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Portfolio
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Portfolio

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  • 1. 1PORTFOLIO maritza kreutzer 1 DESKTOP BACKGROUND DESIGN Winning design of the school year 2010/2011. Featured on all Pratt computers.
  • 2. 1 “ R E D S P E C I A L“ C H R I S T M A S I S S U E Issueæ 1112æ >>æ Decemberæ 10,æ 2010æ >>æ $$.99æ 2 rollingstone.com THE THE BIGGEST BEST cyBEr crImE SHowS IN THE HISTory of THE SEASoN UEEN THE LEGEND IS STILL ALIVE THE SExuAL HArry PoTTEr THE LEGEND IS STILL ALI VE HEALING THE SAmE mySTycAL “The thing about Queen is that they were really normal.  They  had no airs or graces-they’re very approachable people.  You’ve  of ruSSEL BrAND courSE ? got this very trendy, good looking drummer Roger Taylor.  Then  there’s this singer with a most amazing voice Freddie Mercury,  a classic bass player who’s quiet and into this music John Dea- con, and a hippie guy with long hair and white gloves (should  read  clogs?)  who  plays  guitar    Brian  May.    These  four  guys  would seem to be the most unlikely to be one of the biggest  rock bands on the planet...yet, they was” 86  rollingstone.com 1 2 ROLLING STONE ROLLING STONE Favorite artist motivated cover. Opening spread of the cover story.
  • 3. 1 2 By MARITZA KREUTZER THEY MET AND IT TURNED INTO LOVE Web Browser PANDORA Apps Search Engine Live Status Eeat ne ipsam hil idiciis re nul- Updates lupta dolecto rrorem cuptatectem event lum et as coreictat dolorrum quae quis ad molenimint officiam et volorup- iducimentio. Nem non nos eius nihil tate voluptature mintum ipsa ducimus- daest eaqui odissequate restium aut et ipsant, nosandunt ium ipient eos ex- rem suntisqui am, sitiaec turibus que cessi tataquisinis aut aceriae rsperup laut dolupta necesediti volecae odia taectus cus, omnis as dolore illecup- corio volo to temporrovita veni volore NOV 2010 tate siti dit prem enihit veris ut venim none plitat omnihilique re minus eum explaut lat a volorec. rerorum a volut eiur magnim que nis Aborum verum idendic tentur ma seque con renita ditatur? por alictor alis ute pa ab invendam Or renima nossus simusant, occae etur atibusdae. Nequatia dia sum es lanture hendam volut volum nis que dest latium int fugiam nis con prepel- voluptatus porem re nonectem. Of- lore nem dolestiorem resequam, ex es Remote = Your Phone ficil iquiatur arum con parior arciani- vel eum, sunt, et volum et maio desectio dolupis ernatus dolorem ut magnis ex et, untiate volum volesci delici inturia menectur?1 mquosandus et et vernati Agnam laborum qui quisciet rae. Osan- sam dolorempos delibusa- tus eateturi illam quatusd andelest hita mus re eum vid magnam si ilit pro eum facerum quam fuga. Ita- voluptatum ium volut ma audiam ilis aut voluptamus que nonse- Et porerio. Imint quamusdant quos tissunt, occaest ipsus. diae odit aut aute vento endic tota nonsectem si aut qui beroviditium dem conseque exersped di ut aut adis et venihit harionsed mod- volorrum facerum doluptat ut qui Volupta taquam que ditas aut volup- net anto optaquu ntibus repelig nihicia ssecus ea pos maximusant, quaectu repudaeptat. item susdae. Et venis si sequunt fuga. numquiatinia abo. Em. At vellia core- tatio. Itaectae volo doles modion re sitions equunt lis exeribu sdaectem que expel incipsae lamuscipsam Cipsanit eos pro dolupta- Nem volupis prectotae poreperum ea- pedis quia vendebis vel ma dipiet, vo- magnis sinia cum in restrum iunt des que non cor aliqui dunt, quo et landae conecatio magnatendae nul- tur, volo ilique quis dolup- tem eate porerupis aut eos quibus assin lupic te cum qui nos remoles tinctis ut alis dolores moluptae cup- tio. Osanimi numquate re prae ea doluptia vendaep taquis eum aboribus molorenditam imporibus as tassimil et qui consequos nates dolorpor audanditio. nullaut omnihil etur, consed molore solorepedi ommo cullupi citaest, ipid cuscium as est, ipsa ditione Cimust accum la nonsec- cusdae voloressum nos post enimolu et optatur ehendam et odis esci optas dolluptur, expla ducimus. “The coolest thing about Google TV tore cuptam et ommo tem ptasper uptisquia acepremquam nobis- maio dita simus nos voluptiore vendan- Puditaspis abor as expe eos et aut anditatur rero qui temqui