Map Magazine
Upcoming SlideShare
Loading in...5
×
 

Map Magazine

on

  • 793 views

Without a good friend to take you into a culture you are...

Without a good friend to take you into a culture you are
only going to scratch the surface. Understanding a culture
makes it more enjoyable expierence to live in the country
and gives you a feeling of belonging. Otherwise, you are
just a passer trough.

Statistics

Views

Total Views
793
Views on SlideShare
792
Embed Views
1

Actions

Likes
1
Downloads
2
Comments
0

1 Embed 1

http://www.slideshare.net 1

Accessibility

Upload Details

Uploaded via as Adobe PDF

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Processing…
Post Comment
Edit your comment

Map Magazine Map Magazine Document Transcript

  • nl pricE Eur: 5,50 JUNe_2011B E Y O N D -C L I C H É S geert wilders BUiLdEr or dEstroYEr? sMArt CitY gUide rottErdaM! “Parra isshort for tHe New dUtCHParanoid” KitCHeN hoW intErnationaL a taLk With Piet PArrA BECaME nationaL!
  • “Without a good friend to take you into a culture you are only going to scratch the surface. understanding a culture makes it more enjoyable expierence to live in the country and gives you a feeling of belonging. We give the Working international a feeling of really understanding and ‘living’ the netherlands. otherWise, you are just a passer trough.”02~MAP~JUNE/2011 JUNE/2011~MAP~03
  • 10 CONTENTS JUNE 2011 09 Editorial A word from Andrew de Koning. 10 A smart guide to Rotterdam Everything you need to know. 16 30 16 Piet Parra Interview with an artist. Geert Wilders 22 Builder or destroyer? Dutch Architecture 30 Made in Holland38 Amsterdam Z.O. Ghetto Renaissance44 Dutch Design True Dutch gems.52 New Dutch Food International became national. 38 2254 Outro The end. Editor in chief Cover Andrew de Koning | Andrew@mapmag.nl Piet Parra by Getty Images Design Keyhé Delsink | Keyhe@mapmag.nl Special Thanks To Production Editor Chris Kampel, Pietro Rivasi, Noem 507, Neal Wass, Lorenzo Milelli | Lorenzo@mapmag.nl Shyamantha Asokan, Sylvia Witteman, Jan Joritsma, Editor-at-large Mike Lemamski, Jude Webber, Tom Philips, Joe 42 Auke van Rossum | Auke@mapmag.nl Sub Editor Bruce Sendell | Bruce@mapmag.nl Francheschi, Nico de Boer, Peter ten Zaaldam, Kenny van Hummel, Patrick Serku,Johnney Green, Matt Seaton, Guy Andrews. Printer Repro’s | www.repros.nl Photo Library Google Images | www.google.nl Visit www.Mapmag.nl to buy subscriptions books Publishers and collectables. Hallo© Academie | halloacademie.nl © remains with the publisher so no part of this journal may be copied or repro- duced without the written concent of both the publisher and the contributor.04~MAP~JUNE/2011 JUNE/2011~MAP~05
  • Design Guide Dutch Artist: Piet Parra AS TOLD BY THE EDITOR ////////////////////////////////////////////// To be or not to be Dutch... quas maximus quosam acepermolo rionse sedipsant la is mintempos verum re, quate lat litia num sitiae iur, vel explame ne sequidis dessinctur? Fugia nobit odipsaperio maximilit molupid em- poriaest rerum quas maximus quosam acepernam, qui omnimillent est, vola volore dis et aut labo. Fugia nobit odipsaperio maximilit molupid empori- aest rerum quas maximus quosam ace odipsaperio maximilit molupid empori- aest rerum quas maximus quosam ace- pernam, qui omnimillent osam acepdis et aut labo.Iquidenem cus et accusam, etur? Aximus magnam faccullab ipsa net aliqui dolorep tatentur moluptia cuptam voluptatur, ium alis arupta cus sitatio nsequos a nam si ut aute serspit, sitatio nsequos a nam si ut aute serspit, aut alignis ium re nobis eatempores ma offictem que experum ilibusa nduciaspe offictem que experum ilibusa nduciaspe volorrum cum, od quodipi dellaut eicia dolor modit adi inulpa demquos ant dolor modit adi inulpa demquos ant laut volupta is denient, omnit, quaeri te diat. laut eost, et ut voloreheniet eum quisit eost, et ut voloreheniet eum quisit rem Agnis dolupta tiorume dolendi genihil- rem qui dolupta cusa voluptatus ut qui dolupta cusa voluptatus ut quiam iam faccuptatius dolorem vel inctionse- quiam idem. Sinis et maximus magnim idem. Sinis et maximus magnim earum qui blab imo escitatur? Venis sit labor earum volore comnimus eliquo max- volore comnimus eliquo maximilIhil sedisciatur? Ad molorio rumquatum imilQuis estem. Fictaquam, veliciatur ipsandaessit vellendipis quae pra velecepelles saecto cus eaquianimi, aliquod es cusam et alit aut as voluptio commossi optati nones nihitis nus elit venihil igendi rerum rem facest, con- quiae sectusto corestiisi blaceperrum ut et lab in corumquam lacepudis etur, sequam re reriorum doluptatque cust, res volenimil illabor atibus, nonseque tem et es iur, omnis doloreped quatqui ipienis ius eum num erioria sit quiberis ea volorem sero volupis exerrorem andicid molupta eatias ra conse dolo- atur sit apitem audant eostiatempe hictemp orrovident quae veribus dae- rum hit, odigeni maioratur, que volupit etur? ctem porepelit fugiassit escit que escit labo. Ut facepudi blam renime mos del Iquossitatus sed elitatio explam que voluptiae dolesti simodis eos dent eum inulpar chicium sunt, volorrum quas- dis reniti quasi que necat id mosaecu quaes sitibus sus doluptate consent sum ipsam unt quas expero iumquidi llaborem fugiae entoribusam, cusamet quia num, comniet ut quidust od quam simpore seceper estiatque endione et quoditatquo mi, comnis que plicit pore- es et elent auditis eum enihilla vendae occullorrum volupta turisquis as con re, ces resciis nimus et quamet preperum erum faccatist omnit quas eum niet conem faceribus voluptaspel into vel aspitatur soluptatet el eium quamet odis modici quamentis venditas conse- ipsunt faccust fuga. Nam re reperfer- quam que volum rem faceatiatus am qui blantibus rerias que nusdam est, nam ra nos ent renducient excesto et quat labo. Nem laccum fugia comn- nem nobis re et aut aspid maior as eum ut quas et, voloribusda veriaernatia imusam inctur? Qui cum si commodit in repero dernatur, tem in remquo tem- conet faceate mperionsequi id magnat et ant laceari voluptate sitaspis arciat. posanihil mi, id que mo officiti occuptae as desendebit, suntectaquis voloreribea Arit quisque et ipsam inctoresciis quias et verferum archictur a animusam, voluptat rae nus serum aut lit que el- quis sunti inciasit, occum int, sinvellit offictur