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Pengaruh postmodern terhadap corporate culture yang membawa perubahan
 

Pengaruh postmodern terhadap corporate culture yang membawa perubahan

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    Pengaruh postmodern terhadap corporate culture yang membawa perubahan Pengaruh postmodern terhadap corporate culture yang membawa perubahan Presentation Transcript

    • PENGARUH POSTMODERN TERHADAP CORPORATECULTURE YANG MEMBAWAPERUBAHAN DALAM DESAIN INTERIOR RUANG KERJA suatu apresiasi bahasa rupa
    • POSTMODERN OFFICE DESIGN PERUBAHAN KEBUDAYAAN PERUBAHAN DUNIA KERJA HYPER COMPETITIVE ENVIRONMENT DIFFERENT TYPE OF WORK• KECEPATAN TINGGI  PEMERATAAN HIRARKI & GENDER• PERUBAHAN TERUS – MENERUS  KEBUTUHAN KOMUNIKASI• BANYAK PESAING  KOMPUTERISASI  INFORMATION ERA  DIVERSIFIKASI PERUSAHAAN
    • TUNTUTAN BARU OFFICE DESIGN fromPASSIVE  MENGINSPIRASI KARYAWAN  MEMBENTUK ETOS KERJADESIGN  MENCIPTAKAN IMAGE PERUSAHAAN to  MENINGKATKAN EFISIENSI OPERASIONALACTIVE  MENINGGALKAN KESAN MENDALAM PADA KONSUMENDESIGN
    • INOVASI OFFICE DESIGN MEMPERBESAR PORSI ESTETIKA DAN TEKNOLOGI MEMASUKKAN NILAI BUDAYA (LOKALITAS, SIMBOL, TEAMWORK, GENDER) INFORMAL LOOK & SPACE PLANNING SEMAKIN TERBUKA FLEXIBILITAS WORKSTATIONS PENCAHAYAAN SEMAKIN BAGUS DESAIN YANG SPESIFIK
    • DESAIN YANG SPESIFIK• CORPORATE & INSTITUTIONAL OFFICES.• HITECH & BIOTECH OFFICES.• BANKING, INSURANCE, CONSULTANT & LAW OFFICES.• MEDIA COMPANY OFFICES.
    • CORPORATE & INSTITUTIONAL OFFICES• KEBUTUHAN MENONJOLKAN KEUNIKAN IDENTITAS DAN KEBERSAMAAN ANGGOTA, KETERBATASAN DANA• INOVASI KETERBUKAAN INFORMAL GATHERING PLACES MOBILE WORKSTATIONS DAYLIGTHING
    • Phillips Beverage Company,Minneapolis, Minnesota (POSTMODERN HISTORICISM) Sejarah Existing Bahan baru><Bahan lama Warna baru><Warna lama
    • Phillips Beverage Company,Minneapolis, Minnesota (POSTMODERN HISTORICISM) Sejarah perusahaan Bar dalam kantor Penyesuaian dengan yang lama Bentuk baru bahan diulang
    • Solomon R. Guggenheim Museum, New York (NEO MODERN) Sejarah, bentuk, posisi existing Day ligthing><lamp lighting Frank Lloyd’s colour
    • Solomon R. Guggenheim Museum, New York (NEO MODERN) Frank Lloyd’s furniture type Light reflecting surface Form repetition
    • McCann-Erickson Advertising, San Fransisco (NEO MODERN) Change reflection Younger client-younger inovative employes Juxtaposing material, colours & form
    • McCann-Erickson Advertising, San Fransisco (NEO MODERN Penetrating & Intersection dynamic Break out space Unfinished looking
    • HITECH & BIOTECH• KEBUTUHAN MENONJOLKAN TEKNOLOGI TINGGI DENGAN WAJAH YANG LEBIH MANUSIAWI & RAMAH LINGKUNGAN• INOVASI EXPOSE MECHANICAL ELECTRICAL JUXTAPOSE TECHNOLOGY DAN POPULAR LOOK NO STERILE LOOK
    • Chiron Corporation, Biogenetic Engineering, Emeryville, California (NEO MODERN) Low cost – artistic unfinished Reflecting ceiling surfaces Old >< New
    • Chiron Corporation,Biogenetic Engineering, Emeryville, California (NEO MODERN) Sterile Laboratorium >< Street Concept Graffiti Artwork
    • Sybase Corporation, Paris, France (NEO MODERN) Cool Technology >< Warm Colour Logo-Interior Element Shape Artwork Furniture
    • Sybase Corporation, Paris, France (NEO MODERN) Spiral Repetition (Gesamtkunstwerk) Public Image >< Functionalism Working Space
    • Softimage, Santa Monica, California (NEO MODERN) Open >< private space  blue wall Stimulating expression – dynamic composition, juxtapose & superimpose Exposed ceiling – artistic & function Moving workstations Cool Technology >< Pop colour
    • BANKING, INSURANCE, CONSULTANT & LAW OFFICES• KEBUTUHAN TAMPIL ANGGUN DAN BERTRADISI SAMBIL MENGIKUTI PERKEMBANGAN INFORMASI DAN TEKNOLOGI.• INOVASI MIMIC THEIR CLIENTS AMBIGU/HYBRID TRADISI DAN TEKNOLOGI
    • TOKAI BANK, Chicago, Illinois(NEO-JAPAN MODERNISM)  American functional working spaces >< Japan public spaces  Modern Shoji  Japanesse neutral colour >< high tech material
    • TOKAI BANK, Chicago, Illinois (NEO-JAPAN MODERNISM) Silent design Modern tokonoma High tech >< natural
    • SCUDDER, STEVENS & CLARK Chicago, Illinois (POSTMODERN CLASSICISM)  Classic public space – Modern working space  Classic colour & material  Classic furniture  Classic but open approach
    • SCUDDER, STEVENS & CLARK Chicago, Illinois (POSTMODERN CLASSICISM) Rotunda reception – fiber ceiling Cutting & reduction Asymetrical Symetri
    • MEDIA COMPANIES• KEBUTUHAN MENONJOLKAN KARAKTER PEMBAHARU (PEMBERONTAK) TRADISI DAN PENGGUNA TEKNOLOGI TER-MUTAKHIR.• INOVASI INFORMAL FORM & SPACE PLANNING HIGH AESTHETICISM
    • SONY MUSIC INTERNATIONAL, Miami, Florida (NEO MODERN) Modern geometry – New composition Skew grid, curving line Unfinished – natural – hightech juxtaposition
    • SONY MUSIC INTERNATIONAL, Miami, Florida (NEO MODERN) Miesian Elementarism furniture & Architectural detail Interwoven / layering (ceiling)
    • WARNER BROS RECORDS, Nashville, Tennesse (POSTMODERN – NEO VERNACULAR) Country music metaphor without cowboy Regional material Changing colour
    • WARNER BROS RECORDS, Nashville, Tennesse(POSTMODERN – NEO VERNACULAR)  Traditional Rotunda – new style  Warm country colour + black  Traditional construction – new form
    • STEVE GOLD PRODUCTIONS, New York(NEO MODERN – TWENTIES REVIVALISM)  Two dimensional space  Elementarism detail  Mondrian De Stijl in different colour & composition  Natural palette
    • Penggunaan apresiasi dalam proses desain Apresiasi bahasa rupa Kosakata bahasa rupa Inspirasi dalam berbahasa rupa