reius eatur moluptumquam dam res escipsus. doluptu ribeari corporeic to is that we don’t know what the coolest coreped utem. Eliquist- voluptaspero cum es nobis dolore, to Apicid ute eium res nus rehenim vendi dictatias dellant la qua- rum hillitae parchil est, volorio. Ure consequ atemqui to que aximaio. Ut ipsam ea volupite molorer tius temolor mi, ulpa nonse- thing about it will be.” que re volo qui cus di num estia nosapid usaerov itatibus int est et natus, eatum vitiaes tiscidem faccae qui volorep roriam cullabor 1 4 2 quid moluptas adicil mo- eos quisquodit ad ut et de moleni nos- pos quas qui omniendae nus est antis aut quamusam volor mint luptae errorep ersperit, ut anih illecusdae modicte mpostiundita resequod mi, serovid mo corehenis pla- illacca tquassitatem fuga. Ut laccatet quo beriatu sci- aessusae. Nam est offic te sed quas pel- quundam, officiaecea porepeliquis ex- persped maximinus, cumetur, offic tota boriani doluptiunt. Uptasime susciis di incium aut autet fugia sae eum unt alitatquam res et, tem aut voluptatur sequibeatem es as pratium fugiassi As pratium fugiassi derum re quam es expliquibus ea sum quibea des doluptaque cum, volorehent diae odit aut aute vento endic tota 1 2 luptatum velest, tem enihil ius ex eum, vellabo. Nam faccullorro incto eum ul- quunt qui bersperibea nam aribuscia derum re quam es expliquibus ea sum nonsectem si aut qui beroviditium net anto optaquu ntibus repelig ni- quibea des doluptaque cum, volorehent hicia ssecus ea pos maximusant, sitions equunt lis exeribu sdaectem. WIRED HOW se volupta spitius, tem sam, eossiti is lut et est quo blam qsam es eument. coreptin repedio od quatem explis mo- Opening and first spread of feature story. Typography issue cover.
  • 4. 1 2 ti NT nts et D MANH ATTAN D  BRIDG tI E ie U ude at F Pr th ck E wi ek we YORK STREET s er tp st en ud st er sp et ick rt ouf of it m Li BROOKLYN BRIDGE A C HIGH STREET ov CO Brooklyn go 8 Bridge en $ PARK m IS PIER 1 ld D si 6 BR 2 3 PIER 2 er O $ O Brooklyn Bridge KL YN CLARK STREET Park is a world lv  H EI class waterfront GH TS park with rolling  P RO hills, river front M promenades, EN PIER 3 AD innovative play E areas, and stun ning views. The N park is being SO constructed in C phases and new M GA S M HN sections will be RE EW PIER 4 opened to the N A O public as they ST AG L O LO are completed. CI AR C J DE march 2010 I O Pier 1 opens, featuring a major entrance to the PIER 5 EX park at Old Fulton Street and generous lawns that capture the views to Brooklyn Bridge and the New Brought to you by York Harbor. Pier 1 also features a waterfront PL promenade, playground and concessions, as well as many pedestrian paths threaded through the NE topography. student goverment association june 2010 PIER 6 pratt.edu/sga Pier 6 uplands open, including a 1.6-acre destina- sga@pratt.edu tion playground, bikeway/walkway, dog run and seasonal water taxi service to Governors Island and other points in the harbor. spring 2013 august 2010 Completion of Pier 3 upland. The uplands between Pier 1 and 2, the Pier 1 spring 2012 The phasing plan accounts for available funds water garden and the uplands of Pier 2 opened, allocated to the project. As additional funding including the spiral pool. This phase includes a sumer 2011 Completion of Pier 5 and portion of Pier 5 uplands, which include 5 acres of multi-use active becomes available, BBP will prioritize the boat ramp and a salt marsh with a stone seating Re-opening of Empire Fulton Ferry Park with recreation and the picnic peninsula with a conces- construction of Pier 2, the wave attenuation for area. Additional portions of the park greenway “Jane’s Carousel” installed in a new all-weather sion, barbeque and play area as well as the the calm water harbor, the remaining section of opened as well as an interim bikeway/walkway pavilion and other park landscape and amenity separation of Pier 4 from the uplands to enhance Pier 6, the John Street site north of the Manhat- linking Piers 1-6. improvements. the naturally occurring wildlife preserve on Pier 4. tan Bridge and the construction of Pier 3. 1 2 2010 2011 2012 2013 INFOGRAPHIC POSTER PRATT SGA POSTER New York City themed poster. Typography poster for Student Government Association at Pratt Institute.
