Creating Custom Designs In Cad

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    Creating Custom Designs In Cad - Presentation Transcript

    1. Discover how you can use CAD to draw a customer into the design process and ultimately create a custom piece that captures that customer’s individual style—delivering maximum satisfaction.
      Creating Custom Designs in CAD
    2. Introduction: Lee Krombholz
    3. Today's presentation:
      Deciding which design/ manufacturing method to use
      Today’s focus CAD/CAM
      A study of the design processes I use
      How to draw people into the process
      How to confirm satisfaction along the process
      Managing expectation
      The experience
    4. Advantages to CAD/ CAM
      Ability to check in with the customer during the process
      The pace of the process
      Ease of change during the process
      Reusing design elements (signature style)
      Flexible approach (Geek to creative)
    5. Goal: Customer satisfaction
      While CAD/ CAM can aid in making absolutely beautiful jewelry, without satisfaction from the customer, it is pointless!
    6. Encourage Appointments
      Defying our customers natural instincts
    7. Style Discovery
      Discerning your customer’s hidden style
      http://www.krombholzjewelers.com/sd/index.cfm
    8. Style discovery:
      A “tour” of your stores jewelry.
      Scrap book or a file of photographs.
      Online.
      • These are the styles you will be listening for:
    9. Classic
      Classic jewelry is timeless. This style is clean and balanced. It typically has a high polished finish and does not contain a great deal of detail. Classic jewelry is ageless and never goes out of fashion.
    10. Stylish
      This style we call classic with a flair. This style is fairly timeless, with just enough detail to make it different.
    11. Trendy
      Trendy is the style for those who love fashion. It includes the newest looks and styles. This tends to be a moving target, so you need to be ready to constantly change and update this style.
    12. Modern Antique
      This style intertwines the past with the present. It is typically made in white gold or platinum and has detail of jewelry made in the early 1900’s. This style is typically ornate and detailed.
    13. Period Style
      Period style is the style for people who are antique enthusiast. The people who feel comfortable in this style category usually pick one period of time and collect that style. We also design new jewelry from those various historic periods.
    14. Contemporary
      This style can be described as clean, flat and at time industrial. Contemporary style is not ornate and does not have added detail
    15. Eclectic
      The eclectic style pulls from various styles, periods and worlds. It often mixes styles, periods and design from around the world in the same piece. I love to design for this person because they are very flexible and often desire something different.
    16. Listening
      One of the hardest jobs of a designer is to ask the right questions and then listen. Turning off our “designer mind” to listen to the customer.
    17. Listening- redesign
      Trying to understand the important factors
      Is it sentimental?
      What are the most important parts to include?
      Is the price going to be important?
      Is timing an issue?
      Any baggage?
      How difficult will this person be to please?
    18. Listening- new design
      Trying to understand the important factors
      What is the focus of the design?
      How will this jewel be used?
      Is the price going to be important?
      Is timing an issue?
      Any baggage?
      How difficult will this person be to please?
    19. How to be honest
      A conversation about expectation and limitations
    20. How to be honest: Managing expectation
      If you have listened well, you understand what is important!
      Are there serious design limitations?
      Are there serious quality limitations?
      How important is the timing and will it fit into your schedule?
    21. A rough estimate
      This can save a lot of time and continues to manage expectation
    22. Rough Estimate
      How long will the design process be?
      Is there baggage that will make this customer more challenging?
      Will the timing of the job fit into your schedule?
      Is the design something you want to do and can you use the design in the future?
    23. Design time
      Check some design thoughts with the client
    24. Design time
      Quick check on some of your design thoughts
      Narrow down the design as much as possible
      Can you see one clear direction or do you need more time?
      How much freedom are you given?
    25. Render delivery
      What is the most effective way to show and explain the design
    26. Renders
      How fully do you need to develop the design and render?
      What are the common question that people have and how to manage their expectations?
      E-mail or appointment
      Flourishes
    27. Renders
    28. Renders
    29. Renders
    30. Renders
    31. Renders
    32. Use of scale models in the process. Checking in on the communication
      Wax models
    33. Show the polished casting
      Why this might be helpful
    34. Presenting the final jewel
      You have planned a long time for this moment
    35. Presentation
      In advance, express satisfaction
      Make an appointment
      Get comfortable in good light, jewel boxed and visible
      Conversation, build suspense
      Unveiling
    36. Follow up
      Thanks you and checking in on satisfaction
    37. Follow up
      Thank you note (one way communication)
      An email or phone call
      Asking for referrals (internet posted referrals- Citysearch.com)
    38. Unveiling and satisfaction
    39. Question?
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