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    Wooden O Program[1] Wooden O Program[1] Document Transcript

    • S E AT T L E S H A K E S P E A R E C O M PA N Y WO O D E N O P RO D U C T I O N S 009 July 9–August 2, 2 July 9–August 2, 2009 Free Shakespeare in the park BONNIE LAKE | EDMONDS | FEDERAL WAY | ISSAquAh | MERcER ISLAND | LAKE FOREST PARK LYNNWOOD | REDMOND | SAMMAMISh | SEATAc | SEATTLE | ShORELINE www.seattleshakespeare.org
    • July 9–August 2, 2009 July 10–August 2, 2009 Thu, July 9, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Fri, July 10, 7:00 p.m. Issaquah Community Center Open Space, Issaquah Fri, July 10, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sat, July 11, 2:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sat, July 11, 2:00 p.m. Volunteer Park,* Seattle Sun, July 12, 7:00 p.m. Volunteer Park,* Seattle Sun, July 12, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Wed, July 15, 7:00 p.m. Lynndale Park Amphitheater, Lynnwood Thu, July 16, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Thu, July 16, 7:00 p.m. Lynndale Park Amphitheater, Lynnwood Fri, July 17, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Fri, July 17, 7:00 p.m. Angle Lake Park, SeaTac Sat, July 18, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sat, July 18, 7:00 p.m. Pine Lake Park, Sammamish Sun, July 19, 3:00 p.m. Animal Acres Park, Lake Forest Park Sun, July 19, 3:00 p.m. Edmonds City Park, Edmonds Wed, July 22, 7:00 p.m. Lynndale Park Amphitheater, Lynnwood Wed, July 22, 6:30 p.m. Steel Lake Park, Federal Way Thu, July 23, 7:00 p.m. Lynndale Park Amphitheater, Lynnwood Thu, July 23, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Fri, July 24, 7:00 p.m. Angle Lake Park, Sea Tac Fri, July 24, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sat, July 25, 7:00 p.m. Pine Lake Park, Sammamish Sat, July 25, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sun, July 26, 6:00 p.m. Seattle Center, Seattle Sun, July 26, 2:00 p.m. Seattle Center, Seattle Fri, July 31, 7:00 p.m. City Hall Open Space, Redmond Wed, July 29, 7:00 p.m. Richmond Beach Community Park, Shoreline Sun, Aug 2, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Thu, July 30, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Fri, July 31, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sat, Aug 1, 7:00 p.m. Luther Burbank Park Amphitheatre, Mercer Island Sun, Aug 2, 2:00 p.m. Allen York Park, Bonney Lake * Part of the Seattle Outdoor Theater Festival
    • WELCOME FROM THE ARTiSTiC DiRECTOR Glorious Summer For me, my job consists of thinking and dreaming about summer all year long. By fall (or even earlier) I’m picking plays for the next summer’s outdoor season. In December and January, dates for performances are being determined and directors and designers hired. Spring brings auditions and by May, the entire Wooden O company is in place and rehearsals start June. In many ways, I’m lucky: my summer never seems to end. A brief break at the end of August and the whole cycle starts again. Now here we are and summer has really come. There are some years when you think it might not ever arrive. Where was summer as the lengthy election cycle ground through the fall? As Washington Mutual became Chase? As the city was paralyzed by December’s snow and holiday travel plans up were ended by impassable ice covered roads? Or as the world’s first flu pandemic in forty years spread out of Mexico? Summer couldn’t come soon enough! Yet summer is here. For sixteen years, I have been sustained through the tumultuous and tedious with the expectation of summer’s inevitable return and its gift of light, warmth and our collective impulse to venture out to spend time together in the parks. All of us are pleased to be a part of what makes your summer worth looking forward to. We hope that our performances add to your “summer boost” as it sustains you through next fall and gives you something to dream about in the winter and spring. We get to think about summer all year round; we hope our efforts do a little of the same for you. — George Mount, Director of Outdoor and Touring Performances SPONSORS: Mercer Island Arts CounCIl
    • richard iii By William Shakespeare | Directed by Stephanie Shine DESiGN TEAM Scenic Designer Craig Wollam Costume Designer Janessa Jayne Styck Sound Designer M. Elizabeth Eller Fight Choreographer Deborah Fialkow Dance Choreographer Jennifer Havlin CAST In order of appearance Richard George Mount* Clarence/Edward/Ely/Oxford Carter Rodriquez Brakenbury/Margaret/1stMessenger Kimberly White Hastings/3rd Messenger/Blunt Jose Rufino Anne/Ratcliffe Chiara B. Motley Elizabeth/Norfolke Annie Lareau Gray/1st Murderer/Bishop/Richmond Tim Gouran Rivers/Mayor/Tyrrel/Sherrif/Brandon Jon Lutyens Dorset/2nd Murderer Damian Peterson Buckingham/Berkley Mike Dooly Stanely/Duchess Karen Nelsen Catesby/Tressel Patrick Allcorn Young York/Page Leah Russell Young Elizabeth/Young Prince/2nd Messenger Calleigh Shine Stage Manager Sarah Dale Rice PRODUCTiON STAFF Production Assistant Amanda Stoddard Properties Designer Marleigh Driscoll Technical Direction Seattle Scenic Studios *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the united States. The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
    • the taming of the shrew By William Shakespeare | Directed by Aimée Bruneau DESiGN TEAM Scenic Designer Craig Wollam Costume Designer K.D. Schill Sound Designer Robertson Witmer Fight Choreographer Deborah Fialkow Dance Choreographer Jennifer Havlin Original Music Composer Barbara Lamb Stage Manager/Assistant Director Miller Freeman IV* CAST In order of appearance Hortensio John Ulman Widow/Phyllis Sophia Villaneuva Lucentio Brian Claudio Smith Tranio Samara Lerman Biondello/Sugarsop Carol Thompson Mama Baptista Minola Karen Jo Fairbrook Kate Minola Kelly Kitchens* Bianca Minola Angela DiMarco Gremio/Walter Keith Dahlgren Petruchio David Quicksall* Grumio David S. Hogan Pedant/ Soldier/Joseph/Priest David Gassner Vincentio/Curtis Bill Higham PRODUCTiON STAFF Production Assistant Miranda C. Pratt Properties Designer Katie Joyce Technical Direction Seattle Scenic Studios *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the united States. The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
    • FOR EvERyONE’S ENJOyMENT Cell phones and pagers are disruptive to actors and audiences. Please turn them off or leave them with the site manager before the performance. CONTACT US Phone Numbers Sound and video recordings are prohibited during the performance. Ticket office: (206) 733-8222 Admin. offices: (206) 733-8228 Please be courteous to your fellow patrons and refrain from smoking in the audience. Fax: (206) 733-8202 If you wish to smoke, please do so outside the perimeter of the audience area. Ticket Office Summer Hours Reservations Tuesday-Friday: 12 Noon to 4PM All Wooden O productions are free and open to the public. You will not need reservations or tickets but we do recommend arriving at least 20 minutes before the Mailing Address start of the show to secure a good spot on the lawn. Seattle Shakespeare Company PO Box 19595 What to bring Seattle, WA 98109 We recommend bringing a blanket or a chair. If you do bring a chair, we ask that you sit towards the back of the audience area so as not to block the view of those sitting on the ground. You are more than welcome to bring food to the venue, but we do ask www.seattleshakespeare.org that you pack out everything that you brought to the park. Rain or Shine? Summer weather in the Northwest can be unpredictable, but we believe the show must go on. Please be prepared whether it means sun block and drinking water or jackets, blankets, raingear and umbrellas. If an audience is willing to sit in the rain, the show will go on. If the rain develops into thunder and lightning, we will cancel the show.