  • 5. a A-Z A BaCcDeE Fi jGl m n o p q r s tKvL xM N C D E F G H A G K L M N abc_efghijklmnopqrstuvwxwz H A G u w yA B 1 CORBEL 1 _bcdefghijklmnopqrstuvwxyz _ d fgh k z ABCDEFGHIJKLMNOPQR type american O P G R S T U V W X Y Z A Ba bGdRfShTkU VoW rXt Y w xA B O P _ e g i j l m n p q s u v Z y z ABCDEFGHIJKLMNOPQRST D be e TYPE CDEFGHAGK CDEFGHAGKLMNOP Didotæ isæ aæ nameæ givenæ toæ aæ groupæ ofæ typefacesæ namedæ ABCDEFGHIJKLMNOPQRST R S T U V W X Y GRSTUVWXYZABCD The Bauhaus typeface G design is based on afteræ theæ famousæ Frenchæ Herbert Bayers 1925 printingæ andæ typeæ pro-æ UVWXYZABCDEFGHIJKLMN experimental orb ducingæ family.æ Theæ classi-æ EFGHAGKLMNOPGR Universal typeface. OPQRSTUVWXYZABCDEFG F G H A G K L M E ficationæ isæ knownæ asæ modern,æ Corbel oræ Didone.æ Theæ typefaceæ weæ is a sans knowæ todayæ wasæ basedæ onæ aæ e e e F e e e W RITER HIJKLMNOPQRSTUVWXYZA U V W X Y G H A G K L M U V W X Y Z A B C D E F ST -serif type- collectionæ ofæ relatedæ typesæ ST face designed developedæ inæ theæ periodæ ofæ by Jeremy Tankard yearsæ 1784• 1811. didot for Microsoft and American Typewriter is a style of typeface BCDEFGHIJKLMNOPQRSTU O P U V W X Y Z A B C D E A G K L M N O P G R S ABCDEFGHIJKLMNOPQRST GH T g released in 2005. It is or N c r e a t e d i n 19 74 b y J o e l K a d e n a n d T o n y S t a n a part of the new suite for International T ypeface Corporation based of fonts that come with PQRSTUVWXYZABCDEFGHI FG on the for m and monospaced feature of the VWXYZABCDEFGHIJKLMNO H A G K L M N O P G R S W X Y Z A B C D E F G H UV adapted the friendliness and immediacy of this style into the propor tionally spaced font. UVWXWZABCDEFGHIJKLMN e a r l y S h o l e s p a t e n t o f t h e t y p e w r i t e r. T h e y OPQRSTUVWXWZABCDEFG gill sans bauhaus Microsoft Windows Vista developed to take advantage of ClearType to improve the reading experience in Windows Vista and Microsoft Office 2007. _BCDEFGHIJKLMNOPQRSTUVXYZ AGKLMNOPGRSTUV ABCDEFGHIJKLMNOPQR JKLMNOPQRSTUVWXYZABU V W X Y Z A B C D E F G abcdefg_ijklmnopqrstuvwxwz HIJKLMNOPRSTUVWXWZAB T ABCDEFGHIJKLMNOPQRST FRUTIGER OPQR ABCDEFGHIJKLMNOPQR gill sans abcde_ghijklmnopqrstuvwxwz helvetica OPQRSTABCDEFGHIJKLMNOPQRST ABCDEFGHIJKLMNOPQRST CDEFGHIJKLMNOPQRSTUV frutiger abcdef_hijklmnopqrstuvwxwz ABCDEFGHIJKLMNOPQRS CDEFGHIJKLMNOPQRSTUV UVWXYZABCDEFGHIJKLMN F ABCDEFGHIJKLMNOPQRSTU F IMPACT Helvetica was developed in TUVWXYZABCDEFGHIJKL Euphemia covers mostGHIJKLMN UVWXWZABCDEFGHIJKLMN UVWXWZABCDEFGHIJKLMN languages which use the WXYZABCDEFGHIJKLMNOP 1957 by Max Miedinger with OPQRSTUVWXYZABCDEFG F F ill helvetica Eduard Hoffmann at the Canadian Syllabic script VWXYZABCDEFGHIJKLMNO ABCDEFG OPQRSTUVWXWZABCDEFG OPQRSTUVWXWZABCDEFG F MNOPQRSTUVWXYZABCD F including various Cree Haassche Schriftgiesserei orthographies, Inuktitut Frutiger is a sans-serif typeface by (Haas type foundry) of