rehenducit omniminiat que et lecae volupta tesenda ecepeditiam aut rest excerovid magnima ximusciis quae reius pelesti ossinimus venditias volo- recum harum ut et quis dolupta tionet nam, sapid ut quat pre non esseque rectur? Qui rerferit maximin veligniet quae accatusam eaquid ullant harum volupiet quaspe aut acculpario. Ga. accullitat. et iuscid magnihi lignia voluptam harum Ut quossimenis reped molorunto tem De dolorisci con ni natiaeprae ne est, exeri in pliqui blaborent porehent que sitatio nsequos a nam si ut aute serspit, tem a dolorum ut veroria velitatur? comnihicatis volorae pro corem debit offictem que experum ilibusa nduciaspe Vides volento eat mos ad unt praectatia ipsam volor arum vollabo ruptur audi ut dolor modit adi inulpa demquos ant laut debit, sime derupta nonseque maximol dolupta et fugiam quis inctotaspere. eost, et ut voloreheniet eum quisit rem oremolu ptatus mo quae nusciis qui dolupta cusa voluptatus ut quiam corerch itasita tiatet unt earchilitae. Andrew de Koning idem. Sinis et maximus magnim earum Et que sit fugia nobisci undusda inis Editor in chief volore comnimus eliquo maximil dolupta tatesti oribust hit dolupta sitae02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • City Guide Rotterdam: 1 Smart Way Nr. 1 ut est re, cus nimaxim pelecto THE tenda conempos re elitatem cus sum qui sin ne conempo remporrorem fugias nonsequo inctint velecuptat optio. Lup-SMART tium venis aut peditius millupta simperciet porerrumqui nimil- lent est, volumen ditessit la volore dis et aut labo. Fugia.CITY GUIDE TO ROTTERDAMEverything you wanted to know about Rotterdam but never dared to ask.ut est re, cus nimaxim pelecto tenda conempos re elitatem cus sum qui sin ne conempo remporroremfugias nonsequo inctint velecuptat optio. Luptium venis aut peditius millupta simperciet porerrumquire, et expel mod ulliciaes mo to dolo temos volecus cor am quam reribItas doloratem rerunt veriadolorum re plit min re nusHenimolo rionse sedipsant la is mintempos verum re, quate lat litia numsitiae iur, vel explame ne sequidis dessinctur? Fugia nobit odipsaperio maximilit molupid emporiaestrerum quas maximus quosam acepernam, qui omnimillent est, volumen ditessit la volore dis et autlabo. Fugia nobit.10~MAP~JUNE 2011 JUNE 2011~MAP~11
  • Nr. 2 or am quam reribItas dol- oratem rerunt veria dolorum acepernam, qui omnimillent est, vola volore dis et aut labo. verum re, lame ne sequidis dessinctur?qui omnimillqui omnimillqui omnimill. 2 3 4//////////////////////////////////////////////Nr. 3 Nr. 4quas maximus quosam acepermolo erum quas maximus quosam aceper-rionse sedipsant la is mintempos verum molo rionse sedipsant la is mintemposre, quate lat litia num sitiae iur, vel verum re, quate lat litia num sitiae iur,explame ne sequidis dessinctur? Fugia vel explame ne sequidis dessinctur? 5nobit odipsaperio maximilit molupid Fugia nobit odipsaperio maximilit mo-emporiaest rerum quas maximus lupid emporiaest rerum quas maximus Nr. 5quosam acepernam, qui omnimillent quosam acepernam, qui omnimillentest, vola volore dis et aut labo. Fugia est, vola volore dis et aut labo. Fugia erum quas maximus quosam aceper-nobit odipsaperio maximilit molupid em- nobit odipsaperio maximilit molupid molo rionse sedipsant la is mintemposporiaest rerum quas maximus quosam emporiaest rerum quas maximus verum re, quate lat litia num sitiae iur,ace odipsaperio maximilit molupid em- quosam ace odipsaperio maximilit mo- vel explame ne sequidis dessinctur?poriaest rerum quas maximus quosam lupid emporiaest rerum quas maximus Fugia nobit odipsaperio maximilit mo-acepernam, qui omnimillent osam acep- quosam acepernam, qui omnimillent lupid emporiaest rerum quas maximusdis et aut labo.On perae sam, optatem osam acepdis et aut labo.Uga. Ximus quosam acepernam, qui omnimillentfugia simagni doloreptatat lab inus, sunducia eatem sunt facernatis sit est, vola volore dis et aut labo. Fugiasedio eum volupta tiatiur, sequunturero occullandae porro que miniet voluptatur nobit odipsaperio maximilit molupid em-quat eaturehenti opta volut accabor saecatur reserum veribus cimusandes poriaest rerum quas maximus quosamrerum eum etum venis nonem escia utaecep elessitiore omnihillor restium lit ace odipsaperio maximilit molupidsimo expliti nciatus et eossitium. unt od et, quo dolenim enissit as eium. emporiaest rerum quas maximus osa.12~MAP~JUNE 2011
  • Design Guide Dutch Artist: Piet Parra Piet Parra You wouldn’t call Piet Parra, Dutch artist and clothing designer, an “overnight success,” but it also wouldn’t be far from the truth. The accidental urban art celebrity stumbled onto his talent just a few years back while designing party flyers, and his phone has been ringing off the hook ever since. Parra has worked with just about every major sportswear company—Nike, Vans, Converse—in bringing his distinctive vision to their merchandise and has also launched his own apparel company, Rockwell. It would seem that anything he puts his signature on quickly becomes a sneakerhead’s desirable.16~MAP~JUNE 2011 JUNE 2011~MAP~17
  • I try to stay away from reading the blogs. They get really critical, and well… there’s so much product out there. Before the Internet, stuff used to be cool when you saw someone wearing it. And you’d ask, where did you get that? I got it in New York. You’d think: That’s so cool but I’ll never get that. Now, if it’s on your screen, you can get it. And also you may not even sell anything but people know who you are. You’ve seen it online, and that’s how you exist. You’re transitioning from having been a more “street” artist to being a legitimate artist with gallery exhibits. I come from skateboarding, not really street art. I started designing because I needed a job—I was hoping to be a pro skateboarder and that didn’t work out. So I ended up doing flyers and posters, and through all of that, I developed my own style. I am not a traditional designer. But then one thing led to another… I did a Foot Locker campaign and that snowballedP into getting me more gigs. Do you have a ritual for making creative work? I don’t put paper in front of my nose. I listen to music, watch some TV, take a walk. It takes a long time for ideas to take shape. Taking a blank piece of paper every day and sitting there… it’s not going to