    • SyNOPSES OF THE PLAyS The Taming of the Shrew Mama Baptista, of the Padua Trailer Park, has two daughters: Katherina and Bianca. Because of Kate’s ornery disposition, her Mama has declared that Bianca can’t get married until Kate also has a ring on her finger. In order to get closer to the younger and kinder Bianca, Lucentio and his buddy Tranio comes up with a scheme to become her tutor. Petruchio swaggers in to the trailer park to visit his friend Hortensio (also a suitor to Bianca). Motivated by the fact that Kate has a lifestyle far better than his, Petruchio resolves to woo her. To everyone’s surprise, Petruchio claims that he finds Kate charming. A marriage is quickly arranged and Petruchio immediately sets out to “tame” Kate in his own unique way. From showing up late to his own wedding to contradicting everything she says, Petruchio tries to exhaust Kate into meekness. Things only get worse for Kate when she has to set up a home in Petruchio’s “man shack” in the woods. With Kate now married, Lucentio wins Bianca’s heart and Hortensio settles for the rich widow. At a celebration for Bianca and Lucentio, Petruchio wagers that he has the most obedient wife of all the men there. Does he win the bet? Kate lets him know. Richard III The House of Lancaster has been defeated in war and the House of York is now in power. Determined to gain the throne now held by his brother Edward, Richard convinces Edward that their brother Clarence has committed treason. Edward orders Clarence to be imprisoned in the tower. Still seeking to strengthen his ties to the throne, Richard woos Lady Anne, the grieving fiancée of the Prince of Wales whom Richard killed in battle. Richard convinces Hastings and Buckingham that the reigning King’s wife, Elizabeth of York, is responsible for the imprisonment of Clarence. Richard hires murderers to have Clarence put to death. A sickly King Edward dies after learning of Clarence’s death. His young son the Prince, heir to the throne, is summoned to take his father’s place. Richard and Buckingham have the prince’s guardian, Rivers, excused and offer to protect the young Prince in the tower. Rivers is executed and the Prince is now under Richard’s power. Hastings expresses distaste for Richard’s desire to take the crown. Richard tricks him into pronouncing his own death. Buckingham convinces the people that the Prince is illegitimate, and thus Richard is finally offered the crown. Richard orders Buckingham to kill the Prince. Buckingham refuses and he is denied his earldom. Buckingham flees, attempting to join Richard’s enemy, Richmond. He fails and is captured and executed. Lady Anne dies of a mysterious cause and Richard offers himself as husband to his niece, Elizabeth of York. Richard and Richmond’s armies meet at Bosworth Field. Richard is defeated. Richmond accepts the crown and marries Elizabeth of York to end the discord between the Yorks and the Landcasters.
    • Patrick Keith Angela Mike Karen Jo David Allcorn Dahlgren DiMarco Dooly Fairbrook Gassner including Bellevue Civic Theatre, Aimée Bruneau, are coming true in this CAST BiOGRAPHiES Exchange Theatre, New City Theatre, fabulous Wooden O summer company. Patrick Allcorn Renton Civic Theatre, Seattle She was recently in So Many Words (Catesby/Tressel, Richard III) Children’s Theatre, Tacoma Actors and Mamet, Schmamet at Theater Guild, and Village Theatre. Keith has Schmeater, 14/48 The World’s Quickest Patrick is excited to be back for served on the board of directors Theatre Festival, and Annex’s Tuesday. a third summer with Wooden O. for Theatre Puget Sound, as well as Her other favorite roles include Daisy He was previously seen as Charles Bellevue Civic Theatre and Seattle in Daisy In The Dreamtime, Kate in Old and Silvius in As You Like It and as Scenic Studios. Times, Penny in You Can’t Take It With Salerio in The Merchant of Venice. You, Rosalind in As You Like It, and He was seen last fall indoors with Angela DiMarco Kentucky Ghosts. Karen Jo teaches at Seattle Shakespeare Company as (Bianca Minola, Shrew) Bellevue College where she directed Westmoreland and The Douglas in Angela was last seen as Cecily Cardew her adaptation of Romeo and Juliet Henry IV Parts I and II, also directed in The Importance of Being Earnest and works regularly with the WA State by Stephanie Shine. He has also at Village Theatre. Angela will next Thespian Society adjudicating and performed in Shakespeare plays with perform with Intiman Theatre as Ann leading dialect workshops. Taproot, Greenstage, and Balagan. Rutledge in Abe Lincoln in Illinois. A few of Angela’s favorite past roles David Gassner Keith Dahlgren (Pedant/Soldier/Joseph/Priest, Shrew) (Gremio/Walter, Shrew) are Pamela Avery in So Many Words with Theater Schmeater and Harper David received his M.F.A. from U.C. San Keith considers himself fortunate in ReAct’s production of Angels in Diego’s Professional Theatre Training to be in his fifth show for Wooden America: Perestroika. Other Northwest Program. He’s appeared locally in Death O Theatre, including playing Peter Theatres she has worked with are of a Salesman at CHAC and The Intelligent Quince in A Midsummer Night’s Seattle Public Theater, Tacoma Actors Design of Jenny Chow at Seattle Public Dream and the two Duke Brothers Guild, Annex Theatre, Live Girls! Theater. He played the Librarian in the in As You Like It. Other roles include Theatre and Spokane Interplayers. Northern California premiere of Glen Lord Northumberland and Bardolph Angela is married to actor David S Berger’s Underneath the Lintel and has in Henry IV at Seattle Shakespeare Hogan (Grumio). appeared at Milwaukee Repertory Company, Arthur in End Days at Theatre and San Diego