Presented by Ashley Sobel: July 26, 2016
Consumers are now spending more time with digital media than any other channel — even TV -- and advertisers are following suit. This class will focus on three key digital tactics: site direct display, digital video, and paid social. Specifically we'll cover the history of these channels, when and why to use them, how to plan and buy for them, and the tools at our disposal for activating and trafficking the buy.
2. WHAT’S ON TAP
•A brief history
•The current state of digital advertising
• How TMK does:
•Site Direct
•Video
•Paid Social
•Digital planning
•Q&A
3. HISTORY OF ONLINE ADVERTISING
Spam
1978
First Clickable Ad
1993
Email/Bulletin Boards
1990
Source: AdPushUp
First Keyword Ad
1995
Ad Servers
1996
Golden Age of Banners
2000-Today
Social Revolution
2006-Today
Video
2012-Today
4. THE NET IS GROWING
Source: Internet Trends 2016 by Mary Meeker
9. DIGITAL ADVERTISING LANDSCAPE
Digital Advertising: Uses the Internet to deliver promotional/marketing messages to
consumers. Digital advertising frequently involves both a publisher, who integrates
advertisements into its online content, and an advertiser, who provides the
advertisements to be displayed on the publisher’s content.
•Site Direct
•Programmatic
•Video
•Mobile / Tablet
•Social
•Search
•Content
Source: Wikipedia
11. WHY SITE DIRECT
Site Direct -- noun s t d - rektˈ ī ə ˈ
A method of buying digital media inventory straight
from a publisher whose advantages include:
• Access to site’s full inventory
• Premium inventory & placements
• Share of voice
• Custom sponsorships & integrations
• Access to publisher-only resources
• Creative flexibility
12. HOW TMK DOES SITE DIRECT
We believe in quality over quantity
We recommend only going several publishers deep
with Site Direct to maximize the benefits of the channel
Leverage Site Direct with what it’s best for, reaching a
high composition of a specific target
Otherwise, Programmatic is an effective, efficient
audience buying channel
13. ACCESS TO ALL INVENTORY
“I want this, and this, and a little of that”
Choosing the exact combination of
specific placements
17. PUBLISHER BENEFITS
• First access to new inventory, sections,
opportunities
• Access to custom publisher research, tools,
events, etc.
• Cross-platform integration
• Added value
20. BUYING MODELS
Flat Rate Sponsorship: A fixed cost over a time
period, impressions served, or share of voice
CPM: Cost per thousand impressions
CPA: Cost per action / acquisition / (anythhing!)
CPE: Cost per engagement
CPC: Cost per click
CPL: Cost per lead
22. TODAY
89 million people in the United States are
going to watch 1.2 billion online videos
Source: Comscore
23. 23
The average American spends 7:24
watching online video
PER MONTH
Source: Nielsen Video ConSensus
24. 24Source: Cisco (Visual Networking Index)
Online video traffic will be 80% of all
global consumer Internet traffic
BY 2019
25. 25
42.5+ billion videos were streamed in
2015 on Netflix alone, a 46% increase in
video streams year over year
Source: Netflix
DIGITAL VIDEO’S GROWTH
26. 26
Video now accounts for 50% of all mobile
traffic; consumers are 3x as likely to view
a video on a mobile device than a PC
Source: Invodo, Comscore
MOBILE IS FUELING VIDEO
27. 27
76% of marketers plan to add video to
their sites, making it a higher priority than
Facebook, Twitter and blog integration
Source: Social Media Examiner
MARKETERS ARE EVOLVING
32. 32Source: IAB
Generally played or viewed from a video player
Linear VideoLinear Video
(Pre-rolls, takeovers)(Pre-rolls, takeovers)
Non-Linear VideoNon-Linear Video
(Overlays)(Overlays)Core Video Ad Product
Ad takes over the full videoAd takes over the full video
experience for some timeexperience for some time
Ads run concurrently with videoAds run concurrently with video
experience and do not take overexperience and do not take over
the full video experiencethe full video experience
Consumer Ad Experience
Before, between, and after videoBefore, between, and after video
contentcontent
During, over, within contentDuring, over, within contentAd Product Placements
IN STREAM VIDEO
33. 33
Generally displayed in IAB standard ad units
In-Banner VideoIn-Banner Video
(Rich Media)(Rich Media)Core Video Ad Product
Video triggered within banner, oftenVideo triggered within banner, often
explandingexplanding
Consumer Ad Experience
Within the webpage, generallyWithin the webpage, generally
surrounded by contentsurrounded by contentAd Product Placements
Source: IAB
IN BANNER VIDEO
35. 35
ACCORDING TO CONSUMERS
Source: Poll Position
When you go online to view free content, what do
you think is the acceptable duration of an online
advertisement you must view before seeing that
free content?
37. HOW TMK DOES SOCIAL
We believe a sound social strategy is one that
recognizes paid, earned and owned channels as part of
an interconnected program.
Siloed strategies that treat each channel independently
are rarely as effective as a comprehensive approach.
Within the paid social channel, we tend to organize our
activities in terms of three broad categories:
• Targeting
• Amplification
• Optimization
38. TARGETING
We have broad experience buying media across Twitter,
Facebook, LinkedIn, and the major and minor social publishers.
We work with top-tier managed ad buying platforms with full
Publishing API and listening ability. We employ audience
interest targeting, based on real-time conversation data (when
available) and refined by demographic targeting, to target ads
to existing and potential audiences.
39. AMPLIFICATION
We believe that one of the best uses of paid social media is
amplification of owned / organic postings, and that these
amplifications need to happen within a relatively short window
(often 24 hours) after the original post. Our goal is to achieve
maximum engagement at the lowest cost-per-engagement.
40. OPTIMIZATION
We take a goal-based approach to paid social campaigns,
employing the bidding and optimization engines of our
partners to focus campaign budgets toward best performing
segments.
42. STEP 1: STRATEGY
•Determine what the objective of the effort is
•How much are you looking to spend
•What support points justify the need for Site
Direct, Video and Social
•Determine specifically the role for each digital
channel
•How is the campaign / partner being bought
•How will success be determined
43. STEP 2: SELECTION
•Who are you trying to reach
•What is the creative: standard, rich, etc; can
it leverage partner context, category, niche
•Has the publisher/partner performed in the
past
•Determine what partners should be included
in the RFP, and send out RFP’s
44. STEP 3: NEGOTIATION
•Upon RFP, determine if costs fit within range
•Is the cost competitive within the
marketplace / versus similar partners
•Does the partner know your KPI’s and does
the RFP speak to them; is the proposal
cookie cutter
•Construct recommendation
•Compile all relevant specs / work with
Account & Creative teams
•Ensure T’s & C’s are clear
45. STEP 4: AD SERVING
•Make sure you have all assets in hand and
creative rotations set
•Generate tags
•Traffic buy
•Ensure confirmation
46. STEP 5: EVALUTION
•Pull performance results from ad server or
through 3rd party vendor
•Match ad performance to client specific
KPI’s and client provided goals
•Generate performance reports as needed
•Provide recommendations for campaign
improvement
47. STEP 6: OPTIMIZATION
•Across all channels, it’s aways important to
interrogate results and always look to
improve
48. IN SUMMARY
1. Leverage what each tactic does best when making
purchase decisions
2. Video is growing beyond just a creative unit;
consider video’s impact as a lead tactic
3.
While a channel, social is about employing the
right strategies as much as it is about executing the
right tactcs