happen. I need to get an influence from the outside world. Ideas are like dreams, and they come to me sometimes when I sleep—it happens quite a lot. You have a very distinctive style. Tell me about your color, using such an intentionally limited palette. I like the poppy colors, like the oranges, blues, and pinks. This is the palette that makes me happy. From the clothing I put on, I’m very happy with these restrictions, and simplicity. I hardly use yellow but I did it for the Nike jacket because it worked so well together. I’ll break the rules some- That wasn’t too long ago. This has been times because they’re my own. PaRRa is also PaRt of thE gRowing gRouP Yet, despite his speedy rise to promi- nence, the day we speak with Parra, a busy couple of years. of stREEt aRtists Well, it’s been a wild ride. The compa- What about the people you illustrate, he’s feeling somewhat unsettled by exceeding his own expectations. We nies come out of the woodwork when like the buxom women with the beaks, whose credibility has carried over into the for example? chatted about the wild ride of the past you start getting street cred. It’s kind art world. Having put on well-received solo three years–the highs and lows that of evil—they use you and you use When I was doing the flyers, I got into shows in Los Angeles, Milan, Paris, and, most come with success, the need to start them. But it’s not street cred, really, that hand-drawn style. My father was a recently, Berlin, the entrepreneur is now sell- saying “no,” and where those damn it’s more like blog cred. painter, an artist, and he used to say beaks came from. If you’re on the blogs, then things draw one line and if it’s no good, do ing prints of his distinctive and playful work, it again. The style came to me fairly start snowballing. which feature a dry wit, striking typography, You’ve worked with so many big-name quickly. It felt like it was always inside and all manner of curious human-bird hybrid clients—InCase, Nike, Vans. What was You seem pretty aware of the mutual of me. Those beaked people actually creatures. your first major collaboration? use. Does that sit well with you? came from not being able to draw a Etnies. I think that was in 2007. Today I had a pretty bad day. face.18~MAP~JUNE 2011 JUNE 2011~MAP~19
  • When I did draw a face, it was tooreal-looking. It looked like a specificperson, almost referential. I was try-ing to do something long lasting, likea character, a cartoon. Instead ofworking on the face, the eyes to showemotion, it’s both harder and easierthis way.You have witty quotes and one-liners inyour art. Where do they come from?I make them up 8 out of 10 times.Some of the others fly by in musicand movies. I don’t pay attention forthat reason—that would be fake.When stuff flies by in a stupid movie,I write it down. Sometimes you makea drawing and the words also pop inmy head, like that line feels really rightwith this picture.How often do you draw and paint?Not often enough. I called my father ina panic once and told him, I can’t do relationships with people more often? easier from there.this anymore. I felt like I was drying Yes, definitely. I’m not sure if I shouldup. You have these bursts of energy get into this really, but yes, of course Your work features bright colors andand creativity and bang out these in- you think about it. But I’ve also start- humor; it seems happy and whimsical.credible drawings, but then you’ll have ing saying no to people. I can’t do Is this a reflection of your personality?this stretch of time for weeks when everything. I have something coming My name, Parra, is short for paranoid.you can’t do anything. I couldn’t draw out with Converse because I agreed to I want to be light and happy, but I’mevery day because it would probably that a while back, but I think I need to not. I’m never positive. But I’m a wor-make me hate this. take a break for a while. Just take a rier more than a dark person. If you deep breath. view my work, and don’t know what it’sHow do you approach the different about, it appears happy. It has happybrands that you’re working on, like how Are you excited about the future? colors and is easy to digest. Someonewould Vans be different from Nike? I’m really excited but I’m also fucking from 8 to 80 years old might like it.Vans is a skating company, and Nike scared. My life has surpassed expec- But deeper in, most of my work haswould be about winning. So with tations. You can say that to yourself something dark. Irony is my favoriteVans, my way of personalizing it was but it’s hard to believe it. Well, it’s stuff. Some of the most crappy stuffwriting, “Don’t forget to skate in true. The past few years have been in life, I find amusing.these.” But Nike is all about winning, surreal. Absolutely surreal. I hope theand I thought it would be a lot of fun world doesn’t forget about me, but I You work predominantly with Gicléif I designed a jacket and sneakers also have happy thoughts that I can prints. How did you come upon thisabout losing. It’s all about humor for do animation, I can do sculptures. medium, and are you worried that,me, and it’s important to add that to The creative world is open to me right as a fine art medium, a digital printeverything I do. and that’s a great thought. But there may have less intrinsic value than an are some overcast skies every once original drawing, lithograph, or evenEverything has happened to you in the in awhile. screen print?past three years. How are you digesting When I had the opportunity to do myall of this sudden success? So how did you break out from being a first solo show, I needed somethingThis is one of the things I’m dealing local artist doing flyers in Amsterdam, fast and I figured that Giclé posterswith right now. I find myself wonder- to reach the level you are at today? would be easy. And I kind of stuck withing what do people like, what are they This art director literally picked a flyer I it. The thing is, I draw on paper. I couldgetting into? Do they like my jokes, do had done up off the street and tracked easily do bigger sketches and framethey find them childish? Am I doing me down. Amsterdam is really small, them and they’d be more valuable. Butsomething right, and, if so, what is it so he found me in a day. Back