunting Group of Companions Hunting Group of Companions – These loyal companions are willing to face any number of perils in order to be together.
  • 17. Loyal RetainersThese individuals are like the noble sidekicks to the hero. Their duty is to protect the hero. Often the retainer reflects the hero’s nobility.
  • 18.  The Initiates – These are young heroes who, prior to the quest, must endure some training and ritual. They are usually innocent at this stage. Mentors – These individuals serve as teachers or counselors to the initiates. Sometimes they work as role models and often serve asas father or mother figure. They teach by example the skills necessary to survive the journey and quest.
  • 19.  The Scapegoat – An animal or more usually a human whose death, often in a public ceremony, excuses some traitor sin that has been visited upon the community. This death often makes theme more powerful force to the hero. The Outcast – This figure is banished from a community for some crime (real or imagined). The outcast is usually destined to become a wanderer.
  • 20.  The Devil Figure – This character represents evil incarnate. He or she may offer worldly goods, fame, or knowledge to the protagonist in exchange for possession of the soul or integrity. This figure’s main aim is to oppose the hero in his or her quest.
  • 21. Women(Other than Heroines, of course) Characterized by  The Temptress – sensuous beauty, she is one whose physical attraction may bring about the hero’s downfall. The Damsel in Distress – This vulnerable woman must be rescued by the hero. She also may be used as a trap,by an evil figure, to ensnare the hero.
  • 22. The Platonic Ideal – This source of inspiration often is a physical and spiritual ideal for whom the hero has an intellectual rather than physical attraction.The Earth Mother – This character issymbolic of fulfillment, abundance, andfertility; offers spiritual andemotional nourishment to those who shecontacts; often depicted in earth colors.
  • 23. Star-Crossed lovers THE STAR-CROSSED LOVERS. A young man and woman enter an ill-fated love affair which ends tragically in the death of either or both of the lovers
  • 24. Animals Friendly Beast –These animals assist the hero and reflect that nature is on the hero’s side. The Creature of Nightmare – This monster, physical or abstract, is summoned from the deepest, darkest parts of the human psyche to threaten the lives of the hero/heroine. Often it is a perversion or desecration of the human body. The Evil Figure with the Ultimately Good Heart – This redeemable devil figure (or servant to the devil figure) is saved by the hero’s nobility or good heart.
  • 25. Colors as SymbolicArchetypes Black (darkness) – chaos, mystery, the unknown, before existence, death, the unconscious, evil Red – blood, sacrifice, violent passion, disorder, sunrise, birth, fire, emotion, wounds, sentiment, mother, Mars, anger, excitement, heat Green – hope, growth, envy, Earth, fertility, sensation, vegetation, nature, greed. White (light) – purity, peace, innocence, goodness, Spirit, morality, creative force, the direction East, spiritual thought.
  • 26.  Orange – fire, pride, ambition, egoism, Venus Blue – clear sky, the day, the sea, height, depth, heaven, religious feeling, devotion, innocence, truth, spiritualit y. Violet – Royality, nostalgia, memory, advanced spirituality, Neptune. Gold – Majesty, sun, wealth,
  • 27.  Meals together tend to be acts of communion/community or isolation. Ghosts, vampires, monsters, and nasty people and sometimes simply the antagonists are not about supernatural brew-ha-ha; they tend to depict some sort of exploitation. There’s only one story. Look for allusions and archetypes. Weather matters. Violence and be both literal and figurative. Symbols can be objects, images, events, and actions. Sometimes a story is meant to change us, the readers, and through us change society. Flying tends to represent freedom. What do you think falling represents? Geography tends to be a metaphor for the psyche. (deserts, cliffs, oceans, etc.) Seasons tend to be traditional symbols. Disabilities, Scars, and Deformities show character and theme. Heart disease tends to represent problems with character and society. So do illness and disease. Read with your imagination. Irony trumps everything!
  • 28. Create! With your group:  Invent a hero/heroine or anti-hero  Create a story OUTLINE that would take them through the 5 stages of the Hero’s journey.  What trials might they encounter?  Do they have a friendly beast or a loyal retainer (sidekick)?  What are some symbols you might include?

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