Repertory Seattle Public Theater, and Pozzo Mike Dooly Theatre. He currently serves as Artistic in Waiting for Godot at Second (Buckingham/Berkley, Richard III) Director of Theater Schmeater, where Story Repertory Theatre. Keith is This is Mike’s first time performing he’s directed Kvetch, The Mandrake, West currently the Managing Director with Wooden O and he feels Coast premieres of Maria/Stuart and The for Seattle Public Theater. He has extremely blessed and privileged to American Pilot, and the world premiere of been involved in the Puget Sound get to be part of such a powerhouse Mamet Schmamet! He shares his home theatre community since 1978, of an ensemble. Mike recently played with his lovely wife Jackie. after graduating from Whitman Iago in Othello, Larry in Closer, and College. He was the General Tim Gouran Elvis in Picasso at the Lapin Agile, all at Manager of Village Theatre at the (Gray/1st Murderer/Bishop 1/ the Balagan Theatre on Capitol Hill. Everett Performing Arts Center Richmond, Richard III) for five years and the Managing Karen Jo Fairbrook Tim is happy to return to Wooden O Director and a founding member (Mama Baptista Minola, Shrew) and Seattle Shakespeare Company of Unexpected Productions. He has after playing Prince Hal in Henry IV. Karen Jo is ecstatic her dreams of acted and directed with over twenty Other Seattle Shakespeare Company treading the Seattle Shakespeare companies in the Puget Sound area, productions include A Midsummer Company boards, and working with
    • Tim Bill David S. Kelly Annie Samara Gouran higham hogan Kitchens Lareau Lerman Night’s Dream, Swansong, The Tempest appearing last summer as Puck in A Julius Caesar. Kelly received her B.A in and Macbeth. He has worked with Midsummer Night’s Dream. Recently, Theatre and English from Vanderbilt Seattle Children’s Theatre (100 he played Lucius and Bassianus University and her M.F.A. in Acting Dresses, The Secret Garden, Charlotte in Titus (Washington Ensemble from the University of Texas at Austin. Doyle, Hamlet, The Shakespeare Theatre), Ishmael in Moby-Dick, She is married to Jim Gall, a husband Stealer, The Wrestling Season), ACT or the Whale (Book-It Repertory for her turn. (A Christmas Carol, Stuff Happens, Theatre), Antony in Julius Caesar Fuddy Meers, Young Playwright’s (Seattle Shakespeare Company), Annie Lareau Project) and Seattle Public Theater and Puck in A Midsummer Night’s (Elizabeth/Norfolke, Richard III) (A Wedding Story, Of Mice and Men). Dream (Seattle Opera Young Artists Annie is thrilled to return to Wooden Other theatres credits include Seattle Program). He has also performed O. Recent favorite roles include: Repertory Theatre, Book-It Repertory with Seattle Repertory Theatre, Ántonia in My Ántonia and Maggie Theatre, Theater Schmeater, Annex Village Theatre, Theater Schmeater, Jones in Plainsong (Book-It Repertory Theatre, and Washington Ensemble Repertory Actors Theatre, and Arts Theatre), and Nadia in The Vertical Theatre, where he is a proud artistic West. He is a recipient of a Seattle Hour (ArtsWest). Other roles with collaborator. He recently appeared Times Footlight Award. David is Seattle Shakespeare Company and in the television series Leverage with married to Angela DiMarco. Wooden O include Bawd in Pericles, Oscar winner Timothy Hutton. His Kate in Kate and Isabel and the Queen voice can be heard on many video Kelly Kitchens in Cymbeline. She has performed with games and commercials. (Kate Minola, Shrew) Syracuse Stage (New York), The Court Kelly is tickled pink to return to Theatre (New Zealand), Jennetta Bill higham Wooden O Theatre where she Cochran Theatre (London), The (Vincentio/Curtis, Shrew) appeared as Titania/Hippolyta in A Schollschberg (Amsterdam), Berkshire Bill is ecstatic about being in his first Midsummer Night’s Dream, Hermione Theatre Festival (Massachusetts), and Wooden O production with such in The Winter’s Tale, Princess of Belfry Theatre (British Columbia.) a stellar collection of veterans and France in Love’s Labour’s Lost, and as well as The Empty Space, Annex fellow first-timers. He has worked with Olivia in Twelfth Night. With Seattle Theatre, Spokane Interplayers, New Seattle Shakespeare Company, Theater Shakespeare Company, Kelly was City and Theater Schmeater. Annie Schmeater, Seattle Public Theater, most recently seen as Nerissa in holds a BFA from Syracuse University Village Theatre, Seattle Repertory The Merchant of Venice and Portia in and a Masters in Arts Education from Theatre, Seattle Opera and others. Favorite roles include Polonius in Hamlet, Nym in Henry V, 2nd Guard in Julius Caesar, Robert in Proof, Grandpa in You Can’t Take It With You, and the Innkeeper in Falstaff. He also has appeared on Northern Exposure, Perry Mason, and Father Dowling and a couple of movies including Preston Tylk and Talent for the Game. David S. hogan (Grumio, Shrew) David rejoins Seattle Shakespeare Company’s Wooden O, after