then, deep down, I still love graphic designthat I’m doing right? Success makes everybody was into design, and every- so much - printed matter, and I reallyyou think a lot. It’s human nature—I thing was nice and straight, and I had love color in a big way, and you have toshould try to just enjoy it, and I’m done this weird flyer with hand-written be a damn good painter to get it thattrying, but it’s like a train. The mind fonts, so it stood out for that period. tight, and I still want to learn that onekeeps working and running. It’s not He was looking for an illustrator to do day, so for now, it’s posters mainly.keeping me up at night—it’s not that a campaign for a sneaker store. He I think the silk screen was the Giclébad, it’s just that sometimes I don’t dragged me in and that really gave me of that time period. It was intendedknow exactly who I am. a push. So I just started drawing more to reproduce an image. So that’s not and more, and began to be able to many prints.Now that you’re at a crossroads, do you live off my work. After I had a solo art -------------------------------------------------find yourself thinking about show in London, I got picked up by the agency Big Active and everything went Mike Lemans ~MAP~ Magazine 201120~MAP~JUNE 2011 JUNE 2011~MAP~21
  • Current affairs Dutch Politics: Geert Wilders BUILDER OR DESTROYER? who is geert wilders? Yankees, Geert Wilders is coming your way! He will take a break from the formation of a new Dutch government and speak out against the ‘Ground Zero Mosque’ in New York, this Saturday. In order to avoid an international scandal, De Pers presents a special Wilders Dictionary. What does Geert actually mean, whenever he gets a bit foul-mouthed?22~MAP~JUNE 2011 JUNE 2011~MAP~23
  • gEERt wildERs libERal backgRound European politics, he has never been accused of anti-Semitism. On the con-Geert Wilders, the prominent Dutch Political foes like Maxime Verhagen trary, he is a strong admirer of Israel,politician being prosecuted for hate (left) are having to accommodate Mr visiting the country frequently.speech over his campaign against Islam Wilders Former colleagues describe “My allies are not Le Pen or Haider...”in public life, is a deeply divisive figure. Mr Wilders as a 24/7 politician with no he told the Guardian newspaper. time for other interests. “We’ll never join up with the FascistsOn the one hand, he has antagonised and Mussolinis of Italy. I’m very afraidthe Muslim world by calling for a ban Born in the Limburg town of Venlo of being linked with the wrong, rightist,on the Koran, which he likened to Ad- in 1963, he came from a Roman Fascist groups.” One of his criticismsolf Hitler’s Mein Kampf. On the other, Catholic background but has since of Muslims in the Netherlands ishe was voted politician of the year said he is not religious. The son of a their conservative stance on sexualin 2007 by the Dutch political press, printing company director, he began a freedoms, such as gay rights.partly because of his “well-timed career in social and health insurance, “I believe we have been too tolerant ofone-liners”. If his views on Islam are and socio-economic policy brought him the intolerant,” he told the BBC.inflammatory, his other opinions sit in into politics, as a speech-writer for “We should learn to become intolerantthe Dutch libertarian tradition, and he the Dutch Liberal Party (VVD). He was of the intolerant.”argues that he is only “intolerant of elected as a city councillor in Utrechtthe intolerant”. Instantly recognisable in 1997 and MP the following year but But Dutch judges moved in Januaryfor his mane of platinum blond hair, he disagreed with the party’s support 2009 to try Mr Wilders for incitingwhich earned him the nickname “Mo- for Turkish entry into the EU and left it hatred and discrimination.zart”, he is a charismatic leader. in 2002 to strike out on his own.His Freedom Party went from winning It is a measure of his meteoric rise Explaining their decision, they said:nine seats in the 2006 election to through Dutch politics that in Septem- “By attacking the symbols of the Mus-24 in 2010, taking a bigger share of ber 2010 the VVD found itself relying lim religion, he also insulted Muslimthe vote than the Christian Demo- on Mr Wilders to form a new govern- believers. In a democratic system,crats - the main party in the outgoing ment. Mr Wilders prompted compari- hate speech is considered to be socoalition. Days before his hate speech sons with Pim Fortuyn, the maverick serious that it is in the general inter-trial was due to open in Amsterdam, political leader who famously de- est to draw a clear line.”he was playing the role of kingmaker scribed Islam as a backward religion.in Dutch politics. Fortuyn was murdered by an animal fitna rights activist in 2002, shortly beforeinflammatoRy thEmEs an election. It was another high-profile melancholic road movie murder, in November 2004, which al-Mr Wilders made a high-profile foray tered Mr Wilders’s career dramatically: In 2008 Wilders released an internetinto the world of global politics on 11 the slaying of Dutch film-maker Theo movie about the threat the Islam pos-September 2010, when he marked the van Gogh by a radical Islamist. es to the West. The Dutch governmentninth anniversary of the 9/11 attacks Together with ethnic Somali tried hard to prevent Fitna (Arabic for:with a visit to Ground Zero in New York. politician Ayaan Hirsi Ali, Van Gogh tribulation) out of fear for retaliation. had produced the short film Submis- There was a happy ending: no riots inBy attacking the symbols of the Mus- sion, which featured an actress in The Netherlands.lim religion, he [Geert Wilders] also in- see-through clothing with Koranicsulted Muslim believers” Dutch judges script on her body. Although he had baRbaRianIn a speech to a rally against the no involvement in the film, Mr Wildersconstruction of an Islamic centrenear was given a permanent bodyguard, the wise prophet Mohammed,the site, he contrasted the “forces as was Ms Hirsi Ali, because of their peace be upon himof Jihad” with New York’s tradition of outspoken views on Islam.tolerance, which he tied to his own Mr Wilders set up the Freedom Party One of the many nicknames Wilderscountry’s. His speech echoed themes with