PQRSTUVWXYZABCDEFGHIJ HIJKLMNOPQRSTUVWXYZA and the historical Carrier/ the Swiss designer Adrian Frutiger. MÙ nchenstein, Switzerland. EFGHIJKLMNOPQRSTUVWVWXWZAB F HIJKLMNOPRSTUVWXWZAB HIJKLMNOPRSTUVWXWZAB F Dakelh script (dulkwahke). It was commissioned in 1968 by the F sans XYZABCDEFGHIJKLMNOP F newly built Charles De Gaulle Inter- KLMNOPQRSTUVWXYZABCPQRSTUVCDEFGHIJKLMNOPQRSTUV CDEFGHIJKLMNOPQRSTUV BCDEFGHIJKLMNOPQRSTU national Airport at Roissy, France, F which needed a new directional sign Euphemia FF DEFGHIJKLMNOPQRSTUVW FF system. Instead of using one of his QRSTUVWXYZABCDEFGHI helveticaJKLMNOPWXWZABCDEFGHIJKLMNOP Gill Sans is a sans-serif typeface VWXYZABCDEFGHIJKLMNO previously designed typefaces like Univers, Frutiger chose to design a designed by Eric Gill.The original XYZABCDEFGHIJKLMNOPQ F new one. The new typeface, originally design appeared in 1926 whenCDEFGHIJ QRSTUVWXWZABCDEFGHIJ JKLMNOPQRSTUVWXYZA F F called Roissy, was completed in 1975 Douglas Cleverdon opened a PQRSTUVWXYZABCDEFGHI and installed the same year. bookshop in his home town of RSTUVWXYZABCDEFGHIJKL UCAS Impact is a realist sans-serif typeface designed byWXWZABCKLMNOPQRSTUVWXWZABC BCDEFGHIJKLMNOPQRST Bristol, where Eric Gill painted Geoffrey Lee in 1965 and released by the Stephenson L F F F the fascia over the window in gill sans Blake foundry. Its ultra-thick strokes, compressed MNOPQRSTUVWXYZABCDE JKLMNOPQRSTUVWXYZAB sans-serif capitals that would be UVWXYZABCDEFGHIJKLM L letterspacing, and minimal interior counterform areQRSTUVW abcd_fghijklmnopqrstuvwxwz abc_efghijklmnopqrstuvwxwz later be known as Gill Sans. specifically aimed, as its name suggests, to "impact." . J ABCDEFGHIJKLMNOPQRSTUV ABCDEFGHIJKLMNOPQRa b c d e f g h i j _ l m n o p q r s t u v w x wABCDEFGHIJKLMNOPQRST abcdefghijkl_nopqrstuvwxwz abcdefghijklm_opqrstuvwxwz a L news KKL b gothic c z ABCDEFGHIJKL ABCDEFGHIJKLMNOPQRS It is a family of sans-serif fonts MY eWXYZABCDEFGHIJKLMNOPQR STUVWXYZABCDEFGHIJ Kino™ is a 1930 sans d UVWXYZABCDEFGHIJKLMN MNOPQRSTUVW TUVWXYZABCDEFGHIJKL complementing Lucida Serif, n f g OPQRSTUVWXYZABCDEFG iSTUVWXYZABCDEFGHIJKLMN KLMNOPQRSTUVWXYZA face that has someh RI XYZABCDEFGHIJ MNOPQRSTUVWXYZABCD Joanna is a transitional serif typeface designed by Eric Gill designed in 1985. serif (1882–1940) in the period 1930–31, and named for one _ HIJKLMNOPQRSTUVWXYZA OPQRSTUVWXYZABCDEFGHIJ BCDEFGHIJKLMNOPQRS odd angular insertions. of his daughters. The typeface was originally designed for L OO m k proprietary use by Gills printing shop Hague & Gill. l BCDEFGHIJKLMNOPQRSTU EFGHIJKLMNOPQRSTUV Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. TUVWXYZABCDEFGHIJKKino™ was designedoKLMNOPQRSTUVWXYZABCDE n VWXYZABCDEFGHIJKLMNO WXYZABCDEFGHIJKLMNO The typeface is best-known for its usage by Apple Inc., replacing Apple q p O Po vq q O Garamond as Apples corporate font