    • Jon chiara B. George Karen Damian David Lutyens Motley Mount Nelsen Peterson quicksall Harvard University. She is the proud Jon Lutyens chiara B. Motley single mother of a feisty four-year- (Rivers/Mayor/Tyrrel/ Sheriff/Brandon, (Anne/Ratcliffe, Richard III) old daughter. Richard III) Chiara is delighted to be returning Jon is very glad to return for a to Wooden O this summer as Lady Samara Lerman fourth Wooden O summer. He was Anne in Richard III. Previous local roles (Tranio, Shrew) seen last year as Francis Flute in include Sally in A Wedding Story (Seattle Samara is delighted to be back in the A Midsummer Night’s Dream and Public Theater), Belle in A Christmas parks with Wooden O where she was previously in The Merry Wives of Carol (ACT), Helena in A Midsummer last seen as Nerissa in The Merchant Windsor and As You Like It. Indoors Night’s Dream (Wooden O), and Anne of Venice. Favorite roles include this season, he appeared at Seattle in Persuasion (Book-It Repertory Debbie in Even Cowgirls Get the Blues Shakespeare Company in Henry Theatre). Other favorites include (Book-It), Sylvia in The Game of Love IV and in the Seattle premiere of Savage in Savage in Limbo, Charlotte and Chance (Harlequin Productions), The History Boys at ArtsWest. Jon in Don Juan and Hillaria in Restoration Viola in Twelfth Night (Centerstage) dedicates this performance to his Comedy. She graduated from Stanford and Anna Karenina (Atlas Theatre). grandfather, who is finally getting to University with a B.A. in Drama and has Regionally Samara has performed see him on stage. also worked with Theatre de la Jeune with Shakespeare Santa Cruz and the Lune in Minneapolis. Napa Valley Shakespeare Festival. Come Back Indoors for One Night Only WOODEN O CABARET! Featuring the Fabulously Talented Casts of richard iii & the taming of the shrew Tuesday, July 28 at 7:30 p.m. Center House Theatre in the Seattle Center Tickets: $20 Call 206-733-8222 or visit www.seattleshakespeare.org
    • carter Jose Leah calleigh Brian claudio carol Rodriquez Rufino Russell Shine Smith Thompson George Mount of working on The Importance of Being carter Rodriquez (Richard, Richard III) Earnest, Souvenir, Long Day’s Journey (Clarence/Edward/Ely/Oxford, Richard III) George recently directed Seattle into Night and Mrs. Warren’s Profession Carter is an actor, musician, and Shakespeare Company’s production all at the late Actor’s Rep. Karen is a visual artist. He has performed with of The Tempest. He is the founding graduate of the UW’s PATP. Book-It Repertory Theatre, Capitol Artistic Director of Wooden O. Roles for Hill Arts Center, The New Amerikan Damian Peterson Wooden O include Shylock, Hamlet, (Dorset/2nd Murderer, Richard III) Theatre, Edge Theatre Ensemble, Caliban and Benedick. As a director The Community Theatre and others. for Wooden O, his credits include Damian is a recent graduate of Seattle He originated the role of Boy in the Romeo and Juliet, Julius Caesar, The University and is excited to be involved award winning play The Agreement in Tempest, The Two Gentlemen of Verona, in his first production with Wooden the last Fringe Festival. Favorite roles A Midsummer Night’s Dream and Much O. At Seattle University he appeared include: Clove from Endgame, The Ado About Nothing. He has performed in The Three Sisters (Andrei), As You Cook from Mother Courage, and Victor in numerous theatres in the Seattle Like It (Orlando), and Romeo and Juliet Jara from El Sueno Antes de la Muerte. area including Book-It Repertory (Romeo) directed by Stephanie Shine. Carter is currently a teacher for the (Snow Falling on Cedars, Waxwings, He has also worked with Strawberry Prison Theatre Residency Program at My Ántonia), ACT (A Christmas Carol), Theatre Workshop (The Life of Galileo), the Men’s Correctional Complex in Taproot (The Comedy of Errors), Island Stage Left (The Comedy of Errors), Monroe, Washington. He is grateful for Strawberry Theatre Workshop (The Freehold (Othello) and most recently the opportunity to work with Wooden Water Engine), and Seattle Shakespeare played Jason in Theatre Machine’s O and this exceptional cast. Company (The Comedy of Errors, The Medea. He will be doing the puppet Taming of the Shrew). He is the Director show Bloody Henry in the fall and is Jose Rufino of Outdoor and Touring Performance currently producing his own puppet (Hastings/3rd Messenger/Blunt, show to be performed in the spring. Richard III) for Seattle Shakespeare Company, a position that includes artistic direction This is Jose’s second show with David quicksall for Wooden O. Seattle Shakespeare Company. He (Petruchio, Shrew) holds his B.A. from Temple University Karen Nelsen Dave is thrilled to be back performing and his MFA from University of (Stanley/Duchess, Richard III) Shakespeare in its natural element Washington Professional Acting Karen’s previous appearances with — the outdoors! You may recognize Training Program. Some of his Wooden O and Seattle Shakespeare Dave as the Prince from last year’s credits include Othello with Seattle Company includes: Hamlet (Gertrude), production of Romeo and Juliet. Shakespeare Company, Blood in Henry V (various), The Winter’s Tale Dave was last seen on the Seattle Mojo and the Sayso, Lucious in Jesus (Paulina), The Taming of the Shrew Shakespeare Company’s main stage Hopped the A Train, Orlando in As (Baptista), The School for Scandal (Mrs. as Brutus in Julius Caesar. Most You Like It, Harlequin in The Game of Candor), Wild Oats (Amelia), and recently, Dave appeared as the Love and Chance, and four characters Hamlet (Player Queen). She recently Marquis in Seattle Children’s Theater’s in The Water Children. While at appeared in When the Messenger is production of A Tale of Two Cities. Temple, Jose played Fielding in Hot (Mom) for Theater Schmeater, I Dave’s work as a writer and director August Wilson’s Jitney which was Do, I Do! (Agnes) for Bellevue Civic, The was visible this past winter at Book-It a part of Wilson’s festival at Penn Sweetest Swing in Baseball (Rhonda/Dr. Repertory Theatre where he directed State. Jose is married to AmyDawn Gilbert) for ArtsWest and Seattle Public his critically acclaimed adaptation of Rufino. These performances are Theater, and Under the Mantle of Stars Moby-Dick. Dave’s original adaptation dedicated to the late Sally and (Mistress) for Harlequin Productions. of Don Quixote has recently been Roberto Josephson. In recent years Karen had the pleasure published by Dramatic Publishing.