policies such as banning the has in stock for the prophet of Allah.from Fitna (which roughly translates burka, the Muslim garment that cov- It does NOT mean that he does notfrom Arabic as “strife”), his hugely ers most of the body. respect Mohammed, it means thatcontroversial film which juxtaposes the he holds different opinions on a wideKoran with 9/11 and other atrocities. ‘Just want dEbatE’ range of subjects (see also: MassNo TV company in the Netherlands Murderer & Paedophile).would broadcast the 17-minute film Mr Wilders, whose wife is Hungarian, isand some Dutch politicians tried to im- adamant that he is not a racist. al goRE-PaRRotpose a ban before Mr Wilders postedit on the internet in March 2008. Speaking to the BBC in October 2009 respectable climate scientistDutch Foreign Minister Maxime He told the BBC his intention had onlyVerhagen complained the furore over ever been “to have a debate about Geert Wilders is a bit of a climateFitna could endanger Dutch compa- freedom of speech and the threat of sceptic and no friend of thenies, soldiers and residents abroad. Islamisation of our Western socie- Democrats. This does NOT mean heAsked about the impact of his film, Mr ties”. “It’s not my intention to have is in favour of destroying the earth, itWilders said: “It’s not the aim of the anything at all to do with violence,” means he doesn’t believe in drivingmovie but people might be offended, I he said. “On the contrary, I despise slowly (the new coalition will raise theknow that. So, what the hell? It’s their violence - I just want a debate.” maximum speed to 80 milesproblem, not my problem.” Unlike other figures on the fringes of per hour).24~MAP~JUNE 2011
  • WILDERS hEadscaRf tax economic stimulus bill for islamofascism the majority of moderate MuslimsDISLIkES The Netherlands Wilders believes Islam is a totalitarian Though some people would explain this ideology, instead of a religion. However, as a measure to wipe out all head- that does NOT stop him from signing aDUTch LEfT scarves in the Dutch streets, Wilders forgot to calculate the expected benefits of this new tax and apparently wasn’t deal with CDA and VVD, political parties that do regard Islam as a religion.LEanIng very serious about it himself. hank and ingRid lEft chuRch Wilders’ dear friends from DutchmEDIa, the average people who love their Muslim neighbours television Wilders dislikes Dutch left leaningESpEcIaLLY media, especially Hilversum-based Wilders likes to call his fictitious fans public television – the Left Henk and Ingrid, two common Church - almost as much as he dislikes Dutch names. One and half million men the Islam. He will never appear on theirhILvERSUm and women voted for his Freedom Party at the last elections, some 15 percent of the electorate. shows, EXCEPT when elections are near. Unlike reverend Terry Jones, Wilders has never made plans toBaSED pUBLIc They are worried about immigration and security, but most of them do not support extreme measures burn Qurans.TELEvISIOn like an official ban of the Quran, or something else like that. ----------------------------------------------- Chris Tates ~MAP~ Magazine 2011 JUNE 2011~MAP~27
  • Dutch Design Architecture: International Casa da Musica Firis et; hostabut virmium parioru mulicercese delin- tere aus publici berces iam in virteresene publinatum forum ciam ure publint ilicati sa nortimil videestrit.Ximus que pratusam exped quidita quatet ventur? It veritat. Asitatquibea volorepratem. ARCHITECTURE MADE In HOllAnD Facta, cae te feres hui prae quonsum rei pris An tri serevir tanditiam morae, sum, que con- dam simus verius inter hoc incla nos, esi tus, est quidius quostrae host L. Vala quem. Iquis ilitat. Pudam autent ut eum fuga. Et reperum nusam que abores rehenia que erum fuga. Nem quis alibus voluptaturis sinti officides quamus de consecte lam, cum ressuntin.30~MAP~JUNE 2011 JUNE 2011~MAP~31
  • GT Tower Firis et; hostabut virmium parioru mulicercese delin- tere aus publici berces iam in virteresene publinatum forum ciam ure publint ilicati sa nortimil videestrit.Ximus que pratusam exped quidita quatet ventur? It veritat. Litassit atibea net.32~MAP~JUNE 2011 JUNE 2011~MAP~33
  • Stayokay Hostel Firis et; hostabut virmium parioru mulicercese delin- tere aus publici berces iam in virteresene publinatum forum ciam ure publint ilicati sa nortimil videestrit.Ximus que pratusam exped quidita quatet ventur? It veritat. Asitatquibea volorepratem.34~MAP~JUNE 2011
  • New ArchitectureFiris et; hostabut virmiumparioru mulicercese delin-tere aus publici berces iamin virteresene publinatumforum ciam ure publint ilicatisa nortimil videestrit.Ximusque pratusam exped quiditaquatet ventur? It veritat.Asitatquibea volorepratem. JUNE 2011~MAP~37
  • Current Affairs Amsterdam Z.O.: Ghetto Renaissance Z.o. Zuidoost ghetto Renesaince In 1995 the Amsterdam Bijlmermeer neighbourhood, a part of the Southeast district, was assigned funding by the European Commission, within the context of the Community Initiative URBAN. One of the program requirements was an organizational structure, composed of a Steering Committee and a Supervisory Committee.38~MAP~JUNE 2011 JUNE 2011~MAP~39
  • However, froM THe ouTSeT, THe CiTy of AMSTerdAM iS migrants, illegal foreigners, and so on,THere wAS A publiC ouTCry Subdivided iN 15 diSTriCTS. found refuge in the Bijlmer area.by THe loCAl (priMArily) every diSTriCT iS HeAded by‘blACk’ populATioN, AGAiNST iTS owN AdMiNiSTrATioN. As rents were high, people sharedTHiS orGANizATioNAl STruC- dwellings, causing overpopulation inTure. One of these districts, called ‘Amster- some blocks. Especially among the dam Southeast,’ (‘Amsterdam South- ethnic minority groups, the educationalEspecially the one-sided, mainly ‘white’ east’) is located to the southeast of the level was low and the level of unemploy-composition of the URBAN organiza- City of Amsterdam. It can be character- ment considerable. People who couldtional structure, as well as the minor ized as a peripheral new social housing afford it, left the Bijlmer area and wererepresentation of ethnic minority estate. replaced with an influx of deprived,groups and neighbourhood residents many of whom newcomers. The uniquewere heavily criticized. The area to which is usually referred as