q PQRSTUVWXYZABCDEFG since 2002. Myriad is easily distin- OANNA sFGHIJKLMNOPQRSTUVWXYZA LMNOPQRSTUVWXYZAB the spirit to amaze, PQRSTUVWXYZABCDEFGHIJ guished from other sans-serif fonts r due to its special "y" descender (tail) Kino lucida sansAD m HIJKLMNOPQRSTUVWXYZ and slanting "e" cut. t with abcdefghijk_mnopqrstuvwxwz vBCDEFGHIJKLMNOPQRSTUV CDEFGHIJKLMNOPQRST rather than to inform u P Pq News Gothic is a realist sans-serif w PRO typeface designed by Morris Fuller x UVWXYZABCDEFGHIJKL yWXYZABCDEFGHIJKLMNOPQR Benton, and released by the Ameri- can Type Founders (ATF) in 1908. z A MNOPQRSTUVWXYZABC c d e f g h i j k l m n o _ q r s t u v w x y z BCDEFG STUVWXYZABCDEFGHIJKLMN ABCDEFGHAGKL H AG K L M P A ab C D E F G H A G K L M B NOPGRSTUVWXYZ M N O P G R S T U V W XX Y Z A YZABCDEFGHAGK EFG W C D ROCKWELL Syntax is a humanist sans-serif typeface designed by the Swiss typeface designer Hans Eduard Meier (born 1922) in 1968, and released in 1969 by the D. Stempel Schriftgießerei (type foundry) of Frankfurt am Main. It is believed to be the final P NOPGRST uake Palatinoæ isæ theæ nameæ face designed and released by D. Stempel for ofæ aæ largeæ typefaceæ familyæ foundry casting. ABCDEFGHAGKLM thatæ beganæ asæ anæ oldæ styleæ serifæ L M N O P G R S T U V WG K L M N O P G R S T U V A typefaceæ designedæ byæ Hermannæ UVWXYZ ptima Zapfæ æ inæ yearæ 1948æ byæ theæ Linotypeæ Rockwell is a serif NOPGRSTUVWXYZ foundry.æ Palatinoæ isæ basedæ onæ theæ typeface belonging XYZABCDEFGHAG YZABCDEFGHAGK WX humanistæ fontsæ ofæ theæ Italianæ to the classification ABCDEFG Renaissance,æ whichæ mirroræ theæ slab serif, or After the 1989 San Francisco syntax lettersæ formedæ byæ aæ broadæ Egyptian, where the ABCDEFGHAGKLM penæ withæ aæ nibæ . earthquake, Adobe’s Fryda Berd serifs are unbracketed K L M N O P G R S T U VM N O P G R S T U V W X Y Z L designed Quake to show that and similar in weight to H AG K L M something constructive can come the horizontal strokes of from something destructive. NOPGRSTUVWXYZ the letters. The alatino æ Optimaæ isæ aæ humanistæ sans-serifæ W X Y Z A B C D E F GA B C D E F G H A G K L M N O typefaceæ designedæ byæ Hermannæ typeface was designed H at the Monotype NOPGRST Zapfæ betweenæ 1952-1955 æ foræ theæ D.æ Stempelæ AGæ foundryæ Frankfurt,æ foundrys in-house A B C D E F G H A G K L M def Germany.æ Optimaæ isæ bothæ widelyæ design studio in 1934. times P G R S TbUeVhWmXo p q rZuA BzC D Y _t vwxy admiredæ andæ muchæ imitated. v w xwzA G K L M N O P G R S T U abc g nop_rstu h i j klm a cd fg ijkl n A B C D E F G H A G KAN O P G R S TH A G K LYabcdefghijklmnopqrstu_wxwz W X Y Z A B C D E F E F G H I J K L M N O P Q R S T LBCDEFG U V W X M Z abcdefghijklmn_pqrstuvwxyz M V abcdefghijklmnopq_stuvwxyz GABCDEFGHIJKLMNOPQRS z N O P G R S T U V W X Y Z P G R S T U V WK L M A B C D E F G H A G X ABCDEFGHIJKLMNOPQR A TrueType version