    • Sophia Villaneuva (Widow/Phyllis, Shrew) This is Sophia’s first show with Wooden O, and she could not be more excited about it! Sophia attended Highline Community College and graduated with an emphasis in Drama. She appeared in several shows while attending Highline including Earth & Sky, The Trial, and Heartbreak House. She was fortunate enough to make her John Sophia Kimberly ulman Villaneuva White directing debut last spring in Medusa’s Tale. She also received the Program Leah Russell Harlequin Productions. Other Harlequin Contributions Award for her time spent (Young York/Page, Richard III) credits include Puck in A Midsummer at Highline. Leah is happy to be returning to Wooden Nights Dream, Mercutio in Romeo and Kimberly White O for her second year in a row as an Juliet, Macbeth, Under a Mantle of Stars, (Brakenbury/Margaret/Messenger, intern in one of her favorite Shakespeare Ladies of the Camellias, The Game of Love Richard III) plays. Leah’s interest in acting was and Chance, and 12th Night of Stardust. Kimberly has worked with sparked by participating in many of carol Thompson Shakespeare’s plays for the past 20 the productions put on by Seattle (Biondello/Sugarsop, Shrew) years as coach, teacher, director, Shakespeare Company’s educational Carol will graduate from Cornish College producer and actor. Other credits programs. She recently graduated of the Arts next spring where she is include University of Washington, from Skyline High School and plans on studying Original Works. She appeared Freehold Studio, University of attending Cornish College of the Arts in at Cornish in the new works The Ban and British Columbia, Otterbein College the fall to pursue a career in acting. the Bambies and Comfort Me with Apples. (Columbus, OH), Harvard University, calleigh Shine She also appeared at Cornish as Angie Korean University of the Arts, (Young Elizabeth/Young Prince/2nd in Top Girls directed by Aimée Bruneau. Shakespeare & Company, Seattle Messenger, Richard III) She recently finished work as Assistant Children’s Theatre, Lake Tahoe Director on the ensemble-generated Shakespeare Festival, and Sun Valley Calleigh is going into her junior year project More Things in Heaven and Earth Shakespeare Festival (Co-Founder her at Garfield High School where and on the comedy show Star Wars in & Artistic Director, 2000-2004). Last she recently appeared as Beatrice a Nutshell with Fruition Productions. November Kimberly worked with in Much Ado About Nothing. Her Carol is a co-founder, co-director, and Maryland Shakespeare on a workshop Wooden O credits include Jessica in member of the improv comedy group production of Richard III. She taught at The Merchant Of Venice and Moth in Improvolution. She is thrilled to work Antioch/Freehold this past summer. Shakespeare Uncork’d’s A Midsummer with Wooden O and counts herself very She is honored to have been script/ Night’s Dream. She has appeared in lucky to be working with Aimée again. voice coach on the award-winning numerous school productions as well documentary “The Corporal’s Boots” as as Seattle Shakespeare Company’s John ulman well as for Gerard Schwartz’ “Musically Short Shakes productions. She (Hortensio, Shrew) Speaking” CD series. She is a graduate writes for her school newspaper, The John began his acting career performing of California Institute of the Arts and a Messenger, and is now a cheerleader. in the Kern Shakespeare Festival. He Designated Linklater Voice Teacher. Brian claudio Smith went on from there to receive his B.A. (Lucentio, Shrew) degree in drama from UC Irvine. John Can’t Send Red Rover Brian makes his Wooden O debut in has performed at the Edinburgh Fringe Right Over? The Taming of the Shrew. His Seattle Festival in Scotland. He has also toured Shakespeare Company credits nationally in several productions with include Aragon in The Merchant of California Theatre Center. Locally, John Venice, Cléante in The Miser, Henry IV, has been seen in ArtsWest’s The Vertical The School for Scandal, Romeo and Hour, CHAC’s God’s Country, Book-It Juliet, and As You Like It. Most recently Repertory Theatre’s Bud, Not Buddy, My Brian played Andrew Rally in I Hate Ántonia, and Night Flight, and Seattle Hamlet at SecondStory Repertory. Shakespeare Company’s A Midsummer Night’s Dream, Cyrano de Bergerac and All’s Mikel Ann Oswalt D.V.M He had the privilege of working with Licensed Veterinarian since 1973 renowned playwright Israel Horovitz Well The Ends Well. When he’s not acting, John works as a photographer. (206) 232-6205 · www.homepetvet.com on the premier of Sins of the Mother at
    • Kelsey Hopper, Chloe Mollis-McBride, David Hogan, Carly Hutchinson, and Leah Russell in A Midsummer Night’s Dream. Photo by Erik Stuhaug. academic institutions, and in some Master’s in Architecture, has been a PRODUCTiON shady backrooms and basements in stage manager and assistant director BiOGRAPHiES Chicago, San Francisco, Savannah, and for Book-It Repertory Theatre, worked Aimée Bruneau in the deep south of France. with the Flying Karamazovs at ACT, (Director, Shrew) and was with Seattle Shakespeare Marleigh Driscoll Company for nine seasons. Aimée, a proud actor alumnus with (Props Designer, Richard III) Wooden O (Hamlet, Julius Caesar and M. Elizabeth Eller Henry V), is delighted to be directing Marleigh is more than usually delighted to continue as part of the (Sound Designer, Richard III) for Wooden O/Seattle Shakespeare Company this summer. Aimée is an Wooden O family for her seventeenth Elizabeth is happy to join the actor, director, teacher and student of show in a row. She has happily Wooden O folks after many seasons theater depending on the moment. worked on Othello, The Taming of the with Seattle Shakespeare Company. She earned her MFA in Acting Shrew, Tempest, both As You Like It’s, She is a director and sound designer, from the American Conservatory Henry V, Much Ado About Nothing, and peddles her wares in theaters all Theater and her BA in Theatre Arts Love’s Labours Lost, Julius Caesar, around the greater Seattle area. Her from Virginia Tech. Aimée has been Macbeth, Twelfth Night, Hamlet, most recent work includes a sound telling tales in Seattle for more than Merchant of Venice, Merry Wives of design of Seattle Public Theater’s a decade, and has worked with a Windsor, Midsummer Night’s Dream, Of Mice and Men and directing At wide variety of theater companies, and Romeo and Juliet. Marleigh has a Sea, which appeared in Death/Sex Openings s available — till sign up today! Production Intensive: “The Taming of the Shrew” July 20–August 8 (Performances August 7 and 8) Students spend three weeks designing and building their own sets and costumes, learning performance skills, and rehearsing a produciton of The Taming of the Shrew. Call 206-733-8228 x. 212 or email education@seattleshakespeare.org