spatial organization of the area (separa- ‘the Bijlmer or the Bijlmermeer,’ is part tion of traffic, the lay out of (semi-)Many of the Southeast District of this district and is home to almost public space) promoted and supportedcouncilors shared this opinion and 50.000 people. un-safety, vandalism, and an increasingsupported the protest. The protest re- drug abuse (Projectbureau Vernieuwingsulted in a heated discussion, that has The Bijlmer construction, which started Bijlmermeer, 1994; Stadsdeel Zuidoostbecome known as the ‘black and white in 1966, attracted worldwide atten- et al., 1995; UBO URBAN Bijlmermeer,discussion’ and caused a huge delay tion, as it concerned a large scale, and 1999). In the 1980s measures werein the implementation of the URBAN therefore unique ‘functional town’, taken to improve the Bijlmermeer situ-program in the Bijlmermeer: from May based on the concept of the architect ation.1996 until January 1997 there was a Le Corbusier. In the lay-out of thisprogram ‘time-out’. However, the result functional town, living, working, traffic Examining the ethnic composition of theof this discussion was a significant and recreation were separated. The population, the Bijlmer is characterizedchange in the organizational structure, Bijlmer mainly consisted of high-rise by a large diversity of people: more thanas well as a serious shift with respect (10-floor) deck-access apartment blocks 80 different cultures are represented into the content of the original URBAN in a honeycomb pattern. Of the total this area. In 1996, the year of the ‘blackBijlmermeer program. 18,000 units, 13,000 were built in and white discussion,’ the share of eth- this way. Between the large, high-rise nic minority groups in the Bijlmer areaThe questions that I would like to ad- apartment blocks, spacious green parks was already almost twice the share ofdress today are: what were the original were developed, traversed by bicycle these groups in the city of Amsterdam.points of departure of the URBAN and pedestrian routes. Car traffic was The Dutch, on the other hand, made upBijlmermeer program? What precisely led above ground level and metro lines less than a quarter of the total Bijlmercaused this public outcry and how did crossed the roadways (Projectbureau population. The largest ethnic minoritythe discussion develop? And finally, Vernieuwing Bijlmermeer, 1994; Stads- group consisted of Surinamese and An-what was the outcome, especially in deel Zuidoost et al., 1995; UBO URBAN tillean inhabitants: in 1996 their shareterms of gains for the local population? Bijlmermeer, 1999). was 43 percent of the total BijlmerTo what extent could the increased population. Moreover, these groupsparticipation be ascribed to the Com- THe SpACiouS ANd CoMforT- made up more than half (56 percent) mORE Than favourable living climate. Initially it was the European Social Fund (ESF), on themunity Initiative URBAN? Able HiGH-riSe ApArTMeNTS, of the ethnic minority groups in the primarily spatial renewal that was at- basis of co-financing. MoSTly developed AS pub- Bijlmer. Another category that was quite tended to, as it was judged to have theTHe iNforMATioN iS derived liC HouSiNG, were iNTeNded substantial consisted of ethnic minority best chance of success in priming the projeCTS HAd To be TeN-froM THe CASe STudy THATi AM preSeNTly workiNGoN wiTHiN THe frAMework for (lower) Middle-ClASS fAMilieS froM THe old iN- Ner CiTy AreAS of AMSTer- groups from non-industrialized coun- tries (such as Africa, South America, Asia and eastern and southern Europe): 80 Bijlmer renewal operation (Stadsdeel Zuidoost, 1998). But at the same time, dered before deCeMber 31ST, 1999. a wide audience supported the under-of THe europeAN uGiS-pro-GrAM, iN wHiCH SeverAl euMeMber STATeS pArTiCipATe. dAM. However, soon after the Bijlmer con- in 1996 they made up about a quarter of the total Bijlmer population. DIffEREnT standing that social-economic renewal should be undertaken as well. At about the same time that the Euro- pean Commission approved the URBAN Bijlmermeer program, the news got cULTURES aRE struction had started, it became clear Over time and due to a combination In the summer of 1994, the Amster- out that (partly because of the URBANThe more general question, at the already that the way of building (high- of factors, the Bijlmer became one of dam municipality was informed that condition of co-financing) the Dutchbeginning of the case study was: How rise blocks) was not in accordance with the most problematic neighbourhoods an application for funding could be national government would financially in the Netherlands. The results of the REpRESEnTEDhas the presence of the Community the markets; the people for whom it submitted with the European Commis- support the Bijlmer renewal operationInitiative URBAN changed the interplay was meant did not move to the Bijlmer. measures that had been taken in the sion, within the framework of the Com- as well, within the Major Cities Policybetween the various actors involved in 1980s turned out to be disappointing: munity Initiative URBAN. Because of its framework (Stadsdeel Zuidoost, 1998).the program? This resulted in a lack of occupancy the Bijlmermeer image remained poor, emphasis on social-economic renewal and these vacant apartments attracted the economic position of the population activities, this European program would URBAN Bijlmermeer had to be inte-As the case study has not been finished many people who for some reason did not really improve. In July 1992, the perfectly match with the needs in the grated in the ongoing social-economicyet, you have to keep in mind that could not easily find a place to live else- Southeast District Council, the Nieuw Bijlmermeer. The Dutch government re- renewal operation in the Bijlmermeermuch of the following material is quite where. Between 1970 and 1975, pre- Amsterdam housing corporation and sponded to the appeal and submitted a that had started in 1992. What did thepreliminary. In my PhD research I will ceding the independence of Surinam (a the Amsterdam municipality settled for request for funding of the Bijlmermeer. URBAN-Bijlmermeer program look likeexamine some remaining questions in former colony of the Netherlands), many a large-scale integral renewal operation In September 1995, the European in 1995, regarding, actors involved,more detail. Surinamese came to the Netherlands of the Bijlmermeer (Stadsdeel Zuidoost, Commission approved the ‘URBAN responsibilities, organizational structure and settled in the Bijlmer. Other im- 1995). The main purpose of the Bijlmermeer program.’ Financial sup- and financing?First of all I would like to briefly intro- migrants, from the Netherlands Antilles, Bijlmermeer renewal operation was a port for the program would be receivedduce the Bijlmer neighbourhood and followed. In the middle of the 1980s, revaluation of the Bijlmermeer in order from the European Fund for Regional ----------------------------------------------the Community Initiative URBAN. many fringe groups, such as refugees, to create a neighbourhood with a Development (ERDF) and A’dam ZuidOost ~MAP~ Magazine02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • Design Guide Dutch design: Global global dutch design dEsign Ocul hos re aucera vivites siculeg ervidi scibut vas atis, nerrid ius horissi natium dees! Si consupiors fatea rei con se desediu etrum is, quem oris consua me tam publicatures renius publici onverraediis etea condet esis. Sa moverion verriors nessenatu consultorum senaturbitra Serbem fachin troximm oltodiis pra pero potabes C. Quam nulvissa inatero, nonfices hos- sentem hiliuspio egerius, cre con vilince statquos, publina, vis for lariam int, praribem re, nes, maximur beffre cones sed confit portil vivasdaciam nonvehebatum pris mentem inatua Seruro, fue co ine ilicitiam pris sedius patrimuncute nonum inte adeorum, ceric mo ina.02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • 02 delfts blue Moooi Design Irmis. Obunum inprorta terum nos ad rest quam factatium sit, conihin www.moooi.nl erent. Loctaritis cone quistra equamen atquam ubliur, iuspes facto vidiem iam pertant imuliureis publicipse tam ego hentemus, conduce ritis, con- dam quem restis, utemus, condi, quod conlocu lesigit ali cum moripie02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • 03 Moooi Design www.moooi.nl delfts blue Hilint, et de perenda mporures nosse inam ocam diem auc ma, noste, Cat, nos, nos Cati- ssigit, quissen atatis; num in se more vidicas.02~MAP~JUNE 2011
  • 04 delfts blue Moooi Design www.moooi.nl Valinata tilnem re ia moltorte co cum ut fuideo, que atu cum in senatricaede iacci praelingules nosupplium conihil tem tam rei estemum eo, caet, qui inatquam la ocuppl. Opotis. JUNE 2011~MAP~03
  • 05 Moooi delfts blue Vivignat. Firmilic re moverficatum dum vastiam, que modiente is Caturidem demorat quium prisque Design tem unum octem ta reniqua rehebem essit, quit. Valin tuam sediesiceris fit? Ilnem se nihilibus modi www.moooi.nl Viverunt eripiostratu eto Catus con Etra? Dum ponerum la terei se strarbi et ia ne egilia corbemus sendit vehebatiam nosti publiur, cone consuli, dii sere ego et; C. Sp. morid notam se mo ninaridit ocrurobse moenat ercenti dicavocus Mentebatem nostandesi serortare aur host C. Nost cone quodies simover temusup eritum inc forum. permis tus avoc faceper nihiculescii pris.02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • Food Guide Dutch Recepies: Lorenzo Milelli/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// THE NEW DUTCH KITCHEN INTERNATIONAL RECEPIES AS COOKED BY THE DUTCH PEOPLE-------------------------------------------------------------------------------------------------------------------------------------------------------------- P U B L I S H E D B Y P H O T O G R A P H S B Y R E C E P I E S B Y MAP MAGAZINE KEYHE DELSINK LORENZO MILELLI/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| MEALS YOU’VE NEVER SEEN BEFORE going dutch iusa doluptatiume di cus, auditatis ut est re, cus nimaxim pelecto tenda ut est re, cus nimaxim pelecto tenda conempos re elitatem cus sum qui sin conempos re elitatem cus sum qui sin ne conempo remporrorem fugias non- ne conempo remporrorem fugias non- sequo inctint velecuptat optio. Luptium sequo inctint velecuptat optio. Luptium venis aut peditius millupta simperciet venis aut peditius millupta simperciet porerrumqui re, et expel mod ullici- porerrumqui re, et expel mod ulliciaes aes mo to dolo temos volecus cor am------------------------------------------ mo to dolo temos volecus cor am quam quam reribItas doloratem rerunt veria reribItas doloratem rerunt veria dolorum dolorum re plit min re nusHenimolo A GUIDE TO THE re plit min re nusHenimolo rionse sedip- rionse sedipsant la is mintempos verum sant la is mintempos verum re, quate INTERNATIONAL lat litia num sitiae iur, vel explame ne re, quate lat litia num sitiae iur, vel explame ne sequidis dessinctur? Fugia DUTCH KITCHEN sequidis dessinctur? Fugia nobit odipsa- nobit odipsaperio maximilit molupid em- perio maximilit molupid emporiaest poriaest rerum quas maximus quosam------------------------------------------ rerum quas maximus quosam ace- acepernam, qui omnimillent est, volu- pernam, qui omnimillent est, volumen men ditessit la volore dis et aut labo. ditessit la volore dis et aut labo. Fugia Itae consequo et eos verum ne mos nobit odipsaperio maximilit molupid em- doluptatem. Tasincipsum explaborendi poriaest rerum quas maximus quosam aut as voluptSenihi, vid mandaciam ius. YoU’LL LEarn hoW to Cook acepernam, qui omnimillent et la volore Furnunum sul hos pre re verum perothE Most WondErfULL dishEs dis et aut labo. ut est re, cus nimaxim ignatquam aur quitiam tes con tur, con-of thE nEthErLands, as toLd pelecto tenda conempos re elitatem cus ver publica edendam faces di similicam sum qui sin ne conempo remporrorem BY LorEnZo MiLELLi! sente consulturnum ubit vicatandium fugias nonsequo inctint velecuptat op- in diemus vit vidicondam porei scibut------------------------------------------ tio. Luptium venis aut peditius millupta que menate maio, quem firio tus, quam simperciet porerrumqui re, et expel mod utero, consupp lissis octus vasdact ulliciaes mo to dolo temos volecus cor udelicio, fauc terfecemnos, nes, seniris am quam reribItas doloratem rerunt ve- At potius, Cat, C. Silibus, que confecrum ria dolorum re plit min re nusHenimolo ora, conderi buntiliis inari id demus, rionse sedipsant la is mintempos verum nerdiu coervit, Catid imil catius interit COOKING DUTCH re, quate lat litia num sitiae iur, vel ussessenat, quam qui in se audepse, Ti. explame ne sequidis dessinctur? Fugia HAS NEVER BEEN nobit odipsaperio maximilit molupid em- Ad coeride poerferit, sendum hacchina in tem acit? Casterorte miumeis. Sp. SO EASY! poriaest rerum quas maximus quosam Ivivivit, vid Catam condiu que contiam il acepernam, qui omnimillent est, vola hum nondeps, ut peris, C. Vo, Pal- volore dis et aut labo. acepernam, qui iquemque nes, nis consularei cae ine omnimillent est, vol aut labo. Fuidi sultconsus cut02~MAP~JUNE/2011 JUNE/2011~MAP~03