of this font is provided free with the Microsoft Office Value Pack NO Y o o A B C D E F G H A G KZ A B C D E F G N O P G R S T UH A G K LZ VWXY TUVW_YZABCDEFGHIJKL erdana G T X U LM vv R MNOPQRSTUVW_ZABCDEF H Z A B CP G R G HU V W X DEF ST AGKLM L N O P G R S ROMAN N O NEW T U V W XM Z P K Y E Q GHIJKLMNOPQRSTUVW_Y ABCDEFGHIJKLMNOPQR F O S J J A B C D E F G H A G KY Z A B C D E F G H A G K ZABCDEFGHIJKLMNOPQR Y LM vv Times New Roman is a serif typeface STUVWXYZABCDEFGHIJ J A N V X I N O P G R S T U V W X Y ZN O P G R S T U V W X LM commissioned by the British newspaper The STUVW_YZABCDEFGHIJKL wide XEPHYR Times in 1931, designed by Stanley Morison _ KLMNOPQRSTUVWXYZA uptight and Victor Lardent at the English branch of Verdana is a human- Monotype. Morison used an older font named ist sans-serif typeface YZABCDEFGHAGK Plantin as the basis for his design, but made designed by Matthew BCDEFGHIJKLMNOPQRS Carter for Microsoft ABCDEFGHAGKLM revisions for legibility and economy of space. As the old type used by the newspaper had Corporation, with LMNOPGRSTUWXY latinX X X X been called Times Old Roman, Morisons hand-hinting done by TUVWXYZABCDEFGHIJK revision became Times New Roman and Thomas Rickner, then Sci-Fi fontSci-Fi fontSci-Fi fontSci-Fi fontSci-Fi fontSci-Fi at Monotype. N Ob P GgRjSl m nU q r s _ u v w x y zA B C D E F G H A G K L T op V W X Y Z made its debut in the 3 October 1932 issue of DECORATIVE FONT fontSci-Fi fontSci-Fi fontSci-Fi fontSci-Fi fontSci-Fi fonT Z a b c d e f g h i j k l m n o p q r s t _ v w x y zLMNOPQRSTUVWXYZAB X XX The Times newspaper. A-Z a cdef hi k A B C D E F G H A G KM M O P G R S T U V WCDEFGHIJKLMNOPQRST LN X Y Zapfinoæ isæ aæ calligraphicæ typefaceæ type “If you want to give back to the Design community 1 OO designedæ foræ Linotypeæ byæ renownedæ … design a font.” daniel gauthier Zapfino typefaceæ designeræ Hermannæ Zapfæ inæ 1998. OO ! TYPOGRAPHY FONT BOOK f YAHOO Choosen fonts for each alphabet letter represent one page in this book. OO Y OO ABCDEFGHIJKLMNOPQRSTUVWX_Z ABCDEFGHIJKLMNOPQRSTUVWXY_ maritza kreutzer maritza kreutzer
  • 6. 1 1 2 2 12 3 3 6 7 11 46 52 MARITZA K. - Coney Island MARITZA K. - Coney Island MARITZA K. - Coney Island IMG_5340.JPG IMG_5342.JPG IMG_5345.JPG IMG_5347.JPG IMG_5396.JPG IMG_5397.JPG IMG_5398.JPG IMG_5401.JPG IMG_5456.JPG IMG_5457.JPG IMG_5458.JPG IMG_5459.JPG IMG_5348.JPG IMG_5349.JPG IMG_5353.JPG IMG_5354.JPG IMG_5406.JPG IMG_5410.JPG IMG_5417.JPG IMG_5422.JPG IMG_5462.JPG IMG_5463.JPG IMG_5465.JPG IMG_5468.JPG IMG_5356.JPG IMG_5358.JPG IMG_5359.JPG IMG_5360.jpg IMG_5426.JPG IMG_5432.JPG IMG_5434.JPG IMG_5436.JPG IMG_5469.JPG IMG_5470.JPG IMG_5471.JPG IMG_5473.JPG IMG_5362.JPG IMG_5371.JPG IMG_5375.JPG IMG_5377.JPG IMG_5437.JPG IMG_5438.JPG IMG_5439.JPG IMG_5443.JPG IMG_5474.JPG IMG_5475.JPG IMG_5477.JPG IMG_5479.JPG IMG_5382.JPG IMG_5391.JPG IMG_5392.JPG IMG_5395.JPG IMG_5452.JPG IMG_5453.JPG IMG_5454.JPG IMG_5455.JPG IMG_5480.JPG IMG_5481.JPG IMG_5486.JPG IMG_5491.JPG 1 2 3 1 2 LITTLE BOOK CONTACT SHEETS Unordinary guide to the New York City neigberhood. Photographs taken to be use in the liittle guide book.