    • at Balagan Theatre. Elizabeth will Sarah Dale Rice reading of The Last Starfighter and be spending most of her summer (Stage Manager, Richard III) Sacagawea. She hopes to continue to outdoors with Wooden O’s Richard III Sarah is excited to be back with go unnoticed at theatres around the and Balagan Theatre, with whom she Wooden O. She hopes you did not Northwest. Sarah thanks her family and is directing The Taming of the Shrew catch a glimpse of her at last year’s David for all of their support. at the Fremont Troll. production of A Midsummer Night’s Seattle Scenic Studios Dream. Sarah has recently gone unseen (Technical Direction) Miller Freeman IV (Stage Manager/Assistant Director, Shrew) at Seattle Opera’s A Midsummer Night’s Dream, Elektra, Gianni Schicchi and The Seattle Scenic Studios’ mission is to Miller is honored to return as stage Enchanted Child; Intemountain Opera’s serve the region’s non-profit arts and manager for The Taming of the Shrew La Boheme; Taproot Theatre’s Big River, cultural organizations and introduce, in addition to his responsibilities The God Committee, and Seven Keys to inspire and train the next generation as Production Manager for Seattle Baldpate; and Village Theatre’s stage of technical theatre artists. Our Shakespeare this season. Other Seattle Shakespeare productions for which he has served as stage manager include: Romeo and Juliet, A Midsummer Night’s Dream (both of them Wooden O shows), Henry IV, All’s Well That Ends Well, The Miser, Pericles, The School for Scandal, Chamber Macbeth, Much Ado About Nothing, and Romeo and Juliet. Miller has also worked as stage manager for a host of shows in Seattle, including Cinderella, A Love Story with the Sound of Motown, Summer Rhapsody: The Reunion, and Uncle Willy’s Chocolate Factory produced by the Langston Hughes Performing Arts Center at Seattle Repertory Theatre, Rebecca and Waxwings with Book-it Repertory Theatre, and a number of shows at Theater Schmeater and the University of Washington including the graduate acting program’s PATP Showcase tour. Miller’s interest in theatre began as a student at Johns Hopkins University. While there, he acted in several shows and then served as Director for the production of Taming of the Shrew after which he decided that his true interest in theatre lay backstage. Jennifer havlin (Dance Choreographer, Shrew & Richard III) Ms. Havlin received a degree in Dance and Choreography while taking her pre-med classes. She’s choreographed and performed nationally and locally. Her past Seattle Shakespeare Company productions include The Tempest, All’s Well that Ends Well, Much Ado About Nothing, and As You Like It. She volunteers for Seattle area high schools choreographing their musicals and modern dance productions.
    • Hana Lass and Michael Place in Romeo and Juliet. Photo by John Ulman. clients include Seattle Public Theater, Her other directorial credits include, Competition. Since her relocation ReAct, Youth Theatre Northwest, The Comedy of Errors for Colorado to Seattle in 2007, Janessa has been Civic Light Opera, Wing Luke Asian Shakespeare Festival, I Am of Ireland honored to design for such theatre Museum, Book-It Repertory Theatre, (which she also conceived and companies as Book-It Repertory Eastside Musical Theatre, Centerstage, adapted), and A Christmas Memory Theatre, Seattle Musical Theatre, and BrownBox, Broadway Bound, for Book-It Repertory Theatre, Love’s Youth Theatre Northwest. Janessa Spectrum Dance Theater, Studio East, Labors Lost for Cornish College of the is delighted to design her first show Bainbridge KidiMu, Tacoma Children’s Arts, A Christmas Carol (also adapted) for Wooden O and is looking forward Museum, The Bruce Lee Exhibit for for Bainbridge Performing Arts, and to working with Snoqualmie Fall Inter*Im and Bellevue Opera to name a the award-winning one-woman Forest Theater on their upcoming few. Their education program currently Marilyn Monroe Biopic, Marilyn: production of Oklahoma. works with the Bush School, Summit, Forever Blonde, which is currently Roosevelt HS, Bothell HS, Olympic touring across the nation. A well- Robertson Witmer View, and Northwest School. Their known actress in the Northwest, (Sound Designer, Shrew) education and production programs she has performed for the Seattle Rob’s work with Seattle Shakespeare are supported in generous part by Repertory Theatre, ACT, The Empty Company includes sound design 4Culture, Mayor’s Office of Arts and Space, Seattle Children’s Theatre, for The Tempest, playing accordion Culture Affairs, and The Boeing Company. Book-It Repertory Theatre, and for The Servant of Two Masters, and Tacoma Actors Guild, as well as composing music for A Midsummer K.D. Schill several theatres across the nation Night’s Dream in the parks last (Costume Designer, Shrew) including both the Oregon and New summer. Recent onstage appearances K.D. has had the honor of designing Jersey Shakespeare Festivals. Her also include Seven Brides for Seven and procuring costumes for Shakespearean roles include Juliet, Brothers at The 5th Avenue Theatre some of the finest, most talented Rosalind, Lady Macbeth, Beatrice, and The “Awesome” Cycle at ACT. His theatre directors, film directors, Regan, Feste, Kate, Bianca, Dionyza, work as a sound designer includes choreographers, musicians, actors, The Princess of France, Hero, and The Mistakes Madeline Made for