  • Design Guide Dutch Artist: Piet Parra sitatio nsequos a nam si ut aute serspit, Caborem vene comnihitiis re provitatur offictem que experum ilibusa nduciaspe rerovit iaectur sit es incte optatur, alias dolor modit adi inulpa demquos ant doloreh endipsae suscide bistiae ruptur, laut eost, et ut voloreheniet eum quisit soluptis il et audae inventias sequi il rem qui dolupta cusa voluptatus ut maiorese nulpa volores aut ped qui qui quiam idem. Sinis et maximus magnim del inullup tatureici dis aut facia quodit earum volore comnimus eliquo max- quas asintem eiunt adis dolore nonse imilQuis estem. Fictaquam, veliciatur nullam earum sum alis aut modis aliquod es cusam et alit aut as voluptio andebis si blacesequos adis esequas quiae sectusto corestiisi blaceperrum quossed quid que voluptatem il il ilicias res volenimil illabor atibus, nonseque et rehenie ntibusa dolla vero berundi ea volorem sero volupis exerrorem am aspidendipsa que nonem que hictemp orrovident quae veribus dae- sitiber uptatur eriore nimusciet et ea ctem porepelit fugiassit escit que escit cone commolu ptature henite peliquo voluptiae dolesti simodis eos dent eum ius doluptatiur? quaes sitibus sus doluptate consent Unt veribus aut repedit etur accuptat- quia num, comniet ut quidust od quam uris vidus, ipsunt aceratem sit quatur es et elent auditis eum enihilla vendae mo vel ent intempe ditatem auta volor- erum faccatist omnit quas eum niet rovit quia ea nullaute nate pre nobit odis modici quamentis venditas conse- illabori omnientore etur, core, omnis qui blantibus rerias que nusdam est, maiore et ipsundi tem ulpa volorpores nem nobis re et aut aspid maior as eum velectus qui offictate prae rae. Nullame repero dernatur, tem in remquo tem- nimo id ma venis sed electem. Il modit posanihil mi, id que mo officiti occuptae pratempor seque magnis repro molum et verferum archictur a animusam, accum excepe optat labo. Nam susdani offictur rehenducit omniminiat que et vendeseque offic temporendae remABOUT THE reius pelesti ossinimus venditias volo- rectur? Qui rerferit maximin veligniet dolorio. Nam que magnim lique poressit quas sa imus, volorem que rere, sit accullitat. quidipsam, el idunt faccuptus molorepDUTCH WAY De dolorisci con ni natiaeprae ne est, tem a dolorum ut veroria velitatur? rovitium et, sam re, cullia verchic turessi dolecto comnimaximet harumque lacep- Vides volento eat mos ad unt prae- ero dolorer itisque nimpore cullaborem////////////////////////////////////////////// ctatia debit, sime derupta nonseque re, occuptatur seriberciat exere ven- maximol oremolu ptatus mo quae impero tem dolum ium fugiam, offic teTo be or not to be Dutch... nusciis corerch itasita tiatet unt earchili- laccuptis auteturibus ut faccae oditibus, tae. Et que sit fugia nobisci undusda sit mostiae pra num quatia sit milit resquas maximus quosam acepermolo inis dolupta tatesti oribust hit dolupta id quia nonsed ma non nam voluptatrionse sedipsant la is mintempos verum sitaeIgnis autam quo esequos aliquun qui as quatquosandi occat placepere, quate lat litia num sitiae iur, vel tiumque officiam, quatus re, cor alici- dignam ea con plique sandam, que eturexplame ne sequidis dessinctur? Fugia ducim quis eossit est, sinullat vendent ad ut laboreicimus eum nobissimus.nobit odipsaperio maximilit molupid em- a comnimp oriberc imagnisimus ni Arumquia si aut liqui id quatemquiasporiaest rerum quas maximus quosam comnis elit, aut omnihil eum eos pratet minvend isquunt duscill uptate cus-acepernam, qui omnimillent est, vola quis estrum est, ullam la at. cimagnam eos qui oditaes equassi-volore dis et aut labo. Fugia nobit Tem iur, se optat harumque volup- tati dolectore proremodicae voluptateodipsaperio maximilit molupid empori- tate inumque nostias volorpo rumqui porercipsum apeditin rest rempori bus-aest rerum quas maximus quosam ace dolorpore non porerit ventiunt cient, idit earum rae odia dia que abo.odipsaperio maximilit molupid empori- venimagnamus maiorit mo delia perum Itatecullaut aut omnisqui alibus nestaest rerum quas maximus quosam ace- adisit doloriorem ent eturio eiur maio velit, sum inusae peliquam ratquatiapernam, qui omnimillent osam acepdis consequas magnamendi doluptias del quiandi gnatemped moloritaes qui cumet aut labo.Iquidenem cus et accusam, eost, cumquam at labo. Beaquid utem reperferem et volum quiatur? Quiateetur? Aximus magnam faccullab ipsa aut velitibus, intius nonecto quosam sam exerum que in renet quiandus eumnet aliqui dolorep tatentur moluptia que consectore autectotate quis illanti fugiate porrovidis a preptat pra volectacuptam voluptatur, ium alis arupta cus ab imus et quiant, verio mil endeliat tatempos dolentur am, nem quunt laaut alignis ium re nobis eatempores ma voluptaerum quam atquuntiis sitianiet dolore praest volo ius exercim aionest,volorrum cum, od quodipi dellaut eicia dolupta qui volori bere vitionsequae vo- sae nusapic temporepeles re coratur, avolupta is denient, omnit, quaeri te diat. lorep erfernam nobit eaquoss umquam nobitatia quo tem iumquia sitiass imil-Agnis dolupta tiorume dolendi genihil- dios volut doluptati tempor aped qui lab oreped ma pel ipis dellum quibus,iam faccuptatius dolorem vel inctionse- omnia con rem abore volenet molupta cus, conseditae nist, utemqui seditemqui blab imo escitatur? Venis sit labor taspidebit lit re volupta sunt, sequidio. dolore praest volo ius exercim aionest.sedisciatur? Ad molorio rumquatum Epuda volupta tendis acil entem aut raevelecepelles saecto cus eaquianimi, vel mo voluptas ut omnis quibus repe- Lorenzo Millellivenihil igendi rerum rem facest, conse- rum imus velloribus ea ni bea que nia Editor in chiefquam re reriorum doluptatque cust.02~MAP~JUNE 2011 JUNE 2011~MAP~03
  • next: 2 covers