Open content from Danish museums 29012013

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Presentation at Open Data Workshop, Europeana and INA, Paris, January 29 2013

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  • ” A veritable law in social media is that to get a system that is large and good, it is far better to start with a system that is small and good and work on making it bigger than to start with a system that is large and mediocre and working on making it better.” (p. 194) ”… we can’t predict how people will react to a gvien opportunity. Why would users care about this particular opportunity, given all the other things they could be doing with their time? New ideas seem clearer and more obviously good to the founders and designers of a service than to potential users…” (p. 195) ” No one gets it right the first time (…) the imperative is to learn from failure, adapt, and learn again.” (p. 203) ” If you want to solve hard problems, have hard problems” (Brewster Kahle) … ”it is more important to try something new, and work on the problems as they arise, than to figure out a way to do something new without having any problems.” (p. 205) ” The single greatest predictor of how much value we get out of our cognitive surplus is how much we allow ourselves to experiment, because the only group that can try everything is everybody.” (p. 207) ” The opportunity before us (…) is enormous; what we do with it will be determined largely by how well we are able to imagine and reward public creativity, participation, and sharing.” (p. 212)
  • ” A veritable law in social media is that to get a system that is large and good, it is far better to start with a system that is small and good and work on making it bigger than to start with a system that is large and mediocre and working on making it better.” (p. 194) ”… we can’t predict how people will react to a gvien opportunity. Why would users care about this particular opportunity, given all the other things they could be doing with their time? New ideas seem clearer and more obviously good to the founders and designers of a service than to potential users…” (p. 195) ” No one gets it right the first time (…) the imperative is to learn from failure, adapt, and learn again.” (p. 203) ” If you want to solve hard problems, have hard problems” (Brewster Kahle) … ”it is more important to try something new, and work on the problems as they arise, than to figure out a way to do something new without having any problems.” (p. 205) ” The single greatest predictor of how much value we get out of our cognitive surplus is how much we allow ourselves to experiment, because the only group that can try everything is everybody.” (p. 207) ” The opportunity before us (…) is enormous; what we do with it will be determined largely by how well we are able to imagine and reward public creativity, participation, and sharing.” (p. 212)
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  • We’ve all done a tremendous amount of work over this year and have addressed a lot of the issues embedded in our 5 priorities of:  
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  • Open content from Danish museums 29012013

    1. 1. http://www.slideshare.net/MereteSanderhoff/ Open Content from Danish Museums Merete Sanderhoff, Statens Museum for Kunst 29 January, 2012, Paris
    2. 2. BackgroundSMK in Google Art Project ~160 highlights ~100 videosCC-BYImage sharing betweenDanish art museums
    3. 3. Tiny experimental pilot project 300,000 DKK ~ 40,000 EUR www.mobypicture.com
    4. 4. www.guardian.co.uk
    5. 5. start small ask the users adapt experimentseize the opportunity at hand www.guardian.co.uk
    6. 6. 3 dogmas All Public Domain content is freely shareable and reusable We use an existing platform instead of custom-building a new one Target users take part in developing and creating the experience
    7. 7. 2009
    8. 8. 2011
    9. 9. 2012
    10. 10. Value PropositionMuseums Need: Be mobile, expose collections Offer: A shared, sustainable mobilemuseum platformUsers Need: Keys to look at art Offer: Keys, relations, dialogue
    11. 11. IncentiveFacing common challenges with common solutions push Danish art museums to start using open licenses on collections connect collections and send users on to each other involve users in dialogue and encourage co-creation of content re-cycle existing online content build a sustainable platform using dynamically updated system
    12. 12. ChannelsSimple “shell”/image repository/archive:HintMe [beta]Twitter’s API
    13. 13. Simpleinterface
    14. 14. Simplebackend
    15. 15. It works like this v Stand in front of an artwork in a museum Pull out your smartphone or tablet Scan QR code or enter URL Scroll through a stream of brief comments, open links to related images, texts, videos etc. (anyone can do this) Post a comment, question, add a link, photo, video etc. (you need to be a Twitter user to do this) Maybe you get a response – if you direct a question or comment to a museum tweep, you certainly will
    16. 16. Why use Twitter? artworks identified via # manageable content production existing online content activated users are equal and identifiable multilingual dynamically updated and improved
    17. 17. Communication channels MuseumNext conference https://vimeo.com/45705253?action=share&post_id=1129350540_429715973734173#_=_ Open Knowledge Festival http://openglam.org/2012/09/27/openglam-workshop-at-the-okfestival-2/ Swedish Exhibition Agency http://www.riksutstallningar.se/content/spana/curating-and-participation-new-mobile-platform? language=en OpenGLAM blog http://openglam.org/2012/10/23/the-participatory-museum-of-denmark/ Musings blog http://blatryk.wordpress.com/2013/01/24/beta-test-smk/ Lots of tweets 
    18. 18. Stakeholders Users Educators Museums Agency of Culture Artists Open GLAM community Creative Commons Europeana
    19. 19. Open licensesCC-BY Artworks Statens Museum for Kunst 20 (160) Den Hirschsprungske Samling 18 Thorvaldsens Museum 20 Ny Carlsberg Glyptotek 10 J.F Willumsens Museum 10 Fyns Kunstmuseum 15 Vejle Kunstmuseum 7 (+ 5)CC-BY-NC Ribe Kunstmuseum 22 KØS – Museum for Art in Public Spaces (11)Awaiting decision Sorø Kunstmuseum (want CC-BY) 10 Faaborg Museum 20 168 (308)
    20. 20. BenefitsReal demand for open contentMuseums and artists are willingto open up content
    21. 21. http://www.skoletube.dk/
    22. 22. BenefitsPotential in mobile museumInterpretation/dialogue tool
    23. 23. Links torich mediacontent areappreciated
    24. 24. Risk oflookingdown,not up
    25. 25. Thepersonalcurator ispopular
    26. 26. Users do notnecessarilywant toparticipate
    27. 27. Users arehappy to beinvited intodialogue
    28. 28. Next stepsOpen licenses on modern andcontemporary artworksLaunch and report by April 2013How do we make this project scale?
    29. 29. http://www.slideshare.net/MereteSanderhoff/ Thank you @MSanderhoff merete.sanderhoff@smk.dk
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