writers, dancers and artists in Seattle. Perdita. Stephanie is a graduate Washington Ensemble Theatre, The And for this she is grateful beyond of the University of Washington’s Adding Machine for New Century measure. This is her first show for Professional Actor Training Program Theatre Company; End Days, War Wooden O and her fourth with the and the very proud mother of Conor Party, and Stop Kiss for Seattle Public wonderful director Aimée Bruneau. and Cahilan Shine. She recently Theater. Rob performs with several directed Romeo and Juliet for Seattle local bands, including the Toucans Stephanie Shine University and When the Messenger is steel drum band and the absurdist (Director, Richard III) Hot for Theater Schmeater. garage art-pop band, “Awesome”. This fall Stephanie starts her 12th season as Artistic Director of Seattle Janessa Jayne Styck craig B. Wollam (Costume Designer, Richard III) (Scenic Designer, Shrew & Richard III) Shakespeare Company where she has directed Henry IV, All’s Well that Janessa is a graduate of Illinois Craig is enjoying working with Ends Well, The Comedy of Errors, Wesleyan University in Bloomington, Wooden O and Seattle Shakespeare Swansong by Patrick Page, Cyrano de Illinois. During her time at Wesleyan Company again. A freelance scenic Bergerac, the lauded all-male Taming she interned at the acclaimed and lighting designer, Craig’s of the Shrew, Measure For Measure, Glimmer Glass Opera in upstate work has been seen at Seattle Richard II, Wild Oats, Hamlet, Henry New York. She also placed second Public Theater, Intiman Theatre, V, Romeo and Juliet, A Midsummer at the 2006 South Eastern Theatre Seattle Opera, Centerstage, Seattle Night’s Dream, and Henry IV, pt 1. Conference Costume Design Repertory Theatre, Book-It Repertory
    • Theatre, Village Theatre, Seattle George Mount, Director of Outdoor Theatre, Book-It Repertory Theatre, and Children’s Theatre, Spectrum Dance and Touring Performances Seattle Children’s Theatre. As an Equity Theater, Civic Light Opera, ArtsWest, See Cast biographies Stage Manager, Michelle has worked Bellevue Opera, Wing Luke Art for The Bathhouse Theatre, Seattle Museum, The Bruce Lee Exhibit Michelle Traverso, Education Director Children’s Theatre, and The 5th Avenue for Inter*Im, React, Youth Theatre Theatre. She is a Washington State As Education Director at Seattle Northwest, and Attic Theatre here certificated teacher and Mom to Brian Shakespeare Company, Michelle in Washington. Out of town, Craig and Alex Traverso. supervises matinees, workshops, Short has designed for Arizona Theatre Shakes, Camp Bill, residencies, and Company, Chicago Theatre Center, professional development through Atlanta’s 14th Street Theatre, Bringing Theatre into the Classroom Boston’s Lyric Theatre, Dance (BTiC) with partners Seattle Repertory Theatre Workshop of New York, The Colony in Miami, Zephyr Los Angeles, and Actor’s Playhouse New York. Recent projects include Retreat Our productions can satisfy from Moscow for ArtsWest; Halcyon Washington State EALRs in Reading, Days for Seattle Public Theater; Writing, Communications, Social The Sweetest Swing in Baseball Studies, and Arts. for Seattle Public Theater and ArtsWest; Cinderella for Centerstage; Youth Theatre Northwest’s Pippin; Still only $10 per seat! and Magic Flute and Carmen twelfth night with Bellevue Opera. Craig is co- founder and Technical Director of Seattle Scenic Studios, a nonprofit serving non-profits and education December, 2009 throughout western Washington. A beguiling comedy of romantic adventures and misdirected love kEy STAFF BiOGRAPHiES Stephanie Shine, Artistic Director See Production biographies henry v John Bradshaw, Managing Director January, 2010 Entering his seventh season with A saga of inspired leadership and triumph Seattle Shakespeare Company, John against all odds is a graduate of the University of hamlet Washington and has spent nearly his entire career as part of the Seattle theatre community. Prior to joining Seattle Shakespeare Company, March–April, 2010 he was Managing Director at The Empty Space Theatre; Director of A poetic drama about the costs of pursuing justice Endowment and Planned Giving at Seattle Repertory Theatre; and General Manager and Development the two gentlemen of verona Director for Kirkland Performance Center. At Seattle Children’s Theatre, he was part of the development staff during the capital campaign to April–May, 2010 build the Charlotte Martin Theatre. A comic tale of wandering hearts As a student stage manager at UW, he had the pleasure of working with a very talented young actress named Stephanie Shine on several Pre-show workshops & post-show discussions also available. productions, including Shakespeare’s The Taming of the Shrew. www.seattleshakespeare.org/education or 206-733-8228 x 212
    • CONTRiBUTORS We appreciate the support of all the generous donors who contribute to make it possible for Wooden O and Seattle Shakespeare Company to bring free Shakespeare to our region’s parks. The following list represents combined gifts made between May 1, 2008 and June 17, 2009 on behalf of Wooden O. “Give me your hands, if we be Sharelle Howard Margaret and Tom Hartley Trudi Jackson and William R. Price III Adam Hasson friends…” Kristin Jamerson William Hochberg $5,000 and up Kirk Jones Jacqueline and Lawrence Houston 4Culture Mary Anne and Chuck Martin Kristi Hudson Susan Herring, In Honor of Her Late Mother Henry Matthews and Susan Platt Debra and David Johnson The Norcliffe Foundation Patrick McKee Jeffrey and Cheryll Jones U. S. Bancorp Foundation Chris Mellinger and Thomas Greenwood Cindy B. Katz Jocelyn and Michael Miller Renee S. Katz, PhD, PLLC “To be or not to be…” Richard and Karin Miller Elizabeth Kennedy and Robert Kechley $1,000–$4,999 Bryan Morrison Diane L. Kennish Anne & Mary Arts and Environmental Edmond Mount and Joan Dorian Nancy Krueger Education Fund at the Greater Everett Karen Nelsen Scott H. Kruize Community Foundation Allen Nelson Family Steven and Lee Elder LaCroix City of Issaquah and the Issaquah Arts Karen Neyman Mary Reeves Leber Commission Anita