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Music in VN

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  1. 1. Music in Viet Na m Clla Ca ss:: 10a01 ss 10a01Grroup 1G oup 1
  2. 2. North
  3. 3. Introduction Quan ho singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups ofQuan ho in the female and maleNorth singers issuing musical challenges and responses, and
  4. 4. History The quan ho style originated in what is now Bac Ninh Province and was first recorded in theValue 13th century, and Quan ho is has traditionally beenrecognised as the associated with theIntangible Cultural spring festivals thatHeritage by the follow the celebrationUNESCO in 2009. of Tet Historically, the singing began on
  5. 5. unaccompanied, itIn general, an initial is common todaychallenge phrase for the singers tofrom the known be accompanied bybody of songs is instruments,sung by a pair of whether traditionalfemale singers, Vietnamesefollowing which a instruments orpair of male singers modern ones suchwill respond by as electricselecting and keyboards.singing a matchingphrase, which must
  6. 6. NowadaysThere are a hugenumber of q ua n homelodies, withthousands ofdifferent songshaving beenrecorded andwritten down inscore form. Asimpler variant of
  7. 7. Chú thích hình Chú thích hình
  8. 8. NorthHue
  9. 9. History Nha nhac is a form of Vietnamese court Music. Vietnamese court music is very diverse, but the term nha nha c (Han Tu: 雅樂, meaningNha nhac at “elegant music” orHue “ceremonial music”) refers specifically to the Vietnamese court
  10. 10. (Vietnamese royalmusic) and itsprinciples came toVietnam under the HoDynasty (1400-1407).The Ho Dynasty, , However, nha nha chowever, only existed only began to developfor a short time so nha in the reign of King Lenha c rapidly fell into Thanh Tong (1460-oblivion. In 1427, Le 1497) and reached itsLoi defeated the peak under theChinese Ming Nguyen Dynastyinvaders and liberated (1802-1945). It isthe country.
  11. 11. it as the officialcourt music, and itbecame an N nha c is genre haessential part of of scholarly music.the extensive It attracted therituals of the royal participation ofpalace. many talented songwriters and musicians, with numerous traditional musical instruments. From now on, nha nha c will have
  12. 12. “Vie tna m e s e ro y a l Value m us ic re p re s e nts a nOn November 7, e le g a nt a nd re fine d2003, UNESCO m us ic . I d e a ls with tbestowed world the m us icheritage status on p e rfo rm e d in the im p e ria l c o urts a nd28 relics of nations o n d iffe re ntas masterpieces of a nnive rs a rie s ,oral and intangible re lig io us fe s tiva ls ,heritage of a nd o n s uc hhumanity. Among p a rtic ula rthe 11 masterpieces o c c a s io ns . O f the
  13. 13. Performance:Vietnamese courtmusic was performedat annual ceremonies,includinganniversaries andreligious holidays, aswell as special eventssuch as coronations,funerals or officialreceptions, by highlytrained and skilledcourt musicians. Along
  14. 14. on nha nhaccame from theMing dynastycourt of Chinalater on therewere alsoadapted a fewelements from Dàn đại nhạc nhữngthe music of năm 60 chuyển sangChampa, which tiếng anh nhar hươngthe Vietnamese
  15. 15. Dàn nhạc cổ điển Huế đầuthế kỉ 20
  16. 16. Instrumentscommonly used fornha nha c include“”ke n ba u” (conicaloboe), “d a n ty ba ”(pear-shaped lutewith four strings),“d a n ng uy e t” (moon-shaped two-stringlute), “d a n ta m ”(fretless lute withsnakeskin-coveredbody and three
  17. 17. ĐànKèn bầu Tỳ Bà
  18. 18. Đàn Nguyệt Đàn Nhị Đàn Tam
  19. 19. Sáo Trống
  20. 20. Hue South
  21. 21. History Ma River ShantyThe Ma River (Ho in theSong Ma) has Northwitnessed manysevere battles ofVietnamese peopleagainst theinvaders and thetoughness of thelabor men – thepatriotic, the labor
  22. 22. Sp iritua l va lue sThe boat paddlercreated the shantyin the rhythm ofpaddling to get ridof tired, andencourage the spiritof both paddlersand guests.Therefore, theshanty is strong
  23. 23. South Vietnam, the river inThanh Hoa has many waves and the salty of the sea mouth, which contains the braveness of the Centralpeople who often face up with the calamity and war.However, they would not stop the creative mind of the folk artisan. Therefore, Ma Rivershanty has still available and
  24. 24. the French and American, thisshanty was used by thefrontier conscripted laborer,soldiers and volunteeryoungster in encouraging thepulling the cannon, digging thetunnel, operating, in thesinging activities. In the rear,this shanty is also used toencourage people to cultivate
  25. 25. Chúng ta hãy cùng nghe 1đoạn hò giữa một chàng traivà một cô gái,
  26. 26. MA NHA QUAN HO RIVER NHAC SHANTY To polish, Solemn,melody Simple, plain fastidious lyrics elevatedcostume Ao tu than Ao dai Ao ba ba In temples, in On the riverperformance In palace yards (Ma River)
  27. 27. Ao tu than, la chiec aodac trung cua nguoi phunu o mien bac, thân ao gom bon mảnh nên dc gọi là tứ (four) thân (thân áo tiếng anh)
  28. 28. Ao dai la trangphuc dac trung cho nguoi phu nu Viet Nam,dac biet ao dai cua phu nu oHue la mau tim
  29. 29. Ao ba ba la trang phucdac trung cua phu numien Nam
  30. 30. Dù có những khác biệt nhưng nhữngfolk music đều mang một điểm chung đó là thể hiện tính cách, suy nghĩ, và phản ánh con người của từng vùng Ngày nay, nó trở thành một món ăn miền, Âm nhạc là cách để con người tinh thẩn của con người Việt Nam, thoát khỏi những mệt mọc của lao một nét đẹp để giữ gìn, phát huy,… deđộng, là cầu nối cho những mối duyên nhung folk music mãi trường tồn theo tình trai gái. năm tháng.
  31. 31. T H A N KTHE EN S D O F R L I S T E N I N G