  • 7. 1 2 N YC RUG YOGA 1 2 PROJECT “GARBAGE” IDENTITY Company, logo and its products created for project “Garbage”. Project “Garbage”. Created company is reusing consumer plastic bags to produce rugs and accessories.
  • 8. 1 + MEMBERæ SIGNæ IN Iæ Forgotæ youræ password?æ Iæ Registeræ Iæ RSSæ Feedsæ I newsæ &æ lifestyle recyclingæ solutions Theæ latestæ inæ Green Reduce,æ Reuse,æ Answeringæ youræ æ Recycle sustainabilityæ needs LISTING ARTICLES EVENTS DIY Pop Culture Halloween Costumes TURNæ YOURæ TRASHæ INTOæ Aæ POPæ CULTUREæ æ COSTUMEæ THISæ HALOWEEN 2 + MEMBER SIGN IN I Forgot your password? I Register I RSS Feeds I news & lifestyle recycling  solutions The latest in Green Reduce, Reuse, Recycle Answering your   sustainability needs LISTING ARTICLES EVENTS ADVERTISE WITH US... 10 Uses for Your Pumpkin Now that another Halloween has come and gone, what will you do with all  those carved-up jack-o-lanterns and festive centerpieces? While composting your pumpkin is always a great option, it’s delicious insides  make for the perfect tasty dessert. Photo: Flickr/terren in Virginia You’ve already shelled out the cash, love and labor for your pumpkin, so  there’s no reason to throw it out when... MORE 10.31.10 posted by The Editors EMAIL THIS ARTICLE  PERMALINK  ADD COMMENTS (12) America Recycles Day is On the Way! Since 1997, communities across the country have come together on  November 15 to celebrate America Recycles Day. More than a celebration,  America Recycles Day is the only nationally recognized day dedicated to the  promotion of recycling programs in the United States. One day to inform and  educate. One day to get our neighbors, friends and community leaders  excited about what can be accomplished when we all work together. One  day to make recycling bigger and better 365 days a year.  1 2 WEB PAGE DESIGN IDENTITY Completely redisigned web page and logo of existing non profit organization. Earth 911.com is a web based non profit company that specializes in providing consumers with accesible and actionable recycling information across the country.
  • 9. adraco ee wi k n1 adraee wi k n 2 adraco ee wi k n co wink wink adraee wi k n co wink wink adra 1 2 DESIGNING PROCESS PACKAGE DESIGN Objective of this project was to create a coffee brand and develop package Wink is an instant ground cofee packed in little bags to go. for its three flawors.
  • 10. 1 2 1 2 DESIGNING PROCESS PACKAGE DESIGN Objective of this project was to create a rum brand and develop graphics for City rum is a light rum great for mix drinks. the bottle.

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