Althoff Nordstrom Barry and Mary Lloyd Raney, Grace and Robert Cumbow Martha and Martin O’Donnell David and Nancy Lundsgaard Harold and Mary Frances Hill Richard and Jean Page Jennifer V. Mack John and Ellen Hill Kit and Bill Phillips Mary March and Michael R. Leathers Mercer Island Community Foundation Colin and Janice Ricketts Elaine Mathies Mary Pigott Paula Russell Judith E. McAllister, MSW Shelly Sundberg Xenia McGowan “Tomorrow and tomorrow…” Jessica Wagoner Theresa and Paul McLain $500–$999 Richard and Catherine Wakefield Ellen McLees Captain Paul S. Bloch and Sherilyn G. Bloch James and Yvette Waters Michelle Medrano Charlotte and Michael Buschmohle/ Jay Weinland Avril Meehan Applause! Associates Lin and Judith Wilson Mary Menard and Stephan Ahnert Chistopher G. Dowsing of Morrow, Dan and Judy Witmer Tami and Joe Micheletti Kessler & Dowsing Microsoft Matching Gift Fund Ellen Lackermann and Neal Stephenson “The food of love…” Judith A Mitchels Mercer Island Rotary Up to $99 C. Mitton Anonymous (1) Christina Mollis “The quality of mercy…” Boeing Gift Matching Program Nancy Nelson $200–$499 Rosemarie and Edward Authier Jane Pemberton and Fernando Garcia-Duarte Anonymous (1) Sally Bartow and Patrick McKee Lynn Perkins Lori Church and Mark Pursley John and Nancy Bates Stephen and Marlene Perkins Neal Fuller Mamata and Jayant Bhopatkar Ann Markee Pierson Lisa Hager and Karl Divoky Helen and John Bigelow Kate Randall Carolyn Iblings Libbie Bradley Robert and Kathleen Reynolds Mary Metastasio Elizabeth Bull Elizabeth Robertson Joni Ostergaard and Will Patton Meryl and Helen Carson Beth and Kenneth Rosen Yvette and James Waters Amanda Cohn and Koji Yugawa 17th Earl of Oxford Leora Wheeler Beth Cooper Nany Snapp David Copley and Steven Chapman Todd and Aubrey Stefan “A muse of fire…” John and Carol Crothers Nancy Talley $100–$199 Patrick Danneker Mary Thomas Anonymous (1) Kay Lee Dart Gertrud Tobiason Bank of America Matching Gift Fund Sabrina MacIntyre and Thomas Delfeld Eric and Heather Tuininga Thomas and Rosaline Bird Stephanie Derke SC and Pamela Van Swearingen Mary W. Brucker Michelle Downey-Magee and Dail Magee Jr. Julie Vergeront and Robert Wallach George and Sharilyn Carroll Barbara and Rober Erickson Jeff and Norma Villarreal Jay Causey Audrey Fellinge Kathleen Walden Elizabeth Hardisty Laura Ferri and Michael Loggins Laura Wang Mike Hatmaker and Ruby Okada Barbara Fritzemeier Suzanne Elise Way Barbara and Paul Heneghan Cheryl Gagne Carol A. Zimmerman Hidagard Protection Society Debra Gruber
    • Lyssa Browne, Betsy Schwartz, and Chad Jennings in As You Like It. staff Board of directors Stephanie Shine, Artistic Director | John Bradshaw, Managing Director Phil Miller, President Leslie Vogl, Vice President ARTISTIc STAFF cONSuLTING DOcTOR John Bodoia, Treasurer Neil Freeman, Text Consultant Dr. Mary Weiss, Swedish Barbara Hebenton Fielden, Secretary John Langs, Associate Artist Physicians Providence Clinic Emily Evans, Immediate Past President George Mount, Director of Outdoor and Touring Performances TEAchING ARTISTS (2007-08) BOARD MEMBERS Amy Thone, Casting Director Noah Benezra David C. Allais Cara Anderson Edwin S. Green EDucATION Don Darryl Rivera Michelle Traverso, Education Director Roberta Greenwood Gordon Carpenter Jane Harris Nellams Erin Murray, Education Associate Anne Conte Barbara Peterson PRODucTION Eveline Darroch Pamela Ottaviano Rhodes Miller Freeman IV, Production Manager Austin Farwell Nicole E. Dacquisto Rothrock Pete Rush, Costume Shop Manager Jessica Hatlo Paula Russell MARKETING Kelly Kitchens Judith Shulman Jeff Fickes, Communications Director Jon Lutyens Dan Tierney Thea Roe, Graphics and Marketing Assistant Taylor Maxwell Jeanne C. Wintz, Ph.D. Gavin McLean FRONT OF hOuSE Vanessa Miller ADVISORY BOARD Susanna Pugh, Audience Services/House George Mount Kenneth Alhadeff Manager Erin Murray Cecile Delafield BOX OFFIcE Brandon Petty Dan Drais Rebecca Price, Box Office Manager Don Darryl Rivera Donald Frothingham Melinda Beck, Box Office Associate Leilani Saper Slade Gorton Maya Malan-Gonzalez, Box Office Associate Stephanie Shine Harry P. Hosey M. J. Sieber Gaelynn McGavick DEVELOPMENT Sarah Merner Paul Morgan Stetler Beth Amsbary, Development Manager Jane Mills Amy Thone OPERATIONS Michelle Traverso Meg Pageler Mourning Bernie McIlroy, Technology Overlord Katjana Vadeboncoeur Richard Rhodes Kathy Hsieh, Bookkeeper Richard Ziman Pat Walker Doug Walker Steven M. Wells
    • Trust No One Intiman Theatre presents OTHELLO Theatre for a New Audience’s Production of Straight from New York Intiman Theatre at Seattle Center this production is JULY 2 – AUGUST 2 “Blazing across the stage” By William Shakespeare Directed by Arin Arbus for a limited run. - The New York Times Frank P Wartenburg/Photolibrary TICKETS 206.269.1900 | www.intiman.org
    • Seattle Shakespeare Company’s arresting productions and intimate theatre thrust you into the heartbeat of the action. Join us for a year of Shakespeare like no other! Subscribe to the 2009–2010 Season Today Dec 3–27, 2009 Directed by Stephanie Shine twelfth night A beguiling comedy of romantic adventures and misdirected love. henry v A saga of inspired leadership and a band of brothers who triumph against all odds. Apr 15– May 9, 2010 Directed by Russ Banham Jan 7–31, 2010 Directed by Sheila Daniels electra A riveting drama of a daughter’s sworn vengeance. the two gentlemen Mar 18–Apr 11, 2010 of verona Directed by Marcus Goodwin A comic tale with moony, misguided guys, resourceful gals, and a funny bit with a dog! complete 4-Play Season Ticket Packages Start at $54! One of the Best Entertainment Values in Town call 206-733-8222 or Order Online: SeattleShakespeare.org All titles, dates and artists subject to change. Photo Credits: Charles Leggett in The Merchant of Venice, photo by Ken Holmes. Jennifer Sue Johnson and John Bogar in The Turn of the Screw, photo by John Ulman; Katjana Vadeboncoeur in The Servant of Two Masters, photo by John Ulman; David Pichette in Henry IV, photo by John Ulman; Carolyn Marie Monroe and Michael Winters in The Tempest, photo by John Ulman.